This poem by Yesenin, with its stanzas, resembles a collection of ditties that are connected by a common plot, idea, and style. However, in the quatrains themselves, the logical connection is not always discernible, as in ditties.

Everyone knows the example about the elderberry and the uncle, but here: in the third stanza the first lines contain positive exclamations about sleighs (“eh!”), and in the second suddenly there is information that the hero’s father is a peasant, and he himself, logically, is a peasant’s son . The hero - the narrator represents Yesenin himself in his image. In the fourth stanza there are also two lines about how the hero doesn’t care about his poetic fame, and the last lines about how he hasn’t been in this area for a long time. This rhythm creates a feeling of courage. The hero conveys his rollicking state, saying that he abandoned everything in these cities and returned to his native village.

The poem begins relatively calmly - with a description of the “sick” area. The animated bells are crying... In this side, everything is familiar to the poet, and therefore definitely alive. In addition, he admits that the road here is “ugly,” but at the same time it is forever loved. He is ready to kiss the foot of every birch tree (personification). And in general, the poet believes that anyone who saw this sad land would be imbued with love for it. Yesenin admits that he cannot help but cry here.

In contrast to the landscape, the “youth of the villages” is shown, which seems to rush by with a hoot, playing the accordion. Even if there is a sad landscape around, people compensate for it with their positivity and Russian prowess.
And a conclusion is drawn that connects the motives of the entire poem together. So, we must remember that more than one glory was lost here, that is, people abandoned, like the hero of the poem, the empty worldliness and bustle of the city for the sake of real life in the countryside. And they did the right thing! A famous poet comes to this idea.

Analysis of the poem Small woods, steppe and distance according to plan

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Lyrical work “Small Forest. Steppe and Dali,” adored by many as a representative of the new peasant poetry and lyricist S. A. Yesenin, once again shows the unusually reverent love of this real Russian poet for his Motherland. In his poetic work, it became the most beloved and popular motif. In his own, he often asked it, placing in the center the image of a wanderer who, after long wanderings and trials, returned to his native land, where, as it seemed to him, even nature trembled and rejoiced at his appearance. The theme of the road has become traditional and very common for many Russian classics, such as A. Blok, A. Pushkin, N. Nekrasov and others.

“Small forest. Steppe and distance" - Yesenin's verse

So, in the description of the plot of the poem, we see a very nondescript and unpretentious landscape. The soul and heart of the hero are worried, Yesenin imagines himself in him. At this moment, he is bursting with overwhelming emotions and rejoices, like those sobbing “spill bells” ringing “along an unsightly road, but beloved forever,” along which every Russian person has traveled many times.

Landscape in the work “Small Woods. The steppe and the distance" was specially animated by the author. Such terrain in the Russian central zone is common and unremarkable, but here it is depicted in harmony with the soul of an ordinary Russian peasant.

Yesenin never lost his feelings for his small homeland and connection with his roots. He himself said that his father was a peasant, and that is why he is a peasant’s son. In the verse “Small woods. Steppe and Dali” he compares nature with a native person, expresses feelings of gratitude and appreciation to him in his lines. The poet is sure that if anyone sees this region at least once, he will be glad to kiss every birch tree’s leg.

According to him, fame is nothing compared to this “sickly locality,” which evokes touching feelings of gratitude. Yesenin remembers it from early childhood; this land nourished him with its beauty and prosperity, delightful crimson sunsets and sunrises, fragrant herbs and impassable fords.

Analysis of the poem “Small Forest. Steppe and distance"

From the mere thought that his hero is returning to his homeland, the poet is overcome by a wave of sounds of accordion and the melodies of ditties. By the way, the verse was written in this rhythm. The tetrameter trochee, characteristic of folk ditties, was used.

It should be noted that Yesenin “Small Forest. The steppe and the distance” was one of the last to write. Here he to some extent revealed his dying premonition, which was almost always present in all his lyrics. In the last column, it is not in vain that the tavern revelry, the accordion are mentioned, and now the tragic death is following in the footsteps, which has become commonplace for the Russian people. “Oh, accordion, death is poison...”

Yesenin and homeland

The poet left his native village of Konstantinovka quite early, because he went to conquer the capital, not even suspecting what awaited him there, and what a strong longing for his native land would torment him all his life. Cheerful and dissolute Moscow will very quickly bore the Russian poet. He, of course, understood that it was not possible for his talent to break through in the village. But even having achieved enormous success in the poetic field, Yesenin did not get rid of his peasant roots, so he will devote almost every line of his creations to nature, which will become for him an inexhaustible source of poetic inspiration.

Yesenin “Small forests. “The steppe and the distance” was written in October 1925, it was then that the poet decided to visit his native rural outback for a short time - the village of Konstantinovka. His first impressions of this trip were unforgettably exciting. He was surprised by the changes that had taken place during his absence. Inspired at first by revolutionary ideas, he very quickly became disillusioned, and now only nature, that cozy corner of childhood, still greeted him warmly and affectionately, ready to console and calm conflicting thoughts and feelings, pacify pride and vanity. It is here that he is again that cheerful, mischievous boy, and not a foreign dandy in an English suit disappointed with life.

Inevitability

In the poem “Small Forest. The steppe and the distance”, the poet’s fatigue from the constant bustle of the world is felt. After all, Yesenin had already achieved everything he wanted, but he still did not understand why he lived and what the meaning of his life was.

With the last phrase of the poem, “more than one dashing glory has gone to waste,” he sincerely admits that he is ready to give up his achievements for the sake of his former joyful, modest and serene life, but, as a person already wise with experience, he understands that there is no way back for him no, just like his quiet, calm old age in his native land.

The theme of nature in the poems of SERGEY ALEXANDROVICH ESENIN “Small forest. The steppe and gave...", "Powder".

Literature lesson in 6th grade.

Hot Saida Khazretovna,

teacher of Russian language and literature.

Epigraph for the lesson:

"He who has seen at least once

This edge and this surface,

That one on almost every birch tree

Happy to kiss your feet."

"My lyrics are alive

one big

love -

love for the Motherland.

Feeling of Motherland -

basic

in my work."

Biography of the poet

• Sergei Aleksandrovich Yesenin was born in 1895 into a peasant family in the village of Konstantinovo, Ryazan province. S. Yesenin knew Russian folklore perfectly, which he studied not from books, but in communication with fellow villagers. About four thousand miniature masterpieces were recorded in his notebooks. And the main thing in them is the impressions coming from life.

Poet's family

S. Yesenin's parents

S. Yesenin with his younger sisters

Studies

Having graduated with honors from the Konstantinovsky four-year school (1909), Yesenin continued his studies at the Spas-Klepikovsky teacher's school (1909-12), from which he graduated as a “literacy school teacher.”

• Yesenin's first collection of poems, "Radunitsa" (1916), was enthusiastically welcomed by critics, who found a fresh spirit in it, noting the author's youthful spontaneity and natural taste.

One cannot but agree with the words of critic K. L. Zelinsky:

“The modest, captivating nature of central Russia is sung by Yesenin with deep and reverent love, like a living being. It is not for nothing that it is shown not contemplatively, but in action.”

***

Small forest. The steppe and the distance.

Moonlight to all ends.

Suddenly they started crying again

Spill bells.

Unsightly road

Yes, forever beloved,

Which I've traveled a lot

Every Russian person.

Oh you sleigh! What a sleigh!

The sounds of frozen aspen trees.

My father is a peasant,

Well, I am a peasant's son.

I don't care about fame

And the fact that I am a poet.

This stunted area

I haven't seen you for many years.

Anyone who has seen at least once

This edge and this surface,

That one on almost every birch tree

Happy to kiss your foot.

How can I not shed tears?

If with a wreath in cold and ringing

Will be around to have fun

The youth of Russian villages.

Answer the questions:

• How Yesenin sees the surrounding nature in the poem “Small Woods. The steppe and gave...?
• Why does the poet, speaking about nature dear to his heart, loved to tears, not find high, sublime words, but say: “unsightly road”, “sickly area”?
• How does the poet explain his family, blood connection with the dim Russian nature?
• What mood is this poem permeated with?
• What lines of the poem indicate that world fame could not make the poet forget his father’s land, which he had not visited for many years?

"Porosh"

I'm going. Quiet. Rings are heard

Under the hoof in the snow.

Only gray crows

They made noise in the meadow.

Bewitched by the invisible

The forest slumbers under the fairy tale of sleep.

Like a white scarf

The pine tree has tied up.

Bent over like an old lady

Leaned on a stick

And right under the top of my head

A woodpecker is hitting a branch.

The horse is galloping, there is a lot of space.

The snow is falling and the shawl is laying down.

Endless road

Runs away like a ribbon into the distance.

‹ 1914›

• Answer the questions:
• What is the subject of the image in the poem “Powder”?
• What mood is conveyed by the poet in this poem?
• What pictures help to paint the Russian landscape?
• What artistic techniques did the poet use to make these paintings bright and memorable?

• The closeness of the poems to oral folk art, melodiousness, lyricism.
• Special love, mutual understanding of the lyrical hero with nature, a feeling of kinship with the outside world.
• The natural world is incredibly rich and colorful.

Homework.

Write a syncwine on the topic: “Nature in the poems of Sergei Aleksandrovich Yesenin.”

The theme of love for the Motherland is quite typical for Sergei Yesenin, and this time his characteristic lyrics do not become any exception to the rule. The poem was written in 1925, it is filled with the love and tenderness of a wanderer who returns home from a long journey and experiences strong emotions from contemplating his native landscapes.

The main theme of the poem

The work begins with a classic description of roadside landscapes, which are simple and not distinguished by anything special, but at the same time impress the lyrical hero. The simple Russian landscape excites the character, making the heart beat faster.

The author openly shares his very intimate experiences that he himself once experienced. Returning to his homeland was of great importance for the poet, and therefore the poem is filled with the same great, simply incredibly deep, experiences.

Everything is mixed up here - from philosophical thoughts about the fate and meaning of human life, to some elusive notes of premonition of tragedy and death. Each line reveals the poet’s excellent knowledge of rural life and the natural features of suburban settlements.

Structural analysis of the poem

The lyrical hero in this case is completely identified with the author of the poem, and the experiences with which the work is filled can safely be called the personal experiences of the poet himself. It is very important to emphasize a certain characteristic feature of the works of this author - he is inclined to give spirituality to nature - trees, grass, or even, as in this case, “tap bells”.

The ordinariness of the landscapes of the country road is emphasized by the mention that many “Russian people” traveled along this unsightly, ordinary road. Thus, the author did an excellent job of highlighting the traditional nature of such landscapes for residents of central Russia, which means that the experiences of not only the author, but also any Russian person resonate in the work.

By saying that the author is the son of a peasant, the poet tries to emphasize his close relationship with the Russian people, some strong connection with this native land. The spiritualization of nature also helps here to convey the tenderness and strong feelings of a person. Special artistic techniques make it possible to revive even sounds and smells in the reader’s imagination, which ultimately allows one to paint a more realistic picture.

To write the poem, a tetrameter trochee with a cross classical rhyme was used. That is why the work is easy to read, and the lines of the poem are remembered very quickly in the end.

Conclusion

This poem can be safely attributed to the classic works of this poet, which are dedicated to the love of the nature of his native country. This is a typical Yesenin lyric, which is very clearly characterized by unusual metaphors that are understandable to every modern person. These lines are designed to instill patriotism in the Russian people, and are capable of awakening tender feelings for the native land of the country.

Analysis of the poem by S. A. Yesenin “Small Forest. The steppe and the distance." This is one of many in Yesenin about his homeland, about the return of a wanderer after long wanderings to his homeland, which is also one of Yesenin’s favorite motifs. In addition, the work clearly expresses the theme of the road, traditional for Russian classics (Pushkin, Lermontov, Nekrasov, Blok and others).

It begins with a description of a roadside landscape, nondescript, unpretentious: Small woods. The steppe and the distance. Moonlight to all ends. But this simple Russian landscape excites the heart of the lyrical hero, who is identified with the author himself: Here again the Spilling Bells suddenly burst into tears.

(Animation, personification). Every Russian person has traveled a lot along this road, “unsightly, but beloved forever.” Thus, this landscape is traditional for central Russia, and the feelings of every Russian person are shown. The poet acutely feels the connection with his small homeland, with his roots: My father is a peasant, Well, I am a peasant’s son. The sight of “this sickly area” evokes the most tender, intimate feelings of the hero.

Here another, quite common motif of the poet’s work is manifested - the animation of nature: Anyone who has seen at least once this land and this expanse is glad to kiss almost every birch tree’s leg. Returning to his homeland immediately evokes in the memory of the lyrical hero the sounds of an accordion and ditty tunes, in the rhythm of which the poem was written. The trochaic tetrameter is used - a meter typical for ditties. This is one of the last poems of the poet, and in the final part of it - again, as in some of his other dying poems - there is a connection with one’s fate: tavern revelry, maybe even a premonition of a tragic death, again common for a Russian person: Eh, accordion , death is a poison, You know, under this howl, more than one dashing glory was lost in the grass.

The composition of the work is based on gradation - a gradual increase in the feeling of love for the homeland. We need to pay attention to the sounds that the poet invites us to hear in this poem: the sobbing of spilled bells, the “ringing of frozen aspens,” ditties under a wreath and, finally, the howl of “accordion, death-poison.”

Analyzing this poem, we can conclude that it belongs to the masterpieces of Yesenin’s lyrics.