Health

Description of the heroes of the novel, fathers and children. "Fathers and Sons": Heroes of Turgenev's Immortal Work. Nikolay Petrovich

Evgeny Vasilyevich Bazarov is the main character of the novel, the son of a regimental doctor, a medical student, a friend of Arkady Kirsanov. Bazarov is the brightest representative of the youth and the various democratic intelligentsia of the middle of the 19th century. Calling himself a "nihilist", he denies the established social order and rejects any principles.

A beautiful aristocrat of 29 years old, whom Bazarov fell in love with. She considers herself to be a new generation of nobles: simple, calm, devoid of snobbery, preaches freedom of judgment and democracy. By nature, Anna Sergeevna is proud and intelligent. Left without a father early, she raised a younger sister.

One of the main characters in the novel, father of Arkady Kirsanov and brother of Pavel Petrovich. In the past he was happily married, but remained a widower. Now he has a young girl named Fenechka who gave birth to his son. Despite the fact that Nikolai Petrovich is no longer young, he tries to keep up with the times, is interested in music, poetry and art in general.

Brother of Nikolai Petrovich Kirsanov, uncle of Arkady and main opponent of Bazarov. He acts as the main opponent in ideological disputes with Bazarov and by the strength of his character is a worthy rival to him. Pavel Petrovich is distinguished by adherence to principles, insight, aristocracy, high intellect, sharp mind, nobility, willpower, liberal views and a passion for everything English.

She is one of the main female characters in the novel. She is an ordinary peasant girl who was left an orphan early. Fenechka's mother Arina Savishna worked as a housekeeper on the estate of Nikolai Petrovich Kirsanov. When she died, he took upon himself the care of young Fenechka, with whom he later fell in love.

A minor character in the novel, an emancipated landowner, Sitnikov's friend, pseudo-nihilist. She imitates the most extreme manifestations of radicalism, is constantly interested in the "women's issue" and the status of women around the world, is fond of natural sciences, and despises Georges Sand.

A minor character in the novel, friend and student of Bazarov, pseudo-nihilist. He is characterized by anxious tension, as well as a dog's devotion to his "teacher". He tries in vain to imitate Bazarov, making him his idol. In attempts to behave freely and boldly, to show harsh judgments and actions, he looks comical.

Kate

Odintsova's younger sister. Young and shy girl 18 years old. Their love with Arkady developed slowly, but gradually the young people fell in love and got married. In the future, they had a son, Kolya.

Vasily Ivanovich

Bazarov's father, retired staff physician. Lives in a remote estate, has few serf souls. He is engaged in the treatment of local peasants. He is fond of gardening and vegetable garden. Eugene he had an only son, after whose death his life also faded.

Arina Vlasyevna

Bazarov's mother, a kind woman who dearly loves her son. She was very devout and believed in everything that was possible: in goblin, dreams, omens, fortune telling, corruption and even in the end of the world. In her youth, she was beautiful, played the clavichord and knew French. Now she has grown fat, forgot music and language. The death of her son practically killed her.

Prokofich

A servant in the Kirsanovs' house, a thin old man of about sixty years old. Nikolai Petrovich called him a grouch. The only one of the servants who did not like Bazarov.

Dunyasha

A servant in the Kirsanovs' house, a young girl who helps Fenechka take care of her little son Mitya. She really liked Bazarov.

Peter

Valet in the Kirsanovs' house. A stupid and proud person. He could read syllables. At the end of the book he married the daughter of a city gardener and received a good dowry. She chose him only because he had a watch.

Mitya

The little son of Nikolai Petrovich and Fenichka. He's not even a year old.

Matvey Ilyich

A noble relative of the Kirsanovs, to whom Arkady and Bazarov went from the estate. He advised them to go to the governor and take an invitation to the ball.

The governor

Fussy and forgetful person. He invited Bazarov and Kirsanov to his big ball, where they met Odintsova.

Princess X

Anna Sergeevna Odintsova's aunt, a thin and small old woman, a princess. After the death of her husband, Odintsova invited her to live on her estate and manage it. Now no one paid attention to her, although they were treated with respect and well looked after. She died shortly after the death of Bazarov.

Porfiry Platonich

Odintsova's neighbor, who often came to her to play cards. He was short, cheerful and already gray-haired. He loved to tell jokes.

Timofeich

Bazarov's father's clerk, former uncle Eugene. I came to Madame Odintsova for him and said that his parents were looking forward to him. He also came to her to bring her to the dying Bazarov.

Fedka

Servant in the Bazarovs' house. Upon the arrival of Bazarov with Arkady, he began to serve them. For the sake of their arrival, he was dressed in different clothes and given new boots, to which he could not get used to.

Doctor Odintsova

He came with Madame Odintsova to examine the sick Bazarov, immediately determined that he had no chance of survival, which he managed to whisper to her, before she met him.

Evgeny Vasilievich Bazarov is a nihilist, student, studying to be a doctor. In nihilism, he is Arkady's mentor, protests against the liberal ideas of the Kirsanov brothers and the conservative views of his parents. A revolutionary democrat, a commoner. Towards the end of the novel, he falls in love with Odintsova, betraying his nihilistic views on love. Love turned out to be a test for Bazarov. Dies of blood poisoning at the end of the novel.

Nikolai Petrovich Kirsanov - landowner, liberal, father of Arkady, widower. Loves music and poetry. Interested in progressive ideas, including in agriculture. At the beginning of the novel, he is ashamed of his love for Fenechka, a woman from the common people, but then he marries her.

Pavel Petrovich Kirsanov is Nikolai Petrovich's elder brother, a retired officer, aristocrat, proud, self-confident, ardent adherent of liberalism. Often argues with Bazarov about love, nature, aristocracy, art, science. Lonely. In his youth he experienced tragic love. He sees in Fenechka Princess R., with whom he was in love. He hates Bazarov and challenges him to a duel, in which he receives a slight wound in the leg.

Arkady Nikolaevich Kirsanov is a recent graduate of St. Petersburg University and a friend of Bazarov. Becomes a nihilist under the influence of Bazarov, but then abandons these ideas.

Vasily Ivanovich Bazarov - Bazarov's father, a retired army surgeon. Not rich. Manages his wife's estate. Moderately educated and enlightened, he feels that rural life has left him isolated from modern ideas. He adheres to generally conservative views, is religious, loves his son.

Arina Vlasyevna is Bazarov's mother. It is she who owns the village of Bazarovs and 22 souls of serfs. A devout follower of Orthodoxy. Very superstitious. Suspicious and sentimental-sensitive. Loves her son, deeply concerned about his renunciation of the faith.

Anna Sergeevna Odintsova is a rich widow who accepts nihilist friends on her estate. Sympathizes with Bazarov, but after his recognition does not reciprocate.

Ekaterina Sergeevna Lokteva - the sister of Anna Sergeevna Odintsova, a quiet girl, invisible in the shadow of her sister, plays the clavichord. Arkady spends a lot of time with her, languishing with love for Anna. But later he realizes his love for Katya. At the end of the novel, Catherine marries Arkady.

Fenechka is the mother of Nikolai Petrovich's child. Lives with him in the same house. At the end of the work she marries Nikolai Petrovich.

A source:

Villains, monsters and other fictional creatures from movies, literature, cartoons, myths, legends and comics
http://www.fanbio.ru/vidzlodei/1726—q—q.html

Heroes of the work fathers and children

I.S. Turgenev "Fathers and Sons": description, heroes, analysis of the novel

Turgenev's novel "Fathers and Sons" reveals several problems at once. One reflects the conflict of generations and clearly demonstrates a way to get out of it, while preserving the main thing - the value of the family. In the second - the processes taking place in the society of that time are demonstrated. Through dialogues and skillfully designed images of heroes, a type of public figure that has just begun to emerge is presented, denying all the foundations of the existing statehood and ridiculing such moral and ethical values \u200b\u200bas love feelings and sincere attachments.

Ivan Sergeevich himself in the work does not take any of the sides. As an author, he condemns both the nobility and representatives of new social and political movements, clearly showing that the value of life and sincere affections is much higher than rebellion and political passions.

Of all the works of Turgenev, the novel "Fathers and Sons" was the only one written in a short time. It took only two years from the moment the idea was born to the first publication of the manuscript.

The first thoughts of a new story came to the writer in August 1860 during his stay in England on the Isle of Wight. This was facilitated by Turgenev's acquaintance with a provincial young doctor. Fate pushed them in bad weather on an iron road and under the pressure of circumstances they talked with Ivan Sergeevich all night. New acquaintances were shown those ideas that the reader could later observe in Bazarov's speeches. The doctor became the prototype for the protagonist.

In the autumn of the same year, upon his return to Paris, Turgenev worked on the plot of the novel and began writing chapters. Within six months, half of the manuscript was ready, and he finished it after his arrival in Russia, in the middle of the summer of 1861.

Until the spring of 1862, while reading his novel to friends and giving the manuscript to the editor of the Russian Bulletin for reading, Turgenev made edits to the work. In March of the same year, the novel was published. This version was slightly different from the edition that came out six months later. In it, Bazarov was presented in a more unsightly light and the image of the protagonist was a little repulsive.

The protagonist of the novel, the nihilist Bazarov, together with the young nobleman Arkady Kirsanov, arrives at the Kirsanovs' estate, where the protagonist meets his comrade's father and uncle.

Pavel Petrovich is a refined aristocrat who absolutely does not like either Bazarov or the ideas and values \u200b\u200bshown to him. Bazarov also does not remain in debt, and no less actively and passionately, he speaks out against the values \u200b\u200band morals of the elderly.

After that, the young people get acquainted with the recently widowed Anna Odintsova. They both fall in love with her, but temporarily hide it not only from the subject of adoration, but also from each other. The main character is ashamed to admit that he, who spoke vehemently against romanticism and love affection, now suffers from these feelings.

The young nobleman begins to be jealous of the lady of the heart for Bazarov, misunderstandings occur between friends and, as a result, Bazarov talks about his feelings to Anna. Odintsova prefers a quiet life and a marriage of convenience to him.

Gradually, relations between Bazarov and Arkady deteriorate, and Arkady himself is fond of Anna's younger sister Ekaterina.

Relations between the older generation of the Kirsanovs and Bazarov are heating up, it comes to a duel, in which Pavel Petrovich is wounded. This puts a fat point between Arkady and Bazarov, and the main character has to return to his father's house. There he becomes infected with a fatal disease and dies in the arms of his own parents.

In the finale of the novel, Anna Sergeevna Odintsova marries by convenience, Arkady and Ekaterina, as well as Fenechka and Nikolai Petrovich, are getting married. They play their weddings on the same day. Uncle Arkady leaves the estate and goes to live abroad.

Bazarov is a medical student, by social status, an ordinary person, the son of a military doctor. He is seriously interested in the natural sciences, shares the beliefs of the nihilists, and denies romantic attachments. He is self-confident, proud, ironic and mocking. Bazarov does not like to talk a lot.

In addition to love, the main character does not share admiration for art, has little faith in medicine, despite the education he receives. Not considering himself a romantic person, Bazarov loves beautiful women and, at the same time, despises them.

The most interesting moment in the novel is when the hero himself begins to experience those feelings, the existence of which he denied and ridiculed. Turgenev clearly demonstrates an intrapersonal conflict, at the moment when a person's feelings and beliefs diverge.

One of the central characters in Turgenev's novel is a young and educated nobleman. He is only 23 years old and barely finished university. Due to his youth and temperament, he is naive and easily falls under the influence of Bazarov. Outwardly, he shares the beliefs of the nihilists, but in his soul, and further in the plot, this is evident, he appears as a generous, gentle and very sentimental young man. Over time, the hero himself understands this.

Unlike Bazarov, Arkady loves to talk a lot and beautifully, he is emotional, cheerful and values \u200b\u200baffection. He believes in marriage. Despite the conflict between fathers and children shown at the beginning of the novel, Arkady loves both his uncle and his father.

Odintsova Anna Sergeevna is an early widowed rich person who at one time got married not for love, but for calculation, in order to save herself from poverty. One of the main heroines of the novel loves peace and her own independence. She never loved anyone and was not attached to anyone.

For the main characters, she looks beautiful and inaccessible, because she does not reciprocate with anyone. Even after the death of the hero, she remarries, and again by calculation.

The younger sister of the widow Odintsova, Katya, is very young. She is only 20 years old. Catherine is one of the loveliest and lovable characters in the novel. She is kind, sociable, observant and at the same time demonstrates independence and obstinacy, which only paint a young lady. She comes from a family of poor nobles. Her parents died when she was only 12 years old. Since then, she has been brought up by her older sister Anna. Her Ekaterina is afraid and under the gaze of Madame Odintsova feels awkward.

The girl loves nature, thinks a lot, she is direct and not flirtatious.

Father Arkady (brother of Pavel Petrovich Kirsanov). Widower. He is 44 years old, he is a completely harmless person and an undemanding owner. He is gentle, kind, attached to his son. He is a romantic by nature, he likes music, nature, poetry. Nikolai Petrovich loves a quiet, calm, measured life in the countryside.

At one time, he married for love and lived happily in marriage until his wife died. For many years he could not recover after the death of his beloved, but over the years he found love again and Fenechka became her, a simple and poor girl.

Refined aristocrat, 45 years old, uncle of Arkady. At one time he served as an officer of the Guard, but because of Princess R. his life changed. A secular lion in the past, a heartthrob who easily won the love of women. All his life he built in the English style, read newspapers in a foreign language, did business and life.

Kirsanov is a clear adherent of liberal views and a man with principles. He is cocky, proud and mocking. Love at one time knocked him down, and from a lover of noisy companies, he became an ardent misanthrope who in every way avoided the company of people. At heart, the hero is unhappy and at the end of the novel he is far from his loved ones.

The main plot of the now classic novel by Turgenev is Bazarov's conflict with the society in which he found himself by the will of fate. A society that does not support his views and ideals.

The protagonist's appearance in the Kirsanovs' house becomes a conditional plot of the plot. In the course of communication with other characters, conflicts and clashes of views are demonstrated, which test Evgeny's convictions for endurance. This also happens within the framework of the main love line - in the relationship between Bazarov and Odintsova.

Opposition is the main technique that the author used when writing the novel. It is reflected not only in its title and demonstrated in the conflict, but also reflected in the repetition of the main character's route. Bazarov twice ends up in the Kirsanovs' estate, twice visits Odintsova and also returns twice to his parental home.

The plot's denouement is the death of the protagonist, with which the writer wanted to demonstrate the collapse of the thoughts expressed by the hero throughout the novel.

In his work, Turgenev clearly showed that in the cycle of all ideologies and political disputes there is a big, complex and diverse life, where traditional values, nature, art, love and sincere, deep affections always prevail.

A source:
Heroes of the work fathers and children
Analysis of the novel by I.S. Turgenev "Fathers and Sons" with a description of the main characters and characters
http: //xn—-8sbiecm6bhdx8i.xn--p1ai/%D0%9E%D1%82%D1%86%D1%8B%20%D0%B8%20%D0%B4%D0%B5%D1%82 % D0% B8.html

Summary "Fathers and Sons"

Turgenev's novel "Fathers and Sons" was written in 1861. He was immediately destined to become a symbol of the era. The author especially clearly expressed the problem of the relationship between two generations.

To understand the plot of the work, we suggest reading "Fathers and Sons" in a summary of the chapters. The retelling was performed by a teacher of Russian literature, it reflects all the important points of the work.

Average reading time is 8 minutes.

Evgeny Bazarov - a young man, a medical student, a bright representative of nihilism, a trend when a person denies everything in the world.

Arkady Kirsanov - a recent student who came to the estate of his parents. Under the influence of Bazarov, he is fond of nihilism. At the end of the novel, he realizes that he cannot live like this and abandons the idea.

Kirsanov Nikolay Petrovich - landowner, widower, father of Arkady. Lives on an estate with Fenichka, who bore him a son. Adheres to advanced ideas, loves poetry and music.

Kirsanov Pavel Petrovich - an aristocrat, a former military man. Brother of Nikolai Kirsanov and uncle Arkady. A prominent representative of the liberals.

Bazarov Vasily Ivanovich - retired army surgeon, father of Eugene. Lives on his wife's estate, is not rich. Engaged in medical practice.

Bazarova Arina Vlasyevna - Eugene's mother, a devout and very superstitious woman. Little educated.

Odintsova Anna Sergeevna - a rich widow who sympathizes with Bazarov. But he values \u200b\u200bcalmness in his life more.

Lokteva Katya - sister of Anna Sergeevna, a modest and quiet girl. Marries Arkady.

Fenechka - a young woman who has a little son from Nikolai Kirsanov.

Victor Sitnikov - an acquaintance of Arkady and Bazarov.

Evdokia Kukshina - Sitnikov's acquaintance who shares the beliefs of the nihilists.

Matvey Kolyazin - city official

The action begins in the spring of 1859. At the inn, the small landowner Nikolai Petrovich Kirsanov is waiting for his son to arrive. He is a widower, lives on a small estate and has 200 souls. In his youth, he was promised a career in the military, but a minor leg injury prevented him. He studied at the university, got married and began to live in the village. 10 years after the birth of his son, his wife dies, and Nikolai Petrovich goes headlong into the economy and raising his son. When Arkady grew up, his father sent him to St. Petersburg to study. There he lived with him for three years and returned to his village. He is very worried before the meeting, especially since the son is not traveling alone.

Arkady introduces his father to a friend and asks him not to stand on ceremony with him. Eugene is a simple person, and you can not be ashamed of him. Bazarov decides to ride in a tarantass, and Nikolai Petrovich and Arkady sit in a carriage.

During the journey, the father cannot calm down his joy from meeting his son, all the time he tries to hug him, asks about his friend. Arkady is a little shy. He tries to show his indifference and speaks in a cheeky tone. He always turns to Bazarov, as if afraid that he will hear his reflections on the beauty of nature, that he is interested in affairs on the estate.

Nikolai Petrovich says that the estate has not changed. A little hesitating, he informs his son that the girl Fenya lives with him, and immediately rushes to say that she can leave if Arkady wants it. The son replies that this is not necessary. Both feel uncomfortable and change the subject.

Looking at the desolation that reigned around, Arkady thinks about the benefits of transformations, but he does not understand how to implement them. The conversation flows smoothly into the beauty of nature. Kirsanov Sr. tries to recite a poem by Pushkin. He is interrupted by Evgeny, who asks Arkady to light a cigarette. Nikolai Petrovich falls silent and is silent until the end of the journey.

No one met them at the manor house, only an old servant and a girl who appeared for a moment. Leaving the carriage, the elder Kirsanov leads the guests into the living room, where he asks the servant to serve dinner. At the door, they encounter a handsome and very well-groomed elderly man. This is Nikolai Kirsanov's elder brother, Pavel Petrovich. His impeccable appearance stands out strongly against the unkempt-looking Bazarov. An acquaintance took place, after which the young people went to put themselves in order before dinner. Pavel Petrovich, in their absence, begins to ask his brother about Bazarov, whose appearance he did not like.

During the meal, the conversation did not go well. Everyone spoke little, especially Eugene. After eating, everyone immediately went to their rooms. Bazarov told Arkady his impressions of the meeting with his relatives. They quickly fell asleep. The Kirsanov brothers did not sleep for a long time: Nikolai Petrovich kept thinking about his son, Pavel Petrovich gazed thoughtfully at the fire, and Fenechka looked at her little sleeping son, whose father was Nikolai Kirsanov. The summary of the novel "Fathers and Sons" does not convey all the feelings that the heroes experience.

Waking up before everyone else, Eugene goes for a walk to explore the surroundings. The boys follow him and all go to the swamp to catch frogs.

The Kirsanovs are going to drink tea on the veranda. Arkady goes to the said sick Fenichka, learns about the existence of his little brother. He rejoices and blames his father for hiding the fact of the birth of another son. Nikolai Kirsanov is moved and does not know what to answer.

The senior Kirsanovs are interested in the absence of Bazarov and Arkady talks about him, says that he is a nihilist, a person who does not take principles for granted. Bazarov returned with the frogs, which he carried to the experiment room.

During a joint morning tea, a serious dispute flares up in the company between Pavel Petrovich and Eugene. Both do not try to hide their dislike for each other. Nikolai Kirsanov tries to turn the conversation into another direction and asks Bazarov to help him with the choice of fertilizers. He agrees.

In order to somehow change Eugene's ridicule about Pavel Petrovich, Arkady decides to tell his friend his story.

Pavel Petrovich was a military man. Women adored him, and men envied him. At 28, his career was just beginning, and he could go far. But Kirsanov fell in love with a princess. She had no children, but had an old husband. She led the life of a windy coquette, but Pavel fell deeply in love and could not live without her. After parting, he suffered a lot, quit the service and for 4 years traveled for her all over the world.

Returning to his homeland, he tried to lead the same way of life as before, but upon learning of the death of his beloved, he left for the village to his brother, who at that time became a widower.

Pavel Petrovich does not know what to do with himself: he is present at the conversation between the manager and Nikolai Kirsanov, he goes to Fenechka to look at little Mitya.

The story of the acquaintance of Nikolai Kirsanov and Fenechka: three years ago he met her in a tavern, where things were going badly for her and her mother. Kirsanov took them to the estate, fell in love with the girl, and after the death of her mother began to live with her.

Bazarov meets Fenechka and the child, says that he is a doctor, and if the need arises, they can contact him without hesitation. Hearing Nikolai Kirsanov playing the cello, Bazarov laughs, which causes Arkady's disapproval.

For two weeks everyone got used to Bazarov, but they treated him differently: the servants loved him, Pavel Kirsanov hated him, and Nikolai Petrovich doubted his influence on his son. Once, he overheard a conversation between Arkady and Eugene. Bazarov called him a retired person, which greatly offended him. Nikolai complained to his brother, who decided to fight back the young nihilist.

An unpleasant conversation took place during the evening tea. Calling one landowner "trash aristocrat", Bazarov displeased the elder Kirsanov, who began to assert that following the principles, a person benefits society. Eugene, in response, accused him of also living meaninglessly, like other aristocrats. Pavel Petrovich objected that the nihilists, by their denial, only aggravate the situation in Russia.

A serious dispute broke out, which Bazarov called senseless and the young people left. Nikolai Petrovich suddenly remembered how a long time ago, being just as young, he quarreled with his mother, who did not understand him. Now the same misunderstanding arose between him and his son. The parallel between fathers and children is the main thing that the author pays attention to.

Before going to bed, all the inhabitants of the estate were busy with their thoughts. Nikolai Petrovich Kirsanov goes to his favorite gazebo, where he remembers his wife and reflects on life. Pavel Petrovich looks into the night sky and thinks about his own. Bazarov invites Arkady to go to the city and visit an old friend.

The friends left for the city, where they spent time in the company of Matvey Ilyin, a friend of the Bazarov family, visited the governor and received an invitation to the ball. Bazarov's longtime acquaintance, Sitnikov, invited them to visit Evdokia Kukshina.

They did not like visiting Kukshina, since the hostess looked untidy, had meaningless conversations, asked a bunch of questions, but did not expect answers. In conversation, she constantly jumped from subject to subject. During this visit, for the first time, the name of Odintsova Anna Sergeevna sounded.

Arriving at the ball, friends meet Madame Odintsova, a sweet and attractive woman. She shows attention to Arkady, asking him about everything. He talks about his friend and Anna Sergeevna invites them to visit.

Odintsova interested Eugene in her dissimilarity from other women, and he agreed to visit her.

Friends come to visit Odintsova. The meeting made an impression on Bazarov and he, unexpectedly, was embarrassed.

Odintsova's story makes an impression on the reader. The girl's father lost and died in the village, leaving the ruined estate to the two daughters. Anna was not at a loss and took up the household. I met my future husband and lived with him for 6 years. Then he died, leaving his fortune to his young wife. She did not like urban society and most often lived on the estate.

Bazarov did not behave as usual, which greatly surprised his friend. He talked a lot, talked about medicine, botany. Anna Sergeevna willingly kept up the conversation, as she was versed in the sciences. She treated Arkady as a younger brother. At the end of the conversation, she invited the young people to her estate.

In Nikolskoye, Arkady and Bazarov met other inhabitants. Anna's sister Katya was shy and played the piano. Anna Sergeevna talked a lot with Yevgeny, walked with him in the garden. Arkady, who liked her, seeing her passion for a friend, was a little jealous. A feeling arose between Bazarov and Odintsova.

While living on the estate, Bazarov began to change. He fell in love, despite the fact that he considered this feeling a romantic bileberd. He could not turn his back on her and imagined her in his arms. The feeling was mutual, but they did not want to open up to each other.

Bazarov meets the manager of his father, who says that his parents are waiting for him, they are worried. Eugene announces his departure. In the evening, a conversation takes place between Bazar and Anna Sergeevna, where they try to understand what each of them dreams of getting out of life.

Bazarov confesses his love to Odintsova. In response, he hears: "You did not understand me," and feels extremely uncomfortable. Anna Sergeevna believes that without Eugene she will be calmer and does not accept his confession. Bazarov decides to leave.

There was a not entirely pleasant conversation between Odintsova and Bazarov. He told her that he was leaving, that he could stay only on one condition, but it was unrealizable and Anna Sergeevna would never love him.

The next day, Arkady and Bazarov leave for Evgeny's parents. Saying goodbye, Odintsova expresses hope for a meeting. Arkady notices that his friend has changed a lot.

They were well received at the house of the elders Bazarovs. The parents were very happy, but knowing that their son did not approve of such a manifestation of feelings, they tried to keep more restrained. During dinner, the father talked about how he was running the house, and the mother only looked at her son.

After dinner, Eugene refused to talk to his father, citing fatigue. However, he did not fall asleep until morning. Fathers and Sons is a better portrayal of intergenerational relationships than other works.

Bazarov spent very little time in his parents' house, as he was bored. He believed that with their attention they interfere with his work. There was an argument between friends, which almost turned into a quarrel. Arkady tried to prove that it was impossible to live like this, Bazarov did not agree with his opinion.

Parents, having learned about Evgeny's decision to leave, were very upset, but tried not to show their feelings, especially his father. He reassured his son that if he had to leave, then he had to do it. After leaving, the parents were left alone and were very worried that their son had abandoned them.

On the way, Arkady decided to turn into Nikolskoye. Friends were greeted very coldly. Anna Sergeevna did not go down for a long time, and when she appeared, she had a displeased expression on her face and from her speech it was clear that they were not welcome.

In the estate of the Kirsan elders, they were delighted. Bazarov began to deal with wholesalers and his own frogs. Arkady helped his father in managing the estate, but he constantly thought about the Odintsovs. Finally, having found a correspondence between mothers, his own and Madame Odintsova, he finds an excuse to visit them. Arkady is afraid that they will not welcome him, but one of them was greeted warmly and cordially.

Bazarov understands the reason for Arkady's departure and is completely devoted to work. He retires and no longer argues with the inhabitants of the house. He treats everyone badly, making an exception only for Fenichka.

Once in the arbor they talked a lot, and, deciding to check his thoughts, Bazarov kissed her on the lips. This was seen by Pavel Petrovich, who silently went into the house. Bazarov felt uneasy; his conscience awoke.

Pavel Petrovich Kirsanov is offended by Bazarov's behavior and challenges him to a duel. They do not want to confess to their family the true reasons and say that they fought because of political differences. Evgeny wounds Kirsanov in the leg.

Having completely ruined his relationship with the Kirsanov elders, Bazarov leaves for his parents, but on the way turns to Nikolskoye.

Arkady is more and more interested in Anna Sergeevna's sister, Katya.

Katya talks to Arkady and convinces him that without the influence of a friend he is completely different, sweet and kind. They try to declare their love to each other, but Arkady gets scared and hurries away. In his room he finds Bazarov, who has arrived, who told him about what happened in Maryino in his absence. Having met with Madame Odintsova, Bazarov admits his mistakes. They tell each other that they want to be just friends.

Arkady confesses his love to Katya, asks for her hand in marriage, and she agrees to become his wife. Bazarov says goodbye to his friend, viciously accusing him of not being suitable for decisive matters. Eugene leaves for his parents' estate.

Living in his parents' house, Bazarov does not know what to do. Then he begins to help his father, heals the sick. Opening a peasant who died of typhus, he accidentally wounds himself and becomes infected with typhus. A fever sets in, he asks to send for Madame Odintsova. Anna Sergeevna arrives and sees a completely different person. Before his death, Eugene tells her about his real feelings, and then dies.

Six months have passed. Two weddings took place in one day, Arkady with Katya and Nikolai Petrovich with Fenya. Pavel Petrovich went abroad. Anna Sergeevna also got married, becoming a companion not out of love, but out of conviction.

Life went on and only two old people constantly spent time at the grave of their son, where two fir trees grew.

This short retelling of "Fathers and Sons" will help you understand the main idea and essence of the work, for deeper knowledge we recommend that you familiarize yourself with the full version.

Remember the summary well? Take the test to test your knowledge.

IVAN SERGEEVICH TURGENEV

(1818–1883)

ROMAN "FATHERS AND CHILDREN"

IN TABLES

The history of the creation of the novel "Fathers and Sons"

The idea emerges in the summer of 1860. In August 1861, the novel is over.

In 1862 it was published as a separate edition. Turgenev dedicates him

V.G.Belinsky. The dedication had a programmatic and polemical connotation.

The release of the novel became a public event. Critics reacted vividly to the novel; many articles and reviews appeared that were of an acute polemical nature. The most famous reviews are articles

M. Antonovich "Asmodeus of our time", D. Pisarev "Bazarov",

N. Strakhova "Fathers and Sons" Turgenev ". Also wrote about the novel

F. M. Dostoevsky, A. I. Herzen, M. E. Saltykov-Shchedrin, N. S. Leskov.

Conflicts of the novel

External

Interior

Confrontation between different generations.

It manifests itself in the relationship between Pavel Petrovich and Bazarov, Nikolai Petrovich and Arkady, Bazarov and his parents.

The struggle between the worldview and feelings of Bazarov, the inapplicability of his theory in practice.

The plot of the novel

Chapter 1.

Exposition of the Kirsanovs.

Life story of Nikolai Petrovich, awaiting the arrival of his son Arkady

Chapters 2-3.

Bazarov's exposition

A portrait and the first characterization of the protagonist of the novel, Evgeny Vasilyevich Bazarov, a friend of Arkady, who came with him, are given."Wonderful fellow, so simple" (Arkady about Bazarov)

Chapters 4-11.

The beginning of an external conflict. Development of action.

Bazarov meets Arkady's uncle, Pavel Petrovich Kirsanov.

An ideological polemic unfolds between the heroes, the intransigence of their views turns into contempt on the part of Bazarov and hatred on the part of Pavel Petrovich.

Chapters 12-13.

Development preparation

internal conflict.

The struggle between feelings and worldview of Bazarov, a parody of "provincial nihilists".

Chapter 14.

Tying the inner

conflict.

At the governor's ball, Bazarov meets with Anna Sergeevna Odintsova.

Chapters 15-17.

Action development

The trip of Bazarov and Arkady to Nikolskoye, unexpected feelings of Bazarov.

Chapters 18-19.

Climax

internal conflict.

Explanation of the hero with Odintsova, departure of Bazarov.

Chapters 20-21.

Compounding internal

conflict.

A visit by friends to Bazarov's parental home, a trip to Nikolskoye, return to Maryino.

Chapters 22-23.

Development of external

conflict.

Bazarov and Pavel Petrovich again collide in their interest in Fenechka, a girl from the people who gave birth to a child to Nikolai Petrovich. To Pavel Petrovich, Fenechka reminds one of his former love - Nelly, while Bazarov, through courting Fenechka, tries to assert himself after his failure with Odintsova.

Chapter 24.

Climax

and the decoupling of the external

conflict.

A duel takes place between Bazarov and Pavel Petrovich, as a result of which Pavel Petrovich is slightly wounded, and Bazarov leaves Maryino. Ideological struggle fades into the background, personal feelings dominate in the relations between the characters.

Chapters 25-26.

Bazarov goes through the city *** to Nikolskoe.

He breaks off relations with the Kirsanovs, with Arkady, his only friend, with Odintsova.

Chapter 27.

Aggravated

and permission of the internal

conflict

In the parental home, where memories of childhood are vivid, natural, immediate feelings are manifested - that which Bazarov tried to suppress in himself, armed with "the latest theories." During one of his operations, Bazarov becomes infected with typhus through a cut in his finger. With the death of the hero, an internal conflict is resolved that is insoluble in life.

Chapter 28.

Epilogue.

Six months after Bazarov's death, Arkady's weddings took place with Odintsova's sister, Katya Lokteva, and Nikolai Petrovich and Fenechka. Pavel Petrovich went abroad. Anna Sergeevna Odintsova got married "not out of love, but out of conviction." Bazarov's grave is visited by his old parents.

Evgeny Vasilievich Bazarov

Bazarov's nihilism

Bazarov calls himself a nihilist (from lat.nihil - nothing).

Bazarov's complex of convictions is not an artistic exaggeration; his image reflects the characteristic features of representatives of democratic youth of the 1860s.

Nihilists deny their contemporary social order, oppose admiration for any authority, reject principles taken on faith, deny art and beauty, any feelings, including love, are explained physiologically.

“We guessed that chatting, just chatting about our sores is not worth the trouble, that it only leads to vulgarity and doctrinaire; we saw that our clever people, the so-called progressive people and accusers, are worthless, that we are doing nonsense, talking about some kind of art, unconscious creativity, about parliamentarism, about the legal profession, and the devil knows what when it comes to pressing bread, when the grossest superstition chokes us, when all our joint-stock companies collapse solely because there is a lack of honest people, when the very freedom that the government is trying to get away with is hardly useful to us, because our peasant is glad to rob himself so that only to get drunk in a tavern. "

"Nature is not a temple, but a workshop, and man is a worker in it."

"A decent chemist is twenty times more useful than any poet."

"The important thing is that twice two is four, and the rest is all nonsense."

"Every person should educate himself - well, at least like me, for example ...".

“We act by virtue of what we find useful. At the present time, the most useful denial - we deny. "

"We break because we are strong."

“- Why, one must also build.

- This is no longer our business ... First we need to clear the place. "

“So what then? are you acting or what? Are you going to act?

- Bazarov did not answer anything "

The dynamics of Bazarov's image

At the beginning of the novel, Bazarov appears as a person who is confident in the correctness and incontestability of his outlook on life. However, gradually living life is making adjustments to his worldview.

Turgenev leads Bazarov through the tests of love and death - two ontological situations through which, according to Turgenev, only true knowledge of life is possible. (Ontology (from the Greek.уn ( уntos ) - real andlogos - doctrine) - a section of philosophy that studies the foundations of being, the world order, its structure).

Bazarov's initial self-confidence disappears, his inner life becomes more and more complex and contradictory.

The "blinders" of nihilism move apart, life appears before the hero in all its complexity.

Before his death, Bazarov becomes simpler and softer: he does not oppose when his father insists on a confession before his death, asks Odintsova to "caress" his parents. A complete reassessment of values \u200b\u200boccurs in the hero's mind:

“And I also thought: I will break off a lot of things, I will not die, where! there is a task, because I am a giant! And now the whole task of the giant is how to die decently "

Criticism's perception of Bazarov's image

Two points of view

M. Antonovich (Sovremennik magazine). Articles "Asmodeus of our time", "Misses", "Modern novels"

He interpreted the image of Bazarov as a caricature of modern youth in the image of "a glutton, a talker and a cynic"

D. Pisarev "Bazarov"

Reveals the historical significance of the type depicted by Turgenev. He believed that Russia at the present stage of its development needs people like Bazarov: they are critical of everything that has not been verified by their personal experience, they are used to relying only on themselves, they have reason and will

The character system of the novel

Two camps

"Fathers"

Older generation

"Children"

Younger generation

    Nikolay Petrovich Kirsanov;

    Pavel Petrovich Kirsanov;

    Bazarov's parents

(Vasily Ivanovich and Arina Vlasyevna)

    Evgeny Vasilievich Bazarov;

    Arkady Nikolaevich Kirsanov;

    Kukshina Avdotya Nikitishna;

    Victor Sitnikov

Bazarov's doubles

Sitnikov

Kukshina

Calls himself an “old acquaintance” of Bazarov and his student.

Sitnikov's adherence to new ideas is ostentatious: he is dressed in a Slavophile Hungarian, on his business cards, in addition to French, there is also a Russian text made in Slavic script.

Sitnikov repeats Bazarov's thoughts, vulgarizing and distorting them.

In the epilogue of Sitnikov“He is huddled in Petersburg and, according to his assurances, is continuing Bazarov’s“ business ”.<…> His father pushes them around as before, but his wife considers him a fool ... and a writer. "

Considers himself to be "emancipated ladies". She is "worried" about the "women's question", physiology, embryology, chemistry, education, etc. Cheeky, vulgar, stupid.

In the epilogue:“She is now in Heidelberg and is no longer studying natural sciences, but architecture, in which, according to her, she discovered new laws.

She still hangs around with students, especially with young Russian physicists and chemists,<…> who, surprising at first naive German professors with their sober view of things, subsequently

surprise the same professors with their complete inaction and absolute laziness. "

The doubles are parodies of Bazarov, reveal the weaknesses of his maximalist worldview.

For Sitnikov and Kukshina, fashionable ideas are just a way to stand out.

They make a contrast to Bazarov, for whom nihilism is a consciously chosen position.

Female images

Anna

Sergeevna

Odintsova

Young beautiful woman, rich widow.

Odintsova's father was a famous card sharper. She received an excellent upbringing in St. Petersburg, brings up her younger sister, Katya, whom she sincerely loves, but hides her feelings.

Madame Odintsova is smart, reasonable, confident. She emanates calmness, aristocracy.

Most of all, she values \u200b\u200bpeace, stability and comfort. Bazarov arouses interest in her, gives food to her inquiring mind, but feelings for him do not take her out of her usual balance.

She is incapable of strong passion.

Fenechka

A young woman of "ignoble birth" whom Nikolai Petrovich loves. Fenichka is kind, disinterested, innocent, honest, open, she sincerely and deeply loves Nikolai Petrovich and her son Mitya. The main thing in her life is family, so the persecution of Bazarov and the suspicions of Nikolai Petrovich insult her.

Kate

Lokteva

The younger sister of Anna Sergeevna Odintsova.

Sensitive nature - loves nature, music, but at the same time shows firmness of character.

Katya does not understand Bazarov, she is even afraid of him, Arkady is much closer to her. She tells Arkady about Bazarov:"He is predatory, and we are handy."

Katya is the embodiment of the ideal of family life, which Arkady secretly aspired to, thanks to her Arkady returns to the camp of the fathers.

The novel "Fathers and Sons"

Turgenev

- one of the most famous works of Russian literature of the 19th century.

This article presents the characteristics of the heroes of the novel "Fathers and Sons" in the table: a description of the main and secondary characters.

Characteristics of the heroes of the novel "Fathers and Sons" in the table

Heroes of the novel "Fathers and Children of Turgenev"
Brief characteristics of the heroes
Evgeny Vasilievich Bazarov is a young man. He is about 30 years old. Bazarov is a nihilist who is critical of everything. Bazarov is a cold, harsh, tough person. He is not a nobleman, but prides himself on his simple parentage. Bazarov is studying to be a doctor, is fond of natural sciences. At the end of the novel, Bazarov becomes infected with typhus and soon dies.
Arkady is a young nobleman of 23 years old, the younger comrade of Bazarov. Arkady falls under the influence of Bazarov and "becomes" a nihilist. But in his heart he remains a romantic. Arkady loves nature and art. This is a kind, affectionate young man.
Nikolai Petrovich - Arkady's father, landowner. He is 44 years old. He has been a widower for 10 years. Nikolai Petrovich is a sweet, kind person, romantic, loves music and poetry. Nikolai Petrovich loves his son Arkady very much. From the peasant woman Fenichka, he has another son, Mitya.
Pavel Petrovich is the uncle of Arkady Kirsanov. He is about 45 years old. This is a former "secular lion" from St. Petersburg, an aristocrat with refined manners and habits. Pavel Petrovich is a proud, arrogant and proud person.
Anna Sergeevna is a young rich widow, landowner. She is 28 years old. She is a beautiful, intelligent, independent woman. She is calm and polite. Anna values \u200b\u200bcomfort and peace the most in her life. Madame Odintsova is a cold woman who is incapable of loving someone.
Fenechka, or Fedosya Nikolaevna, is a young peasant girl. She is about 23 years old. This is a beautiful, modest, but poorly educated girl. The peasant woman Fenechka becomes the wife of the nobleman Nikolai Petrovich Kirsanov.
Ekaterina Sergeevna Lokteva is the younger sister of Anna Sergeevna Odintsova. Katya is about 20 years old. This is a sweet, kind, intelligent girl with character. She loves music and nature.
Princess Nelly R. is the beloved of Pavel Petrovich Kirsanov. They don't have a relationship. After the breakup, Pavel Petrovich loses the meaning of life and after many years he still remembers the princess.
Evdoksya (Avdotya) Nikitishna Kukshina is a friend of Bazarov, Kirsanov and Sitnikov. Kukshina is a young landowner. She lives separately from her husband and considers herself a woman of progressive views and a fighter for women's rights. Kukshina is an ugly, nondescript and unkempt woman.
Viktor Sitnikov is a young man, a friend of Kukshina and Bazarov. He considers himself a student of Bazarov. Sitnikov is the son of a wealthy merchant, but at the same time he is ashamed of his origin. Sitnikov is a stupid person who follows fashion in everything: both in clothes and in looks.
Vasily Ivanovich Bazarov is an elderly man. He is 61 years old. He is a retired military doctor, a simple and good person, a talkative and energetic old man. Vasily Ivanovich loves his only son Eugene very much.
Arina Vlasyevna Bazarova - Bazarov's mother, a noblewoman by birth. She has her own small estate. Arina Vlasyevna is a kind and intelligent woman, a good housewife.
Servant Peter - servant of Pavel Petrovich Kirsanov. Peter considers himself an educated, "perfected" servant only because he knows how to read from store to store. Peter is a stupid and proud man.

This was the characterization of the heroes of the novel "Fathers and Sons" by Turgenev in the table: a description of the main and secondary characters.

See: All materials on the novel "Fathers and Sons"

"Fathers and Sons" (Russian pre-reph. Fathers and Children) is a novel by the Russian writer Ivan Sergeevich Turgenev (1818-1883), written in the 60s of the XIX century.

The novel became significant for its time, and the image of the protagonist Yevgeny Bazarov was perceived by young people as an example to follow. Ideals such as uncompromising, lack of admiration for authorities and old truths, the priority of the useful over the beautiful, were perceived by people of that time and were reflected in Bazarov's worldview.

Plot

The novel takes place in the summer of 1859, that is, on the eve of the peasant reform of 1861.

Evgeny Bazarov and Arkady Kirsanov come to Maryino and for some time they visit the Kirsanovs (father of Nikolai Petrovich and uncle Pavel Petrovich). The tense relationship with the senior Kirsanovs forces Bazarov to leave Maryino and go to the provincial town ***. Arkady goes with him. Bazarov and Arkady spend time in the company of local “progressive” youth - Kukshina and Sitnikov. Then, at the governor's ball, they get to know Madame Odintsova. Bazarov and Arkady go to Nikolskoye, Odintsova's estate, Mrs. Kukshina, stung by them, remains in the city. Bazarov and Arkady, carried away by Odintsova, spend some time in Nikolskoye. After an unsuccessful declaration of love, Bazarov, who frightened Odintsov, is forced to leave. He goes to his parents (Vasily and Arina Bazarov), Arkady goes with him. Bazarov, along with Arkady, is visiting his parents. Tired of the manifestations of parental love, Bazarov leaves his father and mother discouraged, and together with Arkady goes back to Maryino. On the way, they accidentally stop by at Nikolskoe, but, having met a cold welcome, they return to Maryino. Bazarov lives for some time in Maryino. The surging impulse of passion splashes into a kiss with Fenechka, the mother of the illegitimate son of Nikolai Petrovich Kirsanov, and because of her he shoots himself in a duel with Pavel Petrovich. Arkady, returning to Maryino, leaves alone for Nikolskoye and remains with Odintsova, more and more carried away by her sister Katya. Having finally ruined relations with the older Kirsanovs, Bazarov also went to Nikolskoye. Bazarov apologizes to Madame Odintsova for his feelings. Odintsova accepts the apology, and Bazarov spends several days in Nikolskoye. Arkady declares his love to Katya. Having said goodbye to Arkady forever, Bazarov returns to his parents again. Living with his parents, Bazarov helps his father treat the sick and dies of blood poisoning, accidentally cutting himself during the autopsy of a person who died of typhus. Before his death, he sees Madame Odintsova for the last time, who comes to him at his request. Arkady Kirsanov marries Katya, and Nikolai Petrovich marries Fenechka. Pavel Petrovich goes abroad forever.

The novel became significant for its time, and the image of the protagonist Yevgeny Bazarov was perceived by young people as an example to follow. Ideals such as uncompromising, lack of admiration for authorities and old truths, the priority of the useful over the beautiful, were perceived by people of that time and were reflected in Bazarov's worldview.

Encyclopedic YouTube

  • 1 / 5

    The novel takes place in the summer of 1859, that is, on the eve of the peasant reform of 1861.

    Evgeny Bazarov and Arkady Kirsanov come to Maryino and for some time they visit the Kirsanovs (father of Nikolai Petrovich and uncle Pavel Petrovich). The tense relationship with the senior Kirsanovs forces Bazarov to leave Maryino and go to the provincial town ***. Arkady goes with him. Bazarov and Arkady spend time in the company of local "progressive" youth - Kukshina and Sitnikov. Then, at the governor's ball, they get to know Madame Odintsova. Bazarov and Arkady go to Nikolskoye, Odintsova's estate, Mrs. Kukshina, stung by them, remains in the city. Bazarov and Arkady, carried away by Odintsova, spend some time in Nikolskoye. After an unsuccessful declaration of love, Bazarov, who frightened Odintsov, is forced to leave. He goes to his parents (Vasily and Arina Bazarov), Arkady goes with him. Bazarov, along with Arkady, is visiting his parents. Tired of the manifestations of parental love, Bazarov leaves his father and mother discouraged, and together with Arkady goes back to Maryino. On the way, they accidentally stop at Nikolskoye, but, having met a cold welcome, they return to Maryino. Bazarov lives for some time in Maryino. The surging impulse of passion splashes into a kiss with Fenechka, the mother of the illegitimate son of Nikolai Petrovich Kirsanov, and because of her he shoots himself in a duel with Pavel Petrovich. Arkady, returning to Maryino, leaves alone for Nikolskoye and remains with Odintsova, more and more carried away by her sister Katya. Having finally ruined relations with the older Kirsanovs, Bazarov also went to Nikolskoye. Bazarov apologizes to Madame Odintsova for his feelings. Odintsova accepts the apology, and Bazarov spends several days in Nikolskoye. Arkady declares his love to Katya. Having said goodbye to Arkady forever, Bazarov returns to his parents again. Living with his parents, Bazarov helps his father treat the sick and dies of blood poisoning, accidentally cutting himself during the autopsy of a person who died of typhus. Before his death, he sees Madame Odintsova for the last time, who comes to him at his request. Arkady Kirsanov marries Katya, and Nikolai Petrovich marries Fenechka. Pavel Petrovich goes abroad forever.

    main characters

    • Evgeny Vasilievich Bazarov - nihilist, student, studying to be a doctor. In nihilism, he is Arkady's mentor, protests against the liberal ideas of the Kirsanov brothers and the conservative views of his parents. The revolutionary is a democrat, a commoner. By the end of the novel, he falls in love with Madame Odintsov, changing his nihilistic views on love. Love turned out to be a test for Bazarov, he understands that an obvious romantic lives in him - he even declares his love to Odintsova. At the end of the book he works as a village doctor. Opening a man who died of typhus, he himself becomes infected through inattention. After death, a religious ceremony is performed over him.
    • Nikolay Petrovich Kirsanov - a landowner, a liberal, Arkady's father, a widower. Loves music and poetry. Interested in progressive ideas, including in agriculture. At the beginning of the novel, he is ashamed of his love for Fenechka, a woman from the common people, but then he marries her.
    • Pavel Petrovich Kirsanov - Nikolai Petrovich's elder brother, retired officer, aristocrat, proud, self-confident, ardent adherent of liberalism. Often argues with Bazarov about love, nature, aristocracy, art, science. Lonely. In his youth he experienced tragic love. He sees Princess R. in Fenechka, with whom he was in love. Hates Bazarov and challenges him to a duel, in which he is lightly wounded in the thigh.
    • Arkady Nikolaevich Kirsanov - the son of the first wife of Nikolai Petrovich - Maria. A recent candidate of sciences at St. Petersburg University and a friend of Bazarov. Becomes a nihilist under the influence of Bazarov, but then abandons these ideas.
    • Vasily Ivanovich Bazarov - Bazarov's father, a retired army surgeon. Not rich. Manages his wife's estate. Moderately educated and enlightened, he feels that rural life has left him isolated from modern ideas. He adheres to generally conservative views, is religious, loves his son immensely.
    • Arina Vlasyevna - Bazarov's mother. It is she who owns the village of the Bazarovs and 15 souls of serfs. A devout follower of Orthodoxy. Very superstitious. Suspicious and sentimental-sensitive. Loves her son, deeply concerned about his renunciation of the faith.
    • Anna Sergeevna Odintsova - a rich widow who accepts nihilist friends on her estate. Sympathizes with Bazarov, but after his recognition does not reciprocate. He considers a calm life without worries most important, including more important than love.
    • Katerina (Ekaterina Sergeevna Lokteva ) - the sister of Anna Sergeevna Odintsova, a quiet girl, invisible in the shadow of her sister, plays the clavichord. Arkady spends a lot of time with her, languishing in love for Anna. But later he realizes his love for Katya. At the end of the novel, Catherine marries Arkady.

    Other heroes

    • Victor Sitnikov - an acquaintance of Bazarov and Arkady, an adherent of nihilism. Belongs to the category of "progressives" who reject any authority, chasing the fashion for "free thinking". He really does not know anything and does not know how, but in his "nihilism" leaves both Arkady and Bazarov far behind him. Bazarov openly despises Sitnikova.
    • Evdoksia Kukshina - Sitnikov's acquaintance, who, like him, is a pseudo-adherent of nihilism.
    • Fenechka (Fedosya Nikolaevna) - daughter of Nikolai Petrovich's housekeeper - Arina Savishna. After the death of her mother, she became the mistress of the master and the mother of his child. It becomes a reason for a duel between Bazarov and Pavel Petrovich Kirsanov, since Bazarov, finding Fenechka alone, kisses her tightly, and Pavel Petrovich becomes an accidental witness of the kiss, who is deeply indignant at the act of "this hairy", he is especially indignant also because and he himself is not completely indifferent to his brother's beloved. In the end, Fenechka became the wife of Nikolai Petrovich Kirsanov.
    • Dunyasha - Fenichka's servant.
    • Peter - Servant of the Kirsanovs.
    • Princess R. (Nelly) - the beloved of Pavel Petrovich Kirsanov.
    • Matvey Ilyich Kolyazin - an official in the City ***.
    • Sergey Nikolaevich Loktev - father of Anna Sergeevna Odintsova and Katerina. The well-known swindler and gambler, after 15 years of life in Moscow and St. Petersburg, "lost to dust" and was forced to settle in the village.
    • Princess Avdotya Stepanovna - the aunt of Anna Sergeevna Odintsova, an angry and arrogant old woman. After the death of her father, Anna Sergeevna settled her at her place. At the end of the novel, he dies, "forgotten on the very day of death."
    • Timofeich - Vasily Ivanovich Bazarov's clerk, a former uncle of Evgeny Bazarov. A shabby and nimble old man with faded yellow hair.

    Adaptation of the novel

    • 1915 - Fathers and Sons (dir.