Children

Turgenev "Fathers and Sons"). The role of the family in the upbringing of the individual (based on the work of I. Turgenev "Fathers and Sons") House in the story fathers and children

Work: "Fathers and Sons".

View: a lesson in consolidating knowledge, abilities, skills.

A type:combined lesson.

Lesson topic: "The theme of the family in the novel" Fathers and Sons ".

Lesson objectives.

Educational: to form in students a humane attitude towards loved ones.

Educational: consider the images of father and mother, the relationship between parents and son.

Developing: develop the reading interest of students, communication skills.

Lesson plan.

Lesson preparation

Students:

1. Read the novel by I.S. Turgenev "Fathers and Sons".
2. Know the genre originality of the psychological novel.
3. Individual assignment to one student: expressive recitation of farewell scenes (chapter 20).

1. Computer presentation ( see Appendix 1).
2. Projector.
3. Tables for students.

During the classes

I. Organizational moment.

II. Motivational start. Exit to the topic of the lesson. (On the demo screen - a portrait of I. Turgenev, the title of the work and the author.) Teacher's words: “Preparing for today's lesson, I remembered the words of M.Yu. Lermontov: “I can't tell anyone the sacred words father and mother ...” What do the words father and mother mean to you? Why are they sacred? Could Bazarov have pronounced them? (Open the epigraph of the lesson on the screen: “ Honor your father and your mother, that it be good for you, and you will be long on earth. ”) Where did these words come from? - The Bible, the fifth commandment of God. What is the topic of our lesson? - Children's answers.(Open the topic on the screen: "The theme of the family in the novel by Ivan Turgenev" Fathers and Sons ")

III. Working with key details of the text. Goal setting: does Bazarov love his parents, after all, he has not seen for 3 years, and he is not going home, but to visit Arkady ?! Are they a son? How are they treated? This is what we must find out today. Everything related to their relationship, we will enter in the table that has been handed out to you. Open task 1 on the screen: draw up a diagram of relationships in the Bazarov family or fill out a table using, in your opinion, the key words of the text ( filled during the whole lesson):

Do you have an affectionate nickname? What do you call mom and dad? - Student responses. And what do Bazarov's parents call their son? - Enyushechka, Enyusha... Working in groups. Assignment: What do you hear in this name

? An example answer: affection, softness, which is created due to the sound complex [n`], [w], [h`]... What is the name of such a poetic device? - Alliteration... What does the nickname show us? - The attitude of parents to their son... Why do we pay attention to their feelings? - The genre of the work is a psychological novel... What are the features of this genre? - "History of the Human Soul". F.M. Dostoevsky.Finally, the arrival of Eugene. What do the mother and father feel at the same time? (Open text on screen):

“The horses have stopped.

Finally he came, ”said Bazarov's father, still continuing to smoke, although the chubuk kept jumping between his fingers. - Well, get out, get out, we'll break up.

He began to hug his son ... "Enyusha, Enyusha," came a trembling female voice. The door flew open, and a round, short old woman in a white cap and a short motley blouse appeared on the threshold. She gasped, staggered and probably would have fallen if Bazarov had not supported her. Her plump arms instantly wrapped around his neck, her head pressed against his chest, and everything fell silent. Only her intermittent sobs were heard.

Old man Bazarov was breathing deeply and squinting more than ever.

Ah, Vasily Ivanovich, - the old woman babbled, - for once, my father ... "

... darling, Enyushenka ... - and, without unclenching her hands, she moved her face, wet with tears, crumpled and tender, away from Bazarov, looked at him with some kind of blissful and funny eyes, and again fell to him.
... But his lips and eyebrows were twitching, and his chin was shaking ... but he, apparently, wanted to defeat himself and seem almost indifferent. Arkady bent down.

... - Father, - the old woman said through tears, - I have no honor to know the name and patronymic ...

- Excuse me, stupid. - The old woman blew her nose and, nagging her head first to the right, then to the left, carefully wiped one eye after the other. - Excuse me. After all, I thought that I would die, I would not wait for my th ... oh ... oh ... lubchik. "
During the students' answers, open the text with highlighted keywords (details that emphasize excitement, joy):

“The horses have stopped.

Finally he came, - said Bazarov's father, still continuing to smoke , although the shank was jumping between his fingers... - Well, get out, get out, we'll break up.

He began to hug his son ... "Enyusha, Enyusha", - rang out fluttering female voice... The door flew open, and a round, short old woman in a white cap and a short motley blouse appeared on the threshold. She gasped staggered and probably would have fallenif Bazarov had not supported her. Plump her hands instantly entwined around his neck, the head pressed against his chest, and everything fell silent. We only heard her intermittent sobbing.

Old Man Bazarov breathing deeply and squinting more than ever.

Well, full, full, Arisha! stop it, - he began, exchanging glances with Arkady, who was standing motionless by the tarantass, while the peasant on the box even turned away. - It's not necessary at all! please stop.

Ah, Vasily Ivanovich, - babbled old woman, - for once, my father ... "

... my dear, Enyushenka ... - and, without unclenching her hands, she pushed her wet with tears a crumpled and tender face, she looked at him with some kind of blissful and funny eyes and again fell to him.
... But his lips and eyebrows were twitching, and his chin was shaking ... but he, apparently, wanted to defeat himself and seem almost indifferent. Arkady bent down.
... - Father, - the old woman said through tears, - I have no honor to know the name and patronymic ...
“Arkady Nikolaich,” Vasily Ivanovich prompted with gravity, in an undertone.
- Excuse me, stupid. - The old woman blew her nose and, nagging her head first to the right, then to the left, carefully wiped one eye after the other. - Excuse me. After all, I thought that I would die, I would not wait for my th ... oh ... oh ... lubchik. "

How does Bazarov at first glance feel about his parents? - Dry, harsh, dismissive. "What is your opinion of my Eugene?" How would you answer this question of Vasily Ivanovich? ( Student responses). And here's how Arkady does it. Open text on screen:

«- Your son is one of the most wonderful peoplewhom I have ever met, 'answered Arkady lively.

Vasily Ivanovich's eyes suddenly opened, and his cheeks flushed faintly. The shovel fell out of his hands.

So you suppose, he began ...

- I am sure, - said Arkady, - that a great future awaits your son, that he will glorify your name... I was convinced of this from our first meeting.

How ... how was it? - Vasily Ivanovich barely spoke. An enthusiastic smile parted his wide lips and never left them.

Do you want to know how we met?

Yes ... and in general ...

Arkady began to talk and talk about Bazarov with even greater ardor, with greater enthusiasm than that evening when he danced the mazurka with Madame Odintsova.

Vasily Ivanovich listened to him, listened, blew his nose, rolled his handkerchief in both hands, coughed, ruffled his hair - and finally could not stand it: he bent down to Arkady and kissed him on the shoulder.

You have made me completely happy, "he said, without ceasing to smile," I must tell you that I ... idolize my son; I'm not talking about my old woman: you know - mother! but I dare not show my feelings in front of him, because he does not like it... He is the enemy of all outpourings; many even condemn him for such a firmness of his character and see in it a sign of pride or insensibility; but people like him do not have to be measured by an ordinary yardstick, is that so?

... the following words were in his biography: "The son of a simple staff doctor, who, however, knew how to solve it early and did not spare anything for his education ..."- The old man's voice broke."

Your observations and notes on the state of Bazarov's father. The reason for his restraint.

(Student responses).

Group work. But what about Eugene? How does he feel here? Find the only keyword in the text. Open text on screen:

"- No! - he said the next day to Arkady, - I'll leave here tomorrow. Boring; I want to work, but here I can't. I will go back to your village again; I left all my preparations there. You can at least lock yourself up. And here my father keeps repeating to me: "My office is at your service - no one will disturb you"; and not a step away from me. And I am ashamed to somehow shut myself up from him. Well, mother too. I can hear her sighing behind the wall, and you go out to her - and she has nothing to say. "

After students search and answer, open text with highlighted words:

"- No! - he said the next day to Arkady, - I'll leave here tomorrow. Boring; I want to work, but here I can't. I will go back to your village again; I left all my preparations there. You can at least lock yourself up. And here my father keeps repeating to me: "My office is at your service - no one will disturb you"; and not a step away from me. And I am ashamed to somehow shut myself up from him. Well, mother too. I can hear her sighing behind the wall, and you go out to her - and she has nothing to say. "

The departure of the son becomes for the parents

... Find the word. ( Students come out and write their options on the chalkboard. Rough answer: tragedy.) And now Eugene is going to leave. (The trained student recites the farewell scene from chapter 20.) Your observations. (Student responses.)

Bazarov's second visit. Students reading text, searching for key details. A rough answer: words that show joy, bustle in the house. Open text on the screen first without selections, then with selected words:

"The old men Bazarovs the more delighted the sudden arrival of their son, the less they expected him. Arina Vlasyevna before alarmed and ran through the house, that Vasily Ivanovich compared her to a "partridge": the scanty tail of her short blouse really gave her something birdlike. And he himself only moaned and nibbled on the side of the amber of his chubuk, yes, grabbing his neck with his fingers, he turned his head, as if trying to see if it was screwed on well, and suddenly he opened his wide mouth and laughed without any noise.

I came to you for six whole weeks, old man, ”Bazarov told him,“ I want to work, so please don’t bother me.

You will forget my face, this is how I will bother you! - answered Vasily Ivanovich.

He kept his promise. Placing his son in the office as before, he just did not hide from him and kept his wife from any unnecessary expressions of tenderness. "We, my mother," he said to her, "on the first visit Enyushki bored him a little: now we have to be smarter."... Arina Vlasyevna agreed with her husband, but she gained a little from this, because i saw my son only at the table and was completely afraid to talk to him... "Enyushenka!" - it used to be, she will say, - and he will not have time to look around, as she is fingering with the laces of her reticule and babbling: “Nothing, nothing, I’m like that,” - and then she goes to Vasily Ivanovich and says to him, propping his cheek: “How, darling, find out: what does Enyusha want for dinner today, cabbage soup or borscht? "

You know, of course, that the parents' joy was short-lived. Eugene contracted typhus and died

Who and why utters the phrase: "Did I say that I would rise?" ( An example answer: Vasily Ivanovich loses faith in God, since he takes the only one from himson). Let's look at the following picture:

“An iron fence surrounds her; two young trees are planted at both ends: Yevgeny Bazarov is buried in this grave. To her, from a nearby village, two already decrepit old men often come - a husband and wife.
Supporting each other, they walk with a heavy gait; they will approach the fence, fall and kneel, and cry long and bitterly,
and they look long and attentively at the dumb stone under which their son lies; will exchange a short word, dust will be brushed off the stone and a branch of a Christmas tree will be straightened, and pray again, and cannot leave this place, from where they seem to be closer…»
Why "decrepit old men"

? - There is no support for the son.And yet, did Bazarov love his parents? - Student responses. Compare the text of the novel with the magazine version of the Russian Bulletin. Open on the screen: Bazarov Odintsova: “Father, you will be told that, they say, what kind of person Russia is losing ... This is nonsense; but do not discourage the old man. Whatever the child is amused with ... you know. " (Journal text of the "Russian Bulletin"). What are the words of I.S. Turgenev added? After students' answers, open the text:

« Father you will be ... Whatever the child has fun ... you know. And mother caress. After all, people like them cannot be found in your big light in the daytime with fire ... "

Yes, "After all, people like them cannot be found in your big light in the daytime with fire ..."

Probably, Eugene realized this before his death ... And I would like you to always remember your ordinary, but exceptional people, Mom and Dad.

IV. Summarizing. So did Eugene love his parents, and did they love him? What did you remember during the lesson? What feelings did you have in class?

Marking with justification. The teacher thanks everyone for their work in the lesson.

V. Homework. Open on screen:

  • write a psychological portrait of a fictional character;
  • answer the question by proving with the text: how is the theme of the family embodied in the novel? Use other imagery.

One of the leading themes in the novel by I.S. Turgenev's "Fathers and Sons" is the theme of love and family. These are one of those "eternal" values \u200b\u200bthat, according to Turgenev, are the basis of human existence. They shape the personality, determine his future life and destiny, make him happy or deeply unhappy.
The foundation of the family is love. In many ways, it was this feeling that became the "stumbling block" between Bazarov and the Kirsanovs, between the generation of "fathers" and "children", between the convictions of Yevgeny Vasilyevich and his true desires.
So, Nikolai Petrovich and Pavel Petrovich Kirsanovs - representatives of the older generation - believe that love is the foundation on which life is based, one of the most important human feelings that give meaning to existence.
We know that Nikolai Petrovich was married to the mother of his eldest son Arkady for ten years. The couple were happy and lived in perfect harmony: “... they almost never parted, read together, played four hands on the piano, sang duets ...” When Kirsanov’s wife died, “he barely endured this blow, turned gray in a few weeks ... ”But care for his son and life circumstances forced Nikolai Petrovich to live on. And a few years later, the hero met and fell in love with Fenechka - a simple girl, from whom another son was born to Kirsanov - Mitenka.
We can say that Nikolai Petrovich was happy and was happy precisely with love, which filled his whole life, and with his big family, which he managed to create and preserve.
Nikolai Petrovich's brother, Pavel Petrovich, on the contrary, was unhappy, and precisely from a lack of love. He, in his declining years, was left completely alone, and the hero is painfully aware of this, living next to his brother and seeing his family happiness.
The fate of Pavel Petrovich fell unhappy fatal love, which turned and determined his whole life. The hero "fatally" loved Princess R., who was married, was distinguished by exaltation and inconsistency of character and, in the end, "died in Paris, in a state close to insanity." Their short, but stormy romance was forever imprinted in the soul of Pavel Petrovich - and in the future he was never able to start a family, he remained forever alone.
Love is also important for the younger Kirsanov - Arkady. Although he ranked himself among the nihilists who deny "lofty matters", the hero felt the need for love and family in his soul, and understood how important it was for him. That is why Arkady “painlessly” accepts his love for Katya Odintsova and marries her.
In the novel's finale, the author portrays the Kirsanovs as a large and happy family: “the others all smiled and also seemed to apologize; everyone felt a little awkward, a little sad and, in fact, very good. "
Perhaps, only the main character of the novel, the nihilist Bazarov, categorically denies love. Up to a certain point, he reduces this feeling to the level of physiological instincts. However, a woman also appears in his life, who caused a storm of feelings, true love in Bazarov's soul and heart: “So know that I love you, stupidly, madly ... That's what you have achieved”.
Love made Bazarov understand that all his theories on which he built his life were wrong. And he himself is an ordinary person who is governed by some laws unknown to him. This discovery knocked down the hero - he did not know how to live on, what to believe in, what to rely on.
Bazarov decides to go to his parents in order to somehow recover. It is here, in the parental home, that a fatal incident happens to him, which can be called fateful. Making an autopsy on a typhoid patient, Bazarov becomes infected himself. Soon he realizes that he is going to die: “… my business is crappy. I am infected, and in a few days you will bury me. "
Bazarov's behavior before death fully reflects the strength and wealth of his nature, his inner evolution and the tragedy of fate. A certain insight comes to the hero, he begins to understand what is really important in life, and what is superficial, the play of his pride, delusion.
The true values \u200b\u200bfor Bazarov are his parents and their love: "After all, people like them cannot be found in your big light in the daytime with fire ..." And also - his own love for Odintsova, which the hero now recognizes and accepts: "Well, what Well I tell you ... I loved you! "
Thus, love and family in Turgenev's novel "Fathers and Sons" are shown not only as the most important human values \u200b\u200bthat determine the meaning of life. The family, the writer tells us, is the nest where a person is formed, where his views, character, and, in many respects, fate are determined. Undoubtedly, everyone is influenced by the environment, but the life core formed in the family helps to survive, withstand, preserve oneself and one's soul in any conditions. Helps to find true human happiness.



The strength and weakness of Bazarov's nihilism (based on the novel by I. Turgenev "Fathers and Sons")

In the first part of the novel, Bazarov is a relatively integral personality. He is confident that he knows the fundamental needs of the people and that his negative direction serves the interests of the people. In a conversation with Arkady, Bazarov bluntly declares: "A Russian person is only good because he has a bad opinion of himself."
In Bazarov's mindset, the typical qualities of a folk character are really manifested: distrust of excessive enthusiasm, which in the eyes of the Russian people has always been funny and cloying, a tendency to harsh critical self-esteem. Bazarov is not at all embarrassed by the fact that a significant part of Russian peasants will not understand his views. He is ready to go even against the peasants themselves for the benefit of the people.
The heroic force of Bazarov's denials does not exclude despotic arbitrariness. He is ready to lead the people to freedom in this way, if he does not have the expected revolutionary strength and consciousness. "Yes, remember, finally, gentlemen strong," Pavel Petrovich reasoned with the nihilists, "that there are only four and a half of you, and those are millions who will not allow you to trample under your feet your most sacred beliefs that will crush you!" “If they’re crushed, there’s a road,” said Bazarov. “Only grandmother said in two more.”
When Kukshina accuses Sitnikov of housebuilding sympathies: "You should have a whip in your hands," Bazarov responds for a reason: "A whip is a good thing." In a conversation with Arkady, Bazarov encourages similar actions of his father: "The other day he ordered to whip his quitrent peasant and did very well; but don't look at me with such horror ... because he is a terrible thief and drunkard." "In the carved object," Pisarev, the hero of Turgenev, clarified not without humor, "a process of thought really takes place. It refines the sense of self-preservation," which "constitutes the first reason for all human progress."

In the strong hands of Bazarov there is also a heroic "club" - natural science knowledge. The hero believes in their crushing and renewing power. Pavel Petrovich in vain sneers: "He does not believe in principles, but believes in frogs." Bazarov would not have taken his irony to heart.

In disputes with Pavel Petrovich, the materialist Bazarov denies that the aristocrat Kirsanov is even afraid to say - faith in God. The successes of the natural sciences supported the pathos of revolutionary denial.

Turgenev drew attention not only to the strengths, but also to the weaknesses of the then widespread teaching of the German vulgar materialists - Vogt, Buchner and Moleschott. In Fathers and Sons, through the views of the protagonist, he clearly showed the negative consequences of an uncritical attitude towards them. At the beginning of the novel, Bazarov speaks of the Germans with undisguised reverence: "The local scientists are efficient people," "The Germans are our teachers." And then the life of the people, through the lips of a peasant boy in a swamp near an aspen grove, asks Bazarov a perplexed question: "What do you need frogs for, sir?" - "But why," Bazarov answered him ..., "I will spread the frog and see what is going on inside it, and since you and I are the same frogs, we are just walking on our feet, I will know what's going on inside us. "

The peasant children do not agree with Bazarov: something in his intelligibility and simplicity worries them: "Vaska, hey, the master says that you and I are the same frogs. Wonderful." ... "Why be afraid? Do they bite?" - "Well, get into the water, philosophers," said Bazarov. "
And the kids really turned out to be little sages. The "philosopher", a clever and sober little boy, sensed the strangeness of Bazar's arguments about the resemblance of people to frogs. And Vaska, an impressionable kid, expressed his disagreement emotionally. A gross mistake of vulgar materialists was a simplified idea of \u200b\u200bthe nature of human consciousness, of the essence of psychological processes, which were reduced to elementary, physiological: the brain secretes thought, as the liver secretes bile.
In Bazarov's utilitarian view, which denies art, not all is nonsense. In Bazarov's attacks against the "art of making money" there is a challenge to sterile aestheticism, especially immoral in an era of profound social upheavals.

Bazarov, a businesslike and practical man, a democrat to the end of his fingernails, loathes the lordly effeminacy, excessive cultural sophistication, inner flabbiness of characters, the illusion of interests devoid of connections with the practical needs of life. There is a grain of sober social truth in Bazarov's anger at the "damned barchuk", especially since these "barchuk" deliberately sprinkle salt on a naked wound. Pavel Petrovich's rude jokes (whether there are leeches in Bazarov's bag and whether he is eating frogs) humiliate the hero.

Bazarov does not remain in debt. He also explains the features of the nobility among the senior Kirsanovs as a pathological phenomenon, as a physiological inferiority. "They will develop their nervous system to the point of irritation ... well, the balance is disturbed." Moreover, Bazarov despises the Kirsanov brothers also because they are "old people". In general, "old people", from his point of view, are retired people, their "song is sung". Kirsanov approaches his parents with the same yardstick: "Remarkable vitality!" "The most amusing old man and the kindest ... He talks a lot."

Bazarov is ready to call not only respect for old age a prejudice, he does not want to "get mad" not only with his parents. He considers the spiritual refinement of love feelings to be romantic nonsense: "No, brother, this is all licentiousness, emptiness! ... We, physiologists, know what kind of relationship this is. You study the anatomy of the eye: where does this, as you say, a mysterious look come from? ? It's all romanticism, nonsense, rot, art. "
The more the hero boasts of his strength, the more often muffled threats, fatal warnings to the arrogant Bazarov sound in the novel. Fate sends the hero a test of love. Bazarov costs dearly his self-confidence, ridiculing Pavel Petrovich's love for Princess R. - not a man, not a male. "
There is no love, if only a physiological attraction, there is no beauty in nature, there is only an eternal cycle of chemical processes of a scientist substance, of which everything consists, as the main character of Turgenev believes. Bazarov is inclined to regard the feeling of compassion living in a person as cowardice at the bitter moment of his life. And here he is deeply mistaken. Indeed, besides the truth of physiological laws, there is another truth, the truth of human spiritualized nature. This is how the mighty forces of beauty and harmony, love and art stand in the way of Bazarov. “What you laugh at, you will serve” - Evgeny Bazarov is destined to drink the bitter cup of this life wisdom in full.

(11 )

The images of Bazarov's parents are also types of "fathers", but they have nothing in common with the Kirsanovs. Bazarov's parents are poor people, plebeians, "little people" and are written by Turgenev surprisingly warmly, brightly. They are remembered for a long time and excite with their kindness, cordiality, sincerity. Bazarov's mother is a typical patriarchal noblewoman of the old times. She, according to the writer, should have "lived for two hundred years, in the old Moscow times."

Arina Vlasyevna is a religious, fearful and sensitive woman who believed in all kinds of fortune telling, conspiracies, dreams, omens, at the end of the world, etc. She devoted herself entirely to caring for her son. Arina Vlasyevna most of all thought about how not to interfere and not bore him. For her, her whole life and her whole meaning was only in him. Eugene always felt the kindness and care of his mother and highly appreciated it. Deep down, he loved her. Sick, he asked her to brush his hair. Bazarov dies thinking about his mother. "Mother? Poor girl! Will she feed someone with her amazing borscht now? ”He said in a semi-delirious state. And although Turgenev wrote that such female types disappeared, nevertheless in them he found that simple, humane, which was dear and close to him.

Bazarov's father is an original person, a cheerful "head physician", a provincial philosopher. This is a man of labor, deeds; at the same time he loved to dream, talk about the greats of this world - about Rousseau, Horace, Cincinnatus, about mythological heroes. He had to see a lot in his life, rub in various spheres, visit the war against Napoleon, where he, like a doctor, felt the pulse of Prince Wittgenstein and Zhukovsky. Vasily Ivanovich freely uses, although not accurately enough, Latin, scientific terminology. Living in the village, he strives not to overgrow with moss, to keep up with the century in science. Father Eugene feels the changes taking place in his life and believes that now the time has come, "... that everyone should get food for themselves with their own hands, there is nothing to hope for others: you have to work yourself."

The main life principles of Vasily Ivanovich are work and freedom. He himself loves to work in the garden, vegetable garden, provides medical assistance to the surrounding villagers. Vasily Ivanovich considers himself an obsolete person, in his son he sees his change. All his thoughts and thoughts were connected with him, he asked Arkady about him. A sense of pride began to speak in my father when Arkady told him that Yevgeny was "one of the most wonderful people I have ever met."

Vasily Ivanovich believed that Eugene would glorify his name, be famous as a scientist, and gain fame in the future not only as a doctor, but, obviously, as a public figure. Stoically, courageously he endured the suffering, the illness of his son. Aware of the hopelessness of his condition, Vasily Ivanovich tried to console himself and his wife with the thought of recovery. With what delight he spoke of the arrival of Anna Sergeevna and the doctor. “He is still alive, my Eugene is still alive and will now be saved! said Bazarov the father. - Wife! wife! .. To us an angel from heaven. "
But this was only the last and hopeless cry of complacency. In the images of the modest, inconspicuous old men Bazarovs, Turgenev showed people who, according to Evgeny, cannot be found in the big light in the daytime with fire. The writer created them with the most sincere love. He poeticized his parents in the epilogue, saying touching words about them.

What is family? In my opinion, family is people close to us who are ready to help you in any situation and who will always be on your side regardless of the circumstances. The theme of the family in their works was raised by many writers and poets: I. S. Turgenev in his novel "Fathers and Sons", M. Gorky in the work "Childhood", A. N. Ostrovsky in the drama "Thunderstorm". So in his novel "Fathers and Sons" I. S. Turgenev clearly shows the relationship in the Bazarov family.

The main character of the work is Evgeny Bazarov. As a nihilist, he despises the entire heritage of the Russian nobles, denies art, considers it to be something useless and harmful, capable only of powdering the mind and distracting from science. An intelligent, strong, confident person who can change the existing system of Russia by his actions. This person who knows how to act decisively, break and destroy, but is not able to create.

He has wonderful parents who love their son dearly. After their son arrives home, they collect all their savings and buy the most delicious food on the market, so that their only son has the best. Parents are so afraid not to please Eugene that they are afraid to ask him anything. Father Vasily Ivanovich considers his son to be an exceptional, extraordinary person who will soon become a great person and glorify the names of his parents. Parents fulfill all the requests of their son, even when he says not to appear in his eyes, they obediently obey. Upon learning of Yevgeny's infection with typhus, Vasily Ivanovich does not tell his wife anything, so as not to bother and not worry her. Parents to the very end did not believe that their son could contract an incurable disease and die from such an absurd incident, and hoped that it was just a cold. Evgeny Bazarov loves his parents no less, but does not show it. Eugene, knowing about his imminent death, does not tell his old loving mother about it, and when asked about it, he replies that it is just a cold, so as not to sadden Arina Vlasyevna. At death, he says that people like his parents cannot be found in the daytime with fire, and asks Anna Sergeevna to take care of them. Evgeny Bazarov loves his parents, but is afraid to express it, because he denies love. He calls love "romanticism, nonsense, rottenness, art." Eugene is afraid to show his feelings for his parents, because this proves that all his beliefs and views were wrong. Despite his cold, indifferent attitude towards his parents, the writer loves him, and says that "this is the cutest of all his figures."

Thus, I came to the conclusion that you need to treat your family with love, trust and understanding. The writer encourages us to admire the family of his hero Yevgeny Bazarov. To have such loving, caring parents is really happiness.

Evgeny Bazarov is the main character in Turgenev's novel "Fathers and Sons". Bazarov's character is a young man, a convinced nihilist, contemptuous of art and respecting only natural sciences, a typical representative of the new

generations of thinking youth. The main plot of the novel is the conflict between fathers and children, the bourgeois way of life and the desire for change.

In literary criticism, much attention is paid to the confrontation between Bazarov and Pavel Petrovich, the personality of Arkady Nikolaevich (Bazarov's friend), but very little is said about the relationship of the protagonist with his parents. This approach is highly unfounded, because without studying his relationship with his parents, it is impossible to fully understand his character.

Bazarov's parents are simple good-natured old men who are very fond of their son. Vasily Bazarov (father) is an old district doctor, leading a boring, colorless life of a poor landowner, who at one time did not spare anything for a good upbringing of his son.

Arina Vlasyevna (mother) is a noblewoman who "had to be born in the Peter's era", a very kind and superstitious woman who knows how to do only one thing - to cook excellently. The image of Bazarov's parents, a kind of symbol of ossified conservatism, is contrasted with the main character - an inquisitive, intelligent, harsh judgment. However, despite such a different worldview, Bazarov's parents truly love their son, in the absence of Eugene, all their free time is spent thinking about him.

Bazarov, on the other hand, is outwardly dry towards his parents, he certainly loves them, but is not used to open outpourings of feelings, he is burdened by constant obsessive attention. He cannot find a common language either with his father or with his mother; he cannot even conduct discussions with them, as with the Arkady family. Bazarov is hard on this, but he can not help himself. under one roof, he only agrees on the condition that he will not be interfered with doing the natural sciences in his office. Bazarov's parents understand this perfectly and try to please their only child in everything, but, of course, it is extremely difficult for them to endure such an attitude.

Perhaps Bazarov's main trouble was that he was not understood by his parents, due to the great difference in intellectual development and level of education, and did not receive moral support from them, which is why he was such a sharp and emotionally cold person, which was often repulsive from him people.

However, in the parental home, we are shown another Evgeny Bazarov - a softer, more understanding, full of tender feelings that he will never outwardly show due to internal barriers.

The characterization of Bazarov's parents confuses us: how could a man of such advanced views grow up in such a patriarchal environment? Turgenev once again shows us that a person can do it himself. However, he also shows Bazarov's main mistake - his alienation from his parents, because they loved their child for who he is, and suffered greatly from his relationship. Bazarov's parents survived their son, but with his death the meaning of their existence ended.