Along with Onegin's image, Tatyana's image is the most significant in the novel. He performs an important plot and compositional function, being in the ideological and artistic structure of the novel a counterbalance to the image of Onegin. The relationship between Onegin and Tatiana constitutes the main storyline of Pushkin's novel in verse. Tatiana is an exception from her environment. “She seemed like a stranger to her family as a girl,” and Tatiana feels this painfully: “Imagine: I'm here alone, no one understands me.” Tatiana fell in love with Onegin because, as the poet says, “the time has come”, but it is no coincidence that she fell in love with Onegin. At the same time, the character of Tatyana developed in a completely different social environment than the character of Onegin. Tatiana, according to the poet, is "a Russian soul, not knowing why." Tatyana (whose name, for the first time "willfully" introduced by Pushkin into big literature, entails the associations of "old or maiden") grew up, in complete opposition to Onegin, "in the wilderness of a forgotten village." Childhood, adolescence and adolescence of Tatiana and Eugene are directly opposite. Eugene has foreign tutors; Tatyana has a simple Russian peasant nanny, the prototype of which was his own nanny Arina Rodionovna. Tatiana dreams of real, great love. These dreams, as well as the formation of Tatiana's entire spiritual world, were significantly influenced by the novels of Richardson and Russo. The poet informs us that his heroine "spoke with difficulty in her native language"; a letter to Onegin is written by her in French. Tatiana is a highly positive, “ideal” image of a Russian girl and woman. At the same time, the poet, with the help of a subtle artistic and psychological technique, reveals Tatiana's "Russian soul": the heroine's dream, thoroughly permeated with folklore, is introduced into the novel. In the image of Tatiana Pushkin put all those features of a Russian girl, the totality of which represents an undoubted ideal for the author. These are the features of character that make Tatyana a truly Russian, and not a secular young lady. The formation of these traits occurs on the basis of the "tradition of the common people of antiquity", beliefs, legends. Tatyana Larina for Dostoevsky was the personification of everything Russian, national, “ideal”, an expression of spiritual and moral strength. The poetry of the national is included in the novel along with the image of Tatiana. In connection with it, stories are introduced about customs, "the habits of dear old times", fortune-telling, fairy-tale folklore. They contain a certain morality associated with folk philosophy. So, the scene of fortune telling reveals the philosophy of the female soul, the Russian soul. The very idea of \u200b\u200bthe betrothed is connected with the idea of \u200b\u200bduty, the betrothed is thought of as destined for fate. Folklore motifs also appear in Tatyana's dreams, folk art and philosophy are presented as organically connected with her personality. Two cultures - national Russian and Western European - are harmoniously combined in her image. In the depiction of the image of Tatiana, which is so dear to the poet, with no less degree than in the image of Onegin, one can feel Pushkin's desire to be completely faithful to the truth of life. Tatiana, unlike Onegin, grew up "in the wilderness of a forgotten village", in the atmosphere of Russian folk tales, "legends of the common people of antiquity" told by a nanny, a simple Russian peasant woman. The author says that Tatyana read foreign novels, could hardly express herself in her native language, but at the same time, with the help of a subtle psychological technique, she reveals her "Russian soul" (Tanya has a French book under her pillow, but she sees Russian "common people" dreams). Tatiana is a poetic nature, deep, passionate, longing for real, great love. Having become a trendsetter in the world, she not only did not lose the best features of her spiritual image - purity, spiritual nobility, sincerity and depth of feelings, poetic perception of nature - but also acquired new valuable qualities that made her irresistible in the eyes of Onegin. Tatiana is the ideal image of a Russian girl and woman, but an image that was not invented by Pushkin, but taken from real life. Tatiana can never be happy with an unloved person, she, like Onegin, became a victim of the light. "Nature created Tatiana for love, society recreated her," wrote V.G. Belinsky. One of the key events in the novel is Onegin's meeting with Tatiana. He immediately appreciated her uncommonness, poetry, her sublimely romantic nature and was quite surprised that the romantic poet Lensky did not notice anything of this and preferred a much more earthly and ordinary younger sister. Tatiana is strikingly different from the people around her. “A district young lady,” nevertheless, like Onegin and Lensky, she also feels lonely and incomprehensible in a provincial - local environment. “Imagine, I am here alone, No one understands me,” she admits in a letter to Onegin. Even “in her own family,” she “seemed like a stranger to a girl,” avoiding games with her peers. The reason for such alienation and loneliness is in the unusual, exclusive nature of Tatyana, gifted "from heaven" "With a rebellious imagination, Mind and will of a living, And a wayward head, And a fiery and tender heart." In Tatyana's romantic soul, two principles were uniquely combined. Akin to Russian nature and folk-patriarchal way of life, habits and traditions of "dear old days", she lives in another - a fictional, dreamy world. Tatyana is a zealous reader of foreign novels, mostly moralizing and sentimental, where ideal heroes act, and good triumphs in the finale. She prefers to wander through the fields "with a sad thought in her eyes, with a French book in her hands." Accustomed to identifying herself with the virtuous heroines of her favorite authors, she and Onegin, who is so unlike those around her, is ready to accept a model for "perfection," as if descended from the pages of Richardson and Rousseau, the hero she had long dreamed of. The "literary character" of the situation is further enhanced by the fact that Tatyana's letter to Onegin is full of reminiscences from French novels. However, book borrowings cannot overshadow the direct, sincere and deep feeling that Tatiana's letter is imbued with. And the very fact of a message to a barely familiar man speaks of the heroine's passion and reckless courage, resorting to fears of being compromised in the eyes of others. This letter, naive, gentle, trusting, finally convinced Onegin of Tatiana's unusualness, in her spiritual purity and inexperience, in her superiority over the cold and calculating secular coquettes, it revived in him the best, long-forgotten memories and feelings. And yet, to Tatyana's passionate message, "where everything is outside, everything is free," Onegin responds with a cold rebuff. Why? First of all, of course, because Onegin and Tatiana are at different stages of spiritual and moral development and can hardly understand each other. In fact, Tatyana fell in love not with Onegin, but with a certain image she had composed, which she took for Onegin. During the explanation with Tatyana in the garden, he was not at all cunning and, frankly, honestly, opened everything to her as it is. He admitted that he likes Tatiana, but he is not ready for marriage, does not want and cannot limit his life to the "home circle", that his interests and goals are different, that he is afraid of the prosaic side of marriage and that he will get bored with family life. "This is not the first time he has shown a direct nobility to the Soul." Tatiana's dream is "the key to understanding her soul, her essence." Replacing the direct and detailed characterization of the heroine, it allows one to penetrate into the most intimate, unconscious depths of her psyche, her emotional makeup. However, he also plays another important role - prophecies about the future, for the heroine's "wonderful dream" is a prophetic dream. In symbolic ritual and folklore images, almost all the main events of the subsequent narrative are predicted here: the heroine's exit from her “own” world (crossing a stream is a traditional image of marriage in folk wedding poetry). the upcoming marriage (the bear is the Christmastide image of the groom), the appearance in the forest hut - the house of the betrothed or lover and recognition of his true, hitherto hidden essence, a bunch of "hellish ghosts", so reminiscent of guests on Tatyana's birthday, the quarrel between Onegin and Lensky, which ended with the murder of the young poet The main thing is that the heroine intuitively sees the demonic principle in the soul of her chosen one (Onegin as the head of the host of hellish monsters), which is soon confirmed by his "strange behavior with Olga" on the day of the name day and the bloody denouement of the fight with Lensky. Tatiana's dream thus means a new step in her comprehension of Onegin's character. If earlier she saw in him an ideal-virtuous hero, similar to the characters of her favorite novels, now she almost goes to the opposite extreme. Finding herself after the owner's departure in Onegin's house, Tatyana starts reading books in his village office. Unlike the novels of Richardson and Rousseau, heroes were cold and devastated, disillusioned and selfish, heroes who commit crimes, do evil and enjoy evil. Meeting with Tatiana - the princess makes a strong impression on Onegin. Her new look, manners, style of behavior meet the most stringent requirements of good taste, high tone and do not a little resemble the habits of the former provincial young lady. Onegin sees: she has learned noble restraint, knows how to "rule herself", he is amazed at the change that has occurred to her, which seems to him absolute, complete: Although he looked no more diligently, But Onegin could not find traces of the former Tatyana. Onegin persistently seeks meetings with Tatyana, writes her one after another passionate love confessions, and having lost hope for reciprocity, he falls seriously ill and almost dies of love (in the same way Tatyana turned pale, faded and faded in her time). Belinsky severely condemned Tatyana for continuing to love Onegin in her heart, choosing to remain faithful to patriarchal morals and rejecting his feelings. According to the critic, family relationships "not sanctified by love are extremely immoral." Dostoevsky regarded this act of Tatyana as sacrificial. In the finale, Onegin catches Tatiana by surprise and makes an incredible discovery that so amazed him. It turns out that Tatiana has changed only externally, internally she largely remained "the same Tanya"! And such women are not capable of adultery. It is this sudden insight of Eugene that gives the final scene an acute drama and bitter hopelessness. Just as Onegin until now did not suspect that "the old Tanya" lived in the princess, so Tatiana could not know what happened to Onegin after the duel. She believed that she had solved Onegin once and for all. For her, he is still a cold, devastated, selfish person. This explains Tatiana's harsh rebuke, mirroring Onegin's cold rebuke. But in Tatiana's monologue, different notes sound. The reproaches of the offended woman imperceptibly turn into confession, striking in its frankness and fearless sincerity. Tatiana admits that her successes "in the whirlwind of light" weigh on her, that she would prefer her former inconspicuous existence in the wilderness to the current tinsel of life. Not only that: she directly tells Onegin, acted "carelessly", deciding on a loveless marriage, that she still loves him and sadly experiences the missed opportunity of happiness. Tatiana's nature is not complex, but deep and strong. Tatyana does not have these painful contradictions that overly complex natures suffer from; Tatiana was created as if from one single piece, without any attachments and impurities. Her whole life is imbued with that integrity, that unity, which in the world of art is the highest dignity of a work of art.

In Alexander Pushkin's novel Eugene Onegin, of course, Tatyana Larina is the main female character. The love story of this girl was later sung by both playwrights and composers. In our article, the characteristics of Tatyana Larina are built from the point of view of her assessment by the author and in comparison with her sister Olga. Both of these characters in the work are shown as completely opposite natures. Of course, we must not forget about the romance line of the novel. In relation to Onegin, the heroine also shows us certain aspects of her character. We will analyze all these aspects further so that the description of Tatyana Larina is the most complete. First, let's get to know her sister and herself.

You can talk about the main heroine of the novel for a very long time and a lot. But the image of her sister - Olga Larina - Pushkin showed quite succinctly. The poet considers her virtues to be modesty, obedience, innocence and gaiety. The author saw the same character traits in almost every village young lady, so he makes it clear to the reader that he is bored with describing her. Olga possesses a banal country girl. But the author presents the image of Tatyana Larina as more mysterious and complex. If we talk about Olga, then the main value for her is a cheerful, carefree life. She, of course, contains Lensky's love, but she does not understand his feelings. Here Pushkin is trying to show her pride, which is absent if we consider the character of Tatyana Larina. Olga, this simple-minded girl, is unfamiliar with the difficult mental work, therefore, she took the groom's death lightly, quickly replacing him with the "love flattery" of another man.

Comparative analysis of the image of Tatyana Larina

Against the background of the village simplicity of her sister, Tatyana seems to us and the author to be a perfect woman. Pushkin declares this quite bluntly, calling the heroine of his work "a sweet ideal." A brief description of Tatyana Larina is inappropriate here. This is a multifaceted character, the girl understands the reasons for her feelings and actions, and even analyzes them. This proves once again that Tatiana and Olga Larins are absolute opposites, although they are sisters and were brought up in the same cultural environment.

Author's assessment of Tatiana's character

What is the main character Pushkin presents to us? Tatiana is characterized by simplicity, leisurely, thoughtfulness. The poet pays special attention to such a quality of her character as faith in mysticism. Signs, legends, changes in the phase of the moon - she notices and analyzes all this. The girl is very fond of guessing, and also attaches great importance to dreams. Pushkin did not ignore Tatyana's love for reading. Raised on typical women's fashion novels, the heroine sees her love as if through a book prism, idealizing her. She loves winter with all its faults: darkness, twilight, cold and snow. Pushkin also emphasizes that the heroine of the novel has a "Russian soul" - this is an important moment for the characterization of Tatyana Larina to be as complete and understandable to the reader.

The influence of village customs on the character of the heroine

Pay attention to the time in which the subject of our conversation lives. This is the first half of the 19th century, which means that the characteristic of Tatyana Larina is, in fact, the characteristic of Pushkin's contemporaries. The character of the heroine is closed and modest, and reading her description given to us by the poet, it can be noted that we practically do not learn anything about the girl's appearance. Thus, Pushkin makes it clear that it is not external beauty that is important, but internal character traits. Tatiana is young, but looks like an adult and mature personality. She did not like children's games and playing with dolls, she was attracted by mysterious stories and love suffering. After all, the heroines of their favorite novels always go through a series of difficulties and suffer. The image of Tatyana Larina is harmonious, dim, but surprisingly sensual. Such people are often found in real life.

Tatyana Larina in a love relationship with Eugene Onegin

How do we see the main character when it comes to love? She meets Eugene Onegin, already being ready for a relationship internally. She "is waiting ... for someone," Alexander Pushkin cautiously points out to us. But do not forget where Tatyana Larina lives. The characteristics of her love relationship also depend on the strange village customs. This is manifested in the fact that Eugene Onegin visits the girl's family only once, but around the people are already talking about the engagement and marriage. In response to these rumors, Tatyana begins to consider the main character as an object of her sighs. From this we can conclude that Tatyana's experiences are far-fetched, artificial. She carries all her thoughts in herself, longing and sadness live in her loving soul.

The famous message of Tatiana, its motives and consequences

And the feelings turn out to be so strong that there is a need to express them, continuing the relationship with Eugene, but he no longer comes. It was impossible for a girl to take the first step in accordance with the requirements of the etiquette of those times, it was considered a frivolous and ugly act. But Tatiana finds a way out - she writes a love letter to Onegin. Reading it, we see that Tatiana is a very noble, pure person, high thoughts reign in her soul, she is strict with herself. Evgeny's refusal to accept her love for a girl, of course, is discouraging, but the feeling in her heart does not go out. She tries to understand his act, and she succeeds.

Tatiana after unsuccessful love

Realizing that Onegin prefers fast hobbies, Tatiana goes to Moscow. Here we already see a completely different person in her. She overcame a blind unrequited feeling in herself.

But in Tatiana she feels like a stranger, she is far from his fuss, brilliance, gossip and attends dinners most often in her mother's company. Unsuccessful made her indifferent to all subsequent hobbies of the opposite sex. That solid character that we observed at the beginning of the novel "Eugene Onegin", towards the end of the work is shown by Pushkin broken and destroyed. As a result, Tatyana Larina remained a “black sheep” in high society, but her inner purity and pride could help others see her as a true lady. Her detached behavior and, at the same time, her unerring knowledge of the rules of etiquette, politeness and hospitality attracted attention, but at the same time forced her to stay at a distance, so Tatiana was above gossip.

The ultimate choice of the heroine

Towards the end of the novel "Eugene Onegin" Pushkin, completing the plot, gives his "sweet ideal" a happy family life. Tatyana Larina has grown spiritually, but even in the last lines of the novel, she confesses her love to Eugene Onegin. Moreover, this feeling no longer dominates her, she makes a conscious choice in favor of loyalty to her lawful husband and virtue.

Onegin also draws attention to the "new" for him Tatiana. He does not even suspect that she has not changed, she simply "outgrew" him and "got sick" with her old painful love. Therefore, she rejected his advances. This is how the main character of Eugene Onegin appears before us. Her main character traits are strong will, self-confidence, kind character. Unfortunately, Pushkin showed in his work how such people can be unhappy, because they see that the world is not at all what they would like. Tatyana has a difficult fate, but her craving for personal happiness helps her overcome all adversity.

Reply left Guru

In the novel Eugene Onegin, Pushkin portrayed his contemporary as Tatiana Larina, who lived in Russia in the first half of the 19th century and belonged to a secular society. He painted a portrait of a woman whom he himself could love. Reading into Pushkin's lines today, at the beginning of the third millennium, I think that in many ways Tatiana remains our contemporary.

Pushkin does not tell us anything about the appearance of his heroine, emphasizing the ordinariness of her appearance, modesty and isolation of character:

She did not know how to caress her father or her mother; The child herself, in the crowd of children, did not want to play and jump, And often all day she sat alone by the window.

And now in almost every class there is such a wild, pensive girl who, during boring lessons, secretly reads a book, holding it under her desk with her knee. Usually such girls, out of date and serious, drop out of class life a little: they don't go to discos, don't play computer games, don't like fashionable music. But they have their own established opinion about everything, value it and calmly relate to their own loneliness. They usually don't have very many friends. But everyone knows that this girl is a reliable person, you can always rely on her in everything.

Tatyana has always been more mature than her age: she was not interested in dolls and children's games. The pensive and dreamy girl liked mysterious stories, and then - romance novels, where the main characters will certainly suffer and overcome various obstacles. She subtly felt the calm charm of Russian nature, she herself was a part of her, just as harmonious and dim. And Tatyana's superstition, with whom Pushkin sympathized with a smile (who himself believed in omens), is the flip side of her connection with nature, with the spirits of the earth, water, and forest. Also in this, as well as in affection for the old nanny, there was that undoubtedly Russian, folk character that the poet liked so much.

I am attracted by Tatiana's direct and open disposition, completely devoid of female sly coquetry. No wonder Pushkin, tired of love games, admires her determination:

Who instilled in her and this tenderness, And the words kind negligence? Who instilled in her sweet nonsense, Crazy heart talk, And exciting and solid?

What did it mean for a young lady, brought up in strict rules of decency, to be the first to confess her love to a young man! This is gross indecency. I would like to note that even in our time a young man would have decided that they simply "hang around his neck." But in Tatiana there was that calm dignity of a self-confident woman, which is given from birth and is able to stop any boor. And she chose a worthy subject - Onegin did not take advantage of her youthful credulity. Although Tatiana never forgave him for this insult. But what can you do, such people are monogamous, they are not given to choose. Is it easy to know that a loved one is a murderer and still continue to love him? After all, Vladimir Lensky was also her childhood friend, Tatyana mourned him longer than the dear, but narrow-minded and frivolous Olga.

Tatiana dutifully married an unloved person. She could not have another loved one. Therefore, the rest came up - it was all the same. And she became a good wife. Moreover, she has not lost her inner strength, dignity, purity and integrity. And these qualities, oddly enough, were appreciated even in a secular society:

She was unhurried, Not cold, not talkative, Without a brazen gaze for everyone, Without claims to success, Without these little antics, Without imitative undertakings ... Everything was quiet, it was just in her ...

Everyone around understood what she was:

The ladies moved closer to her; The old ladies smiled at her; Men bowed below, Catching the gaze of her eyes; The girls passed quieter in front of her in the hall ...

And Onegin was subdued by the new, and at the same time - by the former, Tatyana. He finally found what he was looking for. But it's too late. His sincere, agitated letter could not change anything in the fate of his beloved woman. Moreover, he did not offer her to leave her husband and leave with him. And a vulgar affair was unthinkable for Tatyana, who respected herself, Onegin, and her unloved husband. Tatiana answers Onegin as directly and simply as several years ago:

I know: in your heart there is both pride and direct honor. I love you (why dissemble?), But I am given to another; I will be faithful to him forever.

Tatiana is a strong-willed, strong, reliable and unhappy person. Pushkin managed to create not an abstract ideal of a woman, but a visible, earthly, beautiful image, rich and diverse, which continues to attract more and more generations of readers.

Rate the answer

Where the whole novel is simply permeated with the theme of love. This topic is close to everyone, therefore, the work is read with ease and pleasure. Pushkin's work introduces such heroes as Eugene Onegin and Tatyana Larina. It is their love story that is shown to readers and we are happy to follow this complex relationship. But today, let's not talk about the love of heroes, but give a brief description of this wonderful girl, the main character, whom the author called Tatyana.

Tatyana Larina is a sweet, kind girl from the provinces, who, although she grew up in a fairly spacious estate, did not become arrogant and did not have a sense of complacency. Tatiana is very attached to the nanny, the very woman who told different stories and fairy tales.

To give a full description of Tatyana, let's turn to those quotes that are used in the novel. They will reveal to us the image of a girl who was in love with Onegin.

Tatyana Larina characterization of the hero with quotes

So, Tanya is a little wild, often sad and silent, rather than cheerful. She tries to be away from the society of people, withdrawn and prefers to remain alone. Tatyana likes to be outdoors in the forest, where she loves to talk with trees as with friends. If we continue to talk about Larina and characterize her image, then it should be said that Tatyana is a girl with a truly Russian nature. She has a Russian soul, she loves the Russian winter, although at the same time, like many members of the nobility, Tatyana does not know Russian well, but speaks good French. She believes in fortune-telling and legends, she is worried about signs.

As a child, the girl does not play, like other children, in dolls and games, but she is well-read, educated and smart. At the same time, she really likes to read romance novels, where the heroes comprehend ardent love. Tatiana saw just such a hero from her novel in Onegin. The girl falls in love with Eugene and even decides to write a letter. But here we do not see frivolity in the act, on the contrary, we see the simplicity of her soul and the courage of the girl.

As we said, this is a sweet girl. The author does not give her the image of a beauty, in which her sister Olga is shown to us. Nevertheless, Tatiana, with her sincerity, kindness of soul, her qualities, is much more interesting than her sister. But Eugene immediately could not appreciate Tatiana, wounding her with his refusal.

Time passes. Now we see Tatiana not as a timid girl, but as a married woman who no longer believes in fairy tales, knows how to behave in society, she behaves majestically and inaccessibly. Here

The composition "Tatiana Larina" (composition on the theme "Tatiana Larina").

At the beginning of the 19th century, the great Russian writer A. Pushkin created one of his most striking works - a novel in verse "Eugene Onegin". One of his key images is Tatiana Larina. For the novel, this character is no less important than the image of Eugene Onegin himself.

In the image of Tatyana Larina, the author tried to embody the type of an ordinary, provincial Russian girl who does not shine with dazzling beauty, but at the same time is very attractive, gentle and romantic: "Nobody could call her beautiful." However, even sitting hand in hand with noble ladies, famous beauties of St. Petersburg, Tatyana was in no way inferior to them. Apparently, all her charm is not in the outer gloss, but in the spiritual qualities: nobility, intelligence, spiritual wealth, simplicity. It is these qualities that make Tatyana attractive in the eyes of others, and with these qualities she won my respect. As you can see, A.S. Pushkin chose such a widespread common name for his heroine.

Tatiana grows up in a full-fledged family, but despite this, she is a loner. She spends most of the time immersed in herself, her experiences, avoiding the company of her friends. At the same time, Tatyana is very inquisitive, she is trying to find answers to many questions of interest to her. She wants to understand others and, above all, herself, but her immediate environment does not give her answers to any questions. The elders - mom, father, nanny - are all busy with their own business, so Tatiana tries to learn about life through books. Since childhood, she has become accustomed to unconditionally trusting these only friends of hers. She drew all reflections on life, love from books, projected all her experiences onto the plots of novels.

Life among rural landowners did not make Tatyana happy, because in the books she saw a richer, richer life and completely different people. Deep in her soul, Tatiana believed that one day she would meet such people and begin to live differently. Therefore, it is not at all surprising that after seeing Onegin, Tatiana immediately fell in love. She saw in him the hero of her novel, because he was so different from all her friends! On her naive declaration of love, Tatyana receives a sharp refusal, so reality appears before her with all its vicissitudes. Her only friends - novels - no longer help her understand her lover.

When Tatyana enters Evgeny's office, a completely different world opens up to her. In Onegin's books there is not even a hint of sentimentality, there she sees completely different characters - cold, gloomy, disappointed in life. Here Tatyana makes hasty conclusions about her beloved, considering him unworthy of her love, and decisively refuses him. Even believing in Onegin's love, she still marries another, unloved man, promising to be his faithful wife.

The integrity of Tatyana's character, her heightened sense of duty, her simplicity and inability to deceive make her very attractive in my eyes. Perhaps she does not always correctly see her moral duty. Maybe she made a mistake, so ambiguously deciding her fate and the fate of Onegin, but her choice cannot be called unworthy, it deserves respect.