In his novel "Eugene Onegin" A.S. Pushkin recreated all ideas about the ideal Russian girl, creating the image of Tatiana, who was his favorite heroine. He conveys the idea that a Russian girl should be sincere, with a rich spiritual world, selfless.
For the first time, a reader meets Tatiana at her parents' estate. Since childhood, she was distinguished by her calmness and thoughtfulness. In this way, the girl was not like other children, and even with her sister they were completely different in character, children's pranks did not attract her, she preferred to be alone with herself. It is not for nothing that Pushkin compares Tatyana with a forest deer, which is wary of everything and prefers to hide. She loved books, because from childhood the nanny read her fairy tales and legends, and since her parents' estate was far from the bustle of the city, Tatyana was very fond of nature.
Tatyana is noticeable not for her external beauty, but for the fact that she is very natural, thoughtful and dreamy. It is difficult for her to find a person who understands her inner world.
Having matured, Tatiana is very much expecting great love, therefore, having met Onegin, she immediately falls in love with him. He attracts her with his mystery. Love absorbs Tatiana, she cannot find a place for herself, therefore, she decides to tell Eugene about her feelings. Pushkin sheds tears with Tatyana, because he knows that this story will end sadly.
Naive Tatiana sincerely hopes that her feelings are mutual, but Onegin rejects her feelings. Tatyana's letter touched him very much, but it did not awaken great feelings in him. He says that even if he falls in love with Tatiana, he will stop loving her, because he will quickly get used to the fact that she is there. And Tatiana continues to love him.
Later, Tatiana gets married and becomes famous in the world. She ceased to be a naive girl, she grew spiritually, but she did not lose the main thing. Although Tatyana's appearance has changed, inside she remains just as natural and simple. When she meets Onegin again, she does not betray her feelings in any way. She behaves with him with restraint and sternness, although she still loves him very much. She cries when she reads his letter, because happiness is so close, but now she has a husband to whom she will be faithful.
Essay about Tatyana Larina with quotes
"I am writing to you, what more ..." - every student probably knows these lines. But only a young girl will sigh languidly, remembering the heroine of her beloved novel. Tatiana Larina is the embodiment of simplicity and modesty.
How inconspicuous, but with taste, Alexander Sergeevich Pushkin compares two sisters: Tatiana and Olga.
Olga is open, flirtatious, graceful and beautiful. It is worth noting that it is with this sister that the author begins his story. And only then, as if, about the way, he says: "her sister was called Tatiana." Here, the creator, finally, draws attention to a young person who was not distinguished by beauty and freshness of eyes.
It is interesting that Pushkin does not write a word about the appearance of Tatyana herself. The reader does not know how she is built, what her eye color is. The reader only draws in his imagination a girl completely opposite to the beauty Olga. But this is no worse, because at the very beginning of the novel Olga does not give the impression of a well-mannered girl.
“She seemed like a stranger in her own family” - probably after this phrase the reader has a great disposition towards a girl who did not know happiness in her own family.
As you can see, another attack appears on the girl's path. Eugene Onegin. The first naive real feelings make the girl, without hesitation, write a letter to her chosen one. Oh, how wrong it was for a girl of that time. And yet, the letter enchants the reader with touching speeches, mute prayer, love that is read between the lines.
"I am writing to you ..." - the first line of the letter describes her seemingly humiliating situation as accurately as possible. It is not for nothing that when reading it is worth putting a logical emphasis on the first word. It was she who dared to do this. Probably, Tatiana thought that this would quickly win over Eugene to her. How she miscalculated. Rejected by her sweetheart, she was soon forced to marry someone else.
It is impossible to separate Tatyana and Eugene in this work, since only after a lapse of time he, perhaps, realized all the irony of the situation that happened so long ago. And how dear Tatiana change the years. In public, she carries herself gracefully and proudly. In her eyes she reads the femininity that has come to her over the years. In it there is still no coquetry, no pretense, no desire to please. However, Eugene no longer needs this. But throwing himself at Tatiana's feet, the hero hears the well-known phrase: “I love you. (Why dissemble?) But I am given to another; I will be faithful to him forever. "
This is how the love story ended, which forever changed the Russian classics.
Option 3
A.S. Pushkin is an artist of female images in the literature of the 19th century. Portraits of contemporaries are found in almost every work of the writer. The search for the feminine ideal for Pushkin is one of the leading themes in his creations.
One of the most beautiful heroines of Pushkin is Tatiana Larina from the novel "Eugene Onegin". The true ideal of the girl was embodied in this image by the author. The beauty of the Russian soul, moral principles, the ability to love - everything is intertwined with thin threads in the characterization of a girl.
In the very outward description of Tatyana, the Russian nationality is felt. Despite her noble origins, the village way of life is close to her. No secular balls, the luxury of St. Petersburg can replace the silence of the wilderness, sunrise, harmony with nature. Larina herself is like a "fearful doe", she is silent, wild, sad.
Growing up on the estate, she absorbed the national character from childhood through fairy tales, folk songs, traditions and beliefs. The proof is the heroine's belief in dreams. Filipyevna for Tatyana, like a nanny Arina Radionovna for a poet, an inexhaustible source of folk wisdom. With her mother's milk, the heroine absorbed a sense of duty and decency, for her the concept of good and evil is clearly delineated.
Tatiana is far from stupid, the author has endowed her with a bright personality. She is not like the city girls - noblewomen, there is no feigned coquetry, stupid cunning in her. Her love for Onegin is sincere and for life. She opens up to him in a purely feminine way through a letter. Only in it can she be open to talk about her feelings. The touchingness of the recognition once again emphasizes the sensitive nature of the heroine. Pushkin loves his heroine, with her he "sheds tears", knowing about the participation prepared for her.
Rejected by Eugene, Tatiana finds the strength to live on. The author shows us another Larina. The girl got married, her intellectual development and strict upbringing easily allowed her to become a real secular lady. Having met Eugene, Tatiana highly and arrogantly denies him love. The feeling for a long time is higher than the love that still remains in the soul. Pushkin shows the growing up of the heroine, but in her soul this is all the same pure and sincere girl. High society did not spoil her personality, she does not strive to seem better than she really is. Human values still remain the highest law for the heroine.
Having now received a letter from Onegin with a declaration of love for her, she does not condemn him. Love did not pass in her heart and happiness is close, but there is a sense of honor and duty. For Larina, it is more important than her own happiness.
More than one generation of young girls has grown up on the image of Pushkin's Tatiana. Strong in spirit, faithful in heart - she has always served and serves as an example of the boundless purity of the fair sex of humanity.
Several interesting compositions
- Composition based on the work of the Bourgeois in the nobility of Moliere
The works of the remarkable writer Moliere reflect the main problems and phenomena that happened in his country in the eighteenth century, and also in them he reveals the main points
- Composition Why they often quarreled in the Kashirin family in the work Childhood of Gorky
In the large family of the Kashirins, Alyosha encounters a whole gallery of vivid characters, but among the numerous tribe of relatives he does not feel like one of his own. The family's everyday life is poisoned by endless enmity, in which even children are involved.
- The image and characteristics of Shvonder in the story The Heart of a Dog Bulgakov composition
The main antagonist of Professor Preobrazhensky in the story of M, A, Bulgakov's "Heart of a Dog" is a certain Shvonder, who manages the tenants' association of the house where the scientist lives.
- Landscape in the Thunderstorm of Ostrovsky composition
Interestingly, it is usually difficult to talk about the role of the landscape in a play. That is, it clearly does not wake up descriptions of nature in two pages. Usually the view of the scene (landscape) is indicated briefly at the very beginning of the action before the dialogues
- Writing reasoning The problem of orphanhood
If we turn to the dictionaries of the Russian language, then in them we will read that an orphan is a child whose one or both parents have died. Our time has somewhat expanded this concept.
Belinsky called the novel in verse "Eugene Onegin" "the most sincere work" by Alexander Sergeevich Pushkin. And the author himself considered this novel his best creation. Pushkin worked on it with great enthusiasm, giving creativity all his soul, all of himself. And, undoubtedly, the images of the main characters of the novel are very close to the author. In each of them, he reflected some of his own inherent features. Images from the novel became almost familiar to Pushkin.
The closest to the author is the image of Tatiana, who, in essence, is the ideal of a Russian woman for Pushkin. This is exactly how he imagined a true Russian woman - sincere, fiery, trusting and, at the same time, possessing spiritual nobility, a sense of duty and a strong character.
In the portrait of Tatyana, Pushkin gives not an external appearance, but rather an internal portrait of her: "... Dika, sad, silent ...". This is an atypical image that attracts not with its beauty, but with its inner world.
Pushkin emphasizes the difference between Tatyana and Olga:
Not her sister's beauty,
Nor the freshness of her ruddy
She would not have attracted the eyes - he says about Tatiana and then repeats more than once that Tatiana is ugly. But the image of this meek, pensive girl attracts the reader and the author himself with her charm and unusualness.
In the second chapter of the novel, we meet a girl whose favorite circle of life is nature, books, the country world with the stories and tales of the nanny, with her warmth and cordiality.
Thoughtfulness, her friend
From the most lullaby days
Rural leisure flow
Decorated her with dreams.
Reading the novel, one can notice that in those stanzas where it is about Tatiana, there is always a description of nature. It is not for nothing that Pushkin conveys Tatyana's state of mind many times through the images of nature, he thereby emphasizes the deep connection that exists between the village girl and nature. For example, after Onegin's harsh preaching, "sweet Tanya's youth fades away: this is how the storm dresses the shadow of a barely born day."
Tatiana's farewell to her native places, native fields, meadows is accompanied by a tragic description of autumn: “Nature is trembling, pale, Like a sacrifice splendidly removed”. Tanya's entire inner world is in tune with nature, with all its changes. Such closeness is one of the signs of a deep connection with the people, which Pushkin greatly appreciated and respected. The children's song, consoling Tanya, affection for "Filipovna the gray-haired", fortune-telling - all this again tells us about Tanya's living connection with the national element.
Tatyana (with a Russian soul,
Without knowing why)
With her cold beauty
She loved the Russian winter.
Loneliness, alienation from others, gullibility and naivety allow the "tender dreamer" to represent Onegin as the hero of the novel, to appropriate for herself "someone else's delight", "someone else's sadness."
But, seeing soon that the hero of her dreams is not at all what she imagined him to be, she tries to understand Onegin. The girl writes to Onegin an ardent, passionate letter and receives a harsh sermon in return. But this coldness of Eugene does not kill Tanya's love, the "strict conversation" in the garden only revealed to Tanya Onegin's hard-heartedness, his ability to ruthlessly respond to sincere feelings. Probably, the birth of “that indifferent princess”, who so amazed Onegin afterwards, begins already here. But, meanwhile, even Lensky's death did not destroy the deep feeling that Tatyana felt for Onegin:
And alone cruel
Stronger her passion burns,
And about Onegin distant
Her heart speaks louder.
Onegin left, and, it seems, irrevocably. But Tatiana, before visiting his house, continues to refuse when others are wooing her. Only after visiting the "young cell", seeing how and what Yevgeny lived, she agrees to go to the "bride market" in Moscow, because she begins to suspect something terrible for herself and for her love:
What is he? Is it an imitation?
An insignificant ghost, or else -
Muscovite in Harold's Cloak?
Interpretation of other people's quirks,
Words of fashionable lexicon?
Isn't he a parody?
Although Eugene's inner world is not limited to the books that he read, Tanya does not understand this and, drawing erroneous conclusions, is disappointed in love and in her hero. Now she has a boring road to Moscow and a noisy bustle of the capital.
In the "district young lady" Tatiana "everything is outside, everything is free." In the eighth chapter we meet the “indifferent princess” “the legislator of the hall”. The former Tanya, in which “everything was quiet, everything is simple”, has now become a model of “impeccable taste”, a “faithful ingot” of nobility and sophistication.
But it cannot be said that now she is really an "indifferent princess", incapable of experiencing sincere feelings, and that not a trace remains of the former naive and timid Tanya. There are feelings, but now they are well and firmly hidden. And that "careless beauty" of Tatiana is a mask that she wears with art and naturalness. The light made its own adjustments, but only external ones, Tatyana's soul remained the same. That gullible girl still lives in it, who loves the "Russian winter", hills, forests, the village, ready to give "all this shine, and noise, and fumes for the shelf of books, for the wild garden ...". Now the impetuosity and recklessness of feelings has been replaced in her by self-control, which helps Tanya to withstand the moment when the embarrassed, "awkward" Evgeny is left alone with her. Still, Tatyana's main merit is her spiritual nobility, her truly Russian character. Tatiana has a high sense of duty and dignity, which is why she found the strength to suppress her feelings and say to Onegin:
I love you (why dissemble?)
But I am given to another;
And I will be faithful to him forever.
Pushkin admired the image so skillfully created by himself. He embodied in Tatiana the ideal of a real Russian woman.
The writer saw the wives of many Decembrists who, out of their love and a sense of duty, went to Siberia for their husbands. It is with such a spiritual nobility that he endowed his heroine. The image of Tatiana is the deepest and most serious in the novel. The height, spirituality, depth of Tatyana Larina allowed Belinsky to call her “a genius nature”.
Article menu:
Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows us to slightly open the veil of unexplored life searches and aspirations. The image of Tatyana Larina is perfect for this role
Family and childhood memories
Tatyana Larina by her origin belongs to the nobility, but all her life she was deprived of an extensive secular society - she always lived in the village and never aspired to an active city life.
Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died not young. "He was a simple and kind gentleman."
The girl's mother is called Polina (Praskovya). She was given out as a girl under duress. For some time she was depressed and tormented, experiencing a feeling of attachment to another person, but over time she found happiness in family life with Dmitry Larin.
Tatyana also has a sister, Olga. She is not at all similar in character to her sister: gaiety and coquetry are a natural state for Olga.
An important person for the formation of Tatiana as a person was played by her nanny Filipyevna. This woman is a peasant by origin and, perhaps, this is her main charm - she knows a lot of folk jokes and stories that so entice inquisitive Tatyana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.
Name selection and prototypes
Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatiana. The fact is that for the high society of that time, the name Tatiana was not characteristic. This name at that time had a pronounced common character. In Pushkin's drafts, there is information that the heroine originally had the name Natalya, but, later, Pushkin changed his mind.
Alexander Sergeevich mentioned that this image is not devoid of a prototype, but did not indicate who exactly served him such a role.
Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find a prototype of Tatiana.
Opinions were divided on this issue. It is possible that several prototypes were used for this image.
One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.
The image of Maria Volkonskaya is ideal for describing the tenacity of Tatyana's character in the second part of the novel.
The next person with similarities to Tatyana Larina is the sister of Pushkin himself, Olga. By her temperament and character, she ideally fits the description of Tatiana in the first part of the novel.
Tatyana also has a certain similarity with Natalia Fonvizina. The woman herself found a huge resemblance to this literary character and expressed the opinion that she was the prototype of Tatyana.
An unusual assumption about the prototype was expressed by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatiana is very similar to Pushkin himself. This similarity is especially evident in the 8th chapter of the novel. Kuchelbecker asserts: "the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling."
The question about the age of the heroine
In the novel, we meet Tatyana Larina during her growing up. She is a girl of marriageable age.
The opinions of the researchers of the novel on the issue of the girl's year of birth were divided.
Yuri Lotman claims that Tatiana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.
However, this opinion is not the only one. There is an assumption that Tatiana was much younger. Such reflections are prompted by the nanny's story that she was married at the age of thirteen, as well as the mention that Tatyana, unlike most girls at her age, did not play with dolls at that time.
V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl should be much older than Lotman's estimated age. If the girl was born in 1803, then the concern of the girl's mother about the lack of options for marrying her daughter would not be so pronounced. In this case, a trip to the so-called "fair of brides" would not have been necessary.
Tatiana Larina's appearance
Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more concerned with the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blonde hair, a ruddy complexion. In contrast to this, Tatyana has dark hair, her face is too pale, devoid of color.
We suggest that you familiarize yourself with the characteristics of the heroes of the poem by Alexander Pushkin "Eugene Onegin"
Her look is full of despondency and sadness. Tatiana was too thin. Pushkin notes, "no one would call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.
Leisure and attitude to needlework
It was generally accepted that the female half of society spent their free time at needlework. Girls, in addition, also played with dolls or various active games (the most common was the burner).
Tatiana does not like to do any of these activities. She loves to listen to the scary stories of the nanny and sit for hours at the window.
Tatiana is very superstitious: "She was worried about the omens." The girl also believes in fortune-telling and that dreams do not just dream, they carry a certain meaning.
Tatiana is carried away by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.
However, Tatyana Larina's favorite book was not a love story, but a dream book “Martin Zadeka became later / Tanya's favorite”. Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to the question of interest to her: "joy / In all sorrows gives her / And sleeps with her forever."
Personality characteristic
Tatiana is not like most girls of her era. This also applies to external data, and hobbies, and character. Tatiana was not a cheerful and active girl, who was easily flirtatious. “Dika, sad, silent” is Tatiana's classic behavior, especially in society.
Tatiana loves to indulge in daydreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatiana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatiana is full of "perfection". This fact is in sharp contrast to the rest of the characters in the novel, which do not have such components.
In view of her age and inexperience, the girl is too trusting and naive. She trusts in an outburst of emotions and feelings.
Tatyana Larina is capable of tender feelings not only towards Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, she has a feeling of love and tenderness in relation to her nanny.
Tatiana and Onegin
New people coming to the village are always of interest to the permanent residents of the area. Everyone wants to meet the newcomer, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.
Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Eugene's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, education and ability to conduct a conversation pleasantly amaze Tatiana, and not only her.
However, “early feelings in him cooled down”, Onegin “completely cooled off to life”, he was already bored with beautiful girls and their attention, but Larina does not know about it.
Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man, he seems to her descended from the pages of her books about love:
Tatiana loves not jokingly
And indulges unconditionally
Love is like a sweet child.
Tatyana suffers for a long time in anguish and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatiana writes a letter.
The letter has a twofold meaning. On the one hand, the girl expresses her indignation and grief at Onegin's arrival and her crush. She lost the peace in which she lived before and this leaves the girl perplexed:
Why did you visit us
In the wilderness of a forgotten village
I never knew you.
I would not know the bitter torment.
On the other hand, the girl, having analyzed her position, sums up: Onegin's arrival is her salvation, this is fate. By her character and temperament, Tatyana could not become the wife of any of the local suitors. She is too alien and incomprehensible for them - another thing is Onegin, he is able to understand and accept her:
That in the highest council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
The faithful meet with you.
However, Tatyana's hopes were not justified - Onegin does not love her, but just played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Evgeny is leaving.
Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is radically different from the Eugene, whom she wanted to see. She just idealized the young man.
This is where her unfulfilled romance with Onegin ends.
Tatiana's dream
Unpleasant events in the girl's life, associated with the lack of mutual feelings in the object of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, was preceded by a strange dream.
Tatiana has always attached great importance to dreams. This dream is doubly important for her, for it is the result of Christmas divination. Tatiana was supposed to see her future husband in a dream. The dream becomes prophetic.
At first, the girl finds herself in a snowy clearing, she comes to the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but seeing that the bear is not going to attack, but on the contrary, offers her his help, stretches out his hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatiana even more.
The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, rip off her handkerchief, but Tatyana, seized with fear, runs forward. Deep snow does not allow her to escape and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries on.
A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears a noise of fun, but it reminds her of a commemoration. Strange guests are sitting at the table - monsters. The girl is dismantled and fear, and curiosity, she quietly opens the door - the owner of the hut turns out to be Onegin. He notices Tatiana and walks towards her. Larina wants to run away, but cannot - the door opens, and all the guests see her:
... fervent laughter
It rang out wildly; eyes of all,
Hooves, crooked trunks,
Crested tails, fangs,
Mustache, bloody tongues
Bone horns and fingers,
Everything points to her
And everyone shouts: mine! my!
The guests are calmed by the imperious host - the guests disappear, and Tatiana is invited to the table. Olga and Lensky immediately appear in the hut, causing a storm of indignation on the part of Onegin. Tatiana is terrified of what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.
Tatyana's marriage
A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain a virgin:
Have Kharitonya in the alley
The carriage in front of the house at the gate
Has stopped. To the old aunt,
Fourth year sick with consumption,
They have arrived now.
Aunt Alina happily received the guests. She herself could not get married at one time and lived all her life alone.
Here, in Moscow, Tatiana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile he does not take his eyes off her."
The age of the general, as well as his exact name, Pushkin does not give in the novel. Alexander Sergeevich calls the airman Larina General N. It is known that he took part in military events, which means that his career advancement could occur at an accelerated pace, in other words, he received the rank of general without being in old age.
Tatyana, on the other hand, does not feel a shadow of love in relation to this person, but nevertheless agrees to marriage.
The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - it was replaced by affection and a sense of duty.
Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.
Meeting with Onegin
Two years later, Eugene Onegin returns from his trip. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, over these two years, changes have occurred in the life of his relative:
“So you're married! I did not know the wound!
How long has it been? " - About two years. -
"On whom?" - On Larina. - "Tatiana!"
Onegin, who always knows how to restrain himself, succumbs to excitement and feelings - he is seized by anxiety: “Can she really be? But for sure ... No ... ".
Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:
The ladies moved closer to her;
The old ladies smiled at her;
The men bowed below
The girls passed quieter.
Tatiana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - this all surprises Onegin.
Tatiana, it seems, was not at all dumbfounded, unlike Eugene, by their meeting:
Her eyebrow did not move;
She did not even purse her lips.
Always such a brave and lively Onegin was confused for the first time and did not know how to speak to her. Tatyana, on the other hand, asked him with the most indifferent expression on her face about the trip and the date of his return.
Since then, Eugene has been losing his peace. He realizes that he loves the girl. He comes to them every day, but he feels awkward in front of the girl. All his thoughts are occupied only by her - from the very morning he jumps out of bed and counts the hours remaining before their meeting.
But the meetings do not bring relief either - Tatiana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself in relation to her two years ago. Eaten by excitement, Onegin decides to write a letter.
Noticing a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his past recklessness.
Like Tatyana, Onegin entrusts her with the solution to the problem:
It's all decided: I'm at your will
And surrender to my destiny.
However, there was no answer. The first letter is followed by one more and another, but they remain unanswered. Days go by - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She looked a lot like the girl he had met two years earlier. An agitated Onegin falls at her feet, but
Tatyana is categorically disposed - her love for Onegin has not yet faded away, but Yevgeny himself ruined their happiness - he neglected her when she was not known to anyone in society, was not rich and was not "treated kindly by the court." Eugene was rude to her, he played with her feelings. Now she is another man's wife. Tatiana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another scenario is contrary to the girl's life principles.
Tatiana Larina assessed by critics
Roman A.S. Pushkin, "Eugene Onegin" has become the subject of active research and scientific-critical activity for several generations. The image of the main character Tatiana Larina caused repeated disputes and analyzes.
- Yu Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read the novels, recreated "a chain of reminiscences primarily from the texts of French literature."
- V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was Tatiana's letter. According to the critic, Pushkin himself until that moment did not realize the power generated by writing - he calmly read it, just like any other text.
The writing style is a little childish, romantic - it touches, because Tatiana had not known the feelings of love before that “the language of passions was so new and not accessible to the morally unrepentant Tatiana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her. " - D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she instills them in herself and thinks that this is the truth. While analyzing the letter to Tatiana, the critic notes that Tatiana still realizes Onegin's lack of interest in her person, because she suggests that Onegin's visits will not be regular, this state of affairs does not allow the girl to become a "virtuous mother." “And now, by your grace, a cruel man, I must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of "redneck".
- F. Dostoevsky believes that Pushkin should have called his novel not by the name of Eugene, but by the name of Tatiana. Since this particular heroine is the main character in the novel. In addition, the writer notes that Tatiana has a much greater mind than Eugene. She knows how to do the right thing in the current situations. Her image is markedly hard. "The type is firm, standing firmly on its ground," Dostoevsky says about her.
- V. Nabokov notes that Tatiana Larina has become one of her favorite characters. As a result, her image turned "into a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatiana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga took a much more advantageous position in relation to her sister.
Article menu:
The image of Tatyana Larina from the novel by A.S. Pushkin's "Eugene Onegin" is one of those that evoke a feeling of admiration and pity at the same time. Her life path once again makes you think that a person's happiness depends not only on the honesty of his actions and sincerity of intentions, but also on the actions of other people.
The Larin family
Tatiana Larina is an aristocrat by birth. Her family lives in the rural outback, rarely leaving it, so all the girl's communication is based on communication with the closest relatives, the nanny, who is actually equated with family members and neighbors.
At the time of the narration, Tatyana's family is incomplete - her father died, and his mother took over his responsibilities in managing the estate.
But in the old days everything was different - the Larin family consisted of Dmitry Larin, a foreman in his position, his wife Polina (Praskovya) and two children - girls, the eldest Tatyana and the younger Olga.
Polina, married Larina (her maiden name is not mentioned by Pushkin), was forcibly married to Dmitry Larin. For a long time, the relationship burdened the young girl, but thanks to her husband's calm disposition and good attitude towards her person, Polina was able to discern in her husband a good and decent person, become attached to him and even, subsequently, fall in love. Pushkin does not go into the details of the description of their family life, but it is likely that the spouses' tender attitude towards each other continued until old age. Being already at a considerable age (the author does not name the exact date), Dmitry Larin dies, and the functions of the head of the family are taken over by Polina Larina, his wife.
Tatiana Larina's appearance
At that time nothing is known about Tatiana's childhood and appearance. An adult girl of marriageable age appears before the reader in the novel. Tatyana Larina was not distinguished by traditional beauty - she was not much like girls capturing the hearts of young aristocrats at dinner parties or balls: Tatyana has dark hair and pale skin, her face is devoid of blush, it seems somehow completely colorless. Her figure also does not differ in the sophistication of forms - she is too thin. The gloomy appearance complements the look full of sadness and longing. Against the background of her blonde and ruddy sister, Tatyana looks extremely unattractive, but still she cannot be called ugly. She has a special beauty, different from the generally accepted canons.
Tatyana's favorite activities
Tatiana Larina's unusual appearance does not end with her unusual appearance. Larina also had non-standard ways of spending her leisure time. While the bulk of the girls indulged in needlework at their leisure, Tatyana, on the contrary, tried to avoid needlework and everything that was associated with it - she did not like to embroider, the girl was bored at work. Tatyana loved to spend her free time in the company of books or in the company of her nanny, Filipyevna, which in their content were practically equivalent actions. Her nanny, despite the fact that she was a peasant by birth, was considered a member of the family and lived with the Larins even after the girls grew up and her services as a nanny were no longer in demand. The woman knew many different mystical stories and gladly retold them to curious Tatiana.
In addition, Larina often loved to spend time reading books - mainly the works of authors such as Richardson, Rousseau, Sophie Marie Cotten, Julia Krudener, Madame de Stael and Goethe. In most cases, the girl gave preference to books of romantic content, rather than philosophical works, although they were contained in the literary heritage of the author, as, for example, in the case of Rousseau or Goethe. Tatyana liked to fantasize - in her dreams she was transferred to the pages of the novel she had read and acted in her dreams in the guise of one of the heroines (usually the main one). However, none of the romance novels were Tatyana's favorite books.
Dear Readers! We suggest that you familiarize yourself with which Alexander Sergeevich Pushkin wrote.
The girl was ready to wake up and fall asleep only with Martin Zadeki's dream book. Larina was a very superstitious girl, she was interested in everything unusual and mystical, attached importance to dreams and believed that dreams do not just dream, but contain a certain message, the meaning of which the dream book helped her to decipher.
In addition, the girl could spend hours looking out the window. It is difficult to say at this moment she was watching what was happening outside the window or indulged in daydreams.
Tatiana and Olga
Larina's sisters were significantly different from each other, and this applied not only to the external. As we learn from the novel, Olga was a frivolous girl, she liked to be in the center of attention, she flirts with young people with pleasure, although she already has a fiancé. Olga is a cheerful giggle with classical beauty, according to the canons of high society. Despite such a significant difference, there is no enmity or envy between the girls. Affection and friendship was firmly established between the sisters. The girls enjoy spending time together, guessing on Christmastide. Tatiana does not condemn the behavior of her younger sister, but she does not encourage it either. It is likely that she acts on the principle: I act as I see fit, and my sister as she wants. This does not mean that some of us are right, and someone is wrong - we are different with her and act in different ways - there is nothing wrong with that.
Personality characteristic
At first glance, it seems that Tatiana Larina is Childe Harold in a female form, she is just as dull and sad, but in fact there is a significant difference between her and the hero of Byron's poem - Childe Harold is dissatisfied with the arrangement of the world and society, he is bored because, that he cannot find something to do that would interest him. Tatyana is bored, because her reality is different from the reality of her favorite novels. She wants to experience something that literary heroes have experienced, but there is no reason for such events to be foreseen.
In society, Tatyana was mostly silent and sad. She was not like most young people who enjoyed communicating with each other, flirting.
Tatyana is a dreamy nature, she is ready to spend hours in the world of dreams and dreams.
Tatyana Larina has read a lot of women's novels and has adopted the main character traits and elements of behavior of the main characters, so she is full of novelistic "perfections".
The girl has a calm disposition, she tries to restrain her true feelings and emotions, replacing them with indifferent decency, over time Tatiana learned to do this masterfully.
A girl rarely indulges in self-education - she spends her free time in entertainment or simply while away the hours, wasting time aimlessly. The girl, like all aristocrats of that time, knows foreign languages well and does not know Russian. This state of affairs does not bother her, because in the circles of the aristocracy it was commonplace.
Tatyana lived in solitude for a long time, her social circle was limited by relatives and neighbors, so she is too naive and too open a girl, it seems to her that the whole world should be like that, so when faced with Onegin, she understands how deeply she was mistaken.
Tatiana and Onegin
Soon, Tatyana has the opportunity to fulfill her dream - to transfer one of her women's novels from the plane of the dream world to reality - they have a new neighbor - Eugene Onegin. It is not surprising that Onegin, possessing natural charm and charm, could not fail to attract Tatiana's attention. Soon Larina falls in love with a young neighbor. She is overwhelmed with hitherto unknown feelings of love, different from the one she felt in relation to her family and friends. Under the pressure of emotions, a young girl decides on an unthinkable act - to confess her feelings to Onegin. In this episode, it seems that the girl's love is invented and evoked by the secluded lifestyle and the influence of romance novels. Onegin was so different from all the people around Tatiana that it seems not surprising that he became the hero of her novel. Tatyana turns to her books for help - she cannot entrust the secret of her falling in love to anyone and decides to solve the situation on her own. The influence of romance novels on the development of their relationship is clearly visible in the letter, this is evidenced by the very fact that Tatiana decided to write this letter as a whole.
At that time, such behavior on the part of the girl was indecent and, when her act was made public, it could become disastrous for her future life. What can not be said about the fair sex at the same time living in Europe - for them it was a common occurrence and did not imply something shameful. Since the novels usually read by Tatyana belonged to the pen of European masters of the word, the thought of the possibility of writing a letter first was permissible and only intensified under Onegin's indifference and strong feelings.
On our website you can familiarize yourself with the characteristics of which are summarized in the table.
In her letter, Tatiana defines only two ways of developing their relationship with Onegin. Both paths are inherently cardinal and are clearly opposed to each other, because they contain only polar manifestations, avoiding intermediate ones. In her vision, Onegin was to either provide her with a family idyll, or act as a tempter.
There are no other options for Tatiana. However, the pragmatic and, moreover, not in love with Tatyana Onegin lowers the girl from heaven to earth. In Tatyana's life, this was the first serious lesson that influenced her further personality and character formation.
Eugene does not talk about Tatyana's letter, he understands all its destructive power and does not intend to bring even more grief into the girl's life. At that time, Tatyana was not guided by common sense - she was covered with a wave of emotions that the girl could not, due to her inexperience and naivety, cope with. Despite the disappointment and unsightly reality that Onegin revealed to her, Tatyana's feelings did not run out.
The Yule dream and its symbolism
Tatiana's winter was her favorite season. Perhaps because it was at this time that the Christmas week fell, in which the girls were guessing. Naturally, the superstitious, mystic-loving Tatiana does not miss the opportunity to find out her future. One of the important elements in the girl's life is the Yule Dream, which, according to legend, was prophetic.
In a dream, Tatiana sees what worries her the most - Onegin. However, a dream does not bode well for her. At first, the dream does not bode well - Tatiana walks through a snowy meadow. On her way she meets a stream, which the girl needs to overcome.
An unexpected helper - a bear - helps her to cope with this obstacle, but the girl feels neither joy nor gratitude - she is overwhelmed with fear, which intensifies as the beast continues to follow the girl. An attempt to escape does not lead to anything either - Tatiana falls into the snow, and the bear overtakes her. Despite Tatyana's foreboding, nothing terrible happens - the bear picks her up and carries her on. Soon they find themselves in front of the hut - here a terrible beast leaves Tatiana, telling her that the girl can warm up here - his relative lives in this hut. Larina enters the vestibule, but is in no hurry to enter the rooms - the noise of fun and feast is heard outside the door.
A curious girl tries to spy on - Onegin turns out to be the owner of the hut. The startled girl freezes, and Eugene notices her - he opens the door and all the guests see her.
It is worth noting that the guests of his feast are not like ordinary people - they are some kind of freaks and monsters. However, this is not what scares the girl most of all - laughter, in relation to her person, worries her more. However, Onegin interrupts him and seats the girl at the table, driving all the guests away. After some time, Lensky and Olga appear in the hut, which displeases Onegin. Eugene kills Lensky. At this, Tatyana's dream ends.
Tatiana's dream is inherently an allusion to several works. First of all, on the fairy tale of A.S. Pushkin's "The Groom", which is an expanded "dream of Tatiana." Also Tatyana's dream is a reference to the work of Zhukovsky "Svetlana". Tatiana Pushkina and Svetlana Zhukovsky contain related traits, but their dreams are significantly different. In Zhukovsky's case, this is just an illusion; in Pushkin's case, it is a prediction of the future. Tatyana's dream really turns out to be prophetic, soon she really finds herself on a wobbly bridge and a certain person who looks like a bear in his appearance helps her to overcome it, moreover, a relative of Onegin. And her lover turns out to be not the ideal person whom Tatyana portrayed in her dreams, but a real demon. He, in reality, becomes the killer of Lensky, shooting him in a duel.
Life after Onegin's departure
The duel between Onegin and Lensky, in essence, occurred because of the most insignificant things - at the celebration of Tatyana's birthday, Onegin was too kind to Olga, which caused a fit of jealousy in Lensky, the reason for which was the duel, which did not end well - Lensky died on location. This event left a sad imprint on the life of all the characters in the novel - Olga lost her fiancé (their wedding was supposed to take place two weeks after Tatyana's name day), however, the girl was not too worried about Lensky's death and soon married another person. The blues and depression of Onegin increased significantly, he was aware of the severity and consequences of his act, being in his estate was already unbearable for him and therefore he went on a journey. However, the death of Lensky made the greatest impact on Tatiana. Despite the fact that nothing connected her with Lensky except companionship, and her position and views were only partially similar, Tatyana had a hard time going through the death of Vladimir, which in its essence became the second significant lesson in her life.
Another unattractive side of Onegin's personality is revealed, but disappointment does not occur, Larina's feelings towards Onegin are still strong.
After Evgeny's departure, the girl's sadness increases significantly, she is looking for solitude more than usual. From time to time Tatiana comes to Onegin's empty house and reads books in the library with the permission of the servants. Onegin's books are not like her favorites - the basis of Onegin's library is Byron. After reading these books, the girl begins to better understand the character traits of Eugene, because he is inherently similar to the main characters of Byron.
Tatyana's marriage
Tatiana's life could not continue to proceed in the same direction. The changes in her life were predictable - she was an adult, and she had to be married off, because otherwise Tatyana had every chance of remaining in the old maidens.
Since no suitable candidates are expected in the vicinity, Tatyana has only one chance - to go to Moscow for a brides fair. Together with her mother, Tatiana comes to the city.
They stay with Alina's aunt. A relative has been suffering from consumption for the fourth year already, but the illness did not prevent her from welcoming visiting relatives. Tatiana herself is unlikely to accept such an event in her life with joy, but, despite the need for marriage, she puts up with her fate. Her mother does not see anything wrong with the fact that her daughter will not be married for love, because at one time she was treated the same way, and this did not become a tragedy in her life, and after a while even allowed her to become a happy mother and wife ...
The trip was not useless for Tatiana: a certain general liked it (his name is not mentioned in the text). Soon the wedding took place. Little is known about the personality of Tatyana's husband: he took part in military events and is essentially a military general. This state of affairs contributed to the question of his age - on the one hand, obtaining such a rank took a lot of time, so the general could already be at a decent age. On the other hand, personal participation in hostilities made it possible for him to move up the career ladder much faster.
Tatiana does not love her husband, but does not protest against marriage. Nothing is known about her family life, moreover, this situation is aggravated by Tatyana's restraint - the girl learned to restrain her emotions and feelings, she did not become a cutesy aristocrat, but she also confidently moved away from the image of a naive country girl.
Meeting with Eugene Onegin
In the end, fate played a cruel joke on the girl - she again meets her first love - Eugene Onegin. The young man returned from a trip and decided to pay a visit to his relative, a certain general N. In his house he meets Larina, she turns out to be the general's wife.
Onegin was amazed at the meeting with Tatyana and her changes - she no longer looked like that girl, overwhelmed with youthful maximalism. Tatiana became wise and balanced. Onegin realizes that all this time he loved Larina. This time he changed the role with Tatiana, but now the situation is complicated by the girl's marriage. Onegin is faced with a choice: suppress his feelings or make them public. Soon, the young man decides to explain himself to the girl in the hope that she has not yet lost her feelings for him. He writes a letter to Tatiana, but, despite all Onegin's expectations, there is no answer. Eugene was seized by even greater excitement - the unknown and indifference only more provoked and agitated him. In the end, Eugene decides to come to the woman and explain himself. He finds Tatiana alone - she looked so much like the girl he met two years ago in the village. Touched Tatyana confesses that she still loves Eugene, but now she cannot be with him - she is tied by the knot, and to be a dishonest wife against her principles.
Thus, Tatiana Larina has the most attractive character traits. The best features are embodied in it. During her youth, Tatiana, like all young people, was not endowed with wisdom and restraint. In view of her inexperience, she makes some mistakes in behavior, but she does this not because she is poorly brought up or depraved, but because she has not yet learned to be guided by her mind and emotions. She is too impulsive, although generally a pious and noble girl.