Biography
Sergei Ivanovich was born on May 12, 1973 in the village of Bogdanovka, Samara Region. Around the age of 7, he began to learn to play the button accordion at a local music school. Later he entered the Samara School of Music in the accordion class.
Starting from the age of 11, Voitenko constantly participated in various music competitions, where quite often he won prizes and received prizes.
Awards and prizes
India d'Avignon, Daniel Ha, Evan Lin, Kevin Park and Marek Zebrowski. Described as "exciting", "virtuoso" and "irresistible", is a Los Angeles ensemble dedicated to the music of our time. The sonata of Kresimir Dembsky for piano and violin will receive the premiere of the Central Coast at the Kassa Concert Festival. Composing a traditional three-dimensional form, Dembsky's Sonata explores the virtuoso properties of violin and piano, providing an exciting experience for the audience. “Wash for violin and piano” by Karol Szymanowski is a modern classic with three sensual, evocative musical images of ancient Greek themes.
After college, Sergei entered the Samara Pedagogical University. At this point, Voitenko managed to become the laureate of three All-Russian competitions of young accordionists and accordionists: in 1990 he received the third prize in Ulyanovsk, in 1991 also the third prize in Magnitogorsk, and in 1992 the first prize again in Ulyanovsk.
The event is free and open to all. Both events are free and open to the public. Thanks to Paderewski, Poland regained its independence after the First World War. Paderewski’s great and unforgettable affairs are debated by several historical witnesses, including U.S. Presidents Ronald Regan, John Fitzgerald Kennedy, George W. Bush and Polish President Lech Walsa, as well as the Primate of Poland, Cardinal Jozef Glemp and musicologists Jerzy Waldorf and Jan Poporf. The film features Paderewski’s own piano performances, as well as footage of his last trip from Arlington National Cemetery in Washington in a crypt in St. Basil’s Basilica.
In 1994, Sergey became a laureate at the V All-Russian Competition of Folk Instruments in Voronezh, winning the first prize.
In 1999, Sergei graduated from the graduate school at the Russian Academy of Music, and was admitted to the department of musical instruments of the Samara State Pedagogical University.
In Polish with English subtitles. There is not much to be happy on such a day. It rains continuously for two days and with such a shaky he does not want to go home. Of the rest, however, I do not have a pale idea. No longer Uboldi's house, but an oratory. People who come, who meet someone, someone comes out, someone comes and takes their place. Refreshment was set inside, and few of those who came did not use it. In fact, this was reported in the manifest of the event. But music is made up of high school students, led by Professor Riccardo Camero, while in Morbegno at a competition dedicated to the sculptor Salvatore Pisani.
In the same year, Voitenko was carried away by the composition. His works, such as “February Sketches” (Suite for button accordion, 2000) and “Revelation” (Elegy for button accordion and string orchestra, 2001) were highly praised by critics, and later were completely published in German and Bulgarian music publishing houses.
Sergey Voitenko mainly played solo to the accompaniment of symphony, chamber or folk orchestras. But in 2000, he organized the Non Stop quartet with his friends - laureates of All-Russian and international competitions - Anton Cherdakli (domra), Fedor Dyukov (balalaika), Mikhail Rusakov (double bass - balalaika).
Perhaps they did not express themselves here, because the background of the new outfit is dark, and the picture is already dark in itself will not be noticeable. I wonder why my child decided to use dark colors so lively. There are also squares in the left corner of those coming from the entrance. Here people began to fall asleep wondering how they can appreciate these paintings during the evening. She immediately tells me that she is waiting for an article at this event. Here someone finally steps onto the stage and grabs the microphone. This should be a sign that you are about to start really.
In 2002, Sergey Voitenko organized the international accordion festival “Vivat, Bayan! Sergey Voitenko and his friends. ” He acted as the artistic director and producer of the festival. For the first time, it was possible to conduct it only in 2003 in Samara. The first venue for the festival outside the Samara region was the State Kremlin Palace in Moscow in 2009. This festival was also remembered by the performance of such famous stars as the White Eagle group, Joseph Kobzon, Oleg Gazmanov, Nadezhda Babkina, Ekaterina Shavrina, Igor Saltykov, Friedrich Lips, Gainullin, Aidar Akremetdinovich, Yuri Galtsev and Gennady Vetrov and many others.
And when did Dmitry enter your creative life?
We can actually begin to speak of a person who, in the course of his speech, will introduce himself as Alberto from the Joint Association. This festival is intended for young people, but in general for the entire population. For several months now, some associations of the municipality have been meeting with the Morbegno cooperative to try to discuss youth issues and prevention. Mr. Alberto continues his speech confirming my hypothesis. At these meetings, it was decided to create a series of initiatives to hold meetings between young people, associations and citizenship, and today's party wants to be the beginning of a path, a symbolic event.
True, even before this momentous event, namely in 2005, Sergey Voitenko founded the Bayan Mix duet with Dmitry Khramkov. This duo has participated in many international festivals, such as:
- International Festival "Slavic Bazaar" (Vitebsk, Belarus);
- International pop song festival “New Wave” (Jurmala, Latvia); International Festival of Humor and Pop Arts (Yalta, Ukraine);
- International Film Festival “Southern Kuban Nights” (Krasnodar, September).
The duo also performed in Vancouver to the guests of the Olympics in February 2010.
But perhaps this is just a joke. In the meantime, he took Laura’s word from the Joy Group to thank all those who specifically allowed for what would otherwise be just an idea. So, this could mean the beginning of a new era for the cultural season in Thessaloniki? Two or three weeks ago in Albosagia was literary holiday, which invited Valerio Massimo Manfredi, another of my favorite writers. Anyone interested in authors here? On stage at the same time, Simone Dooka climbed up as a former cultural adviser here as a teacher high schoolin order to present part of the play prepared by secondary schools, and dedicated the memory of the boy who soon left us, Paolo Biella.
And in December 2009, the musicians received the highest public award in the field of culture - the Silver Order “Serving the Art”.
Awards and prizes
- 1994 - 1 prize, V All-Russian competition of performers on folk instruments / Voronezh, Russia /
- 1994 - 1 prize, gold medal, II International Competition for Folk Instruments / Cherepovets, Russia /
- 1994 - I prize, "Medal of the President of the Republic of Italy", XVI International Bayan Competition / Castelfidardo, Italy /
- 1994 - 3 prize, II International button accordion competition / Mondragon, Spain /
- 1995 - 2 prize, "Prize of sympathy for the organizers of the competition", III International competition of bayan players / city of Mondragon, Spain /
- 1996 - 2 prize, II International button accordion competition / Birkerud, Denmark /.
- 1998 - 1 prize, XXXV International button accordion competition / Klingenthal, Germany /
- 1999 - 1 prize, "Audience Award", VII International Bayan Competition / city of Mondragon, Spain /.
- 2001 - 1 prize, XXXVIII International Bayan Players Competition (in the category of ensembles) / Klingenthal, Germany /.
The first concert of world-famous accordionists took place in the "Lights of Ufa", the soloists of which Sergei Voitenko and Dmitry Hramkov are winners of numerous international competitions. Correspondent - Leila interviewed them.
It may sound like a joke to accompany this joyful day in memory of what the person no longer said, but he was a joyful and positive person, so we thought that he would like to be revered. Today he seemed to be with us. If the memory of the dead is the main engine of civilization, the people of Talamona are characterized by very civilized people, because there are many events that were born and continued in time to mark the memory of some compatriot who left. While waiting for the preparation of the instruments and arrangements, Simon Dook calls for the scene the head of the school, Eliana Giletti, sitting among the audience, who can only emphasize the great commitment that was made in all of this.
Sergei, as far as you know, you have a teacher education, how much did you work in your specialty? - We both have a PED education. I worked 11 years at the institute, and Dmitry 2 years at a music school. Sergey: at the Institute of Arts, each group should have a common instrument, accordionists have a common instrument, this is the Phonograph, pianists, violinists accordion or balalaika. And now the students are asked: - Do you want a balalaika ?; - But on the button accordion, do not want to? - who will lead? Voitenko? After that, the majority was recorded on :) and now I had about 30 girls, they went to see me three times a week and now they worked with them. - In the past, are you strippers? A few words about this. Never been strippers! Maybe this is a sex show with Anfisa Chekhova, in which we took part, and performed a new role as a Strip-button. And so we dance in a private strip-dance ... - Have you ever thought about combining a strip-and-button accordion? - (Dmitry) We were already offered at our previous concert in Kazan. They hinted that we needed to somehow surprise (Sergey) At each concert we play our disks and people write poems to us, one of the poems is precisely on this topic: I fell in love with the Bayan Mix only half, and the bottom half is bright, mobile - The crisis primarily affected creative people, how did it affect you? (Dmitry) In general, the crisis affected absolutely everyone, and naturally, people began to invite or invite less, but not with such a budget. In general, it seems to me that the crisis was reflected primarily in the fact that temporary, even unnecessary groups appeared on our stage and they quickly dropped out due to the crisis; mostly women’s projects of some kind — they appear, are replaced by others, and people don’t have time to understand that this was a substitution. - On the issue of women, did not think about how to dilute your team ..? - (Sergey) except that they will dance a striptease during a concert (laughs) We have many duets, for example, with Marinka Devyatova we have a lot of joint projects, with Babkina (Dmitry) Why, why do we need this ?! Sometimes, at concerts we perform with women's groups, but nothing more. - I suggest exchanging your button accordion for my car ... - (Sergey) Let's go !! (Dmitry) No, actually it won’t do that (Sergey) Why we’ll drive my car, play your instrument, then we’ll sell the car, we’ll buy another button accordion))) (laughs) (Dmitry) I want to explain: the car is really really worth the money will not bring, but the button accordion, thanks to the correct and skillful handling of it, you can buy more than one car! !! (Sergey) And again: Bayan players EASY TO EARN MONEY !!! .. on a Mercedes. “You mean you drive Mercedes? ... -we make money on them.” - Ready to give up your work for love? - (Dmitry) Oh no (laughs). (Sergey) The fact is that this is our life. -To the question of love, do you have a purely creative union? (laughs for a long time) It is of course now fashionable and quite common, but it is extremely creative here. - How did you find each other? -And we did not find each other, we just studied together, studied with one teacher, i.e. we were brought together by fate in the person of our teacher. We have many international competitions, first prizes, i.e. As academic musicians, we at one time took place, and therefore, now we are proudly bearing this banner of education that we received, and the fact that we are now in a more pop rank does not give anyone the right to condemn us, because we have a huge baggage of academic training and victories of international competitions, Dima has 6 international competitions, I have 11, i.e. among accordionists we are considered one of the best accordionists in the world! -Sergey, in one of the interviews you said that your weakness should be borrowed ... - (Sergey) Well, yes ... where did you find this?! (Shock) (Dmitry) I would say differently in my opinion, on the contrary. Of course, I give a loan there, I have no money, I take from you. (laughs) But he doesn’t lend ... -Do you lose any friends because of this? -Lost! Not much, but I lost, even relatives I didn’t specifically lose them, I just didn’t give the money myself. - For the sake of friends, just as for love, are you ready to quit your career? - (Sergey) This is friendship rather than other for men than love; she has love today, but it may not exist tomorrow, but friendship is eternal (Dmitry) But how can one give up a career for a friend, it doesn’t happen. Unless you cancel a concert ... - Dmitry, there’s a lot less information about you, you’re not married ? - No, I'm not married, I just don’t really talk about my personal life. Although it is of interest to many, it is personal, it is mine! Recently invited to the program. Let's get married on ORT, asked to come and complain about how talented and successful I am, and no one loves me, help me find happiness. Although it would seem that you could do anything for the sake of a career, this situation convinced me otherwise. Good luck, see you at the concert !!! Layla specifically for NewsUfa.ru
Break the ice with two solos with motifs that resemble a rock. Some of the guys have an off-topic feature that represents some songs. Riccardo had just finished the piano when he was off the pitch. In New Orleans, funerals were often accompanied by fun music. The expression of emotions has been and remains open, and there is no dissociation between life, silence and death. The same concept of estranging from a dear person is different from the concept of Western civilizations, and everything is characterized by deep faith.
It seems to me that the Etruscans also thought about it. Events that we cannot find find it perfectly in the wind. With classical music, it never fails, it has a beneficial effect on the soul, which cannot be achieved in any other way. It looks like he was a star of the night.