BRIEF PICTURE Written far from Russia, the story tells about the events that took place in a small German town. A certain gentleman meets a girl, falls in love with a dog, dreams of happiness, but does not immediately dare to offer her a hand, but deciding, he finds out that the girl has left, disappearing forever from his life.
Asya is the daughter of a nobleman and a peasant serf. Her mother was a proud woman and did not allow her father to take part in raising her daughter. After the death of her mother, the girl from the peasant hut ended up in her father's manor house. Since childhood, Asya realized the complexity of her situation. Self-esteem and mistrust developed strongly in the girl, the peasant simplicity disappeared, but some bad habits took root. Despite all the vicissitudes of fate, the girl grew up very attractive. She has a swarthy round face with a small thin nose, almost childish cheeks and large black eyes. Asya is very mobile and does not sit still for a minute. There is something incomprehensible, mysterious in Asya's behavior. Often her actions are impudent, defiant.
Mr. NN, a young man of about twenty-five, an attractive and wealthy nobleman, travels around Europe "without any goal without a plan." In almost every town he has a lady of the heart. In one German town, the hero meets Asya and Gagin. Good relations are established between them. A strong feeling gradually arises between Asya and N. The heroine is ready for anything for love, but N. was afraid of responsibility.
The content of "Asi" is not limited to the psychological study of a certain social phenomenon. The story also touches upon problems of a timeless, extra-social nature, and, above all, the problem of true and false values. Even in episodes not directly related to the movement of the plot, Turgenev strove to express his sense of the wealth of the world, the beauty of a person who "is the highest moral value." The limitation of reason, the disharmony of human relations is contrasted in the story with the life of the soul, its ability to reject the false and aspire to the true.
After reading the story, I see that Turgenev is very fond of his heroine. I also like Asya. But I think it will be difficult for her to find her place in life. She seemed to have sailed from one shore, but did not stick to the other ... This duality of her position will prevent Asya from communicating with people and building her family. This can be seen in her attitude towards N.N. Asya fell in love deeply, strongly and recklessly. But such a girl needs either all or nothing. And not finding N.N. the same reciprocal feeling Asya leaves forever without saying goodbye.
Slide 1
Presentation based on the novel by I.S. Turgenev "Asya"
Compiled by TV Ishkova, teacher of Russian language and literature, Ozerskaya secondary school
Slide 2
His story "Asya" I.S. Turgenev wrote "with enthusiasm, inspiration, very ardently, almost with tears." The childhood story of the heroine, the illegitimate daughter of a nobleman, recalls the fate of Polina, the daughter of Turgenev himself, who was brought up first on the estate of his mother, then in the family of Pauline Viardot.
Slide 3
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Hello to you, a modest corner of the German land, with everywhere traces of diligent hands, patient, although unhurried work ... Hello to you and the world!
Slide 4
“Asya was sitting exactly on the ledge ... Her slender appearance was clearly and beautifully drawn against the clear sky ...“ She wants to surprise us, ”I thought,“ what is it for? What a childish trick? " She suddenly threw a quick and piercing look at me and laughed again. Her movements were very nice, but I was annoyed with her ... "
Slide 5
A lighted window on the third floor banged and opened, and we saw Asya's dark head. - I'm here, - said Asya, coquettishly leaning her elbows on the window, - I feel good here. On you, take it, - she added, tossing a geranium branch to Gagin, - Imagine that I am the lady of your heart.
Slide 6
“I looked into this soul: secret oppression pressed it constantly, inexperienced pride was anxiously confused and beating, but her whole being was striving for the truth. This strange girl attracted me not only by her half-wild charm spread all over her delicate body - I liked her soul ”.
Slide 7
"... Let's go - let's go ... I will ask my brother to play us a waltz ... We will imagine that we are flying, that we have grown wings ...". Moments later, we were whirling in the cramped room to the sweet sounds of Lanner. Asya waltzed beautifully, with enthusiasm.
Slide 8
“What I felt was not that vague, recently experienced feeling of all-embracing desires, when the soul expands, sounds when it seems to her that she understands everything and loves everything ... No! A thirst for happiness was kindled in me. "
Slide 9
... I looked at her: there was something touchingly helpless in her timid immobility. My heart melted ... -Asya, - I said barely audibly ... She slowly raised her eyes to me. Oh, the look of a woman who has fallen in love - who will describe you? They prayed, these eyes, they trusted, asked ... I could not resist their charm and clung to her hand ...
Slide 10
I quickly descended from the vineyard and rushed into the city ..., walked around all the streets, returned to the Rhine and ran along the bank. I felt more than one fear ... no, I felt remorse, regret is the most burning, love - yes! The most tender love. I wrung my hands, I called Asya in the middle of the approaching night; I repeated a hundred times that I love her, I vowed never to part with her; I would give everything in the world to hold her cold hand again, to hear her quiet voice ...
Slide 11
One word ... Oh, I'm crazy! I didn’t tell her, I didn’t tell her that I love her ... I didn’t see them again. I did not see Asya ... None of the eyes replaced those eyes that once looked at me with love, and my heart, which fell to my chest, responded with such a joyful and sweet fading ... I keep it as a shrine, dried up a geranium flower, the same flower that she once threw at me from the window.
"Turgenev Mumu" - I.S.Turgenev. Autobiographical story "mumu". The writer's mother was a domineering serf woman. I.S. Turgenev was born in the city of Orel. In May 1838, Turgenev went to Germany. In its anti-serfdom orientation, the story is a direct continuation of the "Notes of a Hunter". Who is to blame for the fact that Gerasim is unhappy?
"IS Turgenev Asya" - Through the pages of the story "Asya" by IS Turgenev. Strong feelings in the heroes are often accompanied by music (chapters 1, 2, 9, 19). Sociologists What attracts you to the story? (The survey involved 24 students, 16 parents.). Meaning of the name. Drawings for the story. Anna - "grace", "cuteness" Anastasia - "born again". Sociologists Who is to blame for the separation of the heroes?
"Asya Turgenev Lesson" - Do you notice a contradiction in the character of the hero? Why? The story "Asya". What role does landscape play in revealing character? Lesson 1. Mr. N.N. Gagin, Asya are the main characters of the story. Asya's image. Questions about the text of the story. What is the difference between the two towns? Is Asya beautiful? Did Mr. N.N. new acquaintances?
"The life and work of Turgenev" - Library. Adulthood. In 1841 Turgenev returned to his homeland. In 1842, Turgenev, at the request of his mother, entered the office of the Ministry of Internal Affairs. The writer's mother. L. N. Tolstoy. In 1836 Turgenev graduated from the course with the degree of a real student. Youth. The father of the writer. Manor house. Writer's office.
"Writer Turgenev" - Questions for review: The exhibition presents most of the Turgenev materials stored in the museum. Pauline Viardot - was born on July 6, 1821 in Paris. SN Turgenev is the writer's father. Alphonse Daudet. Presentation lesson
Goals and objectives of the lesson:
- the formation of a sense of beauty through the poetic text of the story, music;
- to acquaint students with the literary work of the 19th century, studying from the point of view of the concept of historicism in literature;
- teach eighth-graders to textual analysis of the story and analysis of an episode of the work, to see and understand the meaning of detail in a literary work;
- to teach children to understand the "psychologism" of the story, to understand the means of expressiveness of the language.
Equipment:
- portrait of I.S. Turgenev;
- on the writing board:
- the topic of the lesson;
- the epigraph “And happiness was so possible” (A.S. Pushkin);
- “Happiness has no tomorrow ... It has a present — and that’s not a day — but a moment” (IS Turgenev); - "Theatrical decoration": one half of the board is designed as a window with a window sill; on the windowsill there is a pot with blooming geraniums, a candlestick, an open book, on it a dried geranium branch, next to it there are yellowed sheets of paper rolled up with notes.
During the classes.
Love, love is a mysterious word.
Who could fully understand you?
Are you always old or new in everything?
Languor of spirit or grace?
It is no coincidence that I began the lesson dedicated to the story of IS Turgenev "Asya" with these lines of poetry. Why do you think? Yes, the main thing in the story is love. Everything about her, about love, about the serious and strict, about the secret and important ...
Love ... this is probably the most mysterious of all human feelings, and Turgenev, as perhaps one of the few writers, perceived with poetic trepidation the birth of an eternally young feeling - love. How to deal with heart disease, how to overcome sadness? Unrequited love - what is it? What is the first way to say "I love" a person in whom you are not entirely sure? How to endure the suffering of rejected love and hurt feelings? And in general, how this sacrament of love is performed, how a miracle happens: the world magically changes for the one who loves. The colors are brighter, the sounds are clearer! After falling in love, a person feels more subtly, sees more sharply, his heart opens for beauty, good ...
Questions, questions ... we will not find direct answers from Turgenev, but all Turgenev's heroes undergo a "test of love", a kind of test for vitality. A loving person, according to Turgenev, is beautiful, spiritually inspired. One of the researchers of I.S. Turgenev, P. Annenkov, wrote that the stories and stories of Turgenev are united by one feature - in each of them there is a "psychological riddle". So today we have to try to solve this psychological riddle, to understand what means the writer uses in order to reveal to us the secret of emotional experiences; trace how the acquaintance of N.N. with the Gagins develops into a love story, which for the hero turned out to be a source of both sweet romantic longings and bitter torments, which later, over the years, although they lost their sharpness, doomed the hero to the fate of a bob.
So, let's turn to the text of the story.
The story is written in the form of a story by N.N. about how many years ago he traveled around Europe and in a small German town he met and made friends with the Russians: Gagin and his sister Asya. The narrator reports not only about events, conversations, describes the situation, but, most importantly, reproduces the story of his love, relives the past again.
- What can you say about N.N. , on whose behalf the story is being told? How did he perceive the world around him?
N.N. - a rich nobleman, an artist at heart; he is obsessed with the desire to observe, especially people; he is an idle traveler, an observer.
- What amazed N.N. Gagins? when you first met?
N.N. perceives brother and sister as people of different psychological levels, and portrait characteristics amaze the reader with accuracy and brevity. The narrator noted the obvious dissimilarity and inner contrast of the Gagins. This further sharpened his curiosity and sensitivity. True to the habit of observing people and reading in their souls by the expression of their faces, by involuntary gestures, the narrator at the first acquaintance with Asya notes something of his own, special in the features of her dark complexion, in her hairstyle, in her demeanor. He describes in detail Asya's behavior, completely devotes himself to observing her movements, her eyes, and her smile.
- The story about the first day of acquaintance with the Gagins ends with a lyrical landscape; read it.(Reading the text of the story is accompanied by Strauss's waltz "Over the Blue Danube").
- Does this landscape correspond to N.N.'s mood?
Landscape miniature becomes a means of expressing the hero's romantic elevations. The meeting with the Gagins sharpened his attention to beauty. Therefore, he completely surrenders to contemplation and an exalted mood.
- What is the state of mind of N.N. after the first day of meeting?
Mr N.N. all soft with sweet yearning and expectation of happiness.
- Where did they meet N.N. with Gagin Asya on the second day of acquaintance?
Asya was sitting on the ledge of the wall on the ruins of a feudal castle right above the abyss. This speaks of the romantic nature of the heroine.
- What feeling does Asya evoke in NN? Confirm with the text of the story?(Dislike, annoyance.)
According to her brother, Asya is "a freeman, crazy." N.N. she appears to be a semi-mysterious creature, a "chameleon."
- What “roles” does Asya play? Why is she doing this? Can N.N. answer this question now?
She played the role of a soldier marching with a gun, and this shocked the prim British; at the table she played the role of a well-bred young lady; the next day she introduced herself as a simple Russian girl, almost a maid ... To answer the question why Asya behaves this way, N.N. still cannot, since he did not understand either Asya or himself.
- How does the second day of acquaintance end?
The hero is not aware of what is happening to him. He feels that kind of vague uneasiness that grows into an anxiety incomprehensible to him, an unpleasant annoyance; that jealous suspicion that the Gagins are not relatives.
- How is the moral and psychological state of the hero conveyed through the landscape?
Some vague dark forces burst into the consciousness of the hero, remaining vague, alarming and even annoying. The "deathly" weight, incomprehensible to the hero, as the first bursts of unconscious feeling, resolved in the hero's consciousness into bitter, burning excitement, into homesickness.
Two weeks of daily meetings have passed, N.N. he became more and more upset with jealous suspicions and although he did not fully realize his love for Asya, she gradually took possession of his heart. He was at the mercy of this feeling ... What was the dominant mood during this period?
Persistent curiosity and some annoyance at the girl's mysterious behavior, the desire to understand her inner world. (Read the beginning of chap. 6)
- How is N.N.'s suspicion confirmed? that Gagin and Asya are not brothers and sister?(Overheard conversation in the gazebo)
- What feelings take possession of the hero after that? (End 6 - beginning of chap. 7)
The hero himself does not find a definition for his feelings. But we, the readers, understand that he has already been captured by a deep and disturbing feeling of love. It is from her that he leaves for the mountains, and when he returns, after reading a note from Gagin, the next day he goes to them.
- What did N.N. about As from Gagin's story? ( Selective retelling of Asya's story).
- How does the hero's state of mind change?
He instantly regains the lost balance and thus defines his state: “I felt some kind of sweetness - it was sweetness in my heart: as if they had poured honey there on the quiet. It became easy for me after Gagin's story. "
After the conversation about Asa, a new phase of the love relationship of Turgenev's heroes followed: now mutual trust and rapprochement has come. What did N.N. for yourself in Asa? How did he like her?
Reassured, N.N. realized that the strange girl had attracted him not only by her half-wild charm, but he liked her soul.
Everything around the lovers is illuminated by a magical light: “I looked at her, all bathed in a clear sunbeam, all calm and meek. Everything shone joyfully around us, below, above us - heaven, earth and waters; the very air seemed to be saturated with brilliance. " (Chapter 9) Asya says to her beloved: “If you and I were birds, how would we soar, how would we fly. So they would have drowned in this blue ... ". How are these words to be understood?
Love inspires a person, raises his creep with routine. Literary critic M. Gershenzon wrote: “This is the image of love, according to Turgenev (he loved allegorical scenes): love flies over a person like a thunderstorm on a clear day, and in its stunning whirlwind, wings suddenly grow in the soul, the person turns into a bird, with a swift flight birds, with their indomitable will. "
What did N.N. on this day after Gagin's message of the sister's story, a merry waltzing with Asya and her call to imagine that they had grown wings?
N.N. I felt, on the one hand, a secret anxiety in my heart, on the other, an ecstasy with the joy of being closer; a thirst for happiness lit up in him.
- How does Turgenev help us, the readers, to understand the psychological state of the hero at this moment?
Through a landscape sketch. (Artistic reading of an excerpt from Chapter 10 against the background of the sounds of Strauss's waltz) The landscape, as it were, absorbs the psychological state of a person, becoming a “landscape” of the soul.
Poisoned by the sweet poison of a boiling feeling, the romantic hero finds in everything an anxious expectation, anxiety: “there was no peace in the sky”, in the “dark, cold depth” of the river with the quiet murmur of water behind the stern, in the whisper of the wind - an alarming revival seemed everywhere. It was at this moment of merging with nature in the inner world of the hero that a new leap is made: what was vague, alarming, suddenly turns into an undoubted and passionate thirst for happiness, which is associated with the personality of Asya, but which the hero has not yet dared to call by name.
Time seems to stop for the hero, overwhelmed with the expectation of happiness, and only after Asya's bitter admission that “her wings have grown, but there is nowhere to fly” (and what did Asya hide under these words, how to understand them?), Our hero decides to think about the question : "Does she really love me?"
- And the hero himself, what does he feel what is happening in his soul?
His own feeling developed "in a half-sleep of consciousness", according to his own recollections. Sweetness in the heart, joy of trust and thirst for happiness still leave the hero in semi-conscious contemplation. The hero prefers to madly surrender to incoming impressions: "I'm not only about the future, I didn't think about tomorrow, I felt very good." The psychology of a contemplator, comprehending beauty, experiencing romantic love, presupposes a slow pace and inner stop, deepening into oneself, reflection (reflection, full of doubts, contradictions; analysis of one's own psychological state).
And Asya? Close to the "earth", passionately and wholeheartedly, she could not be satisfied with pointless dreams. And so, without thinking about the consequences, without calculation and caution, she makes an appointment with her beloved. “Another would be able to hide everything and wait, but not she,” - according to the correct understanding of the brother (14 chap.)
- In what condition was N.N. on a date with Asya?(Doubt, hesitation)
And here it is, the most exciting scene of the story - the scene of the date. (Selective reading of the scene by the teacher).
Did you like N.N. in this scene?
- What did you dislike?
- What does he accuse Asya of?
In what way does he want to justify himself?
The behavior of the hero in the scene of the meeting seemed outrageous to many critics - Turgenev's contemporaries. However, without justifying the hero and not condemning him, let's try to understand. The date scene is an example of Turgenev's psychologism. The author focuses on the development, changes in the psychological state of the hero.
- Why N.N. came on a date?
Reasoning wisely, N.N. came on a date in order to part with Asya forever. “I cannot marry her. She will not know that I also loved her. " However, something touching, helpless in Asya's timid immobility touches the hero so much that he surrenders to an impulse of natural feeling and thereby contradicts the decision he made and the word he gave to Gagin. Latently, he understands that the decision to part with Asya does not correspond to the truth of his feelings (remember, “I myself didn’t know how the meeting could be resolved”?). the hero sincerely thought that his feeling was in the stage of maturation, and the situation required an immediate solution. Hence his annoyance at the frankness and haste of Asya and Gagin. He condemns in his soul what he says to Asya during a date, since the words do not correspond to his feelings. At the same time, the hero, together with the author, tries to understand the state of the other person, but he catches only the external manifestations of the alien “I”.
- How does Asya behave during N.N.'s rebuke?
N.N. wanted to torment the girl by clarifying his attitude towards her. He, the contemplator, needed time, a stop and reflection on his experiences. And he was surprised by Asya's reaction to the rebuke.
So, the hero himself came to his misfortune: where an impulse of selfless love was required, he surrenders to reflection (Ch. 17).
- And when does the hero come to the realization that he loves?
Later, after a date, when he is looking for Asya, when he is frightened that it may be unfortunate that Asya may kill herself (Ch. 19).
Why did N.N., having heard from Gagin that Asya had been found, did not insist on talking right there? How does the author feel about this behavior of the hero?
Turgenev condemns his hero. And N.N. sarcastically speaks about his decision to be happy - tomorrow (20 chap.).
But these are the words of a man twenty years older than the young N.N. we are talking about now. And then, in what state does N.N. home?(end of chapter 20)
- What happened the next day? Did N.N. your mistake, did you condemn yourself? (end of chapter 21).
- Why didn't the happiness of the heroes take place? Why did they go their separate ways?
Because the spiritual life of Asya and N.N. proceeded in different ways. Asya experienced the culmination of feelings during a date, and N.N. at that moment he was ready only to enjoy romantic contemplation, then he did not feel in himself that it removes prudence and caution. Awareness of the feeling of love came to him later.
The reason for the drama of the characters in life lies in the difference in their psychological makeup, their temperaments. N.N. - romantic with a contemplative attitude to the world; in some situations this does not allow the hero to comprehend his attitude to people and even to understand himself in time; this does not allow him to perform the right action. Asya lives by the direct movement of the heart: not a single feeling is in her half.
So, we traced the development of the hero's feelings, experienced with him the psychological changes of his soul.
Love is a mystery. The storyteller had to face her, who fully realized his feeling in Asya only when everything was lost, lost because of a word that was not spoken in time. But feelings were not forgotten: twenty years have passed, and N.N. remembers everything to the smallest detail, sacredly keeps the "sacred relics" of love. (Referring to the theatrical scenery of the lesson: a dried geranium twig, little notes ...)
The first love will not erase the seal.
We will remember each other all our lives;
Common dreams will be dreamed by both;
We will deceive the mind and close the heart -
But longing will not die about the past,
And love will not come, will not come -
No, love will not come!
V. S. Kurochkin
I.S. Turgenev
On the psychologism of Turgenev's prose.
In Turgenev's novels, the author's attention is focused on actual, "modern" social types and phenomena, and in novellas it is always about more abstract issues, about something "timeless."
In the field of psychology, he showed himself to be a great master, catching the really subtle, unsteady movements of the soul, almost never translated into logical categories.
A kind of trilogy with the story "Asya" is made up of the stories "First Love" (1860) and "Spring Waters" (1872) - about the slavish dependence of man on love, about the power of "those secret forces on which life is built and which occasionally, but suddenly make their way out ”, about the need for“ renunciation ”and sacrifice in the face of these forces.
"Asya" Turgenev began in the summer of 1857 in Zinzig-am-Rhein, where the story takes place, and finished in November in Rome .
Turgenev worked on the story from July to November 1857. The slow pace of writing was associated with the author's illness and fatigue (the Sovremennik editorial staff expected the story much earlier). According to Turgenev's own admission, the idea of the story was associated with a fleeting picture he saw in a German town: an elderly woman looking out of a window on the first floor, and the head of a young girl in the window above. Turgenev tried to imagine the fate of these people: this is how the idea of "Asya" arose.
Among the prototypes of the heroes of "Asya" they name, first of all, Turgenev himself and his illegitimate daughter Pauline Brewer, who was in exactly the same position as Asya: the daughter of a master and a peasant woman, from a peasant hut she got into the noble world, where she felt like a stranger. Another prototype of Asya could be V.N. Zhitova - illegitimate sister of Turgenev .
When does the rebirth take place? Let's turn to the text of the story. Outwardly, the girl is not a beauty, although it seems to the narrator very "Pretty". This is typical of Turgenev's heroines: personal charm, grace, and human uniqueness are important to the author in their appearance. This is exactly Asya: “There was something of her own, special, in the warehouse of her swarthy large face, with a small thin nose, almost childish cheeks and black, light eyes. She was gracefully folded ... " What an interesting detail of the portrait: black, light eyes. This is not just external observation, but penetration with just one word. "Light" into the depths of the heroine's soul.
– Where does the story begin? It begins on the banks of the Rhine on a stone bench, near which there is a statue of the Madonna. Her description is symbolic: Sitting on "Stone bench" under "A lonely huge ash tree" , N. sees through its branches "sad" face "A little Madonna with an almost childish face and a red heart on her chest, pierced by swords ..." . "Almost baby cheeks" and "Graceful" , but not yet fully developed addition was noted by N. in the guise of Asya at the time of his acquaintance with the girl.
What is hidden under the term “Turgenev girl?
"Turgenev Girl". This term carries all the most tender and wonderful female character traits.
If the author makes the image of Gagin fully understandable for the reader, then his sister appears as a riddle, the solution of which N. is fond of first with curiosity, and then selflessly, but still cannot fully comprehend. Her extraordinary liveliness is bizarrely combined with the timid shyness caused by her illegitimacy and long life in the village. From here comes her unsociability and pensive dreaminess (remember how she loves to be alone, constantly runs away from her brother and N., and on the first evening she meets her.
Changes in the state of mind of Mr. N.
On the first day of N.'s acquaintance with Asya (on the ruins of a feudal castle), Mr. N. feels only dislike and annoyance towards her. She introduces herself to him "Semi-mysterious creature", "chameleon" ... She takes the role of a soldier marching with a gun, then - a well-bred young lady, then - a simple Russian girl.
I.S. Turgenev subtly conveys the "psychologism" of the protagonist: he is not aware of what is happening.
Mr. N. is now aware of the concern, then he suspects that Gagin and Asya are not relatives, he is jealous. He is seized by curiosity, then the desire to understand the inner world of the girl. After 2 weeks, love rules overwhelmingly.
It is very difficult to form a complete picture of Ashi's character: it is embodied uncertainty and variability. (“ What a chameleon this girl is! " - N. involuntarily exclaims) She is shy of a stranger, then she suddenly laughs (“Asya, as if on purpose, as soon as she saw me, burst out laughing for no reason and, out of habit, ran away that hour” ... Now she climbs the ruins and sings songs loudly, which is completely indecent for a secular young lady, then she begins to portray a well-bred person, prim in maintaining decency.
After listening to the reading of Goethe's poem "Hermann and Dorothea", she wants to seem homely and sedate, like Dorothea. Later "Imposes fasting and repentance on himself" and turns into a Russian provincial girl. It is impossible to say at what moment she is more herself. Her image shimmers, shimmering with different colors, strokes, intonations. The rapid change in her moods is aggravated by the fact that Asya often acts incongruous with her own feelings and desires.
The image of Asya is infinitely expanding, because in her a spontaneous, natural principle manifests itself. Asya's striking versatility and liveliness, irresistible charm, freshness and passion stem from this. Her shy "wildness" also characterizes her as "Natural man" far from society. When Asya is sad, on her face "Shadows run through" , like clouds across the sky, and her love is compared to a thunderstorm, as if guessing N.'s thoughts, and the heroine shows her "Russianness".
Asya reads a lot indiscriminately (N. catches her reading a bad French novel and, according to literary stereotypes, composes a hero for herself, U Asya "No feeling is half") ... Her feeling is much deeper than that of the hero.
For all its loftiness, it is selfish in its orientation, then Asi's striving for "To a difficult feat", ambitious desire "Leave a trace" involves life with others and for others.
In Asya's imagination, lofty human aspirations, lofty moral ideals do not contradict the hope for the realization of personal happiness, on the contrary, they presuppose each other.
She is demanding of herself and needs help to fulfill her aspirations. Asya's "wildness" is especially vivid when she climbs alone over the ruins of a knight's castle overgrown with bushes. When she, laughing, jumps over them, "like a goat." it fully reveals its proximity to the natural world. Even her appearance speaks at this moment about the wild unbridled nature of a natural creature: “As if guessing my thoughts, she suddenly threw a quick and piercing glance at me, laughed again, jumped off the wall in two leaps. A strange grin twitched slightly on her eyebrows, nostrils and lips; dark eyes screwed up " .
A soul that is impossible not to love.
Tenderness, ability for sincere strong feelings, lack of artificiality, falsehood, coquetry.
Striving for the future.
Strong character, willingness to sacrifice.
Activity and independence in deciding one's destiny.
Asya as seen by Gagin
“You need to know her well in order to judge her, she has a good heart, but her head is bad. It's hard to deal with her. "
- "Do not tease her," he warns the narrator, when they saw her on the ledge of the wall, above the abyss. - You do not know her: she will probably climb the tower…. Trouble if she loves someone! "
- "How deeply she feels and with what incredible power these feelings are in her .."
- "Asya needs a hero, an extraordinary person or a picturesque shepherd in a mountain gorge."
Gagin about Asya.
“... so crazy. Do not tease her, you do not know her: she will probably climb the tower again "
“She has a very kind heart, but her head is bad. It's hard to get along with her. "
"She never has a half feeling."
"She's real gunpowder ... it's a problem if she loves anyone."
"Asya needs a hero, an extraordinary person - or a picturesque shepherd in a mountain gorge."
The story "Asya", chapter 9
In chapter 9, the motive of love appears, which inspires a person. For Asya, everything develops rapidly and violently, and for Mr. N. - gradually.
Asya is not like everyone else. She needs an extraordinary person, since only he can understand and love her for who she is.
N. loved Asya, but did not immediately understand this: in the world of artificial feelings and passions, he first met with sincerity and real feeling. In addition, N. belonged to those people who willingly indulge in "hot and enthusiastic reflections," but give in to the need for a real deed. That is why N. missed his happiness.
The role of the landscape.
- Vague, dark forces burst into the hero's consciousness, vague annoying, disturbing sensations take possession of him. Incomprehensible to the hero "Deathly weight" growing into "Burning excitement"
The story "Asya", 1857.
The hero of "Asi" gives up at the decisive moment of the explanation with the girl, and N.G. Chernyshevsky, in his article "Russian people on rendez-vous", therefore interpreted him as a typical "superfluous person" brought up by the old serfdom.
However, the hero of the story is ruined not by weak character, but by the uncontrollable, cruel power of love, which breaks his life.
Role of Chapter 16
Chapter 16 helps to understand the words of I.S. Turgenev:
"Happiness has no tomorrow ... it has a present - and that, not a day, but a moment."
The heroines of Turgenev seem to be ruled by "evil fate": they are all united "A strict attitude towards life and a presentiment of the inevitability of retribution for the pursuit of personal happiness" .
Turgenev shows what kind of strength, spiritual take-off reached Asya's feeling when she confesses that she is ready to take off like free birds. Asya was so open to her love that she was ready to entrust her fate to Mr. N. How much sincerity, gratitude lies in just one word, which she uttered during their last meeting - "yours"! Asya suffers, worries, does not want to be considered frivolous, even gets sick because of the uncertainty in the attitude of the protagonist towards her. And he, in turn, began to reproach her for her excessive openness and sincerity. Only many years later, after the acquired experience, the narrator realizes the value of what he has deprived himself of.
Critics considered the hero of the story to be a classic type "Extra person" - indecisive, who has not found a place for himself in life. N. G. Chernyshevsky dedicated his article “A Russian man on rendez-vous, but in it Mr. N. he showed from the other side - cruel towards Asya. In his reflections, Chernyshevsky criticizes Turgenev himself as a writer.
The story "Asya", 1857. Conclusions.
This story is about first love. She is light, clean, light, sincere and sad at the same time.
The heroine of the story is happy because she loves, because she learned what love is.
Mr. N. could have been happy too, but he realized it too late.
The main idea of the story by I.S. Turgenev's "Asya" is this: happiness is instantaneous, fleeting, it has neither past nor future. (Ch. 20. "Tomorrow I will be happy ..." )
Literature:
1. N. G. Chernyshevsky. Classics of Russian literature. Russian man man at rendez-vous. Reflections on reading the story of I.S.
2.http: //www.proza.ru/2007/08/01-132
3.http: //www.litra.ru/composition/download/coid/00192731252431166725/
4.http: //5litra.ru/proizvedeniya/russian_classik/368-povest-is-turgeneva-asya.html