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Sense and Sensibility Argument Onegin. Reason and feeling in a work by Eugene Onegin, how to write an essay? The theme of reason and feelings in the story of Alexander Pushkin "The Station Keeper"

All of us at school were forced to read Alexander Pushkin's novel "Eugene Onegin". But at this age, most children hardly think about the deep meaning of this work, looking at the relationship between Onegin and Tatiana through the prism of their sensory experience. However, many critics cannot understand the author's ideas, preferring to limit themselves to a superficial analysis of exclusively the actions of the characters, without focusing on the spiritual component.

Antithesis

At first glance, it may seem that the two central characters in Eugene Onegin are opposed to each other. Tatiana Larina is a highly moral, spiritual person, she is pure in spirit and body. And Onegin is a Petersburg dandy who is already familiar with passion and its consequences. They are attracted to each other, like charges of the same name, a certain mutual understanding arises between them, because both have outgrown their environment and are looking for truth in something else, incomprehensible and even frightening.

Features of education

Comparison of Onegin and Tatiana can begin by considering the conditions in which they grew up. Pushkin's favorite was born in a wealthy house, albeit in the wilderness. In infancy and childhood, she was looked after by a nanny chosen by her parents from among the peasants who lived nearby. She sang lullabies, told fairy tales and, of course, read prayers over the girl. This tied Tatiana to the people more than one could imagine. By nature, brooding and silent, the girl spent little time with her peers, avoided noisy games and fun. She was more interested in books, contemplation of nature and reflections. The Larins' youngest daughter lived according to folk customs, got up early to catch the dawn, believed in signs and performed traditional rituals, despite her religiosity.

Onegin, on the other hand, grew up in European society. His nanny was replaced by a tutor who raised the boy according to his idea of \u200b\u200ba socialite. Having matured early, Eugene plunged headlong into a brilliant and noisy life, acquiring the status of a young rake. Education and love for popular authors gave him charm and promised the ladies' favor. He quickly understood all the subtleties of sensual love and learned to manipulate them. Became skeptical about the manifestation of humanity, kindness, compassion. He criticized and questioned everything that happened to him and around him, as advised by European authors.

The world through the window

The characterization of Tatiana in Eugene Onegin cannot do without mentioning nature. Describing panoramic views, Pushkin does this as if looking out of the window of a room belonging to the main character. Any landscape in the novel reflects the state of mind of the girl. As the plot develops, not only the season and the weather on the street change, but also the part of the day that Tatyana spends thinking about her chosen one.

Byronic and Sentimental Literature

You can also trace the differences between Eugene and Tatiana in the books they read. For Onegin, Byron was an example to follow, ironically and skeptically looking at the world. This is how the ideal man seemed to the young man. Selfish, charming, slightly sarcastic and sarcastic. European literature of that time cultivated a similar way of thinking.

Tatiana Larina, on the contrary, draws attention to sentimental novels that show the value of sincerity, kindness and responsiveness. Of course, they are somewhat naive for a girl who will rotate in high society, but the nobility and honor brought up thanks to them helped her for many years to keep herself unchanged under the influence of circumstances.

It is about the hero from the sentimental novel that the girl dreams. And when Onegin, despised and persecuted from everywhere, appears in their lands, she takes him for the ideal that she has been waiting for so long.

Letter

Tatyana's letter to Onegin reflects the sublime love that the girl had for her chosen one. It is in him that you can well trace the characteristics of a girl's character: sincerity, gullibility, impressionability. She has no reason to doubt her choice. For a young beauty, an alliance with a person like Eugene is not only the fulfillment of a cherished desire and a long-awaited reunion with a loved one, but also an opportunity for spiritual growth and self-improvement.

Onegin, on the contrary, sees in Tatiana in love only a naive, enthusiastic simpleton who was inspired by his stories and appearance. He does not take her feelings seriously, although he suspects that it will not pass so easily. Secular "love games" ahead of time made his heart immune to such signs of attention. Perhaps, if not for the rich life experience in this field, everything could have turned out differently for the couple.

Tatyana's letter to Onegin is permeated with feelings that the girl can no longer keep to herself. She admits that the gap in upbringing, education and experience between them is huge, but she hopes to one day overcome it in order to be closer to her beloved.

Renouncement

As you know, Eugene refused Larina, arguing that he is not worthy of her, since he does not feel such exalted feelings and does not want to offend her with the invariability of his motives. According to most critics, it is Onegin's refusal that causes rejection from the reader. It was perhaps the noblest act in his entire life, but the luminaries of literature look at this situation a little differently. They believe that fear prompted the young rake to refuse, reason prevailed over the feelings that the “Russian soul” Tatiana awakened in him.

Meetings

Onegin and Tatiana meet three times in the novel. For the first time - when Eugene comes to the Larins estate. The second - when he is forced to explain with Tatyana about her letter, and the last - at her name day, a year after the tragic events. And each such meeting changes something in Onegin's soul, does not allow him to stay away, brush aside feelings and emotions. Fearing what is happening to him, the rake prefers to leave and throw the image of the girl out of his head, than to be close to her and change.

Duel

It is the relationship between Onegin and Tatiana that makes the character of the work somewhat gloomy. The main character is angry: at himself, at Larina, at Lensky's best friend, at the fate that brought him to this estate, at his uncle, who died at the wrong time. This pushes him to reckless actions, for example, to flirt with Olga. Of course, a duel was necessary, but killing each other was not necessary. However, the events were put together in such a way that, due to the ever-growing hateful feelings, Vladimir had to withdraw to another world.

The last ball

The comparison between Onegin and Tatiana continues throughout the entire last scene of the novel. The ball in honor of the name day in the Larins' estate seems to copy the girl's terrible dream about her wedding with Yevgeny. A man who is sick, dissatisfied, oppressed by remorse is surrounded by grotesque characters that contrast so much with his inner world that it seems as if they are mocking him.

Unable to endure these torments, Onegin leaves, motivating this by the fact that he was possessed by a desire to wander.

Petersburg

Very little time passed, and the main characters meet again, now at a social event in St. Petersburg. The relationship between Onegin and Tatiana remained practically unchanged. They have become more complex, but the inner heat still continues to throb in both. Larina got married, became a princess and now holds her head high. Now there is no trace of that country girl who passionately confessed her feelings to the young rake.

The situation turns against Eugene, as he realizes that he is in love and suffers from it. He writes letters to the subject of his adoration, tries to return everything back, but the girl is adamant. This is how Pushkin sees this situation. Onegin has feelings for Tatiana, but now she is trying to avoid a relationship. Ultimately, the girl refuses a man in a secret relationship, arguing that she has taken an oath to be loyal to another man, despite the fact that she still loves Eugene. This puts the final point in the novel, but, according to some critics, the ending still remains open.

The relationship between Onegin and Tatiana was difficult, they were stained with the blood of a friend, refusals and confessions ... But in the end, their love continued to live even when they signed her death warrant together.

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Eugene Onegin "- a mirror of the era
Many wonderful masterpieces were presented to us by Alexander Sergeevich, but the novel "Eugene Onegin" rightfully occupies a central place in his work. This is the largest work of fiction by Pushkin, which most strongly influenced the fate of all Russian literature. The novel in verse "Eugene Onegin" was written by Pushkin for 8 years. These were the years of the apogee of the poet's creative maturity. In 1831 the novel in verse was completed and in 1833 was published. The plot covers events from 1819 to 1825: from the foreign campaigns of the Russian army after the defeat of Napoleon to the Decembrist uprising. It was during the reign of Tsar Alexander 1 - the years of the rise of Russian society.

History and contemporary reality for the author are harmoniously combined in the novel. The plot is simple and well known. In the center of the novel is an eternal love theme: the problem of feeling and duty. The heroes of the novel Eugene Onegin, Tatiana Larina, Vladimir Lensky, Olga make up two love couples. But all of them are not given by fate to become happy. Tatiana immediately fell in love with Onegin, and he managed to love her only after deep shocks that occurred in his chilled soul. But, despite their mutual feeling, they cannot join their destiny. And it is not some external circumstances that are to blame for this, but their own mistakes, their inability to find the right solutions in the complex problems of life. Pushkin makes his reader think about the deep reasons for these mistakes.

A lot of pictures, descriptions are strung on a simple storyline of the novel, many living people with their different fates, with their feelings and characters are shown. In Pushkin, all this "collection of colorful chapters, half-funny, half-sad, common, ideal" showed the era ... What is the main idea, the main idea of \u200b\u200b"Eugene Onegin"?

In my opinion, it consists in the fact that only limited people, who know little, who do not have aspirations for the lofty, spiritual, can live happily. People with a sensitive soul are doomed to suffer. They either perish, like Lensky, or are forced to languish "in empty inaction," like Onegin, or suffer in silence, like Tatiana. Pushkin clearly shows that it is not his heroes who are to blame for all these fatal mistakes, but the environment that shaped such mores. This environment has made beautiful, intelligent and noble people unhappy in essence or in their inclinations. The serf system, the "savage lordship", the hard work of the peasants and the complete idleness of the landlords and masters made the landowners and masters unhappy, distorted the life of not only serf slaves, but also the best, most sensitive of the nobility, landowners. These bitter thoughts about the terrible injustice of the entire way of life are reflected by Pushkin in the last sad lines of the novel.

Tatyana Larina symbolizes the image of a Russian girl. It is difficult to understand the soul of a Russian without being a Russian. It is Tatiana who appears before us as a symbol of the mysterious Russian soul.

From the very childhood, she was distinguished by her dissimilarity from others. Its originality, sometimes wildness seems to some to be pride, arrogance. But this is not the case. A meek disposition, but strength of character is manifested and is even more emphasized against the background of Olga's sister. It would seem that a young girl in a noble family can worry. Are deep thoughts, the ability to reason and analyze inherent in such a greenhouse environment? Ease, carelessness should have become her companions, but everything turned out differently. The desire to study, self-development made the girls a strong character, deeply thinking, empathic. Frequent seclusion contributed to deep immersion in oneself and self-discovery.

The first feeling that washed over Tatiana completely engulfed her. She was ready to meet love. Reading novels contributed to this. And so, the image of a person who corresponded to her fictional hero appeared in reality.

Tatiana, a pure and open person, went to meet the feeling. She accepted him and decided on a difficult but necessary step - recognition.

Overcame girlish pride, dared to take the first step. What did she get in return? Condescension on the part of the brilliant Onegin to a provincial girl, a humane act of refusal. First love often breaks youthful hearts. But this defeat made Tatyana stronger. The feeling did not fade away, but only lurked somewhere in the depths of the soul. Nothing could prevent her from loving Evgeny, neither his indifference, nor cruelty, nor cynicism, nor the murder of Lensky. You cannot love for something, you can love in spite of it. Only then is it love.

Tatiana is sensual, but proud nature. She did not humiliate herself and ask for Onegin's love. She tried to pull back and forget. Only she herself knows what was happening in her soul, what a struggle between mind and heart raged. Reason allowed the provincial savage girl to turn into a sedate lady, the mistress of the salon. An unloved husband, even for a second, cannot doubt the tenderness and loyalty of his wife.

The power of love, its beauty is most colorfully revealed in tragedy. Tatiana is not destined to be with Onegin. Love is alive in her heart, and, perhaps, over time, it only intensified. But alas. A sacrifice of love for the sake of honor and the promised oath at the altar.

The heroine Tatiana Larina has strong, deep feelings for Eugene Onegin. She fell in love with him as soon as she saw him on her estate. However, Eugene realized how beautiful Tatiana is, that she is worthy of love and he fell in love with her - much later. Over the years, a lot has happened, and most importantly, Tatiana was already married.

The meeting after a long separation at the ball showed how strong Tatiana's feelings are. However, this is a highly moral woman. She respects her husband, understands that she must be faithful to him.

In the struggle between feelings and reason, conquer reason. The heroine did not tarnish her honor, did not inflict a spiritual wound on her husband, although she deeply loved Onegin. She gave up love, realizing that, having tied the knot of her life with a man, she simply had to be faithful to him.

On the pages of world fiction, the problem of the influence of human feelings and reason is raised very often. So, for example, in the epic novel by Leo Nikolaevich Tolstoy, "War and Peace", two types of heroes appear: on the one hand, it is impetuous Natasha Rostova, sensitive Pierre Bezukhov, fearless Nikolai Rostov, on the other - the arrogant and calculating Helen Kuragina and her brother, callous Anatole. Many conflicts in the novel arise precisely from the excess of feelings of the heroes, the vicissitudes of which are very interesting to observe. A striking example of how an impulse of feelings, thoughtlessness, ardor of character, impatient youth, influenced the fate of the heroes, is the case of Natasha's betrayal, because for her, laughing and young, it was incredibly long to wait for the wedding with Andrei Bolkonsky, could she subdue her unexpectedly flared feelings for Anatol the voice of reason? Here we have a real drama of mind and feelings in the soul of the heroine, she faces a difficult choice: to leave the groom and leave with Anatole or not to succumb to a momentary impulse and wait for Andrey. It was in favor of feelings that this difficult choice was made, only an accident prevented Natasha. We cannot condemn a girl, knowing her impatient character and thirst for love. It was feelings that dictated Natasha's impulse, after which she regretted her act when she analyzed it.

It was the feeling of boundless, all-consuming love that helped Margarita to reunite with her lover in Mikhail Afanasyevich Bulgakov's novel The Master and Margarita. The heroine, without hesitation for a second, gives her soul to the devil and goes with him to the ball, where murderers and gallows kiss her knee. Rejecting a wealthy, measured life in a luxurious mansion with a loving husband, she rushes into an adventurous adventure with evil spirits. Here is a vivid example of how a person, choosing a feeling, created his own happiness.

Let's remember the novel in verses by A.S. Pushkin "Eugene Onegin". In this work, the author depicts the collision of two opposites, symbolizing different types of personalities - romantics and realists (“wave and stone, poetry and prose, ice and fire”) - Vladimir Lensky and Eugene Onegin. Unlike Onegin, a rational man with a damaged and muffled heart, Lensky retained cordiality and credulity; sometimes he is naive in his innocence, sometimes immoderately hot-tempered and hot. It is these qualities that lead Lensky to a tragic death in a duel at the hands of Onegin. Did Eugene Onegin understand that a tragedy could happen? Yes. But being a rationally thinking, pragmatic person, for the sake of public opinion, he accepts a challenge from a friend and kills him. Thus, Onegin's mind took over his feelings and led to tragedy.

Another example from the same work can be cited. Having received a letter from Tatyana Larina with a declaration of love, Onegin appreciated her heartfelt impulse humanly. This letter touched his soul and made him excited, but he did not see his happiness; a pragmatic approach to everything, even to love, did not allow Onegin, subject to the laws of reason, to find family happiness. However, when Eugene meets Tatiana a few years later, he falls in love with her like a boy, blindly and recklessly, letting his feelings take over his reason. This passion incinerated his soul, but did not bring him happiness, since Tatiana was already married and they could not be together.

Material to direction "MIND AND FEELINGS"

Feelings and Mind

There are no feelings without reason, and mind without feelings.
How many colors, tones, shades there are.
"I love you" - breaks out of the mouth,
And the mind with feelings goes wall to wall.

Are they enemies, friends, antibodies?
What makes them related, and what distinguishes them?
For reason, the most important thing is
And feelings about love only think ...

When they are one, it is an explosion.
An explosion of happiness that illuminates everything around,
And if apart - a painful abscess,
Which, getting inflamed, interferes with life.

All knowledge without feelings, alas, is dead.
We cannot build happiness on knowledge.

What's the use of being so intelligent?
Our mind without love is worth so little!

Feelings whisper to us: "Give everything to love ...",
And the mind says: “In fact
Make a mistake, don't rush!
Wait a little, at least a week ... "

So what's more important? Almighty, tell me ...
Perhaps a mind that works wonders
Or our feelings, because without them, alas,
Do we not know real love?

There are no feelings without reason and intelligence without feelings.
White helps you see black.
A world without love, so uncomfortably empty
In it, our rebellious mind is alone.

Alexander Evgenievich Gavryushkin

Interpretation of concepts according to the Ozhegov dictionary

Mind

The highest level of human cognitive activity, the ability to think logically and creatively, to generalize the results of cognition.

Feeling

1. The state in which a person is able to be aware, to perceive the environment.
2. Emotion, experience.

Interpretation of concepts according to Ushakov's dictionary

Mind - the ability to think logically, comprehending the meaning ( meanings for yourself, someone or something) and the connection of phenomena, to understand the laws of development of the world, society and consciously find appropriate ways to transform them. || Consciousness of something, views, as a result of a certain worldview. "

The senses - the ability to perceive external impressions, feel, experience something. sight, hearing, smell, touch, taste. || A state in which a person is able to be aware of his surroundings, owns his spiritual and mental abilities. || The internal, mental state of a person, what is included in the content of his mental life "It can be simpler:" Feelings are the person's relationship to objects and phenomena of reality experienced in various forms.

Approximate essay theses

Sense and Sense.

Can be distinguished two directions, which should be discussed on this topic.

1. Struggle in a man of reason and feelings, requiring the obligatory choice: to act, obeying the surging emotions, or still not to lose your head, to weigh your actions, to be aware of their consequences both for yourself and for others.

2. Reason and feelings can be allies, harmoniously combine in a person, making him strong, self-confident, able to emotionally react to everything that happens around.

Reflections on the topic: "Sense and Sensibility"

· It is natural for a person to choose: to act rationally, pondering his every step, weighing his words, planning actions, or obeying feelings. These feelings can be very different: from love to hate, from anger to kindness, from rejection to recognition. Feelings are very strong in a person. They can easily master his soul and consciousness.

· What choice to make in a given situation: to submit to feelings, which are often nevertheless selfish, or to listen to the voice of reason? How to avoid an internal conflict between these two "elements"? Everyone must answer these questions himself. And a person also makes a choice independently, a choice on which sometimes not only the future, but also life itself can depend.

· Yes, reason and feeling are often opposed to each other. Whether a person will be able to bring them into harmony, to make his mind reinforced by feelings and vice versa - it depends on the will of the person, on the degree of responsibility, on those moral guidelines that he follows.

· Nature has endowed people with the greatest wealth - reason, gave them the opportunity to experience feelings. Now they themselves must learn to live, being aware of all their actions, but at the same time remaining sensitive, able to feel joy, love, kindness, attention, not to succumb to anger, enmity, envy and other negative feelings.

· One more thing is important: a person who lives only by feelings, in fact, is not free. He subordinated himself to them, to these emotions and feelings, whatever they were: love, envy, anger, greed, fear, and others. He is weak and even easily controlled by others, those who want to take advantage of this dependence of a person on feelings for their own selfish and selfish purposes. Therefore, feelings and reason should exist in harmony, so that feelings help a person to see the whole gamut of shades in everything, and the mind should correctly, adequately react to this, not drown in the abyss of feelings.

· Learning to live in harmony between your feelings and your mind is very important. A strong personality who lives by the laws of morality and ethics is capable of this. And you don't need to listen to the opinion of some people that the world of reason is boring, one-sided, uninteresting, and the world of feelings is all-embracing, beautiful, bright. Harmony of mind and feelings will give a person immeasurably more in the knowledge of the world, in the awareness of oneself, in the perception of life in general.

· Reason sometimes contradicts the dictates of the heart. And the task of a person is to find the right path, not to embark on the wrong path. How often a person commits cruel and vile acts, obeying the dictates of reason. At the same time, if you listen to the dictates of your heart, you will never commit a wrong act.

Artworks

Arguments

F.M. Dostoevsky "Crime and Punishment"

Rodion Raskolnikov kills an old money-lender and her sister Lizaveta solely in order to test his theory. And his theory is the result of long painful reflections. The work of the mind in this case can be consideredattributed as the cause of the mistake. Raskolnikov considers himself to be a "strong" person. In his opinion, it is such individuals who have the right to cross any boundaries that separate crime from the norm. However, having committed a crime, "stepping over" this very line, Raskolnikov begins to realize that he does not belong to the circle of the "chosen ones." The crime is followed by punishment. Raskolnikov is experiencing severe mental anguish. It becomes clear that if he did not act at the behest of his mind, but listened to the voice of his heart, then the crime would not have been committed. Raskolnikov puts himself above other people. Only the human mind, cut off from feeling, can "prompt" such a decision. People who consider it important to follow the dictates of the heart are not able to put themselves above others.

Raskolnikov takes as a basis only the result of mental reflections. And he seems to completely forget that in addition to reason, a person has a soul, a conscience. After all, the voice of the heart is the voice of conscience. Raskolnikov only later realized how wrong he was. The voice of his heart was suppressed by a cold, obsessed with a cruel idea of \u200b\u200breason. Raskolnikov goes against his conscience, thereby drawing a line between himself and those around him. Now he has no place in the world of normal people who have not committed a crime. Such punishment clearly proves how important it is to listen precisely to your soul, to your conscience.

From the point of view of the writer himself, one cannot live by reason, one must live as the soul dictates. After all, the mind in a person is only twenty percent, and the rest is the soul. Therefore, the mind must obey the soul, and not vice versa. In this case, a person will be able to observe Christian laws, to measure each of his actions with them.

In Dostoevsky's novel Crime and Punishment, we see the spiritual rebirth of Raskolnikov. He understands how wrong and misanthropic his theory was. This means that the heart triumphs over the mind. Raskolnikov completely changes, he acquires the meaning of life.

"Word about Igor's regiment"

The protagonist of The Lay ... is Prince Igor Novgorod-Seversky. He is a brave, brave warrior, a patriot of his country.

Brothers and retinue!
Better to be killed by swords.
Than from the hands of the filthy I am full!

His cousin Svyatoslav, who ruled in Kiev, in 1184 defeated the Polovtsians - the enemies of Russia, nomads. Igor could not participate in the campaign. He decided to undertake a new campaign - in 1185. There was no need for it, the Polovtsy did not attack Russia after the victory of Svyatoslav. However, the desire for fame, selfishness led to the fact that Igor opposed the Polovtsians. Nature seemed to warn the hero about the failures that would pursue the prince - a solar eclipse occurred. But Igor was adamant.

And he said, full of war thoughts,

Neglecting the banner of heaven:

“I want to break the spear

In an unfamiliar Polovtsian field

Reason receded into the background. Feelings, moreover, of an egoistic nature, took possession of the prince. After the defeat and escape from captivity, Igor realized the mistake, realized it. That is why the author sings the glory of the prince at the end of the work.

This is an example of the fact that a person in power should always weigh everything, it is the mind, and not feelings, even if they are positive, that should determine the behavior of a person on which the lives of many people depend.

A.S. Pushkin "Eugene Onegin"

The heroine Tatiana Larina has strong, deep feelings for Eugene Onegin. She fell in love with him as soon as she saw him on her estate.

My whole life has been a pledge
The faithful meet with you;
I know you were sent to me by God
Until the grave you are my keeper ...

About Onegin:

He did not fall in love with beauties,
And he dragged himself somehow;
Refuse - instantly consoled;
Change - I was glad to have a rest.

However, Eugene realized how beautiful Tatiana is, that she is worthy of love and he fell in love with her, much later. Over the years, a lot has happened, and most importantly, Tatiana was already married.

And happiness was so possible
So close! .. But my fate
Already decided. (Words by Tatiana Onegin)

The meeting after a long separation at the ball showed how strong Tatiana's feelings are. However, this is a highly moral woman. She respects her husband, understands that she must be faithful to him.

I love you (why dissemble?),
But I am given to another;
I will be faithful to him forever ..

In the struggle between feelings and reason, conquer reason. The heroine did not tarnish her honor, did not inflict a spiritual wound on her husband, although she deeply loved Onegin. She gave up love, realizing that, having tied the knot of her life with a man, she simply had to be faithful to him.

Leo Tolstoy "War and Peace"

How beautiful is the image of Natasha Rostova in the novel! As a heroine, spontaneous, open, how she longs for true love.

("Catch moments of happiness, force yourself to love, fall in love yourself! Only this one thing is real in the world - the rest is all nonsense" - the words of the author)

She sincerely fell in love with Andrei Bolkonsky, she is waiting for the year after which their wedding is to take place.

However, fate has prepared a serious test for Natasha - a meeting with the handsome Anatol Kuragin. He simply charmed her, feelings flooded the heroine, and she forgot about everything. She is ready to flee into the unknown, just to be close to Anatole. How Natasha blamed Sonya, who told her family about the upcoming escape! Feelings were stronger than Natasha. The mind just fell silent. Yes, the heroine will repent later, we feel sorry for her, we understand her desire to love (I am tormented only by the evil I did to him. Tell him only that I ask him to forgive, forgive, forgive me for everything ...)

However, how cruelly Natasha punished herself: Andrei released her from all obligations. (And of all people, I loved and hated no one else like her.)

Reading these pages of the novel, you think about a lot. It's easy to say what is good and what is bad. Sometimes feelings are so strong that a person simply does not notice how he is rolling into the abyss, succumbing to them. But it is still very important to learn to subordinate feelings to reason, and not to subordinate, but simply to coordinate, to live so that they are in harmony. Then many mistakes in life can be avoided.

I.S.Turgenev "Asya"

25-year-old N.N. travels carelessly, however, without a goal and plan, meets new people, and almost never visits the sights. This is how I. Turgenev's story "Asya" begins. The hero will have to endure a difficult test - a test of love. This feeling arose in him for the girl Asya. She combined cheerfulness and eccentricity, openness and isolation. But the main thing is the dissimilarity to the rest. Perhaps this is due to her previous life: she lost her parents early, lived at first almost in poverty, and then, when Gagin took her up, in luxury. Experiencing certain feelings for Gagin, Asya realized that she really fell in love with N.N., therefore she behaved in an unusual way: either closing herself, trying to retire, or wanting to draw attention to herself. It is as if mind and feeling are fighting in her, the understanding that she owes much to Gagin, but at the same time the impossibility of stifling her love for N.N.

Unfortunately, the hero turned out to be not as decisive as Asya, who confessed her love to him in a note. N.N. I also had strong feelings for Asya: “I felt some kind of sweetness - just sweetness in my heart: as if they had poured honey there”. But he thought too long about the future with the heroine, postponing the decision until tomorrow. And tomorrow there is no love. Asya and Gagin left, but the hero could not find a woman in his life with whom he would tie his destiny. The memories of the ace were too strong, and only a note reminded of her. So the mind became the reason for the separation, and the feelings were not able to lead the hero to decisive actions.

“Happiness doesn't have tomorrow, it doesn't have yesterday, it doesn't remember the past, doesn't think about the future. He only has the present. - And that is not a day. A moment. "

A. N. Ostrovsky "Dowry"

The heroine of the play - Larisa Ogudalova. She is a dowry, that is, when she is married, her mother is not able to prepare a dowry, which was customary for the bride. Larisa's family is of average income, so she does not have to hope for a good game. So she agreed to marry Karandyshev - the only one who offered her to marry. She does not feel any love for her future husband. But a young girl really wants to love! And this feeling had already arisen in her heart - love for Paratov, who once charmed her, and then just left. Larisa will have to experience a strong internal struggle - between feeling and reason, a duty to the person she is marrying. Paratov seemed to have bewitched her, she admires him, succumbs to the feeling of love, the desire to be with her beloved. She is naive, believes the words, thinks that Paratov loves her just as much. But what a bitter disappointment she had to experience. It is in the hands of Paratov - just a “thing.” Reason still wins, insight comes. True, later. " The thing ... yes, the thing! They are right, I am a thing, not a person ... Finally a word has been found for me, you have found it ... Every thing must have a master, I will go to the owner.
And I no longer want to live, to live in a world of lies and deceit, to live without being truly loved (how embarrassing that she is chosen - heads or tails). Death is a relief for the heroine. How tragic her words sound: “ I looked for love and did not find it. They looked at me and are looking at me as if it were fun. "

IABunin "Dark alleys"

How sometimes the relationship between people is difficult. Especially when it comes to such a strong feeling as love. What to give preference to: the power of feelings that gripped a person, or to listen to the voice of reason, which suggests that the chosen one is from another circle, that she is not a couple, which means that there can be no love. So the hero of the novel by I. Bunin "Dark Alleys" Nikolai in his youth experienced a great feeling of love for Nadezhda, who was from a completely different environment, a simple peasant woman. The hero could not connect his life with his beloved: the laws of the society to which he belonged too dominated him. And how many more in life there will be these Hopes! ( ... it always seems that somewhere there will be something especially happy, some kind of meeting ...)

As a result - life with an unloved woman. Gray days. And only many years later, when he saw Nadezhda again, Nikolai realized that such love was given to him by fate, and he passed her by, past his happiness. And Nadezhda was able to carry this great feeling through her whole life - love (Everyone's youth passes, but love is another matter.)

So sometimes fate, the whole life of a person depends on the choice between reason and feeling.

M.A.Bulgakov "The Master and Margarita"

Love. It's an amazing feeling. It makes a person happy, life takes on new shades. For the sake of love, true, all-embracing, a person sacrifices everything. So the heroine of M. Bulgakov's novel Margarita for the sake of love left her outwardly prosperous life. Everything seemed to be fine with her: a husband holding a prestigious position, a large apartment, at a time when many people were huddled in communal apartments. (Margarita Nikolaevna did not need money. Margarita Nikolaevna could buy whatever she liked. Among her husband's acquaintances there were some interesting people. Margarita Nikolaevna never touched a primus stove. Margarita Nikolaevna did not know the horrors of living in a shared apartment. In short ... was she happy? Not a single minute! )

But there was no main thing - love .. there was only loneliness (And I was struck not so much by her beauty as by the extraordinary, unseen loneliness in her eyes! - the words of the Master) (With yellow flowers in her hands, she went out that day so that I could finally find her, if this had not happened, she was poisoned would, because her life is empty.)

And when love came, Margarita went to her beloved (She looked at me in surprise, and I suddenly, and quite unexpectedly, realized that I had loved this particular woman all my life! - the master will say ) What played the main role here? The senses? Of course yes. Mind? Probably he, too, because Margarita deliberately abandoned an outwardly prosperous life. And it doesn't matter to her that she lives in a small apartment. The main thing is that next to him is her Master. She helps him finish the novel. She is even ready to become a queen at Woland's ball - all this for the sake of love. So both reason and feelings were in agreement in Margarita's soul. (Follow me, reader! Who told you that there is no real, true, eternal love in the world? Let the liar cut off his vile tongue!)

Do we condemn the heroine? Here everyone will answer in their own way. But still, life with an unloved person is also wrong. So the heroine made a choice, choosing the path of love - the strongest feeling that a person can experience.

  • I.S. Turgenev "Fathers and Sons",
  • I.A. Bunin "Clean Monday",
  • A.M. Bitter "Old woman Izergil",

Literary works

1. Leo Tolstoy "War and Peace"

Compare sensible Sonya and Natasha, who lives with feelings. The first of them did not make a single fatal mistake in her life, but she also could not keep her happiness. Natasha was wrong, but her heart always told her the way.

2. Leo Tolstoy "War and Peace"

The people and their feelings, insensitive heroes (Anatole, Helene, Napoleon)

3. A.S. Pushkin "Eugene Onegin"

"Sharp, chilled mind"And the inability to be strong onegin's feelings. Onegin - a cold, rational person. Tatyana Larina with a fine sensitive soul. This mental disharmony became the cause of the drama of failed love.

4. M.Yu. Lermontov "Mtsyri" (Reason and feeling of love for the homeland of poor Mtsyri)

5. ISTurgenev "Fathers and Sons" Evgeny Bazarov's Sense and Sensibility.

6. A. de Saint-Exupery "The Little Prince" (everything is in the Prince - both reason and feelings);

7. F. Iskander "Dream of God and the Devil" "I wanted to understand," God sighed, "if reason itself can develop a conscience. I put only a spark of reason into you. But it did not develop a conscience. It turns out that mind not washed by conscience becomes malignant... This is how you appeared. You are an unsuccessful human project. "(Fazil Iskander" Dream of God and Devil ")

8. M.Yu. Lermontov "A Hero of Our Time" (insensitive Grigory Pechorin and humane Maxim Maksimych)