The play "Thunderstorm" by Ostrovsky is familiar to everyone. This is a work of genius in its significance. The author raised the burning questions of that time in it, exposing the colorful characters of the characters to the reader's judgment.

The image and characteristics of Kuligin in the play "The Thunderstorm" is secondary. Acquaintance with this character occurs at the very beginning of the work. From the very first minutes, the reader is imbued with sincere sympathy for a self-taught mechanic who is forced to survive in an atmosphere of outdated patriarchal orders and laws.

Image and characteristics

Kuligin is a local resident of the city of Kalinovo. Middle aged man. He works as a mechanic, dreams of inventing a perpetual motion machine.

Kuligin is 50 years old.

“For fifty years I have been looking beyond the Volga and I can’t see everything…”.

Belongs to the bourgeois class. Engaged in watchmaking. A self-taught mechanic by profession.

"Mechanic, self-taught mechanic ..."

Educated. Highly erudite. Quotes well-known authors with ease. His idol is Lomonosov. He sincerely admires him, hoping that someday fame will come to him.

"After all, I had read Lomonosov, Derzhavin ... The wise man was Lomonosov, a nature tester ... But he was also from ours, from a simple title ...".

Likes to indulge in reasoning on everyday topics. Able to give wise advice.

Romantic, dreamy nature. Kuligin admires everything around. He especially loves to admire the local landscapes, and they are simply magnificent in Kalinov. Rejoices at every little blade of grass, blossoming flower. Nature evokes in him a mute reverence for her, a spiritual awe for her uniqueness.

"If you take a closer look, or you don't understand what kind of beauty is spilled in nature."

Talkative. For Kuligin, talking is a sweet thing. His mouth does not close. He himself is well aware of this habit of annoying everyone with conversations, but he cannot resist once again when meeting with familiar people.

“I really get it, sir, for my chatter; but I can't, I like to scatter the conversation. "

Wants to be useful. All of Kuligin's unrealized ideas are aimed at improving the life of the city. One such example is a sundial.

"... Come and see what time it is."

The lightning rod is again for general benefit.

"What kind of thunder taps do you have there?"

What prevents him from realizing his brilliant ideas is the lack of funds. Because of this, he has to constantly beg for material assistance from the Wild, but as always, instead of a positive answer, he hears a refusal. He doesn't care about self-taught ideas.

Brave. Kuligin can be called a brave person. All people are scared by a thunderstorm, but he is not. He sincerely does not understand how one can tremble with fear when thunder rumbles.

“And you are afraid even to look at the sky, you are trembling! You scared yourself out of everything. Eh, people! I'm not afraid ... "

Fair. Kuligin is not used to lying and getting out. He always speaks the truth and only the truth. Probably, many do not like this, but he is not ashamed of his words. Why deceive people by giving false hopes. Better to know everything right away than later.

Kind, good. Everyone in the city knows him. No one will say a bad word to him. “Yes, everyone here knows me; no one will say bad things about me. " Seeing how Tikhon suffers, he convinces him that there is no need to hold evil against enemies. Seeing the body of Katerina on the shore, he can not stand it, throwing words about the Kabanov family about their attitude towards the deceased.

She dreams of creating a perpetuum mobile. But this idea is likely to remain at the level of the inventor's dream. In a small town, his ideas cannot be appreciated. There is no support from local residents, his aspirations are incomprehensible to them. People don't need scientific work. They just don't see any practical use in them. But for Kuligin, the main thing is to live with ideas. Without them, he will be bent from melancholy, lose his inner originality.

Conscientious. She dreams of earning honest labor.

"If I want to donate my work, what can I steal, your degree?"

His disinterestedness and sincerity can be clearly seen in conversations with Tikhon Kabanov and Boris. It completely lacks the anger and greed inherent in the Wild and Kabanikha.

The city of Kalinov in Ostrovsky's play "The Thunderstorm" is a city that denies the interference in his life of innovations, progress, anything that is contrary to the measured, unhurried passage of time in it. Everything is the same there: the younger generation is afraid of the older, wives are submissive to their husbands, the main entertainment is going to church and to the market with one of the accompanying elders. There have never been cars here, everyone either swears or is afraid, here they sing only at night, because the elders will not approve of this sign of will. And even more so, here they will never want to help a person who wants to change this.

Changes are unacceptable, they interfere with the life that the Lord God himself gave to the blessed city of Kalinov. Big cities have long been held under the control of the unclean, plunging into sin and offering their devilish innovations. This is the attitude of all residents of Kalinov to science and technology. Everything that is incomprehensible - from the devil, everything that challenges a peaceful existence - must be destroyed or simply not given a go.

Kuligin was not lucky to be born here. He is a gifted inventor, as they say, "from God", and he is not selfish, he is ready to work for free, if only people feel good, just to show that it is possible to live better. No wonder his surname is consonant with the surname of the famous Russian mechanic - Kulibin, by the way, who was also not fully understood, and many of his projects were never realized, ahead of time. Kulibin, for the most part, was forced to create what was then in demand: machine guns, toys with a secret, fireworks for large receptions. By the way, Kulibin wrote poetry, like his literary counterpart.

Kuligin was also ahead of his time that he would not budge in this small Volga town. His desire to help the Kalinovites runs into an obstacle - he is poor and has to ask for financial assistance from wealthy merchants for his projects, but whoever he turns to - everyone drives him away. Why would anyone make life easier, pay for the common good? Dikoy regrets even ten rubles for the lightning rods, although he simply did not pay the same ten rubles to someone else.

Kuligin wants to find a perpetuum mobile, a perpetual motion machine, and sell the invention for ten million in order to become independent and help his hometown. He wants to be needed, wants to help, to change the life of the Kalinovites for the better, but his creations are not needed, like himself. Who are the Kalinovites in their bulk? Believers, people living according to the rules of the house building, whose life consists of deception in trade, bullying at home, going to church and to the market. Nobody expresses a desire to change the existing order of things.

Kuligin, a self-taught scientist, is the only person in the city of Kalinov who wants change. He sees everything and understands everything. Somehow he does not fit into the general course of Kalinov's life - he sings songs during the day, looking at his beloved Volga, and his soul is fully aware of the beauty of nature, a picturesque place in which he lives. But, however, his destiny is to fight the well-oiled mechanism of the merchant's Kalinovskaya life - and constantly be ridiculed and rejected. He has long resigned himself to reproaches and swearing, but day after day, having met a possible patron of the arts, he patiently explains the value of the proposed innovations.

He is an eternal supplicant, and his patience is a kind of protest against this life. Apparently, he is of the opinion that “a drop is hammering the stone,” and day after day, not being disappointed by another failure, he turns to the merchants, again and again explaining the merits of the new invention.

He is an optimist and believes that the hour will come someday; Dikoy, perhaps, will get up on the same foot, his first invention will see the light of day, and everything will go as if on a knurled one.

He is very smart, he notices everything and understands everything. Perhaps he is the only one who fully understood and justified Katerina's act. He is sure that only God can judge her, not Kabanikha, Wild and others. Kuligin advised Tikhon to forgive Katerina, but Katerina decided everything herself - and committed suicide.

Katerina does not know, she wants him, the search for this led her to Boris, and then pushed her off the cliff. Kuligin, unlike her, knows that there is no way out. Only one rare patience, luck and luck. However, he is a patriot. He could find a benefactor in a big city, and there he would definitely be in demand - and he understands this. But he is not leaving. An outlet for him is admiring his native places, he breathes fresh air from the Volga and waits for the changes that he feels with the approach of a thunderstorm.

Perhaps, in his lifetime, changes will take place in Kalinov. He is waiting. And he is the only one who has the moral right to condemn those who condemn Katherine. This drama is not only the drama of a traitor who resolved herself out of shame. This is a drama of all thinking people of that time, whose desire to change the world around them led them to sad consequences.

Maybe Kuligin will wait for his happy day and be able to change the life of the Kalinovites for the better. But the play ends with the death of Katerina, who tried to change her life. Perhaps Ostrovsky makes it clear that a lot of patience is needed - progress will come even to Kalinov. And then Kuligin will win. He had struggled with ignorance and greed for too long, unsuccessfully, to miss his chance. But Ostrovsky gives only a hint of this. And we can only guess.

The play "The Thunderstorm" by A. N. Ostrovsky describes the life of a small provincial town Kalinov. The main emphasis of this work is on the definition of the "dark kingdom", which personifies the rich landowners who do not have bosses over them. That is why tyranny and ignorance flourish in these places.

Before proceeding to the topic "Characteristics of Kuligin in the play" The Thunderstorm ", it is worth noting that almost every inhabitant of this town, knowing all injustice, will never dare to openly express his opinion.

"Thunderstorm". Kuligin's characteristic

Kuligin is the very first hero to appear in the play. He is from the class of ordinary townspeople, a self-taught watchmaker and an inventor looking for a perpetuum mobile. There are no special definitions about his appearance, by age he is already somewhat over fifty. He came to the Volga embankment to admire its beauty. With delight, he even hums the words of the song. And right there young people join him - Kudryash (Dikiy's clerk) and the tradesman Shapkin. Kuligin, expressing his joy and delight from the picturesque landscapes, understands that they do not share his feelings, as they are completely immersed in their everyday problems. Almost immediately they start talking about the "dark kingdom", but Kuligin does not particularly support this, in his opinion, senseless chatter.

Continuing to develop the theme of "Thunderstorm". Characteristics of Kuligin ”, it should be noted right away that he always spoke only when necessary.

Kuligin's remark about the intolerable character of the rich merchant Dikiy: “Take an example from him! Better to endure, ”says that he is an intelligent, extraordinary and thinking person. At the same time, Kudryash boasts that he does not give offense and says: “He is the word, and I am ten,” but then, seeing that Dikoy is coming to them, fearful, he steps aside with Shapkin. Kuligin, on the other hand, remained in his place and only took off his hat.

Kuligin ("Thunderstorm"): characteristics (briefly)

The next time we meet with Kuligin is when he talks with Boris Grigorievich, a decent, educated young man and Dikiy's nephew. Kuligin involuntarily wonders how Boris lives in subjection to his uncle - a terrible despot and rude, to whom it is impossible to object to his senseless reproaches. Boris replies that it is really difficult for him to get along here, as if he is superfluous. After listening to the story of Boris Grigorievich, Kuligin understands that nothing can be done about this, since he knows the social foundations in Kalinovka well and sees what cruel manners in this city are.

Dreamer

So, we are interested in the characteristics of Kuligin. In the play Thunderstorm, it is said that this local inventor has many positive qualities. He knows how to analyze, write poetry, he has a dreaminess. When Boris invites him to write life in Kalinovka in poetic form, he refuses. Here his indecision manifests itself. If the main character rushed to the Volga in protest, then Kuligin is simply not capable of decisive and loud protests.

Talking about the topic "Ostrovsky," Thunderstorm ". Characteristics of Kuligin ”, we understand that like no one else can find a common language with people. Kuligin is more like that noble dreamer who constantly thinks about how to make society better and more civilized.

Inventor

He dreams of inventing a perpetuum mobile, for which he can get a million and organize jobs for people. He says so: "And then there are hands, but there is nothing to work." He calls himself a "self-taught mechanic" and asks Dikiy to give him ten rubles for a sundial, which he wants to make in the park. And then he tells him about the life-saving lightning rod, which can also be installed in the city. But the greedy and stupid landowner does not want to part with his funds, which he loves more than life. All persuasion turned out to be useless. However, you are surprised at the deference, patience and persistence of Kuligin to conduct conversations with the Dikim, to whom, however, he never managed to get through.

Connoisseur of beauty

In the topic "Thunderstorm". Characteristic of Kuligin ”it should be noted that the main character is a subtle connoisseur of natural beauty. He says that “because of the Volga, the meadows smell of flowers and the sky is so clear ...”, he regrets that city people hardly notice it, perhaps only poor Katerina feels her the same way.

Further, Kuligin says that poor people work and sleep for three hours day and night, while the rich sit at home behind locked gates and only swear among themselves. He also tries to explain to people that they should not be afraid of a thunderstorm, comet, or - they should be admired and evaluated as an amazing natural phenomenon.

Conclusion

In conclusion, the topic "Thunderstorm". Characteristics of Kuligin ”it should be noted that the local people are drawn to the inventor, and everyone can open their souls to him, even Tikhon Kabanov. Kuligin defends Katerina - this is evident from his words after her suicide. He told Kabanikha and her son that now they can do whatever they want with her, but her soul is already before the Judge, who will be more merciful than them. In the end, Kuligin literally runs away from these people, since he is really unbearably painful and unpleasant to be with them.

"according to plan

1. General characteristics... Kuligin is a self-taught mechanic from the play "The Thunderstorm" by A. N. Ostrovsky. The prototype of this character is the Russian inventor I.P. Kulibin, famous for his discoveries ahead of time.

Kuligin stands out sharply against the background of other residents of the provincial city. He is well educated and not subject to the dark superstition that reigns among the common people.

Kuligin's main life goal is to invent a perpetuum mobile. The idea of \u200b\u200bcreating a perpetual motion machine was very popular in the 19th century. However, in working on this discovery, Kuligin is not guided by a thirst for fame or the opportunity to get rich.

He wants to spend the monetary prize for the invention of a perpetual motion machine to support the bourgeoisie. Kuligin does not belong to the category of strict and self-contained scientists who have devoted their entire life to science.

He appreciates the beauty of nature, is well versed in poetry, loves Russian folk songs. Mechanics is interested in living human life, not constrained by centuries of prejudice.

2. The tragedy of Kuligin... In relation to a talented self-taught, you can apply the expression "There is no prophet in his own country." The people in the provinces are so ignorant that they consider him, at best, an eccentric. Kuligin's bold ideas arouse fear of divine punishment among superstitious inhabitants.

Kuligin needs funds to continue his scientific activities and make experimental models, but it is almost impossible to get them by honest labor. The clash of an inquiring mind with ossified ignorance and religious prejudices is clearly demonstrated in the scene of Kuligin's conversation with the Dikim. The self-taught man is trying to beg from a wealthy merchant for financial assistance for the introduction of useful inventions into practice. He understands how difficult it is, so he discards all pride and humbly addresses Savl Prokofievich "your degree."

Kuligin patiently endures the Dikiy's undeserved insults, persistently continuing to convince him of the enormous usefulness of sundials and lightning rods. Dikoy does not even delve into the essence of what Kuligin is telling him about. Due to class prejudices, he considers the bourgeois "worm", with whom it is not worth talking. However, at the mention of lightning rods by Kuligin, the "pious" merchant flies into real rage. Dikoy is convinced that thunderstorms and lightning are punishment from above, therefore "defending" from them means going against God. Calling Kuligin a "Tatar" (ie, a Muslim), the merchant reveals his limited thinking, bound by religious dogmas. For the excerpt from Derzhavin's ode ("I command the thunder with my mind"), quoted by Kuligin, Dikoy is ready to go to the mayor for a police investigation.

3. The scale of the Kuligin problem... In the play, the genius inventor, together with Katerina, confronts the "dark kingdom" of a provincial city. However, in reality, this confrontation is much larger. The sad fate of the prototype of a literary character is well known. Most of I.P.Kulibin's inventions were unclaimed. The man who could bring himself and the whole country world fame died in poverty. The main obstacle to the development of science and technology since the Middle Ages has been religious hypocrisy. Even in the 19th century, this problem was typical not only for Russia, but for the whole of Europe.

Kuligin is likely to share the fate of many talented inventors without having achieved financial support. His inventions are not needed by people who are accustomed to relying on divine will in everything. The saddest fact is that the inventor is not an atheist. He belongs to his era and, naturally, believes in God. However, Kuligin's faith, which allows freedom of thought, is strikingly different from the blind admiration of the overwhelming mass of the population.

The antipode of Kuligin is Feklusha, who sees the approach of the kingdom of the Antichrist in any technical invention. The brightest and most memorable scene with the participation of Kuligin is his speech to mortally frightened people during a thunderstorm. The mechanic's passionate monologue can be compared to the fervent sermon of a prophet trying to guide the people on the true path. Kuligin exclaims: "You are all thunderstorm!" This phrase can be regarded as a fair reproach to all people who experience a superstitious fear of what they are unable to understand and explain.

The play "The Thunderstorm" is the most significant work of A. N. Ostrovsky. In it, he raises the most lively and quivering questions of his time, exposes colorful characters to the reader's judgment.

The list of characters in "The Groza" is small. These are the Kabanovs and the inhabitants of their home: the Wild Vanya family Kudryash, Shapkin, Kuligin and several secondary characters.

Kuligin takes a special place among the heroes. The reader gets to know him at the very beginning of the play. Kuligin's image immediately attracts readers' attention.

Kuligin is a tradesman, a self-taught watchmaker, but he knows how to feel beauty, he is poetic. Looking at the Volga, the hero exclaims with rapture: “This is an extraordinary view! Beauty! ”, And the fact that he has been contemplating the Volga every day for already fifty years does not prevent him from enjoying its beauties. Kudryash calls Kuli-gin an antique, that is, a rare, extraordinary person. For the city of Kalinov, this hero is really an exceptional phenomenon. He compares favorably with many of the characters in the play, who will hardly ever appreciate the same beauty of the Volga landscape.

Of great importance for revealing the character of Kuli-gin are his monologues. Ku-ligin angrily attacks Kalinov's orders. His words about disdain for poor people, about cruel deception of honest workers, about squabbles between merchants who seek to harm a competitor by any means are filled with bitterness. The hero cruelly ridicules the inferiority of the inner world of the Kalinovka inhabitants, who go out onto the boulevard with only one purpose: "to show clothes." Kuligin does not spare the tyrants either: "They eat their household and hurt their family." According to the hero's conviction, the main goal of the life of the Kalinov tyrant is "to rob orphans, relatives, nephews, to beat up family members so that they would not dare to utter a word about anything he was doing there."

Kuligin has poetic talent. For him, the undoubted authority is Lomonosov, who emerged from the common people and, with work and diligence, paved his way to great discoveries. Kuligin is well-read. He can clothe his thoughts in a poetic form. But he lacks courage. “Eat, swallow alive,” he says.

Kuligin sees great potential among the people. He appreciates his skillfulness and regrets that the patronage has "hands, but nothing to work."

The hero is looking for a perpetuum mobile, but no one in Kalinov understands his aspirations, no one wants to support him. Kuligin passionately describes to Di-who all the benefits that can bring his ideas. He is trying to instill in the one who rips off the last kopeck from his workers the need to donate a certain amount "for society." The hero does not see that for Dikiy this is all "nonsense", and Kuligin himself is no more than a worm that can be pardoned, but can be crushed. Kuligin believes in achieving his goals, he hopes for a miracle, that in the “dark kingdom” there will still be at least one “living” soul.

Boris turns out to be much more perspicacious than Kuligin, who, in response to the hero's words, only sighs: "It's a pity to disappoint him!"

In vain is the hero trying to explain to the "dark" Kalinovites both the "grace" of a thunderstorm, and the beauty of the northern lights, and the beauty of moving comets. He quotes Lomonosov with them, throws the precious bi-ser in all directions, not realizing that all this is in vain.

To Tikhon, the son of Kabanova, Kuligin says that his mother is "painfully cool", and Katerina is "better than anyone," and that at his age it is time "to live with your own mind."

Kuligin has a good heart. To the disappointed Tycho-well, he says that it is necessary to forgive enemies, and when he finds dead Katerina, he throws words in the Kabanovs' face about their mercy to her.

According to N. Dobrolyubov, it was still impossible to rely on the kuligins who believed in the educational path of reorganizing life and trying to influence the tyrants with the power of persuasion. These people only logically understood the absurdity of tyranny, but were powerless in the fight against it.