Artist Sychkov Fedot Vasilievich: biography, features of creativity and interesting facts. People's artist fedot sychkov The main subjects of paintings

Fedot Sychkov. Difficult transition. 1900-1910

Peasant girls and young ladies F.V. Sychkov's popularity approached the hawthorns of Konstantin Makovsky, although the lives and paths to art of the artists were completely different.

Fedot Vasilievich Sychkov was born on March 1, 1870 into a poor peasant family in the village of Kochelaevo, Penza province. Father spent his youth in waste work, was for many years in barge haulers. In childhood, Fedot himself had to walk with his mother with a bag, which is why his peers teased him as a beggar.

Even then, the future painter decided to learn something useful in order to earn a living. Little Fedot wanted to study, but his mother was against it. Only thanks to the insistence of the grandmother of the eight-year-old Fedot was sent to study in a three-year zemstvo school. There, the teacher P.E. Dyumayev drew attention to the boy's artistic inclinations and tried to develop them, passing him the initial knowledge in the field of drawing and painting.

The artist's mother Anna Ivanovna Sychkova. 1898
A portrait created in the best traditions of Democratic artists. In the silhouette of a small, slightly hunched figure, one feels crushed by life. This nagging note develops in a color sustained in a gray-black monochrome scale.

After leaving school, Sychkov went to work in the Saratov province and stopped in the city of Serdobsk, where he worked in the icon-painting artel of D.A. Reshetnikov.
In 1892, he left for St. Petersburg, to the Drawing School of the Society for the Encouragement of Arts, with the support of General I.A.Arapov (1844-1913), who drew attention to a talented young self-taught artist. In 1895, F. Sychkov graduated from the Drawing School and became a volunteer at the Higher Art School at the Academy of Arts. After completing his studies, the artist returned to his homeland.

The main theme of the artist is the life of peasants, rural holidays.
Since 1960, the Mordovian Republican Museum of Fine Arts named after S. D. Erzya has hosted a permanent exhibition of his works (the funds of this museum contain the largest collection of Sychkov's paintings and graphic works - about 600 works, including sketches and sketches).

In 1970, to the 100th anniversary of the birth of the outstanding painter, an order was issued by the Ministry of Culture of the Mordovian Autonomous Soviet Socialist Republic to open a memorial museum in the artist's homeland. The house-museum of F.V.Sychkov was opened on March 11, 1970 in the village. Kochelaev after some reconstruction of the premises.

Folk festivities, skiing from the mountains, weddings, get-togethers - this is not a complete range of topics and motives that attracted the master. He managed to convey in pictures the ingenuous amusements of the villagers.

The paintings are written easily and freely with the true skill of a genre painter. They are attracted by the brightness of the portrait characteristics of the heroes, the ability to plastically accurately compose multi-figured compositions, to find expressive poses and gestures that give a special emotional openness to the images.

In parallel with the main line dedicated to the life and everyday life of the peasantry, a second line develops in Sychkov's work in the 1900s - this line is associated with a ceremonial commissioned portrait.

Portrait in black. Portrait of Lydia Vasilievna Sychkova, the Artist's Wife. 1904
The portrait reveals the wealth of the woman's inner world, dreaminess, enlightened sadness, echoing in their tonality with the images of Chekhov's heroines. Lydia Vasilievna Ankudinova, a graceful, fragile St. Petersburg young lady, has become a real muse for the artist. The role of this woman in the fate of F.V. Sychkova was significant and invaluable.

In 1903, she became the artist's wife, sharing with him all the joys and sorrows for the rest of her life. Together with him, she lived in the village of Kochelaevo, in the Mordovian outback, attended exhibitions, was aware of all the events of artistic life. She was respected and appreciated by many artists - friends of F.V. Sychkov.

Children's portraits have become an interesting page in the painter's work. He first turned to them in the 900s, except for several student sketches, where children posed for him as a model. Both the pictorial and watercolor portraits of children show the author's serious and deep understanding of the child's soul.

He tirelessly wrote about his native village, lopsided fence, huts that had grown into the ground, the spring floods of the deep Moksha. Small-sized winter sketches, sustained in gray-bluish tones, are imbued with intimacy and warmth of mood.
The landscapes are based on a deep poetic feeling, the master's admiration for the beauty of Russian nature that is exciting in its modest charm.

Sychkov wrote: "I have done a lot in recent years, depicting Mordovian life, but how could it be otherwise, because I turned out to be a real resident of the Mordovian ASSR. Here I was ... awarded the honorary title of Honored Art Worker of the MASSR ... I was given a personal pension. Well, that's why I'm connected with the Mordovians firmly and for life. ”It is no coincidence that in the 1930s, when the Mordovian autonomy was formed, the national theme took a special place in the artist's work.

Mordovian teacher. 1937
Tractor drivers-Mordovka. 1938.
In the second half of the 30s, the theme of Sychkov's art expanded due to the appeal to Soviet reality.

Collective farm bazaar. 1936
Harvest Festival. 1938
Similar canvases, glorifying a happy collective farm life, were painted by many artists at that time. These two large-format canvases were created by the author in the shortest possible time by order of the exhibition committee of the Volga Region pavilion for the All-Union Agricultural Exhibition in Moscow.

Sychkov did not strive to portray people with complex, contradictory characters. Almost in each of his works one can feel a soft, benevolent view of the world, sincerity and humanity. It is true that a portrait is always a double image: the image of the artist and the image of the model.

“I don’t want to be old,” Sychkov wrote in one of his letters to the artist E. M. Cheptsov. "As they say, artists cannot grow old, their works should always be young and interesting." In the eighth decade of his life, he created such canvases full of freshness of feelings, such as Return from School (1945), Meeting a Hero (1952).

For the last two years before his death, Sychkov lived in Saransk. He still worked a lot, with rapture and inspiration. For him, painting was a real source of joy. "Life on earth is so beautiful ... but the life of an artist in the full sense is the most interesting of all occupations ..." - lines from a letter to F.V. Sychkov can be an epigraph to the work of this painter, who is in love with the world around him. He died in 1958.

A gallery of the artist's works can be viewed here. Http://maxpark.com/community/6782/content/5002408

Artist Sychkov Fedot Vasilievich (1870-1958)

In our time, few are familiar with the work of the most distinctive artist Fedot Vasilyevich Sychkov. And in the 1910s, his works were successful not only at exhibitions in Russia, but also in the Paris Salon, where they were eagerly bought by art lovers who showed interest in the life and art of our country. Peasant girls and young ladies F.V. Sychkov's popularity approached the hawthorns of Konstantin Makovsky, although the lives and paths to art of the artists were completely different.

"Self-portrait", 1893

Fedot Vasilyevich Sychkov (1870 -1958), a famous Russian artist, was born into a poor peasant family in the village of Kochelaev, Penza province. At the age of twelve, the future artist lost his father.
The mother, who was left with her children without a piece of bread, had to walk with a knapsack in the courtyards, collecting "for Christ's sake." Having shown kindred concern, the grandmother sent her grandson to primary school.
The school drawing teacher P.E.Dumayev discovered the boy's ability to draw and wrote a letter of petition to the court painter Mikhail Zichy.

The teacher and student waited a long time for an answer from Petersburg, but they waited. The reply letter contained advice - to send a talented student to the St. Petersburg art school, but at what means - there was no hint. Fedot realized the main thing: you yourself have to earn money for travel and training.
From childhood, Fedot Sychkov showed the ability to paint. He worked in an icon-painting workshop, painted frescoes in churches, made portraits from photographs.

In 1892, he left for St. Petersburg, to the Drawing School of the Society for the Encouragement of Arts with the support of General Arapov, who drew attention to a talented young self-taught artist.

In 1895, Sychkov graduated from the Drawing School and became a volunteer at the Higher Art School at the Academy of Arts.
After graduation, the artist returned to his homeland. In 1900 he was awarded the title of artist for the painting "News from the War." The main theme of the artist is the life of peasants, rural holidays.

"Girl in a Blue Shawl", 1935

Fedot Sychkov's canvases attract with their cheerfulness of colors, white-toothed smiles framed with colored scarves, the radiance of the sun and snow, and the scent of field herbs.

He received six awards at academic exhibitions in St. Petersburg.
He was awarded a silver medal at the exhibition in St. Louis (USA).
He won an Honorable Mention at the International Exhibition in Rome.
And in 1908 he personally visited England, France and Germany.
These trips hardly added anything to his realistic, purely Russian painting.
But there was certainly a feeling of satisfaction from a trip abroad as a result of what had been achieved. Upon arrival in Russia, he returned to his native Kochelaevo.

Behind the shoulders of almost every genius creator is a woman who, with her support and wisdom, supported the fire of the talent of a loved one.
For Fedot Vasilyevich Sychkov, his wife, Lydia Nikolaevna, became such a muse. She, like her husband, was keenly interested in folk culture, including Mordovian.

"Young", 1928

Lydia Nikolaevna carefully collected items of national costume and jewelry. In her collection there was an incredible amount of shawls, shirts, headdresses, belts, beads ... All this wealth was used in his portraits by Fedot Vasilyevich.

Died in Saransk, being an honored art worker of the Mordovian ASSR

Blonde flirt

"Teacher-Mordovka", 1937

Among the sunflowers

"Peasant girl"

Girl picking wildflowers

There is nothing sweeter for women than knitting.
Their attentive faces are detached and serious.
The head tilt is calm, and the eyelashes seem to be asleep.
Only the hands are like flying birds in the clouds.

Loops of white and fluffy yarns pull towards each other
and lie down on their knees - like a blizzard in full sun
swept hills and folds in the middle of a colored meadow.
Lower the loops like a rosary - circle by circle, circle
around.

What comes out is a shawl and a jacket, just an excuse,
one name.
The spokes beat to the rhythm of the heart like an omen.
Do you want to be complete about your favorite knowledge?
Watch her quietly at the hour of knitting in the evening.

Ksenia Firsova

"Nastya for knitting" 1925

"Girlfriends", 1916

"Collective farm bazaar", 1936

The light of the high heavens, and the shining snow,
And a distant lonely sled run ...

"From the mountains", 1910

"Three", 1906

"Children"

"Skating on Shrovetide"

The childhood of Fedot Sychkov, who was born in one of the villages of the Penza province, whose great artistic abilities were obvious from an early age, passed in a family in hopeless need. For the young man, there was one goal - Petersburg with its Academy of Arts. To earn the necessary funds for the trip, the teenager works in an icon-painting workshop, paints frescoes in churches, and paints portraits from photographs.

In 1895, F. Sychkov, after graduating from the Drawing School in St. Petersburg, became a volunteer at the Academy of Arts. In 1900 he was awarded the title of artist for the painting "A Letter from the War".

The theme of the life of peasants, rural holidays is the main one for the artist, although he painted many portraits, landscapes, still lifes. He painted about 600 paintings, sketches and sketches. It was a chronicle of his native land - Mordovia. And, mind you, his canvases are a look at the world of a life-loving person. Well. and the beauty of his heroines is simply amazing. He has a confident, free drawing and a good color scheme.

Died F.V. Sychkov in Saransk, being an honored art worker of the Mordovian ASSR.

(now on the territory of Mordovia), Russian Empire

Fedot Vasilievich Sychkov (March 13 (March 1, old style), Kochelaevo village, Penza province (now on the territory of Mordovia), Russian Empire - August 3, Saransk, Mordovian ASSR, USSR) - famous Russian (Soviet) artist, honored art worker of the Mordovian ASSR (1937), Honored Artist of the RSFSR (1950), People's Artist of the Mordovian Autonomous Soviet Socialist Republic (1955).

Biography

Born into a poor peasant family. Orphaned early.

He studied at the three-grade zemstvo school in the village of Kochelaeva, showed drawing abilities from childhood, studied drawing with the school teacher P.E.Dyumayev. He worked in an icon-painting workshop, painted frescoes in churches, made portraits from photographs. From 1885 to 1887 he worked in Serdobsk of the Penza province for the contractor of the icon painter D. A. Reshetnikov.

From 1887 to 1892 he lived in Kochelaev, independently engaged in painting, painted icons, portraits of fellow villagers. In 1892, by order of General IA Arapov (1844-1913), whose estate was located not far from Kochelaev, he painted the picture “Laying of the Arapovo station”. Shown to the director of the Drawing School for Free Visitors E. A. Sabaneev, the picture made an impression. Noting Sychkov's talent, Sabaneev advised him to bring the young man to St. Petersburg.

In 1892 Sychkov moved to St. Petersburg and entered the Drawing School of the Society for the Encouragement of Arts. He was supported by General I.A.Arapov. In 1895, F. Sychkov graduated from the Drawing School and became a volunteer at the Higher Art School at the Academy of Arts. After graduation, the artist returned to his homeland.

In 1900 he was awarded the title of artist for the painting "News from War". In 1905 he was awarded the A. I. Kuindzhi Prize at the Spring Exhibition at the Academy of Arts for the painting "Flax Mills". Elected a member of the Committee of the Society for Mutual Assistance of Russian Artists.

In 1908 he went on a trip to Italy, France, Germany, brought many landscapes of Rome, Venice, Menton and sea views.

In 1909-1917, Sychkov's works were repeatedly noted at Russian and international art exhibitions.

In 1918-1920 he took part in the design of revolutionary holidays in the city of Narovchat, at the Arapovo station and in his native village of Kochelaev.

In recent years he lived in Saransk.

Creation

The main theme of the artist is the life of peasants, rural holidays. The most famous works of Sychkov:

"Portrait of Anna Ivanovna Sychkova, the artist's mother" (1898)
News from the War (1900)
"Portrait of a Woman" (1903)
"Portrait in Black" (1904)
"Flax Mills" (1905, prize named after A. Kuindzhi at the Spring Exhibition at the Academy of Arts - 1905)
"Girlfriends" (1909)
"From the Mountains" (1910)
Returning from the Hayfield (1911)
"Driving at Shrovetide" (1914)
"Return from the Fair" (first prize at the closed All-Russian competition of the Society for the Encouragement of Arts - 1910)
"Village wedding"
"Blessing of water"
"Waits"
"Difficult transition" (incentive prize at the International Exhibition in Rome - 1911, prize at the Spring Exhibition at the Academy of Arts - 1913)
"Holiday" (1927)
"Holiday. Girlfriends. Winter "(1929)
"Day off at the collective farm" (1936)
"Collective farm bazaar" (1936)
"Teacher-Mordovka" (1937)
"Tractor drivers-Mordovki" (1938)
Harvest Festival (1938)
"Presentation of the deed for the perpetual free use of land" (1938)
Return from School (1945)
"Meeting a Hero" (1952).

Perpetuation of memory

Since 1960, the Mordovian Republican Museum of Fine Arts named after S. D. Erzya has hosted a permanent exhibition of his works (the funds of this museum contain the largest collection of Sychkov's paintings and graphic works - about 600 works, including sketches and sketches).
In 1970, to the 100th anniversary of the birth of the outstanding painter, an order was issued by the Ministry of Culture of the Mordovian Autonomous Soviet Socialist Republic to open a memorial museum in the artist's homeland. The house-museum of F.V.Sychkov was opened on March 11, 1970 in the village. Kochelaev after some reconstruction of the premises.
Mordovian Republican Art Gallery F.V. Sychkova.

F. Sychkov's painting "Good-looking" was in the private collection of the famous aerodynamic scientist G. N. Abramovich

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An excerpt characterizing Sychkov, Fedot Vasilievich

“It's a clean march!… I knew it,” said my uncle (he was a distant relative, a poor neighbor of the Rostovs), “I knew that you couldn't bear it, and it’s good that you are going. Clean business march! (This was my uncle's favorite saying.) - Take the order now, otherwise my Girchik reported that the Ilagins were hunting in Korniki; you have them - a pure business march! - they will take the brood under the nose.
- There I go. Well, dump the flocks? - asked Nikolay, - to dump ...
The hounds were united into one pack, and uncle and Nikolai rode alongside. Natasha, wrapped in handkerchiefs, from under which one could see a lively face with shining eyes, galloped up to them, accompanied by Petya and Mikhaila, a hunter and bearer who kept up with her, who was assigned by her nanny. Petya was laughing and beating and jerking his horse. Natasha deftly and confidently sat on her raven Arabchik and with her faithful hand, without effort, reined in him.
Uncle looked disapprovingly at Petya and Natasha. He did not like to combine pampering with the serious business of hunting.
- Hello, uncle, and we're going! - Petya shouted.
“Hello, hello, but don’t overwhelm the dogs,” said my uncle sternly.
- Nikolenka, what a lovely dog, Trunila! he recognized me, ”Natasha said about her beloved hound dog.
“Trunila, first of all, is not a dog, but a wimp,” Nikolai thought and looked sternly at his sister, trying to make her feel the distance that should have separated them at that moment. Natasha understood this.
“You, uncle, don’t think that we will interfere with anyone,” Natasha said. We will stand in our place and will not move.
“And a good thing, countess,” said my uncle. “Just don't fall off your horse,” he added: “otherwise, it's a pure march! - there is nothing to hold on to.
The island of the Otradno order could be seen about a hundred yards, and those who arrived approached it. Rostov, finally deciding with his uncle where to throw the hounds from and showing Natasha a place where she could stand and where nothing could run, headed for the ravine.
- Well, nephew, you are getting into a hardened one, - said the uncle: don't iron (pickle).
- As necessary, Rostov answered. - Karai, fuit! - he shouted, responding with this appeal to the words of his uncle. Karay was an old and ugly, brown-haired male known for picking up a hardened wolf on his own. All went to their places.
The old count, knowing his son's hunting fervor, was in a hurry not to be late, and the people who arrived had not yet arrived at the place, when Ilya Andreevich, cheerful, ruddy, with shaking cheeks, rolled up on his little crowned greens to the manhole left for him and, straightening his fur coat and putting on a hunting shells, climbed on his smooth, well-fed, meek and kind, gray like him, Bethlianka. The droshky horses were sent away. Count Ilya Andreich, although not a hunter to his liking, but who knew the hunting laws firmly, drove into the edge of the bushes from which he stood, took apart the reins, recovered on the saddle and, feeling ready, looked around smiling.
Beside him stood his valet, an old, but heavy rider, Semyon Chekmar. Chekmar kept in a pack three dashing, but also fat, like the owner and the horse - wolfhounds. Two dogs, smart, old, lay down without packs. A hundred paces further in the clearing stood another of the count's stirrups, Mitka, a desperate rider and a passionate hunter. The count, according to an old habit, drank a silver cup of hunting casserole before the hunt, took a bite and washed it down with a half-bottle of his beloved Bordeaux.
Ilya Andreevich was a little red with wine and driving; his eyes, covered with moisture, especially shone, and he, wrapped in a fur coat, sitting on a saddle, had the appearance of a child who was gathered for a walk. Thin, with drawn-in cheeks, Chekmar, having settled down with his affairs, looked at the master, with whom he had lived in perfect harmony for 30 years, and, realizing his pleasant mood, waited for a pleasant conversation. Another third person rode cautiously (apparently, it had already been learned) from behind the forest and stopped behind the count. The face was an old man with a gray beard, a woman's bonnet and a high cap. It was the jester Nastasya Ivanovna.
“Well, Nastasya Ivanovna,” the count said in a whisper, winking at him, “just trample the beast, Danilo will ask you.
"I myself ... with a mustache," said Nastasya Ivanovna.
- Shhhh! The count hissed and turned to Semyon.
- Did you see Natalya Ilyinichna? - he asked Semyon. - Where is she?
“He and Pyotr Ilyich got up from the Zharovykh weeds,” Semyon answered smiling. - Ladies too, but they have a lot of hunting.
- And you wonder, Semyon, how she drives ... huh? - said the count, if only the man is in time!
- How not to be surprised? Boldly, deftly.
- And where is Nikolasha? Above Lyadovsky horse or what? The count asked in a whisper.
- That's right with. They already know where to stand. They know so well the ride that Danila and I marvel at another time, - said Semyon, knowing how to please the master.
- Drives well, huh? And what is it on horseback, eh?
- Write a picture! As the other day from the Zavarzinsky weeds pushed a fox. They began to jump over, from a lull, passion - a horse a thousand rubles, but the rider has no price. Yes, look for such a fellow!
- Look ... - repeated the count, apparently regretting that Semyon's speech ended so soon. - Search? - he said, turning the flaps of his fur coat and taking out a snuff box.
- The other day, as from mass in all the regalia left, so Mikhail then Sidorych ... - Semyon did not finish, hearing a rut clearly heard in the quiet air with the howling of no more than two or three hounds. He, bowing his head, listened and silently threatened the master. - They ran into the brood ... - he whispered, they led directly to Lyadovskaya.

Sychkov Fedot Vasilievich (1870-1958) - famous Russian artist... He is an Honored Worker of the Mordovian Autonomous Soviet Socialist Republic, an Honored Worker of Arts of the RSFSR, a People's Artist of the Mordovian Autonomous Soviet Socialist Republic.

FV Sychkov was born on March 13, 1870 in the village. Kochelaevo, Mordovia, in a poor peasant family. He began to get involved in drawing and painting in early childhood. During his stay in his native village, he worked in an icon-painting workshop and created portraits of fellow villagers from photographs. After Fedot Vasilyevich painted the painting "The laying of the Arapovo station", the director of the drawing school, EA Sabaneev, who saw it, advised to send the young talent to St. Petersburg for professional painting training.

Fedot Vasilievich Sychkov went to St. Petersburg in 1892. Here he studied at the Drawing School of the Society for the Encouragement of Arts, as well as at the Higher Art School at the Academy of Arts. Also took lessons from. This training and his own talent of an extraordinary artist was enough to glorify his name throughout the country. The pictures, surprising in their saturation and emotionality, still make an indelible impression on the viewer. He painted ordinary people, peasants, children, everyday scenes from people's lives, rural holidays, and so on. These stories were so familiar and understandable to the average viewer that the art of Fedot Sychkov became really popular. His works have repeatedly participated in Russian and international exhibitions and have earned many awards and prizes. The great Russian artist died in Saransk in 1958. During his life, he painted more than 700 paintings and over a thousand sketches.

Sychkov Fedot Vasilievich

Blonde flirt