Molchalin in the comedy A.S. Griboyedov "Woe from Wit" (School compositions). The image of Molchalin in the comedy "Woe from Wit. Hometown of Molchalin

Alexey Stepanovich Molchalin is one of the main characters of the comedy by A. Griboyedov "Woe from Wit".

Molchalin serves as Famusov's secretary and enjoys his confidence in official affairs. He sees the purpose of his life in rank, wealth and career. The highest happiness of his "and rewards to take and have fun." To achieve his goals, Molchalin makes connections with influential peopleconsidering that it is the best way climb the career ladder. Trembling before Famusov, he always speaks, politely adding "s" (with papers, s "). He plays cards with the influential Khlestakova, admiring her dog:

Your Pomeranian is a lovely Pomeranian, no more than a thimble.

I stroked it all - like silk wool.

He gets his way, Khlestakova calls him "my friend" and "my dear".

Molchalin possesses speaking surname.

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“Here he is on tiptoe and not rich in words,” Chatsky says about him. Molchalin does not express his opinion:

You shouldn't dare in my years

Have your own judgment.

He is laconic, phrases are fragmentary, especially when dealing with people of a higher rank. And even with his girlfriend, Sophia, he is silent:

Sighs from the depths of his soul

Not a word of freedom, and so the whole night goes by.

Despite this, Molchalin speaks freely with Liza, confessing his feelings to her, tells Chatsky about his base position. Therefore, we can say that reticence is not so much a character trait of Molchalin as another way to achieve goals. It was not for nothing that Chatsky said that Molchalin would reach "the degrees of the known, because nowadays they love the dumb."

In addition, Molchalin sacredly honors his father's admonition: "to please all people without flaws."

Thus, we can say that Chatsky was not mistaken when he said: "The silent people are blissful in the world."

Molchalin's character is revealed gradually, in relations with other people. So, with Famusov, he is an obliging and quiet young man. He depends on Famusov, therefore he is very modest. In communication with Lisa, he is much more emotional “You are a merry creature! Alive! "). He openly confesses his love to Lisa, while insulting Sophia. He cynically calls her: "our deplorable bastard." At the same time, during communication with Sophia, Molchalin is respectful, he pretends to be in love with a girl and looks after her for promotion.

In the comedy, Molchalin is contrasted with Chatsky, who is truly in love with Sophia. And we see how the dramatic knot between Molchalin, Sophia and Chatsky is slowly being untied. Also Molchalin - main figure in the struggle between Sophia and Chatsky. After all, Chatsky, calling Molchalin stupid, offended his beloved Sophia. And she took revenge by making Chatsky crazy. We also cannot help but notice that Molchalin is one of the main persons in the last scene, where everything fell into place. Sophia learned about Molchalin's true intentions, but he began to crawl humbly on his knees, not because he felt guilty before Sophia, but because he was scared for his career. When Chatsky appeared, he ran away altogether. Here all the cowardice and meanness of Molchalin was fully revealed.

As a result, we can say that Molchalin will always find a place in famus society.

Updated: 2017-10-04

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Composition:

Woe from Wit

Molchalin Alexey Stepanich is Famusov's secretary who lives in his house, as well as a fan of Sophia, who despises her in his soul. M. was transferred by Famusov from Tver.

The hero's surname expresses his main feature - "wordlessness." It was for this that Famusov made M. his secretary. In general, the hero, in spite of his youth, is a full-fledged representative of the "past century", since he has assimilated his views and lives by his principles.

M. strictly follows the behest of his father: "to please all people without exception - the owner, the boss, his servant, the janitor's dog." In a conversation with Chatsky M. expounds his life principles - "moderation and accuracy." They consist in the fact that "in my years you should not dare to have your own judgment." According to M., it is necessary to think and act as is customary in the "Famus" society. Otherwise, they will gossip about you, and, as you know, "evil tongues are worse than pistols." M.'s romance with Sophia is also explained by his willingness to please everyone. He obediently plays the role of an admirer, ready to read romance novels with Sophia all night long, listen to the silence and trills of nightingales. M. does not like Sophia, but he cannot refuse to please the daughter of his boss.

A.S. Molchalin is Famusov's secretary, enjoys his confidence in official affairs. He is a non-nobleman by birth, but strives to make a career. Molchalin's surname is justified by his behavior. "Here he is on tiptoe and not rich in words," says Chatsky. Molchalin is a seemingly modest young man. He plays the flute, loves sentimental rhymes. Sophia admires his kindness, compliance, meekness. She does not understand that all this is a mask that serves M-well to achieve a life program.

The purpose of M-na's life is a brilliant career, ranks, wealth. He sees the highest happiness in “taking awards and having fun.” For this he chose the most correct path: flattery, servility. If If Maxim Petrovich is a type of sycophant of the previous era , then Molchalin is a saint of modern times, acting more subtly and no less successfully. "He will reach the degrees of the known, because nowadays they love the dumb," Chatsky says about him with contempt for his mental abilities. Molchalin knows how he needs to behave and determines his tactics:

First, to please all people without exception -

The owner, where he happens to live,

The chief with whom I will serve,

To his servant who cleans dresses,

To a Swiss, a janitor, to avoid evil,

To the janitor's dog, to be affectionate.

Molchalin is in awe of Famusov, speaks courteously, adding "s": "with papers, s." He curses up with the influential Khlestova, caringly composes a game of cards for her, admiring her dog:

Your spitz is an adorable spitz, no more than a thimble,

I stroked all of it, like silk wool.

He achieves his goal: Khlestova calls him "my friend" and "my dear".

He behaves respectfully with Sophia, pretending to be in love, caring for her not because he likes her, but because she is the daughter of his boss and her location can be useful in his future career. He is a hypocrite with Sophia and with cynical frankness confesses to Lisa that loves Sophia "according to his position." Molchalin says that in his summer he should not dare to have his own judgment. "And he declares why:

After all, you need to depend on others,

We are small in ranks.

Seriousness and servility to superiors is the life principle of Molchalin, which is already bringing him a certain success.

"Since I have been listed in the Archives,

He received three awards, "he says to Chatsky, adding that he has two talents:" moderation and accuracy. "Ready for the meanness of wealth and ranks, he approaches others with the same yardstick. he promises to give her a "toilet of clever work." At the decisive moment, when Sophia interrupts his embrace with Lisa, Molchalin begins to crawl humbly in front of her on his knees, not because he felt guilty before Sophia, but because he was scared for his career. Chatsky appears, finally cowardly Molchalin flees. This causes indignation of Chatsky. “The silencers are blissful in the world!” - exclaims Chatsky with anger and indignation. Sophia.

MOLCHALIN - the central character of the comedy "Woe from Wit" (1824). The meaning of this image was realized over the course of historical time. NV Gogol was the first to notice something important in the appearance of the modest secretary of Famusov: “this face is aptly captured, silent, low quietly making its way into people”. ME Saltykov-Shchedrin in a series of essays "In the midst of moderation and accuracy" makes M. an important official with an exotic peculiarity: his hands are stained with the blood of innocent victims of his life's enterprise and "unconscious crimes." Place M. in the plot "Woe from Wit" becomes clear in relation to other characters in the play. Already in the very first minutes of the action, Griboyedov determines Sophia's choice in favor of M. This involves all the heroes of the triangle (Chatsky - Sophia - M.) into difficult psychological relationships. M., who recently "plodded in Tver", is not understood by Sophia: she takes his caution for tact, coldness for restraint of feelings, lackey calculation for sobriety of mind. M. also does not understand and Chatsky, who love for Sophia prevents him from assessing the seriousness of the opponent. Deeply interested in maintaining his attractiveness to Sophia and Famusov, M. is more affected by Chatsky's arrival than it shows. Chatsky's presence in the house threatens with revelations, mortally dangerous for him. M.'s accidental fall from a horse, Sophia's fright, and her fainting provoke M.'s activity, striving to protect his reputation, his already emerging service career. He enters into a duel, giving Sophia categorical instructions to defend herself against Chatsky's claims by all possible means and pushes Sophia to choose a method of revenge against Chatsky. Circumstances will tell the heroine the moment when the harshness, dropped by her in a state of long-held irritation, acquires the meaning of public opinion: "He is out of his mind ..." M. is opposed to Chatsky not only as a rival in a love affair, but also in his entire life position. The conflict between Chatsky and M. accumulates the energy of the collision until the third act of the play, when these characters meet in dialogue. It reveals Chatsky's contemptuous inattention to M., which gives M. the advantage of being completely frank. This is one of the few scenes in the play where M. is sincere to the end. Sincere, but not appreciated by Chatsky as a worthy opponent. And only in the final scene in the hallway, at the denouement, Chatsky will understand what kind of power over Sophia has achieved the apologist of "moderation and accuracy." In Griboyedov's plot, M.'s love bliss collapses. But this is rather an exception than the rule of life in Famus' Moscow, for it is one of the pillars on which it rests. Among the first performers of the role of M. was the famous vaudeville actor N.O. Dyur (1831). The performances of "Woe from Wit" of the second half of the 20th century show that M. cannot be considered petty, minor character plays, as it happened over many decades of her stage history... M. - the second hero of Griboyedov's plot, a serious opponent of Chatsky. This is exactly how K.Yu. Lavrov showed this image in the play by G.A. Tovstonogov (1962).

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In Griboyedov's comedy "Woe from Wit" the main opposing array of events falls on the images of Chatsky and Famusov. The rest of the characters help to reveal the true state of affairs and the depth of the conflict.

Origin and occupation

One of these characters, with the help of which the tragedy of what is happening is enhanced, is the image of Alexei Stepanovich Molchalin.

We suggest that you familiarize yourself with A. Griboyedov's comedy “Woe from Wit”.

Molchalin does not belong to the aristocracy - he is a man of ignoble origin, but thanks to his service, he has access to high society.

Alexei Stepanovich has not yet managed to rise to significant heights - so far he only holds the position of Famusov's secretary, but he hopes for a speedy career advancement, which causes Famusov's special love.

Pavel Afanasevich allocated a room in his house for Molchalin, although it is difficult to call it a full-fledged room: it is most likely a small closet, but Molchalin, deprived of fate, is quite happy with this.

Alexey Stepanovich has been working for the third year personal secretary Famusov, however, he was issued in a completely different position - based on official data, Molchalin works in the archives department, but in practice this is fictitious, he is only listed there. However, not without benefit for himself - during this service, he received three awards.

Of course, this was the exceptional work of Famusov. This position is also beneficial to Famusov and allowed him to get out of a difficult situation - he provided himself with a good secretary and, moreover, he had to pay not from his own pocket.

The text mentions the rootlessness of Molchalin, but there is no exact explanation. Based on this, several assumptions can be made regarding the essence of such a statement. The first is that Molchalin is a man of simple origin, the second is that he is an orphan, that is, a man of no kind.

The writer portrays Alexei Stepanovich Molchalin as an adult man. At the same time, Molchalin rejects even the possibility of his infantilism. Famusov, for whom the hero serves, takes advantage of Alexei's position. Officially, the hero works in the "Archives", because Famusov agreed so. However, this is a simple formality for obtaining ranks. Molchalin's real place of work is Famusov's house. The latter provides its employee with food, drink, shelter, career advancement. Molchalin, apparently, knows how to please Famusov.

Before working with Famusov, in Moscow, the hero lived in Tver. Molchalin, of course, is not a rich man at all. The simplicity of the hero's origin makes us assume that Molchalin is a tradesman. According to the "Table of Ranks", the hero holds the rank of collegiate assessor. This rank gives the right to nobility, which is what Molchalin achieves. The man even manages to get awards, in which his master probably helped Molchalin.

The symbolism of the surname

The image of Molchalin is symbolic. This is primarily due to his last name. It is based on the verb "to be silent". Indeed, this word is an accurate reflection of the essence of Molchalin. He is a silent and faceless servant of Famusov. Even his steps are devoid of any sound. It seems that he wants to be as unnoticed, quiet as possible.

From time to time, Alexey Stepanovich moves on tiptoe so as not to disturb the household. This behavior of his is one of the ways to achieve his life goal.

The purpose of life

While most aristocrats are devoid of a purpose in life and lazily live their lives without filling it with any meaning, Molchalin's life has a pronounced character. His goal is to take place and achieve significant achievements in life. Achievements in the eyes of Molchalin are in no way associated with improving the lives of ordinary, ignoble people or contributing to the development of the morality of the aristocracy. The highest goal of Alexei Stepanovich is to become a full-fledged representative of high society.

Molchalin is ready to go to bed for another promotion, so he serves Famusov with all his might - it is Pavel Afanasyevich who can help him achieve this goal. And Molchalin has already overcome the first step on this steep staircase - thanks to his ability to suck up and please Famusov, he was given the rank of collegiate assessor. Thus, Alexey Stepanovich from a commoner turned into a beggar nobleman. Molchalin found a special charm in the fact that his rank tended to be inherited.

Molchalin and Sophia Famusova

You can improve your position in society even more through a profitable marriage. For this, girls needed to have a charming figure and no less charming face. In the case of the male half of society, it was enough to have a helpful character. It is the ability to serve well that becomes the criterion for benevolence. Despite his low origin and financial insolvency in the eyes of Famusov, Alexey Stepanovich looks like a more attractive son-in-law than the noble aristocrat Chatsky. The fact is that Pavel Afanasyevich believes that such an estate and diligence that Molchalin possesses can compensate for his origin and achieve a favorable position in society. To achieve a final advantage over other young people, Molchalin only needs to accumulate significant capital or start attacking Famusov from a different front - if Sonya falls in love with Alexei Stepanovich, then she will be able to convince her father to make a decision in his favor.

Alexey Stepanovich accelerates this process by starting to show interest in Famusov's daughter Sophia.

The relationship of young people is in the best traditions of platonic love - Molchalin does not allow anything superfluous in relation to the girl.

Thus, he demonstrates his respectful attitude towards Sophia and the seriousness of his intentions. In addition, such behavior contributes to the achievement of his goal with marriage - Molchalin does not need to possess Sonya, he needs to become her spouse, so debauchery is an unacceptable thing for him.

We offer to compare in A. Griboyedov's comedy “Woe from Wit”.

In communicating with Sophia, Alexey Stepanovich adheres to the same principle as with her father - he pleases her all the time. Naturally, Molchalin's behavior differs sharply from the behavior of other aristocrats in relation to her. Young people of noble birth are not ready to grovel in front of Sonya as Molchalin does, therefore they do not arouse such interest in her.

To some extent, Famusova's affection for Molchalin was caused by the lack of proper candidates - after the Chatsky district, the girl chooses the least evil from the remaining. At the time of the emergence of affection and the beginning of communication, Sonya did not feel enthusiasm and love attraction to Molchalin, her act could be regarded as revenge on Chatsky, but as a result of the desired effect, such an act did not bring, Sonia eventually got used to the oddities of Molchalin and began to perceive them as ordinary things ... In the person of Molchalin Sonya found a wonderful "living toy", he not only treats her with deification (which, as it turned out, was feigned), but is also ready to fulfill any of her wishes.

Chatsky and Molchalin

The conflict between Chatsky and Molchalin was a priori predetermined - an honest and noble aristocrat cannot understand and accept the position of Famusov and his society, Alexey Stepanovich, who is not only dependent on Famusov, but also seeks to become like them, could become an excellent opponent to Chatsky , if I had more persistence and individuality, however, since Alexey Stepanovich is used to being a silent observer and never betraying his attitude to certain situations, then there is no heated discussion between the characters.

In addition, the shrewd Chatsky notices the strange attitude of Alexei Stepanovich to Sonya Famusova. Over time, he discovers Molchalin's true attitude to the girl and his ghostly love. Chatsky is struck by Molchalin's double standards - on the one hand, he is ready to flatter immensely, but, on the other hand, he does not immediately neglect to publicize his disdain and even disgust for those whom he idolized a couple of minutes ago.

Attempts to open the eyes of others to the erroneousness of their opinion do not lead to anything good - others are flattering to perceive their superiority than to realize that all the respect towards them was a farce.

Molchalin and Lisa

No matter how duplicitous Molchalin may be, sometimes he reveals his true feelings and intentions. This state of affairs is not exposed in discussions or small talk (since he tries not to take part in them in advance).

So, for example, Alexei Stepanovich has a feeling of affection and love in relation to the servant in the house of Famusov - Liza. The hero of the story faces a choice - to the end to play his role as Sonya's beloved, or to confess his feelings to Lisa.

Unfortunately, as a dishonest person, Molchalin is not limited to this state of affairs and takes care of two girls at once.

Thus, Alexey Stepanovich Molchalin is a classic version of a character playing a double game. This trend continues in the case of Molchalin in all types of activities. He is a hypocrite in relation to Famusov, plays with the feelings of Sonya.

For Alexei Stepanovich, a meek and silent servility is characteristic. For the sake of moving up the social ladder, he is ready to go even to the most immoral acts. The image of Molchalin has become a household name and is applied to a dishonest, hypocritical person.

Molchalin's character

The hero makes a double impression. On the one hand, Molchalin pleases everyone (in this man true master), he is shy, helpful, timid, calm, timid, modest, quiet, “wordless”. He is characterized by accuracy, moderation, lack of criticism of others. For this they love him, perhaps. But on the other hand, the hero is also characterized by duplicity and hypocrisy. Molchalin is considered a well-mannered and polite person, the hero evokes sympathy among others. Society does not see the hero's true nature. On the contrary, in Molchalin they see a selfless person who is ready to forget about his own interests for the sake of others.

However, Molchalin pleases and is silent for the sake of self-interest, for the sake of achieving his goal. Such parting words were given to the hero by his father. The behavior of the hero depends on the circumstances. For example, with Famusov's daughter, a man behaves emphatically politely and modestly. But Molchalin does not really love Sophia. The hero is in love with Lisa. However, there is no need to behave decently with a simple girl. The true face of Molchalin is seen, perhaps, only by Chatsky, who considers the assessor to be a stupid, cowardly and pitiful person. However, Vyazemsky, on the contrary, emphasizes the hero's prudence, a rational approach to life. Molchalin's soul is cold and callous. The servant Liza also talks about this later.

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Origin and occupation

One of these characters, with the help of which the tragedy of what is happening is enhanced, is the image of Alexei Stepanovich Molchalin.

We suggest that you familiarize yourself with A. Griboyedov's comedy “Woe from Wit”.

Molchalin does not belong to the aristocracy - he is a man of ignoble origin, but thanks to his service, he has access to high society.

Aleksey Stepanovich has been working as the personal secretary of Famusov for the third year already, however, he was registered in a completely different position - based on official data, Molchalin works in the archive department, but in practice this is fictitious, he is only listed there. However, not without benefit for himself - during this service, he received three awards.

The symbolism of the surname

From time to time, Alexey Stepanovich moves on tiptoe so as not to disturb the household. This behavior of his is one of the ways to achieve his life goal.

The purpose of life

Molchalin and Sophia Famusova

Alexey Stepanovich accelerates this process by starting to show interest in Famusov's daughter Sophia.

The relationship of young people is in the best traditions of platonic love - Molchalin does not allow anything superfluous in relation to the girl.

We offer to compare in A. Griboyedov's comedy “Woe from Wit”.

Chatsky and Molchalin

Molchalin and Lisa

Unfortunately, as a dishonest person, Molchalin is not limited to this state of affairs and takes care of two girls at once.

Molchalin's character

The hero makes a double impression. On the one hand, Molchalin pleases everyone (in this man is a real master), he is shy, helpful, timid, calm, timid, modest, quiet, “wordless”. He is characterized by accuracy, moderation, lack of criticism of others. For this they love him, perhaps. But on the other hand, the hero is also characterized by duplicity and hypocrisy. Molchalin is considered a well-mannered and polite person, the hero evokes sympathy among others. Society does not see the hero's true nature. On the contrary, in Molchalin they see a selfless person who is ready to forget about his own interests for the sake of others.

A. Griboyedov's comedy "Woe from Wit" was created in 1824. Due to the incriminating content of the work, it was published only in 1833, and even then selectively. Only in 1862 a full-fledged comedy was released. In his work, the author wished to speak out about what had become painful for him over so many years of contemplating the hypocrisy and sycophancy of the people around him. The comedy "Woe from Wit" is a confrontation between an intelligent, thinking, with an active life position, an open and honest person with vile, vile, immoral people who care only about wealth and ranks.

General characteristics of A.S. Molchalin

Famusov's faithful dog, Sophia's heartfelt friend, a toady, a hypocrite, a rootless official, the main antagonist of Chatsky - that's who Alexei Stepanich Molchalin is. The characterization of the central character of the comedy shows a typical representative on whom the serf-bureaucratic morality had its corrupting influence. Since childhood, Molchalin was taught to cringe, to please everyone around: the boss, the owner, the butler, the janitor's dog, in the end, so that she was affectionate.

The character of the character is fully revealed by the surname that speaks for itself. For the most part, Alexei Stepanich is silent, endures humiliation, shouts, even if unfair reproaches. He perfectly understands that a rootless official cannot live in this callous and cynical society without the support of people in power, and therefore he pleases everyone around him, trying not to quarrel with anyone, to be good for everyone, and he does it perfectly. The author of the comedy is sad from the fact that society is teeming with such heroes who know how, where necessary, to be silent, pet the dog of an influential lady, say a compliment, raise a handkerchief and receive formal awards and ranks for all this, in reality remaining servants.

Quotation characteristics of Molchalin

Famusov's secretary is characterized by different characters in the comedy: Chatsky, Sofia, Famusov, Liza. Someone speaks of him as a modest, handsome, quiet and timid person, ready to endure all humiliation and reproaches. Some heroes of the work guess about his low soul, and only a few see the true face of Molchalin.

Sophia sees in Alexei Stepanych an invented image: "ready to forget myself for others," "the enemy of insolence is always shy, timid." The girl thinks that Molchalin behaves shyly, because he is modest by nature, not suspecting that this is just one of his masks. “When the priest serves for three years, he often gets angry to no avail, but he disarms with his silence, forgives out of the kindness of his soul,” Alexei's slavish obedience speaks of his certain life position, which implies keeping quiet, enduring, but not getting involved in a scandal.

Molchalin reveals his true face to Liza: "Why are you and the young lady modest, but from the maid's rake?" Only to her the secretary tells about his true feelings for Sophia. Chatsky also guesses about the duplicity and pettiness of Alexei: “He will reach the degrees of the known, because nowadays they love the dumb”, “Who else will settle everything so peacefully! There he will stroke the pug in time, here he will rub the card at the right time ... " a brief description of Molchalina shows that his silence is not at all a manifestation of stupidity. This is a well-thought-out plan for obtaining benefits.

Molchalin's speech characteristics

The manner in which Alexei Stepanych speaks very well characterizes his inner appearance. Sycophantity, submissiveness, servility are the main characters, therefore diminutive words, self-deprecating intonations, exaggerated courtesy, obsequious tone can be traced in his speech. To please people richer and higher in rank, the hero adds the prefix "s" to the words. Molchalin is mostly silent, trying not to enter into a conversation unnecessarily. He shows his eloquence only in front of Lisa, before whom he can take off his mask and show his true face.

The attitude of the hero to Sophia

The ability to please helps in moving up the career ladder - this is exactly what Molchalin thinks. The characterization of the character suggests that he even started an affair with Sophia for the reason that she is the daughter of Famusov, and a close relative of the chief cannot be denied the fulfillment of whims. The girl herself invented a hero for herself and imposed her feelings on Alexei Stepanych, making him a platonic admirer. To please the lady, he is ready to abandon his native bourgeois dialect and communicate in the language of silent looks and gestures. Molchalin sits silently next to Sophia all night long, reading novels with her, only because he cannot refuse the boss's daughter. The hero himself not only does not love the girl, but also considers her a "deplorable steal".

Comparative characteristics of the images of Molchalin and Famusov

The problem of bureaucracy is one of the main issues addressed in the comedy Woe From Wit. Molchalin's characterization gives the reader an idea of \u200b\u200bthe new type of officials of the early 19th century. He and Famusov belong to the world of bureaucrats, but still they are not alike, because they belong to different centuries. Barin is an elderly wealthy man with an established opinion and a career. Alexei Stepanych is still young, so he goes to small officials and only climbs the career ladder.

In the 19th century, a new type of Russian bureaucrat emerged who rejected the commandments of the “fathers”. This is precisely what Molchalin's characterization shows. Woe from Wit is a story about a social and political conflict that expresses the position of society. Be that as it may, but Molchalin still belongs to the Famus circle, and just like his boss, he admires ranks and wealth.

Molchalin and Chatsky

Comparative characteristics of Molchalin and Chatsky show how different they are. Molchalin - Famusov's secretary, has no noble origin, but developed his own tactics, following which, he is building himself a reliable and comfortable future. Once again, you can't get a word out of him, but he knows how to run on tiptoes, work with papers and appear at the right moment, and many like this. Silent, helpful, spineless people were valued in the era of Nicholas I, therefore, such as Molchalin, a brilliant career awaited, awards for services to the homeland. In appearance, this is a modest young man, he likes Sophia with his meekness and compliance, pleases Famusov with patience and silence, curry favor with Khlestova and only the servant Liza shows her true face - vile, two-faced, cowardly.

Chatsky is the embodiment of the image of the Decembrists, a romantic nobleman who reveals the vices of serfdom. It is his antagonist that Molchalin is. The characterization of the hero shows that he embodies the features of an advanced thinking man of the early 19th century. Chatsky is convinced of his righteousness, therefore, without hesitation, he preaches new ideals, reveals the ignorance of the current rich, exposes their false patriotism, inhumanity, and hypocrisy. This is a freethinker who fell into a rotten society, and this is his trouble.

Life principles of the hero

Griboyedov's hero Molchalin became the common designation for servility and meanness. The characterization of the character shows that from childhood Alexey Stepanych programmed in his head a plan for how to break out into people, make a career, and achieve a high rank. He walked along his road, without turning to the sides. This person is absolutely indifferent to the feelings of other people, he will not lend a helping hand to anyone if it is unprofitable.

The main theme of the comedy

Throughout the comedy "Woe from Wit" the theme of bureaucracy, which in the 19th century was raised by many writers, is stretched. The bureaucratic apparatus of the state grew and turned into a serious machine that grinds all the rebels and works in a way that suits it. Griboyedov showed in his work real people, their contemporaries. He set himself the goal of ridiculing certain traits of a person, showing all the tragedy of society of that era, and the writer did it perfectly.

The history of the creation of comedy

Once a rumor spread throughout Moscow that Alexander Griboedov University professor Thomas Evans, alarmed by this news, decided to visit the writer. In turn, Griboyedov told his interlocutor a story that happened to him at one of the balls. He was tired of the antics of society, praising some Frenchman, an ordinary chatterbox, who did nothing remarkable. Griboyedov could not restrain himself and expressed to those around him everything he thought about them, and someone from the crowd shouted out as if the writer was a little out of his mind. Alexander Sergeevich was offended and promised to create a comedy, the heroes of which would be those unlucky spiteful critics who called him crazy. This is how the work "Woe from Wit" was born.