One of the music lovers of the early 17th century: “Musicians want to invent something new. And now the new art came to unrestrained licentiousness. Having deviated from the paths outlined by our fathers, young composers create distorted works, in which there are no merits except novelty ... "" Musicians want to invent something new. And now the new art came to unrestrained licentiousness. Having deviated from the paths outlined by our fathers, young composers create distorted works in which there is no merit, except for novelty ... "
Peculiarities of baroque music Unexpected transitions Unexpected transitions Contrasts and contrasts Contrasts and contrasts Technically difficult, virtuoso passages in singing Technically difficult, virtuoso passages in singing Simultaneous sound of many instruments Simultaneous sound of many instruments Using dance rhythms Using dance rhythms
Claudio Monteverdi () - the first composer of the Baroque (Italy) In opera, he created an "excited style" that conveys the drama and tension of the action. In operatic music he created an "excited style" that conveys the drama and intensity of the action. Operas "Orpheus" (1607), "Ariadne" (1608) and others. Operas "Orpheus" (1607), "Ariadne" (1608), etc. Very little of his musical heritage has survived Very little of his musical heritage has survived
Antonio Vivaldi (1678 - 1741) Author of 465 concerts and 40 operas. Author of 465 concerts and 40 operas. A brilliant violin virtuoso. A brilliant violin virtuoso. The most famous work - "The Seasons" (1725) The most famous work - "The Seasons" (1725)
Wolfgang Amadeus Mozart () Austrian composer. Austrian composer. He had a phenomenal ear for music and memory. He had a phenomenal ear for music and memory. He performed as a virtuoso harpsichordist, violinist, organist, conductor, and improvised brilliantly. He performed as a virtuoso harpsichordist, violinist, organist, conductor, improvised brilliantly. From the age of 5 he toured with triumph in Germany, Austria, France, Great Britain, Switzerland, Italy. From the age of 5 he toured with triumph in Germany, Austria, France, Great Britain, Switzerland, Italy.
Listening to his music, I seem to be doing a good deed. Listening to his music, I seem to be doing a good deed. It is my deep conviction that Mozart is the highest, culminating point to which beauty has reached in the field of music. It is my deep conviction that Mozart is the highest, culminating point to which beauty has reached in the field of music. P.I. Tchaikovsky P.I. Tchaikovsky Mozart is a bridge between space and our life. Mozart is the bridge between space and our lives. Anatole Franz Anatole Franz He has given and will give many generations consolation and healing. He has given and will continue to give many generations consolation and healing. Edvard Grieg Edvard Grieg
The legacy left by the composer is striking in its versatility and wealth. 23 works for musical theater, 23 works for musical theater, 49 symphonies, 49 symphonies, more than 40 instrumental recitals with an orchestra, more than 40 instrumental recitals with an orchestra, sonatas for piano, violin. sonatas for piano, violin.
The legacy of Mozart Working in various fields of musical art, Mozart paid particular attention to opera. Working in various fields of musical art, Mozart paid particular attention to opera. The most famous operas: The most famous operas: The Marriage of Figaro (1786), The Marriage of Figaro (1786), Don Juan (1787), Don Juan (1787), The Magic Flute (1791). The Magic Flute (1791).
Bach Johann Sebastian (1685 - 1750) His work is the final stage of the musical culture of the Baroque. His work is the final stage of the musical culture of the Baroque. Baroque even penetrated the spiritual, organ works of Bach Baroque even penetrated the spiritual, organ works of Bach
Russian Baroque Music Baroque in Russia is more cheerful and decorative than in the West, in it adornment manifests itself strongly, sometimes reaching variegation. Ornamentality reaches the limits of the possible. ”Baroque in Russia is more cheerful and decorative than in the West, in it ornamentation, sometimes reaching the level of variegation, manifests itself strongly. Ornamentality reaches the limits of the possible. ”T. Vladysheskaya erdi.jpg erdi.jpg sers sers
Slide 1
Slide 2
Slide 3
Slide 4
Slide 5
Slide 6
Slide 7
Slide 8
Slide 9
The presentation on the theme "Music of the 17th - 18th centuries" (grade 7) can be downloaded absolutely free of charge on our website. Project subject: Music. Colorful slides and illustrations will help you engage your classmates or audience. To view the content, use the player, or if you want to download the report - click on the corresponding text under the player. The presentation contains 9 slide (s).
Presentation slides
Slide 1
Slide 2
Music of Russia 17-18 centuries
In Russia in the 18th century, profound changes took place. The reforms of Peter I (1682-1725) not only affected the political structure of the country, but also had a serious impact on culture. Secular art began to develop. New forms of musical life appeared, borrowed from Europe.
Music accompanied numerous masquerades and balls that were held in St. Petersburg. Peter usually entered the city with great pomp, accompanied by the sounds of the orchestra and holiday chants. Military and court bands, as a rule, included several trumpets and horns, stringed instruments. They played at dinners, hunting, walking, etc. The pieces performed were simple. Particularly widespread are solemn songs - cants (from the Latin cantus - "singing", "song").
Slide 3
In the Petrine era, music became an obligatory part of European education. Noble children were taught music along with other "fine" arts and etiquette. Over time, amateur music-making appeared.
Slide 4
In the 30s. a court opera was created, where Italian artists played. Seria operas were staged on her stage. Gradually, Russian singers from the court chapel began to take part in the performances (professional musicians were trained here). Famous foreign composers have worked in Russia; it was they who, until the middle of the 18th century, determined the musical life of the capital. The Italian Francesco Araya (1709 - about 1770) composed the first opera on the Russian text - "Cephalus and Procris". In 1755 the opera premiered; it was performed by Russian singers. In the 60s. there appeared domestic professional composers who represented the national music school. They worked in the field of opera, choral and instrumental music ..
Slide 5
The best masters of the choir concert of the 18th century - Maxim Sozontovich Berezovsky (1745-1777) and Dmitry Stepanovich Bortnyansky (1751 - 1825). Bortnyansky's concerts are outstanding examples of Russian choral music. The secret of the charm of his compositions is in sublime simplicity and cordiality. He created a large number of concerts for different compositions: for one and two four-part choirs, for a six-part choir, etc. Bortnyansky was a comprehensively gifted composer. In addition to sacred choral music, he wrote operas and compositions for the clavier. One of the outstanding Russian opera composers of the 18th century. - Evstigney Ipatovich Fomin. He received an excellent education in Italy; was a member of the Bologna Philharmonic Academy. His most famous works are the operas "Coachmen on a Stand" and "Orpheus".
Composers
Slide 6
Secular art, especially theater, was considered a sinful luxury. In 1660, the restoration (restoration) of the monarchy took place: Charles II Stuart ascended the throne. Artistic life centered (as in other states at that time) around the royal court. Charles II, returning to his homeland from the French emigration, strove to imitate Louis XIV. The Royal Chapel has resumed its activities; an Italian opera troupe gave performances at the English court, famous singers and instrumentalists performed. English musicians again got the opportunity to get acquainted with the achievements of Italian and French masters.
Music of England 17th - 18th century
Slide 7
French music, along with Italian music, is one of the significant cultural phenomena of the 17th-18th centuries. The development of musical art was associated primarily with opera and chamber instrumental music. French opera was strongly influenced by classicism (from the Latin classicus - "exemplary") - the artistic style that developed in France in the 17th century. At the court of the "sun king" Louis XIV, opera took an important place. The Royal Academy of Music (a theater that hosted opera performances) has become one of the symbols of the luxury of the royal court and the power of the monarch.
Slide 2
Music of Russia 17-18 centuries
In Russia in the 18th century, profound changes took place. The reforms of Peter I (1682-1725) not only affected the political structure of the country, but also had a serious impact on culture. Secular art began to develop. New forms of musical life appeared, borrowed from Europe. Music accompanied numerous masquerades and balls that were held in St. Petersburg. Peter usually entered the city with great pomp, to the sounds of an orchestra and holiday chants. Military and court bands, as a rule, included several trumpets and horns, stringed instruments. They played at dinners, hunting, walking, etc. The pieces performed were simple. Particularly widespread are solemn songs - cants (from the Latin cantus - "singing", "song").
Slide 3
In the Petrov era, music became an obligatory part of European education. Noble children were taught music along with other "fine" arts and etiquette. Over time, amateur music-making appeared.
Slide 4
In the 30s. a court opera was created, where Italian artists played. Seria operas were staged on her stage. Gradually, Russian singers from the court chapel began to take part in the performances (professional musicians were trained here). Famous foreign composers have worked in Russia; it was they who, until the middle of the 18th century, determined the musical life of the capital. The Italian Francesco Araya (1709 - about 1770) composed the first opera on the Russian text - "Cephalus and Procris". In 1755 the opera premiered; it was performed by Russian singers. In the 60s. there appeared domestic professional composers who represented the national music school. They worked in the field of opera, choral and instrumental music ..
Slide 5
Composers
The best masters of the choir concert of the 18th century - Maxim Sozontovich Berezovsky (1745-1777) and Dmitry Stepanovich Bortnyansky (1751 - 1825). Bortnyansky's concerts are outstanding examples of Russian choral music. The secret of the charm of his compositions is in sublime simplicity and cordiality. He created a large number of concerts for different compositions: for one and two four-part choirs, for a six-part choir, etc. Bortnyansky was a comprehensively gifted composer. In addition to sacred choral music, he wrote operas and compositions for the clavier. One of the outstanding Russian opera composers of the 18th century. - Evstigney Ipatovich Fomin. He received an excellent education in Italy; was a member of the Bologna Philharmonic Academy. His most famous works are the operas "Coachmen on a Stand" and "Orpheus".
Slide 6
Music of England 17th - 18th century
Secular art, especially theater, was considered a sinful luxury. In 1660, the restoration (restoration) of the monarchy took place: Charles II Stuart ascended the throne. Artistic life centered (as in other states at that time) around the royal court. Charles II, returning to his homeland from the French emigration, strove to imitate Louis XIV. The Royal Chapel has resumed its activities; an Italian opera troupe gave performances at the English court, famous singers and instrumentalists performed. English musicians again got the opportunity to get acquainted with the achievements of Italian and French masters.
Slide 7
French music 17th - 18th century
French music, along with Italian music, is one of the significant cultural phenomena of the 17th-18th centuries. The development of musical art was associated primarily with opera and chamber instrumental music. French opera was strongly influenced by classicism (from the Latin classicus - "exemplary") - the artistic style that developed in France in the 17th century. At the court of the "sun king" Louis XIV, opera took an important place. The Royal Academy of Music (a theater that hosted opera performances) has become one of the symbols of the luxury of the royal court and the power of the monarch.
Slide 8
Tools:
Winds: Oboe Flute Clarinet Trumpet
Slide 9
Strings: Shamiset Banjo Mandolin Violin
View all slides
To use the preview of presentations, create yourself a Google account (account) and log into it: https://accounts.google.com
Slide captions:
In Russia in the 18th century, profound changes took place. The reforms of Peter I (1682-1725) not only affected the political structure of the country, but also had a serious impact on culture. Secular art began to develop. New forms of musical life appeared, borrowed from Europe. Music accompanied numerous masquerades and balls that were held in St. Petersburg. Peter usually entered the city with great pomp, accompanied by the sounds of the orchestra and holiday chants. Military and court bands, as a rule, included several trumpets and horns, stringed instruments. They played at dinners, hunting, walking, etc. The pieces performed were simple. Particularly widespread are solemn songs - cants (from the Latin cantus - "singing", "song").
In the Petrine era, music became an obligatory part of European education. Noble children were taught music along with other "fine" arts and etiquette. Over time, amateur music-making appeared.
In the 30s. a court opera was created, where Italian artists played. Seria operas were staged on her stage. Gradually, Russian singers from the court chapel began to take part in the performances (professional musicians were trained here). Famous foreign composers have worked in Russia; it was they who, until the middle of the 18th century, determined the musical life of the capital. The Italian Francesco Araya (1709 - about 1770) composed the first opera on the Russian text - "Cephalus and Procris". In 1755 the opera premiered; it was performed by Russian singers. In the 60s. there appeared domestic professional composers who represented the national music school. They worked in the field of opera, choral and instrumental music ..
The best masters of the choir concert of the 18th century - Maxim Sozontovich Berezovsky (1745-1777) and Dmitry Stepanovich Bortnyansky (1751 - 1825). Bortnyansky's concerts are outstanding examples of Russian choral music. The secret of the charm of his compositions is in sublime simplicity and cordiality. He created a large number of concerts for different compositions: for one and two four-part choirs, for a six-part choir, etc. Bortnyansky was a comprehensively gifted composer. In addition to sacred choral music, he wrote operas and compositions for the clavier. One of the outstanding Russian opera composers of the 18th century. - Evstigney Ipatovich Fomin. He received an excellent education in Italy; was a member of the Bologna Philharmonic Academy. His most famous works are the operas "Coachmen on a Stand" and "Orpheus".
Secular art, especially theater, was considered a sinful luxury. In 1660, the restoration (restoration) of the monarchy took place: Charles II Stuart ascended the throne. Artistic life centered (as in other states at that time) around the royal court. Charles II, returning to his homeland from the French emigration, strove to imitate Louis XIV. The Royal Chapel has resumed its activities; an Italian opera troupe gave performances at the English court, famous singers and instrumentalists performed. English musicians again got the opportunity to get acquainted with the achievements of Italian and French masters.
French music, along with Italian music, is one of the significant cultural phenomena of the 17th-18th centuries. The development of musical art was associated primarily with opera and chamber instrumental music. French opera was strongly influenced by classicism (from the Latin classicus - "exemplary") - the artistic style that developed in France in the 17th century. At the court of the "sun king" Louis XIV, opera took an important place. The Royal Academy of Music (a theater that hosted opera performances) has become one of the symbols of the luxury of the royal court and the power of the monarch.
Winds: Oboe Flute Clarinet Trumpet
Strings: Shamiset Banjo Mandolin Violin
On the subject: methodological developments, presentations and notes
On the use of textbooks: VI Sakharov, SA Zinin "Literature of the 19th century" (grade 10); V.A. Chalmaev, S.A. Zinin "Russian literature of the 20th century" (grade 11)
In the transition to specialized training, one cannot deny the relevance and importance of the textbook. Based on the idea of \u200b\u200ba two-level (basic and profile) federal component of the state standard ...
Educational film on the history of the Middle Ages "Composer, artist and poet of the 9th century Tuotilo (and various interpretations of his chant" Kyrie, Cunctipotens genitor Deus "(about 900))"
Tuotilo of Saint Gall, in other pronunciations Tuotilon, Totilo (English Tuotilo of Saint Gall, about 850, Ireland - about 915, St. Gallen) - medieval ...
plan synopsis of the lesson "The Catholic Church in the XI-XII centuries", history of the Middle Ages, grade 6
plan outline of a lesson on the history of the Middle Ages, grade 6, using elements of problem learning technology ...
Elective course "Was it possible to change the history of the XX century? History of the XX century through the prism of events and activities of reformers"
The program of the elective course of pre-profile training "Could the history of the XX century be changed?" The course will expand the knowledge gained ...