Description of the heroes of Ostrovsky Thunderstorm. The main characters of the "Thunderstorm" island. Genre and direction

Piece "Thunderstorm" - the most famous creation of Alexander Nikolaevich Ostrovsky. Each hero of this work is a unique person who occupies its place in the system of characters. Noteworthy in connection with this is the characteristic of the Tikhon. "Thunderstorm", play, the main conflict of which is built on the confrontation of strong and weak, is interesting for his oppressed heroes, our character includes our character.

Piece "Thunderstorm"

The play was written in 1859. The place of action is the fictional city of Kalinov, who stands on the banks of the Volga. Time actions - summer, all the work covers 12 days.

According to its genre, "Thunderstorm" refers to the socially dome. Ostrovsky has paid a lot of attention to the description of the household text of the city, the characters of the work enter the conflict with well-established orders, have long been outrageous, and the degradation of the older generation. Of course, the main protest expresses Katerina (the main character), but her husband is also occupied by the last place in the Bunte, which confirms the characteristic of the Tikhon.

"Thunderstorm" is a work that tells about human freedom, about the desire to escape from the shackles of obsolete dogma, religious authoritarianism. And all this is depicted against the background of the failed love of the main character.

System images

The system of images in the play is built on opposition of self-masses who are accustomed to everyone to command (Kabaniha, Wild), and young people who want to finally gain freedom and live by their mind. He heads the second camp of Katerina, only she has enough courage to open confrontation. However, other young characters seek to get rid of the Iiga of the dilapidated and meaningless rules. But there are those who resigned, and not the last among them is Katerina's husband (the detailed description of the Tikhon is presented below).

"Thunderstorm" paints the world of the "Dark Kingdom", only the heroes themselves can destroy it or die, like Katerina, incomprehensible and rejected. It turns out that those who captured the power of self-director and their laws are too strong, and any riot against them leads to the tragedy.

Tikhon: characteristic

"Thunderstorm" is a work where there are no strong male characters (for the exclusion of wild). So, Tikhon Kabanov appears only a hazard, weak and intimidated mother, unable to protect his beloved woman. The characteristic of Tikhon from the play "Thunderstorm" shows that this hero is the victim of the "Dark Kingdom", he lacks the determination to live by his mind. Whatever he did and wherever he went - everything happens by the will of the mother.

As a child, Tikhon was used to follow the orders of Kabani, and this habit was preserved in it and in mature years. And so this need to obey that even the thought of healing imperts it into horror. That's what he himself speaks about this: "Yes, I, Mama, and I don't want to live my will."

The characteristic of Tikhon ("Thunderstorm") speaks about this character as a person, ready to demolish all the mockery and rudeness of his mother. And the only thing that he is driving, - the desire to escape from the house to try. This is the only freedom accessible to him and liberation.

Katerina and Tikhon: Characteristics

"Thunderstorm" is a play, where one of the main storylines is love, but as close as it is our hero? Yes, Tikhon loves his wife, but in his own way, not as whatever Kabaniha wanted. He shares with her, does not want to rule over the girl, intimidating it. However, Tikhon does not understand the Katerina and its spiritual suffering. Its softly affects the heroine. Be Tikhon a little courageous and possess at least some will and ability to fight, Katerina would not need to look for all this on the side - in Boris.

The characteristic of the Tikhon from the Pieza "Thunderstorm" exhibits it in a completely unsightly light. Despite the fact that he reacted to the treason of his wife calmly, he is unable to defend her by any mother or from other representatives of the Dark Kingdom. He leaves Katerina alone, despite his love for her. The non-interference of this character in many ways was the cause of the final tragedy. Only realizing that he lost his beloved, Tikhon is drunk to an open riot against his mother. He accuses her in the death of a girl, no longer fear of her nominities and power over him.

Images of Tikhon and Boris

The comparative characteristic of Boris and Tikhon ("Thunderstorm") allows us to conclude that they are in many ways similar, some literary critics even call them twin heroes. So, what about them in them, and what are they different?

Without finding the necessary support and understanding of Tikhon, Katerina appeals to Boris. What did he attract the heroine in it? First of all, it differs from other residents of the city: Educated, graduated from the Academy, dresses to the European manner. But this is only an outer side, and what inside? In the course of the story it turns out that it depends on the wild just like Tikhon from the Kabani. Boris is lost and inactive. He says he holds him only inheritance, having lost whom his sister will be a hopeless. But all this seems to be an excuse: too submissively he demoling all the humiliation of uncle. Boris sincerely falls in love with Katerina, but it does not care that this love will destroy the married woman. He, like Tikhon, is worried about himself. In words, both of these hero sympathize with the main heroine, but they lack the strength of the Spirit to help her, protect.

The action of the Pieza "Thunderstorm" occurs in the fictional town of Kalinov, which is a collective way of all provincial towns of that time.
The main characters of the Piez "Thunderstorm" are not so much, everyone needs to be said separately.

Katerina is a young woman who married without love, "in someone else's side", God-fearing and pious. In the parent house, Katerina grew in love and care, prayed and rejoiced his life. Marriage for her turned out to be a serious test that his meek shower opposes. But, despite the external timidity and humility, in the soul, Katerina boil passion when she falls in love with a man.

Tikhon - Katerina's husband, kind and soft man, loves his wife, regrets her, but, like all his home, obeys her mother. To go against the Will "Mama" he is not solved by the whole play, just as it openly to tell his wife about his love, because the mother prohibits the like, in order not to break his wife.

Kabaniha - Kabanova's landowner widow, Tikhon's mother, Katerina mother-in-law. A despotic woman, in the authority of which is the whole house, no one for her sign and take a step to step, fearing the curse. According to one of the heroes of the play, Kudryash, Kabaniha - "Khanzha, the poor, and the home will eat it," it is she who points to Tikhon and Katerina, how to build their family life in the best traditions of Domostroja.

Varvara - Sister Tikhon, unmarried girl. Unlike his brother, Mama is obeying only for sight, herself runs at night at night, having sabbing it and Katerina. Its principle - you can sin if no one sees, otherwise you can see all my life near Mama.

The landowner wild - the character is an episodic, but the personification of the "self-director", i.e. The power of the property, which is confident that money is given the right to do everything that the soul is pleased.

Boris - a wildheard of the wild, who arrived in the hope of getting his share of the inheritance, falls in love with Katerina, but fading unimusstly, throwing a woman seduced by him.

In addition, Kudryash is involved - wild cradle. Kuligin is a self-taught inventor, constantly trying to introduce something new to the life of a sleepy town, but forced to ask for money for inventions in Wild. The same, in turn, being a representative of the Fathers, is confident in the uselessness of Kuligin's guides.

All surnames and names in the play are "talking," they tell about the nature of their "owners" better than any actions.

He herself shows the confrontation of "old people" and "young". The first actively resist all sorts of innovations, networks that the youth forgot the punishes of the ancestors, does not want to live "as it should be". The second, in turn, are trying to free themselves from the oppression of parental punishes, they understand that life goes forward, changes.

But not everyone is being decided to go to the parental will, someone - because of the fear of losing the legacy. Someone - getting used to the parents in everything.

Against the background of the blooming Samoramon and Domostroevsky covenants, the forbidden love of Katerina and Boris blooms. Young people are drawn to each other, but Katerina is married, and Boris in everything depends on his uncle.

The heavy atmosphere of the city of Kalinova, the pressure of evil mother-in-law, which began a thunderstorm forcing Katerina, tormented by remorse of conscience because of the treason of her husband, to admit officially. Kabaniha bodies - she was right, advising Tikhon to keep his wife "in rigor." Tikhon is afraid of mamma, but also advice to beat his wife to know that it is unthinkable for him.

The explanation of Boris and Katerina further aggravates the position of the unfortunate woman. Now she has to live away from her beloved, with her husband who knows about her treason, with his mother, which now exactly raises daughter-in-law. God-fearing Katerina leads her to the thought that it is no need to live more, a woman throws with a cliff to the river.

Only losing a favorite woman, Tikhon realizes how much she meant for him. Now he will have to live with an understanding all his life with understanding that his essay and humility of Mother Tiran led to such a final. The last words of the play are Tikhon's words, uttered over the body of the deceased wife: "Good to you, Katya! And I need to live in the world Yes, but to suffer! "

Without a doubt, the "thunderstorm" (1859) is the top of the drama of Alexander Ostrovsky. The author shows the example of family relations the most important changes in the socio-political life of Russia. That is why his creation needs a detailed analysis.

The process of creating a "thunderstorm" play by many threads is associated with past periods in the works of Ostrovsky. The author attracts the same problem as in the "Muscovite" plays, but the image of the family receives another interpretation (in the novelty there was a denial of the stagnation of patriarchal life and the Move of Domostrous). The appearance of a light, good start, natural heroine is an innovation in the author's work.

The first thoughts and sketches of the "thunderstorms" appeared in the summer of 1859, and in early October the writer had a clear idea of \u200b\u200bthe whole picture. The work has greatly influenced the journey along the Volga. Under the patronage of the maritime ministry, an ethnographic expedition was organized to study the customs and morals of the indigenous population of Russia. Ostrovsky also participated in it.

The city of Kalinov is a collective image of various Volga cities, simultaneously similar to each other, but having their distinctive features. Ostrovsky, as an experienced researcher, all his observations about the life of the Russian province and the specifics of the behavior of the inhabitants contributed to the diary. On the basis of these records, the characters "thunderstorm" were created later.

Meaning of the name

Thunderstorm is not only a rampant of the elements, but also a symbol of collapse and cleansing the stagnant atmosphere of the provincial town, where the medieval orders of Kabani and Wildlife ruled. This is the meaning of the title of the plays. With the death of Katerina, which occurred during a thunderstorm, the patience of many people is exhausted: Tikhon rises against the tyranny of the mother, Barbara runs away, Kuligin openly blames the inhabitants of the city in what has happened.

For the first time, Tikhon spoke to the thief during the farewell ceremony: "... two weeks there will be no thunderstorm." Under this word, he meant the oppressive atmosphere of his house, where the ball is ruled by a despotic mother. "Thunderstorms are sent to us in punishment," says Wild Culgin. Samodor understands this phenomenon as a kara for his sins, he is afraid to pay for an unfair attitude towards people. Kabaniha solidar with him. The punishment for sin in thunder and zipper sees Katerina, whose conscience is also not cleaned. Righteous God's Right is such another role of thunderstorms in the play of Ostrovsky. And only Kuligin understands that in this natural phenomenon you can only find an outbreak of electricity, but its advanced glances are not yet served in the city in need of purification. If you need more information about the role and thunderstorm value, you can read on this topic.

Genre and direction

"Thunderstorm" is a drama, according to A. Ostrovsky. This genre defines a heavy, serious, often household plot approached by reality. Some reviewers mentioned more accurate wording: household tragedy.

If we talk about the direction, then this play is absolutely realistic. The main indicator of this, perhaps, is a description of the morals, hagging and household aspects of the existence of residents of provincial Volga cities (a detailed description). The author gives this great importance, carefully outlining the realities of the life of heroes and their images.

Composition

Exposure: Ostrovsky draws the image of the city and even the world in which the heroes live and future events unfold.
Next, the Katerina conflict tie with a new family and society as a whole and internal conflict (Katerina and Barbara dialogue).
After the strings, we see the development of action, during which the heroes seek to resolve the conflict.
Closer to the final conflict comes to the moment when problems require urgent permission. Culmination is the last monologue of Katerina in 5 action.
Following it, the isolation that shows the intractability of the conflict on the example of the death of Katerina.

Conflict

In the "Thunderstorm" you can allocate several conflicts:

First, this is the confrontation between self-directions (wild, kabaniha) and victims (Katerina, Tikhon, Boris, etc.). This is a conflict between two worldviews - old and new, thorough and freedom-loving characters. This conflict is lit.
On the other hand, the action exists due to the conflict psychological, that is, internal - in the soul of Katerina.
Social conflict gave the beginning of the previous one: Ostrovsky begins his work from marriage of the impoverished nobility and merchant. This trend spread widely during the author. The ruling aristocratic estate began to lose power, the poor and ruining due to idleness, wastefulness and commercial illiteracy. But merchants gained momentum due to unprincipledness, assertion, business grip and couch. Then, some decided to fix things at the expense of others: nobles were given sophisticated and educated daughters for rude, ignorant, but rich sons from the merchant guild. Because of this inconsistency, the marriage of Katerina and Tikhon is initially doomed to failure.

Essence

Brought up in the best traditions of aristocracy, the nobleman of Katerina at the insistence of parents married the unwanted and mild drunkard of Tikhon, who belonged to a rich merchant race. His mother oppresses the daughter-in-law, imposing the fake and ridiculous orders of Domostroye: to cry out the husband before leaving her husband, to humiliate in front of us in humans, etc. A young heroine finds sympathy from the daughter of Kabani, Barbara, who teaches a new relative to hide their thoughts and feelings, secretly acquiring the joy of life. During the departure of her husband, Katerina falls in love and begins to meet with the wildheard of Wild, Boris. But their dates end in separation, because the woman does not want to hide, she wants to escape with his beloved in Siberia. But the hero can not risk taking it with him. As a result, she still rises to her husband and mother-in-law in sins, gets a harsh punishment from the Kabani. Understanding that conscience and homely neuts do not allow her to live on, she rushes into the Volga. After her death, the young generation Bunutuet: Tikhon reproaches the mother, Barbara runs away with Kudryash, etc.

In the play of Ostrovsky, features and contradictions are combined, all the advantages and cons of destroying Russia of the XIX century. The town of Kalinov is a collective image, a simplified model of the Russian society, described in detail. Looking at this model, we see the "needed need for people of active and energetic." The author shows that the outdated worldview prevents only. It spoils first the relationship in the family, and later does not give the cities and the whole country to develop.

Main characters and their characteristics

In the work there is a clear system of characters into which the images of heroes fit.

First, these are oppressors. Wildly is a typical samotor and a rich merchant. From his insults, relatives run through the corners. The servants wild treats cruelly. Everyone knows that it is impossible to please him. Kabanova is an embodiment of the patriarchal lifestyle, outdated housework. Rich Kupchikha, widow, she constantly insists on compliance with all the traditions of ancestors and herself clearly. We described them in more detail in this.
Secondly, adapted. Tikhon is a weak man who loves his wife, but cannot find her strength to protect her from the mother's oppression. He does not support old orders and traditions, but does not see the meaning to go against the system. That and Boris, who tolerates his rich uncle. The disclosure of their images is devoted to this. Varvara - daughter Kabanihi. She takes her deception, living double life. In the afternoon, it formally obeys convention, at night walks with Kudryash. False, dodgy and cunning do not spoil her cheerful, adventurous ingredients: she is also good and responsive to Katerina, gentle and caring towards her beloved. The characteristic of this girl is devoted to the whole.
Katerina is a mansion, the characteristic of the heroine is different from all. This is a young intelligent nobleman that parents surrounded understanding, care and attention. Therefore, the girl is accustomed to freedom of thought and words. But in marriage, she faced cruelty, rudeness and humiliation. At first she tried to accept, love Tikhon and his family, but nothing came out: Nature of Katerina resisted this unnatural union. Then she tried the role of a hypocritical mask, which has a secret life. She also did not fit, because the heroine is distinguished by direct, conscience and honesty. As a result, she decided to go to the riot, acknowledging sin and then committed more terrible - suicide. For details about the image of Katerina, we wrote in dedicated to her.
Kuligin is also a special hero. He expresses a copyright position, bringing progressiveness to the archaic world. Hero - self-taught mechanic, it is educated and smart, unlike the superstitious inhabitants Kalinov. About his role in the play and character we also composed a brief.

Topics

The main topic of the work - life and morals Kalinova (we were dedicated separately). The author describes the stubble province to show people that it is not necessary to cling to the remnants of the past, you need to understand the present and think about the future. And the inhabitants of the Volga Town froze out of time, their life is unitable, fake and empty. It is spoiled and inhibited in the development of superstition, conservatism, as well as the reluctance of self-rigs to change for the better. Such Russia will be labeled in poverty and ignorance.
Also important topics are love and family here, since the problems of education and the conflict of generations rise during the narration. The influence of the family on certain heroes is very important (Katerina is a reflection of the upbringing of her parents, and Tikhon grew up so soft due to the tyranny of the mother).
Theme of sin and repentance. The heroine stumbled, but in time realized his mistake, deciding to correct and repent in the deed. From the point of view of Christian philosophy, this is a high-level decision that elevates and justifies Katerina. If you are interested in this topic, read our about it.

Problems

Social conflict entails public and personal problems.

Ostrovsky, first, denounces samodorum As a psychological phenomenon in wild and kabanova images. These people played with the fate of subordinates, hopping the manifestations of their individuality and freedom. And for their ignorance and despotism, the younger generation becomes the same vicious and useless, like what has already emerged.
Secondly, the author condemns weakness, obedience and egoism Using the images of Tikhon, Boris and Barbara. By their behavior, they only indulge the tyranny of the owners of life, although they could tell the situation in their favor.
The problem of contradictory Russian characterTransferred in the image of Katerina can be called personal, though inspired by global shocks. A deeply religious woman in the search and acquiring itself is treason, and then on suicide, which is contrary to all Christian canons.
Moral problems Associated with love and devotion, education and tyranny, sin and repentance. Heroes can not distinguish one of the other, these concepts are bizarrely intertwined. Katerina, for example, is forced to choose between loyalty and love, and Kabaniha does not see the difference between the role of the mother and the power of Dogmatik, it is moving good intentions, but she embodies them to harm everyone.
Tragedy conscience Much is important. For example, Tikhon had to make a decision - to defend his wife from the attacks of the mother or not. Katerina also went on a deal with conscience when he climbed with Boris. You can learn more about this.
Ignorance. The inhabitants of Kalinov are stupid and are not educated, believe the fortune tellers and wanders, and not scientists and professionals of their case. Their worldview is drawn into the past, they do not seek to be a better life, therefore there is nothing to be surprised by the wildness of the morals and the displacement of the chief persons of the city.

Meaning

The author is convinced that the desire for freedom naturally, despite certain failures in life, and Samodoria and the Head and the Country and Talented People in it. Therefore, its independence, craving for knowledge, beauty and spirituality needs to be defended, otherwise the old orders will not go anywhere, their falsefield will simply cover a new generation and will force them to play in their rules. This idea is reflected in the position of Kuligin, a peculiar voice of Ostrovsky.

The copyright position in the play is clearly expressed. We understand that Kabaniha, although it retains traditions, not the right, just like the right and the rusting Katerina. However, Katerina had the potential, there was a mind, there was purity of thoughts, and the great people, personified in it, can still be revived, dropping the shackles of ignorance and self-smuggling. Even more about the meaning of the drama you can learn in this topic.

Criticism

"Thunderstorm" became the subject of fierce disputes of critics both the XIX and XX century. In the XIX century, Nikolai Dobrolyubov wrote about it from opposite positions (the article "Light of Light in the Dark Kingdom"), Dmitry Pisarev (Article "Motifs of the Russian Drama") and Apollo Grigoriev.

I. A. Goncharov highly appreciated the play and expressed his opinion in the same critical article:

In the same drama, a wide picture of national life and morals was easier, with unparalleled artistic, completeness and loyalty. Any person in the drama is a typical character, snapped directly from the national life environment.

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Events in Drama A. N. Ostrovsky "Thunderstorm" unfold on the coast of the Volga, in the fictional city of Kalinov. In the work, a list of acting persons and their brief characteristics, but they are still not enough to better understand the world of each character and reveal the conflict of the play as a whole. The main heroes of the "thunderstorms" is not so much.

Katerina, girl, main heroine plays. She is pretty young, her early got married. Katya was brought up in accuracy by traditions of the housework: the main qualities of the wife were respect and humility

his spouse. At first, Katya tried to love Tikhon, but nothing but pity could experience him. At the same time, the girl tried to support her husband, help him and not to reproach him. Katerina can be called the most modest, but at the same time the strongest character "thunderstorms". Indeed, the form of the character of Kati does not appear. At first glance, this girl is weak and silent, it seems as if it is easy to break. But it's not at all. Katerina is the only one in the family that opposes the kabani attacks.
It is opposed, and not ignores them like Barbara. The conflict is rather internal character. After all, Kabaniha is afraid that Katya can affect her son, after which Tikhon will cease to obey the will of the mother.

Katya wants to fly, often compares himself with a bird. She literally chips in the "Dark Kingdom" Kalinov. Feeling in love with the arrival of a young man, Katya created a perfect image of love and possible release. Unfortunately, her ideas had little in common with reality. The girl's life ended tragic.

Ostrovsky in the "thunderstorm" main character makes not only Katerina. The image of Kati is opposed to the image of Martha Ignatievna. A woman who keeps in fear and straining the whole family does not cause respect. Kabaniha strong and despotic. Most likely, the "Brazdes of the Board" she took after the death of her husband. Although it is likely that in the marriage of Kabaniha did not differ in humility. The most of all came from her Kate, daughter-in-law. It is Kabaniha indirectly guilty of the death of Katerina.

Varvara - daughter Kabanihi. Despite the fact that she learned for years for so many years, the reader still sympathizes her. Varvara is a good girl. Surprisingly, deception and trick do not make it similar to the rest of the city. She comes as she likes and lives as she wants. Varvara is not afraid of the Mother's wrath, because it is not authority for it.

Tikhon Kabanov fully complies with its name. It is quiet, weak, imperceptible. Tikhon cannot protect his wife from the mother, because he himself is under the strong influence of the Kabani. His riot in the end turns out to be the most significant. After all, it is words, and not the escape of the barbarians forcing readers to think about the whole tragedy of the situation.

Kuligina the author characterizes as self-taught mechanic. This character is a kind of guide.
In the first action, he seemed to lead us according to Kalinov, telling about his inels, about families who live here about the social setting. Kuligin seems to know everything about everyone. His estimates of others are very accurate. Kuligin himself is a kind person who is used to living on well-minded rules. He constantly dreams of a general good, about Mobility-Mobile, about the threshold, about honest labor. Unfortunately, his dreams are not destined to be realized.

Wild has a clerk, Kudryash. This character is interesting because the merchant is not afraid and can express what he thinks about him. At the same time, Kudryash, as well as wild, tries to find benefit in everything. It can be described as a simple person.

Boris comes to Kalinov in cases: he needs to urgently establish relations with wild, because in this case he will be able to get the money legally. However, neither Boris nor wild want to even see each other. Initially, Boris seems to readers such as Katya, honest and fair. In the last scenes, this is refuted: Boris is not able to decide on a serious step, take responsibility, he simply escapes, leaving Katya alone.

Some of the "thunderstorms" heroes are a wander and maid. Feclusha and Head are shown as typical inhabitants of Kalinov city. Their darkness and uneducation sincerely amazes. Their judgments are absurd, and the horizon is very narrow. Women are judged by morality and morality for some kind of perverted, distorted concepts. "MOSCOW is now Gulbishchi yes playing, and the streets of Indo roar goes, the moan stands. Why, Mother Marfa Ignatievna, Fiery Zmia began to bargain: Everyone, you see, for the sake of speed "- so the fecusha speaks about the progress and reforms, and the" Fiery Zmiem "woman calls the car. Such people are alien to progress and culture, because it is convenient to live in a confined limited peace of calm and dimension.

This article is given a brief description of the heroes of the Pieza "Thunderstorm", for a deeper understanding, we recommend you to familiarize yourself with thematic articles about every charm "thunderstorms" on our website.

Wild Characteristic

Savel Prokofich Wildly is a typical Samodor. This is a rich merchant who has no control. He tortured his relatives, homemade from his insults runs away by Chulanam's attic. For servants, the merchant is rude, it is impossible to please him, it will definitely find what to go. Wild salary will not scream, because he is very Zhaden. Savel Prokofich is an ignorant person, a supporter of the patriarchal system, does not want to know the modern world. About the stupidity of the merchant testifies to his conversation with Kuligin, from which it becomes clear that the wilderness does not know, thunderstorm. The characteristic of the heroes of the "Dark Kingdom", unfortunately, does not end on it.

Description of Kabanihi

Marfa Ignatievna Kabanova is an embodiment of the patriarchal lifestyle. Rich Kupchikha, the widow, she constantly insists on observing all the traditions of the ancestors and herself strictly. Kabanya brought everyone to despair - this is exactly what shows the characteristics of the heroes. "Thunderstorm" is a play that reveals the morals of the patriarchal society. The woman gives alms to the beggar, goes to church, but his life does not give both his children and daughter-in-law. The heroine wanted to preserve the former way of life, so I kept home in fear, my son, daughter, daughter, gone.

Characteristic of Katerina

In the patriarchal world, you can save humanity, faith in good - it shows the characteristics of the heroes. "Thunderstorm" - a play in which the confrontation between the new and old world is going, only here the characters of the work defend their point of view in different ways. Katerina gladly remembers his childhood, because she grew up in love and mutual understanding. It belongs to the patriarchal world and until a certain point it arranged it, even the fact that the parents themselves decided her fate and gave marry. But the role of humiliated daughter-in-law Katerina does not like, it does not understand how to constantly live in fear and captivity.

The main heroine of the play gradually changes, in it wakes up a strong personality capable of making his choice, which manifests itself in love for Boris. Katerina ruined her surroundings, the lack of hope was pushed into suicide, because it would not be able to live in a home-made Kabani prison.

The attitude of kabani children to the patriarchal world

Barbara is who does not want to live according to the laws of the patriarchal world, but also openly oppose the will of the mother she is not going. She was crippled by the house of Kabani, because it was here that the girl learned to lie, slander, to do what the soul is pleased, but thoroughly hide the traces of his misconduct. To show the ability to adapt to different conditions, wrote his own Ostrovsky. Thunderstorm (characteristic of heroes shows which strike of Varbara caused her mother, having escaped from the house) brought everyone to clean water, during the bad weather, the inhabitants of the town showed their real bleits.

Tikhon is a weak person, the embodiment of the completion of the patriarchal gender. He loves his wife, but can not find his strength to protect her from mother's self-smuggling. It was Kabaniha who pushed him to drunkenness, destroyed his morals. Tikhon does not support the ancient orders, but does not see the meaning to go against the mother, passing her words by ears. Only after the death of his wife, the hero is solved on the riot against Kabani, accusing it in the death of Katerina. Understand the worldview of each character and its attitude to the patriarchal world allows the characteristics of the heroes. "Thunderstorm" is a play with a tragic end, but faith in the best future.