Lutfullyn farewell. Analysis of the painting "Holiday in the village. Analysis of the painting "Walking on the Volga"

Bashkir artist Ahmat Fatkullovich Lutfullyn wrote one of his most famous works, imbued with the national flavor of the symbolic canvas "Three Women", in 1969. It is possible that the picture of A. Lutfullina's plot was based on his own memories of childhood, held among simple workers of the village of Ascarovo.

The central semantic element of the picture is the image of three women of different ages, meaning the great power of the communication of generations. According to Bashkir national traditions, a woman in the picture is presented as a symbol of motherhood and a keeper of a homely hearth.

Three representatives of the finest floor just needed snapped with a simple peasant food and are going to drink on a cup of tea before returning to hard, tedious work until the evening. From a small, low, covered tablecloth with geometric patterns of the table, it makes a kind, simple aroma of homemade bread and milk, three neat, fragile appearance of a cup of a cup of scented herbal drink.

Women are depicted practically in the same poses, they all sit, pick up his left leg to themselves, and the right tiredly bent in the knee. The skin on the hands of the elders looks somewhat thinned from the difficult conditions of field work. A young girl is dressed in brighter clothes compared to other women of their family. The absence of a scarf and somewhat flirty twined long braids covered talking about youth and, perhaps, fun and somewhat romantic nature. The look of her is light and straight, the cheeks bloom with a blush, which cannot be said about the representatives of the older generation. Silent rigor and seriousness slipped in their clear, similar to the silhouettes.

On the hands of a young woman you can see the uncomplicated decorations, there is feelings that she wants to hide in the palm of a broken smile in the palm face so that other women do not notice her in the girl's mischievous joy.

Behind three holidaymakers, two windows stretches from childhood Favorite Fatkullovich Lutfulline, a unbarrous mountain landscape. At lunchtime, everything is calm and leisurely, it seems that the world around three women seems like freezing, enjoying every moment of deserved rest.

"Three women" are far from the only picture of the chairman of the Bashkir Union of artists, in which a talented painter chances the beauty, tenderness and amazing effect of the spirit of the beautiful sex. "Portrait of Mother", "Mother-heroine of Ishmurzina", "Portrait of an old collective farmer", "Portrait of a Bashkir woman", "Maginur Khasanova", "Girl in black" and many other wonderful, expressive canvases were written by the artist to chanting the external and internal The beauty of such different and amazing women. Every canvas calls to protect those who connect the generations for centuries, prolongs the life of a whole kind and takes care of each in the family, sometimes in his great love forgetting about his own well-being.

Analysis of the painting "Holiday in the village"

Paint material: canvas, oil.

Picture genre: historical.

Sketch Picture: "Rustic holiday" Paper, tempera. 17.5x36.5 cm.

Storage location: State Tretyakov Gallery, Moscow.

Size: 93 x 108.

Creation date: 1917.

Picture "Holiday in the village" (see Admission 2), Kustodiev wrote in just five days - this is exactly the amount of time an artist held an artist in his country estate.

In the painting "Rustic holiday", the artist transfers the fun and latitude of the Russian festive walking on the background of cozy rustic lords and bright autumn foliage. As always, Kustodiev, coloring the paintings are very decorative: it is built on a combination of red, yellow, orange, oars and white colors.

Collecting material for the program painting, Kustodiev in the summer of 1903 made a big trip along the Volga from Rybinsk to Astrakhan. The motley paintings of the Volga bazaars, quiet provincial streets and noisy pier forever remembered by the artist. Many Volga impressions he used subsequently in the picture "Holiday in the village".

In the municipality of the plot, in the apparent chance of depicted - deep thoughtfulness, composite clarity. Bold combinations of bright colors give the picture decorativeness, bringing it closer with a loaf.

The theme of funny and perky rustic holidays and festivities, with a rude folk humor, with brightness, juice and immediacy especially attracted the artist. The painting "Holiday in the village" had a great success at exhibitions, both in Russia and abroad.

Analysis of the painting "Tritizn Day"

Material: canvas, oil.

Picture genre: Impressionism.

Storage location: Saratov State Museum. A.N. Radishchev.

Size: 110 x110.

Creation date: 1920.

In the picture "Troitsyn Day" (see Appendix 3), created the idealistic image of the Russian holiday. Holiday of coming early summer, Holy Trinity. We see the outskirts of the city, a wide melan, the dome of churches, elegant, slowly walking people. Everywhere festive revival is felt, boxes with flowers and sweets are hung everywhere. The people ride on the top three, walks, leads conversations, having fun in the fair boals. In the foreground, the picture of Kustodiev placed a power merchant family as a symbol of patriarchal Russia.

The picturesque canvas shines all the shades of blue and green colors, and white clouds and bright red and yellow details complement the festive pattern of the picture.

The foreground is assigned to the main characteristics of Custodian festivities. This is a deputy, her daughter, young and slightly embarrassed, father - a merchant in classic clothes, and a young man who is easily guessed by the possible fiance. It should be noted that Kustodiev writes people with templates. He even has characters representing different types of professions, - Bulkhek, a nun, the cab driver - became characteristics of individual paintings. In the picture, all the elegant, funny, in prosperity, talk and rejoice. Everywhere satisfaction and wealth.

Everything happens in the glade, apparently, on the outskirts of this city. This is not a park, because the strollers are freely driving anywhere, the circus tent is visible. The trees are located in the scatter, and this is an artist's hand - more people are placed.

Everything in the picture is placed in space created by the high church on the right and the tree on the left. Further - another bell tower. It helps to emphasize the topic - the holiday of Trinity. Artists of those times considered the church as an important element that no picture of the Russian life did without it. Even on a self-portrait, the artist places himself against the background of the Trinity-Sergius Lavra.

Bright paint helps to feel the atmosphere of joy and relaxation. Bright colors of clothes at the checkpone, a bouquet of flowers at the girl and the seller. The artist has always loved and respected the national tradition. And the art depicting it should bring joy. He will carry this faith through all his creativity.

Analysis of the painting "Walking on the Volga"

Material: host, oil.

Picture genre: genre scene.

Storage location: State Russian Museum, St. Petersburg.

Size: 100 x 125.

Creation date: 1909.

In the picture "Walking on the Volga" (see Appendix 4), the embankment is shown with walking people, the Volga, the picturesque opposite bank of the river. High view allowed the wizard to cover a wide festive panorama.

According to the Alley on the steep coast, where once in the hotel "Hermitage" in 1906, BM was stopped in 1906. Kustodiev, merchants and checkpieces walk, cuzzers, sex, military, wanderers. The picture of Kustodiev "Walking on the Volga" comes life. Festive elegant people walk to the music of the brass orchestra. In the tent traded sweets and confectionery products, a street tea is running, where everyone can drink a self-sized seagull. A little further performed Russian romances. Barsni, and a gazebo, and a tea shop, and everything else that neither there is typical Russian: and the outfits of the tramps, and ampirous houses, and a freshly red church.

There were many artists in Tutaev and among the most famous - Boris Kustodiev. He visited Romanov in 1906-1909, lived at the Hermitage Hotel on Volzhsky Boulevard and from the window of this hotel, wrote his picture "Walking on the Volga", stored now in the Russian Museum of St. Petersburg.

Kustodiev is a singer of Russian provincial life, with irony and love depicts characters of that time: merchants and deposits, elegant buses, officials and peasants. No wonder when the "Custodievic character" now speak, the characteristic types of that era immediately pop up in memory. An embezzlened by the artist in her parade, festive form, she is now the subject of nostalgic experiences in real Orthodox Russia, with traditions of folk holidays and customs and, cute heart, the undispable cozy blessing blessing, leisureness of that life.

The picture is written from the second floor of the hotel, the boulevard we see as if on top. On the side of the Volga - our handsome resurrection cathedral. Visible a marina shipping society "Airplane". At this short gap of the boulevard there were several marins, each with its wooden staircase down - the coast is very high. Every shipping society, and there were several of them: "Rus", "Nadezhda", "Brothers Lots", "Kashin", had her own marina and their steamers. Some came on schedule almost simultaneously and from turning the river to Yaroslavl arranged races. The townspeople knew and came here to the Boulevard to watch, who would discuss.

Description of the presentation on individual slides:

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Lutfullyn Ahmat Fatkullovich- Bashkir Soviet painter (1928-2007) Author: Weldanova Elvina, student of the 5th grade of the branch of MBOU SOSH S. Ishishovo Oosh D.Vilovo Abzelilovsky district of the Republic of Belarus Head: Weldanova N.M. 2018.

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With neighboring villages, Askarovo and Abzakovo were associated with the years of his youth. Askarovo Abzakovo.

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Father Ahmat - Fatkullah was a competent person, even before the revolution graduated from the Madrasa, she was well sang with long Bashkir songs.

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The family had seven children, Ahmat was the eldest son. It began to draw from the fifth grade when he was commissioned to design a wallpaper, and since then with art, he did not part. He possessed a good natural voice, musicality, played on Mandolin. Before the war, Ahmat was even adopted in the Orchestra of Folk Instruments Bashkir Philharmonic, made a radio, prepared for participation in the decade of Bashkir art in Moscow, but prevented the war.

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In 1943, in difficult military time, he walks on Magnitogorsk and goes to study at the craft school on Tokary, but the dream of becoming a real artist leaves him. At the same time, visits the orsostudia at the Palace of the culture of metallurgists.

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In the years of study in Ufa, His mentors were painters Alexander Tulkin and Boris Lahetin. Alexander Tulkin

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In those years, there were practically no deep traditions of the Bashkir art school, since it was prohibited in the figure in the figure of people and animals. The artist had to go through a difficult path of creative searches in order to understand and express the spirit in his works, the atmosphere of life, the images of the Bashkir people. He needed the years attentive to study the experience of old masters. With special persistence, Ahmat studied portrait painting Hans Memling - the Netherlands Artist of the XIV century and the work of the Armenian artist Minas Avetisyan. Deep interest caused his art ancient Russian iconopus. It was necessary to overpay all this and tie with their own creative ideas and ideas. Hans Memling- Dutch artist XIV century Armenian artist Minas Avetisyan

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After completing studies in Lithuania, the artist returned to his native aul and began working a lot. It creates portrait and landscape sketches "Portrait of Mother", "Still Life with a picture", "Bashkir-peasant" and others. In 1957, his first pendal exhibition took place in Ufa, where Ahmat Lutfullin declared himself as a serious master working on the national theme. Already in early work, the artist's desire to convey the best features of the Bashkir people and the wealth of the inner world of contemporaries on canvas are pronounced. Gradually, portrait theme becomes leading in the work of the master. "Portrait of Mother"

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The artist is actively involved in numerous exhibitions of international, All-Russian and republican importance. In the 60-70s, Ahmat Lutfullin creates the "Three Women" canvas, "Holiday in Aul. The 30s "" Three women "of 1969" Holiday in Aul. 30s "

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Pictures "Farewell" and "Waiting", entered the Golden Foundation of Soviet Fine Arts.

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Lutfullyn is an artist True Bashkir not only for birth and nationality, but also in deep attachment to his native land and his people, by rare ability to see and feel the originality and beauty of his life, character and traditions.

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In 1977, Ahmat Lutfullina in France was a creative trip. In the same year, a personal exhibition of his work in Moscow was held. Later, the artist makes a creative trip to Vietnam.

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In 1966, Lutfullin A.F. Awarded the honorary title "Honored Artist BASTR". For participation in the III republican exhibition Soviet Russia in 1967, he is awarded a diploma of the Council of Ministers of the RSFSR. Creative achievements are honored twice the Certificate of Certificate of High Council of the RSFSR and the Council of Ministers of the RSFSR, the Honorary Diploma of the Central Committee of the CPSU, the Council of Ministers of the USSR, the Central Committee and the Central Committee and the Central Committee. He was assigned the honorary titles "Honored Artist of the RSFSR", "People's Artist of the RSFSR" and "People's Artist of the USSR".

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Ahmat Lutfullylain is elected by a valid member of the Academy of Arts of Russia and the Honorary Member of the Academy of Sciences Bashkortostan. His personal exhibitions with great success are held in Ufa, Kazan, Magnitogorsk and Moscow. He is a participant in many international, all-Union, All-Russian and zonal exhibitions. In 1982, the artist became the winner of the Republican State Prize named after S. Yulaev, in 2004 - the winner of the Kim Ahmedian Prize.

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In general, with the name of Ahmat Lutfullina, the development of Bashkir painting is firmly connected all over the second half of the twentieth century. Possessing self-crispiness and demanding, based on the best traditions of world art, the artist was able to create his own Maneru of painting, embodied the origins of his philosophical and poetic quest.

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The popularity of Ahmat Lutfullina is obvious: many works of the artist is stored in the Tretyakov Gallery storey in Moscow, in the Russian Museum of St. Petersburg, the Bashkir Art Museum named after M. Sesterov, other museums of the country and in private collections.

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Ahmat Fatkullovich Lutfullyn was born on February 4, 1928 in the village of Ishshlovo Tamyn-Kataysky Canton Bassam, now the Abzelilovsky district of the Republic of Bashkortostan, in the family of the watersman. With neighboring villages, Askarovo and Abzakovo were associated with the years of his youth.

Father Ahmat - Fatkullah was a competent person, even before the revolution graduated from the Madrasa, she was well sang with long Bashkir songs. The mother led the economy was an excellent storyteller, knew a lot of fairy tales and legends. The family had seven children, Ahmat was the eldest son. It began to draw from the fifth grade when he was commissioned to design a wallpaper, and since then with art, he did not part. He possessed a good natural voice, musicality, played on Mandolin. Before the war, Ahmat was even adopted in the Orchestra of Folk Instruments Bashkir Philharmonic, made a radio, prepared for participation in the decade of Bashkir art in Moscow, but prevented the war.

Ahmat Lutfullyn learns a lot. In 1945-1954, he ends the Leningrad Architectural and Art School, the Bashkir Theater and Art School and the State Art Institution of the Lithuanian SSR. In the years of study in Ufa, His mentors were painters Alexander Tulkin and Boris Lahetin. In those years, there were practically no deep traditions of the Bashkir art school, since it was prohibited in the figure in the figure of people and animals. The artist had to go through a difficult path of creative searches in order to understand and express the spirit in his works, the atmosphere of life, the images of the Bashkir people. He needed the years attentive to study the experience of old masters. With special persistence, Ahmat studied portrait painting Hans Memling - the Netherlands Artist of the XIV century and the work of the Armenian artist Minas Avetisyan. Deep interest caused his art ancient Russian iconopus. It was necessary to overpay all this and tie with their own creative ideas and ideas.

After completing studies in Lithuania, the artist returned to his native aul and began working a lot. It creates portrait and landscape sketches "Portrait of Mother", "Still Life with a picture", "Bashkir-peasant" and others. In 1957, his first personal exhibition took place in Ufa, where Ahmat Lutfullin declared itself as a serious master working on the national theme. Already in early work, the artist's desire to convey the best features of the Bashkir people and the wealth of the inner world of contemporaries on canvas are pronounced. Gradually, portrait theme becomes leading in the work of the master.

Images of women contain one thought - the topic of the fate of the people, his increhensible moral strength and spiritual greatness.

The artist in his work turns to still lifes. "Still life with a jug" is written by a free, confident brush.

Objects are the most ordinary: black bread and sealer filled with milk mug and fragile white eggs, painted wooden spoon and dark clay jug. All this on the background of a purely disseminated boardwalk. A simple man's life, whose meal is represented by us. The modest food says that this person is not used to excesses, and purity and bright color in the picture of the honesty of man, that there is no falsehood, moral damage.

Drawn by the artist and to the landscape. In 1974, he writes the landscape "The Last Old House in Aule". This ingrown in the land of a dilapidated house surrounded by the swollen shoulders and surviving buildings, the artist saw once in native places. She lived in him is a lonely old woman. This is a picture of contrasts. Electrical wires, antenna on a slate-covered house in depth neighboring with a dilapidated house and a fence. The hedge in the picture is the main thing. Despite the fact that she glanced and to finally did not fall on the ground, sublitted by pillars, there is some charm in it. The author carefully discharges the bizarre, the complex interweaving of the rods and praught. Once, right, here lived a strong owners who stood firmly on Earth. And this picturesque fence is like a certificate of that.

Its specific characters are the fate of all the people, the deep bases of his being. The greatness of Ahmat Lutfullina as an artist and is that it is at its canvas, and at the same time it is extremely simple, he was able to express a generalized image of representatives of his people. Bright, sincere, truthful art of Lutfullin conquers, above all, the national originality. Lutfullyn is an artist True Bashkir not only for birth and nationality, but also in deep attachment to his native land and his people, by rare ability to see and feel the originality and beauty of his life, character and traditions.

High picturesque culture marked all his work. Possessing self-crispiness and demanding, relying on the best traditions of world art, the artist Ahmat Lutfullin was able to create his own expressive painting manner, embodied the origins of his philosophical and poetic quest.

In 1977, Ahmat Lutfullina in France was a creative trip. In the same year, a personal exhibition of his work in Moscow was held. Later, the artist makes a creative trip to Vietnam. In 1966, he was awarded the honorary title "Honored Artist BASTR". For participation in the III republican exhibition Soviet Russia in 1967, he is awarded a diploma of the Council of Ministers of the RSFSR. Creative achievements are honored twice the Certificate of Certificate of High Council of the RSFSR and the Council of Ministers of the RSFSR, the Honorary Diploma of the Central Committee of the CPSU, the Council of Ministers of the USSR, the Central Committee and the Central Committee and the Central Committee. He was assigned the honorary titles "Honored Artist of the RSFSR", "People's Artist of the RSFSR" and "People's Artist of the USSR". Ahmat Lutfullylain is elected by a valid member of the Academy of Arts of Russia and the Honorary Member of the Academy of Sciences Bashkortostan. His personal exhibitions with great success are held in Ufa, Kazan, Magnitogorsk and Moscow. He is a participant in many international, all-Union, All-Russian and zonal exhibitions. In 1982, the artist became the winner of the Republican State Prize named after S. Yulaev, in 2004 - the winner of the Kim Ahmedian Prize.

In general, with the name of Ahmat Lutfullina, the development of Bashkir painting is firmly connected all over the second half of the twentieth century.

The many works of the artist are kept in the Tretyakov Gallery storey in Moscow, in the Russian Museum of St. Petersburg, the Bashkir Art Museum named after M. Enesterov, other museums of the country and in private collections.

In the life of Ahmat Fatkulovich was a very modest person, preferred to listen more than speak, possessed deep knowledge in many areas, subtle wit. The circle of his interest was wide and diverse. As an artist, he, of course, was very observant. His attentive gaze seemed to penetrate the interlocutor through. I did not live a little bit to my 80th anniversary. Ahmat Fatkullovich Lutfullin left this world on July 10, 2007 and was buried in his native village.

Since 2008, the secondary school in the village of Abzakovo Beloretsky district is the name of an outstanding countryman. In August 2011, a memorial plaque was installed on the school building. One of the streets in the village of Nagaevo Oktyabrsky district of Ufa recently wears the name of Ahmat Lutfullin. At the house number 7/1 on Aksakov Street in Ufa, where the artist lived for many years, a memorial plaque with a bas-relief was installed.

The bas-relief is the type of embossed sculpture, in which the convex part of the image performs above the plane of the background no more than half of its volume.

The exhibition is a public demonstration of achievements in the field of economics, science, technology, culture, art and other areas of public life. The concept may designate both the event itself and the place of this event.

Painting is a view of the visual art, the works of which are created with the help of paints applied to any solid surface (canvas, wood, paper, cardboard, stone, glass, metal, etc. commonly covered with soil).

Islam is a monotheistic world religion. The word "Islam" is translated as "legend himself", "submission", "submission" (the laws of Allah). In Arabic, the word "Islam" is a separable noun, which means "to be prosperous", "to save", "persist", "be free." In the Sharia terminology, Islam is a complete, absolute monotheist, the submission of Allah, his orders and prohibitions, removal from polybim.

Canton is a territorial administrative unit in some countries, a military-territorial unit in Bashkiro-Meshcheryak troops.

Laureate - a person who is awarded a state or international award of merits, achievements in manufacturing, technology, science, etc., as well as the winner of competitions (mainly artistic).

Mandolina is a string plumbing musical instrument of small sizes, a variety of lute is a lute-soprano, but with a less long neck and with a smaller number of strings.

Madrasa is a Muslim educational institution that fulfills the role of high school and the Muslim spiritual seminary. Training in the madrasa separate and free. Graduates Madrasa have the right to enter the university.

Memorial plaque - plate, usually from durable stone (marble, granite) or metal alloy (bronze, cast iron), perpetuating the memory of the famous person or event. Installed on buildings in which the famous person lived or worked or worked (near which) an important event occurred.

The museum is an institution engaged in collecting, studying, storing and exhibiting objects - monuments of natural history, material and spiritual culture, as well as educational and popularization activities.

Still-life - genre of fine art (mainly easel painting), which is dedicated to the image of the people surrounding things, placed, as a rule, in a real household medium and compositely organized into a single group.

The landscape is the genre of fine art (or individual works of this genre), in which the main subject of the image is wild or in one degree or another, nature transformed by man. Artist Lutfullyn Painting Bashkir

Character - any face, person, personality, or essence that exist in the work of art.

Portrait - an image (image) of any person or group of people existing or existing in reality. Portrait - one of the main genres of painting, sculptures, graphics.

Philharmonic - in some countries: a music society or an institution engaged in the organization of concerts, promoting development and propaganda of musical art.

Exhibit - in the field of visual art: an artistic work exhibited for review at the exhibition or in the museum.

I am my son's son. This line, made in the name of this article, reflects the true essence of the master's creativity, who gave his big talent, the depth and wisdom of the mind, latitude and warmth of the soul of the native Bashkir land, her people. These words can serve as an epigraph to any work of the artist, whether it is a picture, a portrait, landscape. Here, in the Bashkir land - the life roots of Ahmat Lutfullin, the origins of his philosophical, poetic quest.

Ahmat Fatkullovich Lutfullyn - Happy man. Fate knew him by the rare talent of the thinker, poet, painter and the worker, which he managed to embody in his extensive, diverse work. He received the highest recognition in our country, which may have an artist, - recognition of the leaders of the country, the republic and the people, its countrymen and numerous audience. On the eve of 1998, Ahmat Lutfullin, the only of the Ural artists, was elected a real member of the Academy of Arts of Russia. Happiness is not easy - in the tireless work, in doubts and uncompromising judgments, in mental participation, which is given to each hero of his works, their fate.

The artist created a huge number of works for more than 40 years of creative activity. His famous picture of "Wires to the Front" (1978) is in the meeting of the Tretyakov Gallery, and the "Farewell" (1970) - in the Russian Museum. Many works have been separated by museums of the country and private collections. But the exposition of the State Art Museum named after M.V.nesterov of the Republic of Bashkortostan and the artist's workshop gives an exhaustive idea of \u200b\u200bthe fertility, the nature, integrity of the creativity of A.F. Lutfullina, for a museum has been collected much of the best that he wrote.

All their works Ahmat Fatkullovich convinces us that there was nothing more expensive for him, closer than native land, the native people, whose lifestyle appears in his canvases.

The artist finds his hero already in the early works created in the late 50s - early 60s. This is his compatriots - "Safa", Mustafa-Agai, his mother - people who have experienced years of experience and difficult life; Bashkir girls with a young blush, charming in their immediacy. And already in these works, the artist identifies the essence of his creative quest, where the main thing for him is the disclosure of the spiritual content of man, the peculiarities of a national character. Therefore, so much charm, dignity in his heroes, fulfilled spiritual purity and nobility.

Ahmat Lutfullyn. Holiday in Trans-Urals. Sabantuy. 1964. Canvas. Butter. Dimensions: 220 x 300.

In this, Ahmat Lutfullin became a direct follower of the traditions of the first national artist Kasima Saliaskarovich Devletkildeeva, but Lutfull fell to live in another era, to have a different worldview in consonance with her, because absolutely rights to the Gazim of Shafikov, who wrote about the artist: "Lutfullin not just inherits - he himself creates Tradition.

The portrait invariably attracts the artist throughout the creative way. How many of them are created in painting and graphics! In the active seventies, in the mature eighties, and in the last also. The heroes of many of his portraits are ordinary people living and working on earth, they grow children and grandchildren, they had a chance to survive the war and loss. The new time has formed in them and new features - more confidence in themselves, inner freedom, but people who have passed the test with suffering and happiness, which have preserved modesty, spiritual resistance, diligence remaining eternal value. How much heat is invested in every portrait filled with sincere empathy of the author with the life of his hero!

The depth of the philosophical reflection of the artist about the value, human spirituality is filled with portraits of people of creative labor, created by him in different years, - writer H. Davletoshina (1958), conductor Mr. Mutalova (1959), Poets of Flastic Karim (1978,) and Ravil Bikbayev (1995), composer H. Akhmetova (1977) and many others. With all the individuality of the psychological characteristics and appearance of heroes, portraits unites the ability of the author, avoiding idealization, to convey in their images, the overall beginning, which characterizes them is the breath of creative, spiritual thought, the ability to empathize, deep feeling.

The works of Lutfullin are not designed speculative, it does not seek their "making", the finished of an artistic image achieving a convincing solution. Therefore, for example, in the portrait of a turf, thoroughly simulating the face and hands of the poet, he leaves a portrait almost unwitted background, discharged by nervous, restless lines that emphasize the inner tension of the hero, his sincere failure.

Portrait painting Ahmat Lutfullina Reflects the poetics of his creativity, focused on the generalized idea of \u200b\u200bthe beauty and strength of the human spirit, aimed at transferring a national character in the images portrayed. This poetics are laid down in the structure of its work with their few-seal accuracy of parts, expressive plastic faces, hands. Everything is simple and significantly in them, for it comes from knowledge, your own experience.

With the greatest strength of the poetics of the master embodied in his genre painting - "Holiday in the Urals" (1964), "Three Women" (1969), "Sabantui" (1977) and other paintings. Their distinctive qualities are that the plot is more often used by the artist for creating a special atmosphere, the states in which the features of his heroes are clear. The essence of his paintings is in the philosophical, poetic orientation of the idea capable of transmitting moral bases, the depth of people's characters and destinies.

The brightest embodiment of these principles was the painting "Three women", affecting us not by their plot, and the large-figurative force that her heroine breathes. In it - three ages, three generations - so paints the artist bridge from the past to this. Women appear in front of the viewer at the time of focused meditation. Looking at their faces, figures, we read their fate, thoughts. Laconic composition of the canvas, the resultancy of each part, ascetic severity of the color solution and the limiting expressiveness of each image will derive it beyond the specific plot.

The life experience of Ahmat Lutfullina began in the war years. The memory is inecilless about that harsh time, complete deprivation and suffering. She paints paintings, many portrait works by the artist with dramatic notes, which in one way or another, in almost all of its works, and a special force in such as "farewell from homeland. Salavat "(1990)," Waiting "(1970). And in the last work of the Master "Fate" (1998) - a cry of the artist's souls, with pain perceiving human tragedies.

But here is another canvas - "White Yurt" (1989), in Lutfullinski intense, dramatic, where the world is seen in conjugation with cosmic universe. Like a ballish shadow of years, the epochs on anxious dark sky, the planets are rushed, and a leisurely life with its traditional plots, rites take place on Earth. These scenes are gaining a symbol value. Obtaining all adversity and times, a person rises over them with the strength of his spirit, traditions, faith. This is the main thing that Ahmat Fatkullylovich Lutfullin is powerful and beautifully talking about in his art.

It is necessary to note the high picturesque culture of the wizard. In his works, first of all, there is something that is given from God - a subtle feeling of color, as well as what can be absorbed only with Mother's milk - such a color palette in which the paints of their native land come to life. Being always very critical and demanding for yourself, Lutfolllin was able to develop the natural gift laid in it, leaning on the traditions of the Russian, Bashkir school, the experience of world art, and create his expressive visual manor, able to embody his creativity.

V. Sorokina