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Pierre-Augustin Caron Beaumarchais
ComedyPRODUCER - Evgeny Pisarev
SCENOGRAPHY - Zinovy \u200b\u200bMargolin
SUITS - Leonid Alekseev
LIGHT - Damir Ismagilov
COMPOSER - Igor Gorsky
CHOREOGRAPH - Albert Alberts
The comedy "The Marriage of Figaro", invented by the court watchmaker Beaumarchais, has enjoyed tremendous success for three centuries thanks to its perfect composition, like a clock mechanism, dynamism and humor that has not lost its freshness.
But main secret success, of course, in the character of the protagonist: the talented Figaro suffered a collapse in all his social and creative endeavors, but he is full of dignity, creative power, love of life, and most importantly - he is in love. It is because of love that he has a “crazy day”, during which he has to weave intrigues, get out in court, find lost parents, experience the betrayal of a friend, the imaginary betrayal of a young wife, but at the same time not lose faith in love or into myself ...
Many people know that "in love, as in war, all means are good." This principle is also guided by the characters of the cheerful, dynamic performance “ The Marriage of Figaro". The Pushkin Theater offers the public a production with a fascinating plot that will pleasantly surprise you with many unexpected twists, funny episodes and beautiful design.
The comedy is based on the famous work of Pierre de Beaumarchais, which tells about the adventures of the clever and resourceful Figaro. Once the hero rendered a friendly service to Count Almaviva by arranging his wedding with the beautiful Rosina. Nevertheless, the aristocrat proved himself to be an ungrateful person: after a while he was imbued with an ardent passion for Figaro's own bride, the charming Suzanne. The girl did not respond to the count's advances, as a result of which another negative quality of Almaviva was expressed - vindictiveness. He begins to intrigue the couple in love, hoping to prevent the marriage. However, Figaro and Suzanne show remarkable ingenuity, wanting to outwit the arrogant aristocrat. They are helped in this by Countess Rosina, annoyed by her husband's frivolity, and also by the inventive page of Cherubino. At the same time, a lot of secrets are revealed, in particular, the characters will be in court, and some of them will even find lost parents. Spectators who have bought tickets for the play "The Marriage of Figaro" will see many comic scenes, confusion and reincarnation, making the action exciting and interesting.
Directed by the director Evgeniya Pisareva tells about what tricks people are ready to go to achieve their goal: to seduce a girl, to have a wedding, to teach a lesson to an unfaithful husband. The development of events in the play "The Marriage of Figaro" takes place to the music written by Igor Gorsky. The melodies, along with colorful costumes and decorations, and choreography by Albert Alberts will fully convey the sophistication and grace inherent in this entertaining story.
ACTORS AND PERFORMERS:
GRAPH ALMAVIVA -Alexander Arsentiev
CARAFE - Victoria Isakova
FIGARO - Sergey Lazarev
Suzanne - Taisiya Vilkova / Alexandra Ursulyak
MARCELINA - Irina Byakova
ANTONIO - Alexey Rakhmanov
FANCHETTA - Anna Begunova / Stasya Miloslavskaya
KERUBINO - Sergey Kudryashov
BARTOLO - Oleg Pyshnenko
BASIL - Alexander Matrosov
DON GUSMAN BRIDOISON -Sergey Miller
DUBLMEN - Ivan Litvinenko
PEDRILLO - Nikolay Kislichenko
SPIRITS: Egor Komarov, Veronika Mokhireva
Anna Evgenievna has about thirty films on her account, of which there are quite a few leading roles - Vika in the drama Cruelty, Dasha and Yulia in the psychological detective story Voices, Asya in The Heiress, Lena in the melodrama In Time of Trouble, etc.
((togglerText))His first works on this stage were Shpekin from the play "The Inspector General" and Fistach in "Testosterone". Now fans of the artist can see him in many repertoire productions - "The Scarlet Flower", where he plays Anton, - Amalia Balike, - Robin, - Ted Bundy, - Claude Riviera, Ivan in "Three Ivans", etc.
In the cinema, his debut work was an episode in the Russian-Ukrainian project “Kill Me! Please, ”filmed in 2004. Later he played Sasha in the melodrama "Happiness by Prescription", an episode in one of the series of the series "Law and Order", Sasha in the same series, Dyusha in "Wedding Ring", Oleg Isaevich in "Daddy's Daughters", Kostya in "Ranetki" , Sevu in the TV series "Katina Love".
((togglerText))In the cinema, Alexander Arsentiev played more than sixty characters, including the main characters - Andrey in the melodrama "Under the Sky of Verona", Igor in the "League of Deceived Wives", Yakov in the military drama "Heavy Sand", Maxim in the melodrama "I'll give myself a miracle" , Chulimov in "Yurochka" and others.
((togglerText))The artist immediately showed his talent and played more than two dozen roles on this stage. These are Gavrilo in The Dowry, Puss in Boots from the fairy tale of the same name, Charles Bovary from the play Madame Bovary, Aubin from The Lady's Tailor, Mario from Cabiria Nights, Tybalt from Romeo and Juliet, Bobchinsky and Derzhimord from Inspector ", the bishop from" Joan of Arc "and others.
Now fans of Alexander Valerievich can see him in such performances as, where he plays Friedrich, "Gedda Gubler" - the role of Eulert, - Metkaf, "Treasure Island" - Billy Bons, "Christmas O. Henry" - Berman, - Kuvykin. In the production of "Three Ivans" Sailors plays the role of Babadur, and in "The Marriage of Figaro" - Basil.
The artist successfully combines work on the dramatic stage with filming. To date, his filmography includes more than thirty-six films and TV series. In 2004, Matrosov starred in the detective story "MUR is MUR". Later he played Lepa in "Liquidation", a cavalier in "The Most Beautiful", Mishan in "Law and Order", Leha in "Turkish March", Uramanov in the action movie "Paid for by Death", Andron in "Atlantis" and other film characters.
((togglerText))Alexey Igorevich began his artistic career with the roles of Anton from The Scarlet Flower, Oreste from Great Magic, Dobchinsky from The Inspector General, Ogre from the fairy tale “Puss in Boots”. Now he is engaged in such repertoire productions as "Treasure Island", where he plays the Crooked Morgan and Billy Bons, - the role of Antonio, "Three Ivan" - Miller, "Office" - Kruse.
His first film work was the role of Misha in one of the detective series Law and Order, filmed in 2007. Later, he played an assistant investigator in the series I Am a Bodyguard, Young in the Bus, Gichko in Zagradotryad, Sanya in "Tender Meetings", Kostya in "Interns", Kesha in "Group of Happiness", etc.
((togglerText)) ((togglerText))I wanted to get to this show for several reasons. First, the performance was praised. Yes, I am wary of highly laudatory reviews, but from some photographs and interviews I thought it would be interesting to see the performance. Secondly, Sergey Lazarev as Figaro. I was very skeptical about Lazarev the actor, to be honest. Then I saw an interview in which he said that he had been playing for almost 10 years in the theater! He was taken from the theater to a performance in this theater, and has been playing ever since. He even has 3-4 titles in the theater! In general, I decided to look at him. Thirdly, Alexander Arsentiev! The same Billy Flynn from the musical "Chicago".
I really liked the performance, I can recommend it to cheer up and have a good evening.
I didn’t watch the tape with Andrei Mironov as Figaro, I didn’t read the play, to be completely honest, I had no idea what they would show me (here I am so illiterate, I will correct myself as much as possible). I had nothing to compare with, I looked from scratch.
The first thing that strikes you in the performance is the scenery in 4 tiers! The only negative, but it is not significant: when someone runs along the fourth tier, the balcony sees only the legs (but rarely and insignificant heroes run there, mostly they ran away or entered).
The performance is dramatic, but with perfectly selected musical inserts, it brings even greater liveliness and dynamism to the action.
The cast is GREAT !! All play in the same lineup! How they play! Very good! Seriously playing such a story, not stopping to hack-work and stupid hints and jokes, is worth a lot for me. A little more specific on the program.
Figaro - Sergey Lazarev. I liked it very much! All my doubts are gone, I am very glad for Lazarev that he has a theater and roles in addition to concerts, and for myself that he considered an actor. Apparently, Sergei is actively engaged in speech before performances, although rather in a voice, because it is one thing to sing into a microphone, another thing to say so that I hear everything from my penultimate row of the balcony (and I heard everything!). Perhaps these are just my assumptions, I don't know.
The role is definitely a success! Dodgy, cunning, sweet, kind, helpful - all in one person, shown wonderfully. Even at the end of the performance, when Figaro had a monologue for about 5 minutes, I was a little scared if he would hold back. Held! The audience sat spellbound! And including me. Very good! It seems to me that it is good that I watched the play, when after the premiere about 15-20 performances have passed, when everything has already been tested.
Count - Alexander Arsentiev. Great! Everything came together: appearance, speech, manners, you can't imagine better) I would gladly look at him (and Lazarev too) in a different role, it would be very interesting (I hope I will not be disappointed with the performance, as I already had in this theater) ...
Of the female roles, of course, it is worth highlighting the Countess (Victoria Isakova) and Suzanne (Alexandra Ursulyak). A very interesting intonation of a dying swan was found in the Countess, but the mask periodically flies off at the right moment, which causes a reaction from both the audience and other heroes of the play. The costumes are wonderful! They look great, very beautiful, emphasize the figure. Suzanne is a really worthy Figaro couple) Super family will come out! They stand each other) It's a good duet.
In general, I liked everything (and not only the main characters, about which I briefly wrote), I liked everything, so I recommend watching, preferably with good place (but prices bite slightly). I would recommend and revise the performance!
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About the play
Moscow will once again have to go through one crazy day, in which there will be weddings, courts, scandals and reconciliation. The play "The Marriage of Figaro" at the Theater. Pushkin is a sparkling comedy that has been sold out for several years.
The age limit is 16+.
... Author - P.-O. Caron Beaumarchais;
... director - Evgeny Pisarev.
Roles play
... A. Arsentiev;
... V. Isakov;
... S. Lazarev;
... T. Vilkova;
... I. Byakova and others.
The premiere took place in April 2014.
Crazy day
And in the castle of Count Almaviva, there is still no rest for the maids, the owners, or the guests. The day is just beginning, but it is already clear that you definitely cannot call it ordinary. Figaro - a resourceful young man, adviser to the count and his house manager - decided to marry the beautiful Suzanne. It seemed that happiness was just a stone's throw away, but insidious rivals stood in the way of the young. She remembered the old favor to the protagonist Marceline, and now she is forcing him to marry her, and the Count himself pretends to be in Suzanne's heart ... The intrigue gets tangled, and it becomes more and more difficult to understand this hilariously funny collection of misunderstandings. Hurry up to buy tickets for the play "The Marriage of Figaro" in Moscow and find out how this classic story ended.
Old plot in new scenery
The generosity of the creators of the production seems to know no bounds! The costumes are stunning, the entourage is delightful, the scenery is monumental. Made in pastel colors, they become an ideal backdrop for a bright and colorful carnival of passions, which swirls around all the heroes and turns them around until the last minute. An absolutely canonical plot unfolds in front of the audience, in the implementation of which the directing did without fashionable methods of modernization. On stage - really Spain XVIII century, but without the dust of outdated classics. Freshness, youth, expression - today's Figaro is full of life and definitely doesn't smell like mothballs.
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Additional Information
Duration - 2 hours 50 minutes (with intermission).
The booking period for the show is 2 hours.
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Why Ponominalu?
Ponominalu has an agreement with the Pushkin Theater for the sale of tickets. All ticket prices are official and set by the theater.
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We are connected to the ticket base of the Pushkin Theater and offer all officially available tickets for the performance.
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Closer to the date of the performance, the most demanded and optimal places in terms of price and location end.
Theater address: Mayakovskaya metro station, Moscow, Tverskoy boulevard, 23
- Mayakovskaya
- Tverskaya
- Chekhovskaya
- Pushkinskaya
Theater named after Pushkin
History of the Pushkin Theater
The Pushkin Drama Theater traces its history back to the Drama Theater of the famous director of the era of Alexander Tairov, opened in 1914. Therefore, it is considered one of the oldest Moscow theater venues. The building on Tverskoy Boulevard, in which it is located, is an even later structure. The first mention of it dates back to the reign of Catherine the Great. Its first owner was Prince Vyazemsky. Since that time, during the 19th century, it often passed from one owner to another, it was rebuilt and renovated several times, until the Chamber Theater appeared here at the beginning of the 20th century.
The theater of Alexander Tairov existed until 1949, when it was disbanded for aesthetics and formalism. Its place was taken by the Pushkin Drama Theater, which today is one of the best theater venues in the capital. It has been completely restored in 19th century interiors and richly decorated.
On this site, plays are mainly performed based on plays by foreign playwrights of the 20th century, such as "The Mousetrap", "Talents and the Dead", "Happy Days" and " good person from Cezuan ", but also the repertoire includes Russian classics and modern masters dramas.
How to get to the Pushkin Theater
The building of the Pushkin Theater is located on Tverskoy Boulevard. It is not difficult to find it, but first you need to get either to the Tverskaya metro station or to Pushkinskaya. Leaving the metro, you will find yourself at the beginning of Tverskoy Boulevard, where it intersects with Tverskaya Street. Go to the right side of the boulevard. You can walk to the building of the Pushkin Drama Theater in just five minutes.
Photography is the official VKontakte community.
I would describe the production at the Pushkin Theater in three words: a fun, academic and musical performance.Beaumarchais's comedy is staged in such a way that laughter breaks out in the auditorium every now and then. Viewers react vividly to the jokes of the author of the Enlightenment.
"Will return, God willing!" - “Maybe he won't!”; "Me too" - "Me too" - "Me too" - "What a strong echo here!"
Academicity is inherent in this production - this is the director's choice, and nothing can be done about it. Therefore, the performance should appeal to those who love academics. And who does not love - let him not make claims. So this show is not for them. Everything is played according to the academic text of Beaumarchais in the academic translation by N.M. Lyubimov. And at the same time, it is especially interesting to observe how the artists cope with the text, what meanings they put into their remarks.
Music sounded - Mozart and Rossini. I liked that it was not like plug-in numbers (it sounds like that in Lenkom), but as a direct part of the show. Unusual arrangements - that's what was non-academic in the performance! - made in accordance with the tempo of the performance. An academic orchestra in black tailcoats would be clearly inappropriate here. Melodies from The Marriage of Figaro, The Barber of Seville, themes from The Little Night Serenade, Symphony 40, Mozart's 21st Concerto are heard and fit well into the action.
I listened attentively to Figaro - Sergei Lazarev's monologue about cunning principles, about deception and intrigue, and thought: “What a bastard! And he considers himself right! But the time has come for such natures. "
However, not to say that the authors of the play modernized the production (if only Marceline's short hair looked an anachronism). Director Evgeny Pisarev drew from the old comedy what is consonant with our time, consonant with his soul, and thus became consonant with the viewer.
Countess - Victoria Isakova - at first seemed a fool to be a fool. The whole audience laughed at her stupidity! But out of female solidarity, Suzanne - Alexandra Ursulyak - helps the Countess to prevail over the Count and prove to her husband that indulging his spoiled nature, following the old customs of the overlords will not lead to good!
I liked that Sergey Lazarev and Alexandra Ursulyak show that Figaro and Suzanne really love each other. Thus, the idea of \u200b\u200bthe triumph of love is traced in the play!
Alexander Arsentiev as Count Almaviva follows the instructions of the author - Beaumarchais. I see that his count is "full of consciousness of his own greatness, but this is combined with grace and ease." The artist shows the impeccability of the count's manners very well. I agree with the author that "the role of a count is especially difficult to play because he invariably finds himself in a ridiculous position."
But Arsentiev plays in such a way that I was imbued with sympathy for the count.
The artist made me happy with his performance. It can be seen that he, like all the other performers, plays this performance with pleasure. Creation of an image, emotions, assessments, behavior in the "zones of silence" - everything is at the highest level, convincing and adequate.
I always like the way Arsentiev interacts with partners. Today it seemed that when Count Almaviva appeared on the stage, the action spun like a wind-up toy mechanism when turning a key.
The count doesn’t like jokes — that was what ruined him. He understands in documents, but not in intrigue and feelings. Therefore, in this area, he was defeated.
Tough, commanding, shooting, judging, but at the same time farcical character. At first, the Count is angry somehow for fun, perhaps too exaggerated, they say, do not lead me by the nose - I know that you are lying. And in the end Figaro and the women managed to bring him to white heat, and he yelled completely naturally.
Scenario movement is wonderful. A funny scene turned out with a sledgehammer. The audience laughed like in a circus. Again, if someone does not like farce, then why make claims about the farce of what is happening on stage?
There were several overlays in the play (sorry for the jargon), or they looked like that. Now they spilled wine - I had to wipe it with a napkin, then they spilled apples, but there was no time to pick up. Sergey Lazarev - Figaro did not catch the orange thrown by Arsentiev - Count. Then I digress from the text and waited for Figaro to pick up the rolled orange and throw it back to the Count. One could argue for a thousand rubles that Arsentiev would catch. I got it. I knew.
It's even strange to write about this when it comes to a professional actor. But Arsentiev differs in a positive way from many of his peers. We can say that this is an artist with an inner culture that was inherent by default to the masters of the outgoing generation, the stars of our childhood. And it is wonderful that among modern actors there are people like Arsentiev who continue the best traditions of our theater and cinema, our culture.
Well, I am delighted, this is my opinion, my impression.