Istria of one painting: "View of the Palace Embankment from the Peter and Paul Fortress" by Fyodor Alekseev. Fyodor Yakovlevich Alekseev, biography and paintings Alekseev city landscape

Alekseev Fyodor Yakovlevich Fedor Yakovlevich Alekseev is a wonderful painter, the founder of Russian landscape paintingin particular the cityscape.

The artist was born in 1753 (the exact date of his birth is not known) and was the son of the watchman of the Academy of Sciences. From 1766 to 1973 he studied at the Academy of Arts in a class called "painting flowers and fruits", and then moved to the landscape department. In 1773, having received a gold medal for his programmatic work, he was sent to Venice, where he spent three years in painting for theatrical decorations, although he did not like them.

Alekseev's fascination with Piranesi's fantastic engravings was not approved by the administration of the Academy of Arts, so on returning home a dry, restrained reception awaited him. He was not offered any programs for obtaining an academic title. On the contrary, he was simply forced to accept the position of theatrical decorator, in which he worked from 1779 to 1786. Alekseev managed to leave his unloved work thanks to the excellent copying of landscapes by J. Bernet, G. Robert and B. Belotto from the collection of the Hermitage. His copies, skillfully reproducing the picturesque atmosphere of the originals, have received incredible success. Thanks to these works, the artist Fyodor Yakovlevich Alekseev gained the opportunity to paint original landscapes.

View of the Moscow Kremlin from the Kamenny Bridge

In his landscapes, the artist creates a perfect, sublime and at the same time a very lively image of a majestic, large and incomparable in its sophistication of the city. Ideality in his works is closely intertwined with reality and is in complete harmony with it.

Cathedral Square of the Moscow Kremlin

In 1794, paintings by Fyodor Yakovlevich Alekseev brought their creator the title of academician of painting.

A year later, the artist was sent to Crimea and Novorossiya in order to capture the places that Empress Catherine II visited in 1787.

The artist creates wonderful landscapes of Bakhchisarai, Kherson, Nikolaev.

In 1800, on the instructions of Emperor Paul I, Alekseev created a number of Moscow landscapes.

The artist was deeply carried away by ancient Russian architecture and brought from Moscow, after staying there for over a year, not only a series of paintings, but also many watercolors with views of Moscow suburbs, monasteries, streets, and mainly various views of the Kremlin.

These works made a great impression on a number of influential persons and representatives of the imperial house, who became Alekseev's customers.

"Boyarskaya ground or bed porch and the Church of the Savior Behind the Golden Bars" in the Moscow Kremlin "

A little later, the artist returns in his work to his beloved theme of St. Petersburg.

But the theme of his works has now changed - the artist is more interested in ordinary people: their world and life against the background of the luxury of palaces and the majestic Neva.

The main characters occupying the foreground of the paintings are the townspeople with their daily worries.

The paintings have more volume, clarity, their color has become much warmer.

These works include "View of the Spit of Vasilievsky Island from the Peter and Paul Fortress", "View of the Admiralty and Palace Embankment from the First Cadet Corps" and other works.

Alekseev Fedor Yakovlevich is a famous Russian landscape painter of the 18th century. He became one of the first masters of perspective painting and made huge contribution in the development of landscape in Russian art.

Fyodor Yakovlevich was born in 1753 into a poor watchman's family. At the age of 11 he entered the Imperial Academy of Arts. He studied ornamental sculpture with Louis Rolland, still life with Heinrich Fonderminte, landscape painting with Antonio Perezinotti. He graduated from training in 1773 with a 1st degree certificate and was awarded silver and gold medals.

After graduating from the Academy, Fedor Alekseev received the right for an internship abroad for his academic success. He went to Venice, where he studied the art of theatrical decorator. The Academy insisted on this, since there were no theater artists in Russia at that time. The young man's teachers were Gaspari and Moretti. However, Alekseev was not the most diligent student, he was constantly complained to the Academy of Arts about his frivolous behavior. However, the young man took up his mind in time, and he was not deprived of his pension, but even the trip was extended for a year.

During the internship, Alekseev got acquainted with the Veda - a genre of painting depicting a city landscape in detail. Veduta was very popular in Venice in the 18th century. In Italy, the young artist studied art, A. Canale, D. Piranesi.

Returning to Alekseev, he entered the service in the workshop of the imperial theaters. However, this was not the main goal of the artist. He dreamed of painting landscapes, which he did in his free time from work. Alekseev went to and copied the works of Vernet, Belotto. The copies were so good that Catherine II herself gave orders to the young artist. Fyodor Yakovlevich was finally able to leave his job as a decorator and devote his time to painting.

He paints views of St. Petersburg - the Peter and Paul Fortress and the Palace Embankment. The city in Alekseev's works appears photographically accurately painted, solemn and majestic. In 1794, the artist received the title of academician for these landscapes. In 1795 Alekseev, after the solemn journey of Catherine II to Taurida, received a business trip to the Crimea and the Ukraine. He writes views of Kherson, Nikolaev, Bakhchisarai.

In 1800, on behalf of Paul I, Alekseev with two students went to. For a year and a half, he painted several paintings and many watercolors. The artist depicted the Moscow Kremlin, Red Square, city temples and streets with amazing authenticity. His "Moscow series" was so successful that Alekseev began to receive orders from nobility and museums.

Since 1803 Fyodor Yakovlevich has been working as a teacher of perspective painting at the Academy of Arts. The artist continues to paint views of St. Petersburg. Now he pays more attention to the urban life of the inhabitants, depicting people against the backdrop of the solemn classical buildings of the capital. The color of the work has become warmer, the graphics have acquired "density", the forms have become more distinct. Alekseev depicted views of the English Embankment, the Admiralty, Kazan Cathedral, Vasilievsky Island.

As an old man, the artist was often sick and paralyzed, but he continued to paint. F.Ya. Alekseev died on November 11, 1824. His last work was supposedly a sketch of a flood in St. Petersburg. The Academy of Arts allocated funds for the artist's funeral and an allowance for his large family.

Alekseev made a great contribution to the development of Russian landscape painting. The artist left us views of Moscow, St. Petersburg and other Russian cities, rendered with amazing accuracy and attention to detail. Looking at his paintings it is interesting to compare how the cities looked then and what is happening to them now. Alekseev's works are kept in

An artist who has made a name for himself as a new genre in Russian art - the genre of the urban landscape. The amazing talent and general style of his paintings are among the best in the world of painting. The name of the amazing artist is Alekseev Fedor Yakovlevich.

Biography

Alekseev Fedor Yakovlevich was born in 1754 (the exact date of birth is absent in historical sources) in a poor family. In 1766, his father applied to enroll his son in the Academy of Arts, and his request was fulfilled. Fedor Alekseev begins his studies in the class of painting flowers and fruits, after which he is transferred to the class of landscape, and in 1773 he successfully graduated from the Academy. For the best writing of the program landscape he is awarded a gold medal. To continue his studies, the talented young man was sent to Venice for specialization in decorative painting. This is a special type of theater scenery writing. During his studies, Fedor Alekseev, in addition to his main occupation, is enthusiastically engaged in the study of Venetian landscape painters, such as Canale, Guardi, the engravings of Piranesi, who at that time lived in Rome. But with his craving for new knowledge, the artist provokes the dissatisfaction of the academic authorities.

Road to art

After completing his specialization in Venice, the artist Fyodor Alekseev returns to St. Petersburg and gets a job as a painter at the theater school. The approximate dates of this period of his life are 1779-1786. Due to his passion for landscapes, in addition to theatrical scenery, Fyodor Alekseev was met in his homeland rather coolly and was denied further training to obtain the title of academician. But the artist sets himself the goal of showing the Academy what he is capable of, and together with this work, the artist combines copying the landscapes of Canaletto, Bellotto, Robert and Berne in the opened Hermitage.

Thanks to his successful work in the Hermitage, he leaves the service at the school. His creative reproduction of the originals reproduced their pictorial system so beautifully that his works were a great success. Successful work brought Fyodor Alekseev fame, the nickname "Russian Canaletto", for which the Academy gives the artist the opportunity to independently write his paintings. Of course, they were landscapes.

The originality of the works of the artist Fyodor Alekseev

Having proved his ability to paint independently, the artist paints a number of famous paintings with views of St. Petersburg. Some of the most significant: "View of the Peter and Paul Fortress and the Palace Embankment" (1793) and "View of the Palace Embankment from the Peter and Paul Fortress" (1794).

Using the knowledge he acquired in Venice, Fyodor Alekseev creates his own image of a solemn and at the same time living city. At the same time, in his paintings, he retains the laws of classicism important in the 18th century and combines the ideal and the real. For his work in 1794, the artist Fyodor Alekseev was awarded the title of Academician of Perspective Painting.

Creative way

After receiving the honorary title, Fyodor Alekseev was given the task to draw the places where Empress Catherine II was in 1787. The artist recreates on his canvases the beauty of such southern cities as Nikolaev, Kherson, Bakhchisarai.

And in 1800, Emperor Paul I himself instructed Fyodor Alekseev to write Moscow. During the time that the artist spent in this city (a little over a year), he brought several paintings and a large number of watercolors, which depict views of Moscow streets, monasteries, suburbs. But the most important thing is the unique images of the Kremlin. Among them, the most popular are "Red Square in Moscow" and "Boyarskaya Square, or the Bed Porch and the Cathedral of Christ the Savior Behind the Golden Bars in the Moscow Kremlin."

Moscow works are so distinguished by their accuracy and documentary nature that they attract new buyers of paintings to the artist. Among them are famous people and members of the imperial family.

The artist's fame as a landscape painter

Since the 1800s. Fyodor Yakovlevich becomes the head of the advanced painting class at the Academy of Arts and again draws on his favorite theme - St. Petersburg. At the same time, the artist travels a lot across Russia and captures the views of provincial cities.

More life appears in his paintings, it seems that now the images will come to life. They become like documentary historical photographs. More and more, the artist depicts people. They come to the forefront of paintings with palaces, embankments and streets. People with their daily routines, carts, workers. The details are painted even more distinctly, heavier, the color scheme looks warmer, and the painting takes on a special saturation. The works of that time include "View of the Kazan Cathedral in St. Petersburg", "View of the English Embankment from the Vasilievsky Island" and others. In a warm color, with a subtle drawing the smallest details.

The paintings of Fyodor Alekseev are distinguished by a special "warm" light and movement. The sky takes on a delicate azure hue, and the clouds take on the pinkishness of the setting sun.

The last years of the artist's life

No one is eternal, and over time, the glory of Fyodor Yakovlevich Alekseev begins to fade, and the public forgets him. The famous landscape painter dies in 1824 in great poverty. After him, his wife and children remain, and the Academy of Arts allocates material assistance for organizing the funeral and for the continued existence of the family.

Despite the sad end of his life, the artist Alekseev Fedor Yakovlevich is one of the most famous creators of the urban landscape genre. Queues line up for his paintings at the Tretyakov Gallery, the State Hermitage, and the Russian Museum. His works are studied in educational institutions. He is remembered, and in the world of painting his name is highly valued, and the biography of Fyodor Alekseev is an example of the fact that you need to follow your vocation, no matter what.

Before the flood of 1824. "Russian Canaletto", recognized during his lifetime by academicians and connoisseurs of art, Fyodor Alekseev occupies a special place in the history of painting of the 18th century as one of the founders of the national school of urban landscape.

Fedor Alekseev. Venice. View of the Schiavoni embankment (detail). 1775. National art Museum Republic of Belarus, Minsk, Belarus

Fedor Alekseev. Interior view of the courtyard with a garden. Loggia in Venice (detail). 1776. State Russian Museum, St. Petersburg

Fedor Alekseev. View of the Palace Embankment from the Peter and Paul Fortress (fragment). 1810. State Russian Museum, St. Petersburg

Fyodor Alekseev was born in 1753 in St. Petersburg and came from soldiers' children. So in the 18th century they called a special class group. The exact date of birth of the artist and detailed information about his parents have not been preserved. It is only known that the father of the future artist, Yakov Alekseev, after his dismissal from service, worked as a watchman at the Academy of Sciences.

As a child, the future artist went to the garrison school. He studied diligently, especially drawing and geometry. The father dreamed of placing his son in the Academy of Arts - in the 18th century, many of its students came from commoners and lower ranks. In 1766, the younger Alekseev was admitted to the Imperial Academy of Arts, immediately to the third grade.

The painter Anton Losenko, professor and director of the Academy of Arts, noticed that the boy is good at drawing complex figures and architectural structures. Losenko transferred Alekseev from the class of ornamental sculpture by Louis Rolland to the painting one, which was led by Heinrich Fondermint and Antonio Perezinotti. In the classroom, the pupils studied the principles of working with architectural and landscape landscapes. The young man showed himself to be a diligent student: in 1773 he was awarded a small gold medal for one of the educational landscape works. This award conferred the title of class artist II degree and the civil rank 12th class in the Table of Ranks.

In the same year, the academicians, who noticed Alekseev's talent, sent him to Venice for "More improvement in painting is promising." The academy needed theater artists, and this skill was best taught in Italy.

Alekseev spent the next four years in Venice. It was not so interesting for him to work in the workshops of mentors - theatrical decorators Giuseppe Moretti and Pietro Gasparri. I liked the modern italian painting - he studied the cityscapes of the famous painters Giovanni Canaletto and Bernardo Bellotto. He was also interested in the history of art: especially impressed young man paintings by the 16th century painter Paolo Veronese, which he enthusiastically described in his diary:

This is the most beautiful and most consistent invention that one can only see. The architecture in this picture is put on such a fair point that everything can be seen between a small multitude of people without the slightest confusion ...
Fedor Alekseev on the painting by Paolo Veronese "The Marriage at Cana of Galilee"

Taking inspiration from works italian artists, Fedor Alekseev worked hard on his first city landscapes: “Venice. View of the Schiavoni embankment "," Internal view of the courtyard with a garden. Loggia in Venice ".

Returning to his homeland, St. Petersburg, on behalf of the Academy of Arts, Alekseev designed the scenery for the Imperial Theaters. The painter did not like this work, so he devoted all his free time to his favorite business - landscapes. Like other graduates of the Academy, he moonlighted making copies famous paintings Western European artists. Even Empress Catherine II appreciated the artist's skill and invited him to work in the Hermitage - to make copies of the museum's masterpieces. Most often, these were landscapes of the famous Italian painter Canaletto, and soon Fyodor Alekseev was nicknamed "Russian Canaletto".

In 1786, Alekseev nevertheless left his job as a theatrical decorator and began to create original landscapes. Eight years later, he received the title of academician for the painting "View of the Palace Embankment from the Peter and Paul Fortress."

"... I found so many beautiful objects for paintings": views of St. Petersburg, Moscow and the South

Fedor Alekseev. Red Square in Moscow (detail). 1801. State Tretyakov Gallery, Moscow

Fedor Alekseev. View of the city of Nikolaev (fragment). 1799. State Tretyakov Gallery, Moscow

Fedor Alekseev. Square in Kherson (fragment). 1796. State Tretyakov Gallery, Moscow

In the 1790s, on the instructions of Catherine II, Fyodor Alekseev went to the South of the Russian Empire to paint landscapes of places visited by the empress during her trip to Crimea in 1787. He lived in the South for two years. There Alekseev made a lot of watercolor sketches and sketches, which he used in St. Petersburg to create full-fledged paintings - "View of the city of Nikolaev", "Square in Kherson" and other works.

The painting ["View of the city of Bakhchisarai"] is lively - everything is there, and a rightly captured moment in nature, and movement; but do not come closer to the picture - the charm will disappear.
Peter Petrov, art critic and historian, 1860s

Critics often reproached Alekseev for being overly monumental. They noticed that the artist uses principles in painting decorative arts - pays a lot of attention to the shape of objects. This was especially evident in the composition: he always tried to convey all the details of architectural structures with maximum accuracy. Sometimes Alekseev still deviated from reality and supplemented the city landscapes with unfinished or never-existed buildings - in this he relied on the pictorial tradition of the 18th century. Almost all of the artist's paintings belong to the very popular genre in Venice at that time - a detailed depiction of the cityscape.

Alekseev loved Petersburg and often painted its views. His paintings resembled the canvases of Italian masters. He took a similar color scale, mostly light tones, and achieved the effect of "transparency" - it seemed that the artist was using not oil, but watercolor.

In 1800, Fyodor Alekseev watched the construction of the Mikhailovsky Castle and the residence of Paul I. Soon his "View of the Mikhailovsky Castle and the Connetable Square in St. Petersburg" appeared. The Emperor liked the picture so much that Alekseev was awarded the rank of collegiate assessor for it. Soon, on behalf of the sovereign, the artist was commissioned a series of Moscow city landscapes.

The emperor wanted to see the times of Muscovite Rus in his paintings. In addition, members of the Academy of Arts instructed Alekseev "To remove from nature and convey in pictures and drawings all the places, remarkable in terms of historical and archaeological."The artist set to work with enthusiasm. He had to spend a lot of time in the archives to study the old plans of the city. Alekseev approached the order responsibly - it was the city landscapes of Moscow that became the pinnacle of his work. Small watercolor sketches and monumental canvases formed a whole cycle. After that, orders from the most noble people fell on him.

He painted the first works of the Moscow cycle from life, among them the painting "Red Square with St. Basil's Cathedral." However, the artist did not limit himself to depicting only Red Square. In October 1800, he wrote to Count Alexander Stroganov, president of the Academy of Arts: "At the discretion of Moscow, I found so many beautiful objects for paintings that I am at a loss as to which view to start with: I had to decide, and I have already begun the first sketch of the square with the Church of St. Basil the Blessed and will use the winter to paint the picture."

Over the next year, Fedor Alekseev and his students - Alexander Kunavin and Illarion Moshkov - created a series of Moscow landscapes. These paintings depict famous architectural structures, many of which have already been lost - churches and monasteries, estates and residences. Among the most significant works of this period are "View of the Church of St. Nicholas the Great Cross on Ilyinka", "View of the Strastnaya Square in Moscow", "Panoramic view of the village of Kolomenskoye" and others. In 1801, the artist personally presented to Emperor Alexander I the most famous of these works - the painting "Red Square in Moscow".

Fedor Alekseev. View of Ivanovskaya (Tsarskaya) Square (fragment). 1810th. State Research Museum of Architecture named after A.V. Shchusev, Moscow

Fedor Alekseev. View of the Resurrection and Nikolsky Gates and the Neglinny Bridge from Tverskaya Street in Moscow (fragment). 1811. State Tretyakov Gallery, Moscow

Fedor Alekseev. Square inside the Moscow Kremlin (fragment). 1810th. Museum-reserve "Tsarskoe Selo", Pushkin, St. Petersburg

In 1802, Fyodor Alekseev returned from Moscow to St. Petersburg, but for several more years he created Moscow city landscapes - "Square inside the Moscow Kremlin", "View of the Resurrection and Nikolsky gates and Neglinny bridge from Tverskaya street in Moscow", "View of Ivanovskaya ( Tsar's) square ". The views of the "first throne" brought fame to Alekseev both at home and abroad. Young artists learned from his work, and the painter was constantly ordered copies of his most famous paintings. The works of the artist were also appreciated at the Academy - Fyodor Alekseev was invited to teach, and was also given to teach a class of "perspective painting", where he taught students the basics of working with landscapes. Later, the artist was awarded the title of advisor.

Alekseev's views increased interest in the appearance of ancient Russian cities, in the architectural monuments of Russian antiquity. They discovered a new type of landscape dictated by their interest in Russian history and ancient monuments.
Alexey Fedorov-Davydov, art critic, researcher of the work of Fedor Alekseev

In the 1810s, Alekseev again began to create landscapes of St. Petersburg: "View of the Spit of Vasilyevsky Island from the Peter and Paul Fortress", "View of the English Embankment". One of the versions of the painting "View of the Admiralty and the Palace Embankment from the First Cadet Corps" has long been in the collection of the writer Pavel Svinin.

It’s hard to give an advantage in this picture ["View of the Admiralty and Palace Embankment from the First Cadet Corps"]: everything in it is so correct and natural, everything is touched by such a skillful brush that everywhere there is noise and movement, as in nature itself.
Pavel Svinin, writer

In his last works, as art critics note, Fedor Alekseev began to move away from the Canaletto school and academicism. He added a slight negligence and exquisite decorativeness to his paintings.

When Alekseev is only Canaletto, he is interesting and you sincerely admire him; when he becomes himself - Fedor Alekseev, he immediately transforms into a significant figure in Russian art, into an artist who had a huge influence on the Russian landscape of the first half of XIX century.
Igor Grabar, art critic, painter and restorer

Until the last years of his life, Fedor Alekseev worked at the Academy of Arts, while continuing to paint at the same time. On November 19, 1824, the most destructive flood in the entire history of the city hit St. Petersburg, and Alekseev decided to capture it. A few days after his last sketch, on November 23, 1824, the artist died. He was 71 years old. The painter was buried at the Smolensk Orthodox cemetery in St. Petersburg.

Fedor Alekseev. View of the Admiralty and Palace Embankment from the First Cadet Corps (fragment). 1810th. State Russian Museum, St. Petersburg

Fedor Alekseev. Petersburg flood of 1824 on the square near the Bolshoi Theater (fragment). 1824. State Russian Museum, St. Petersburg

Fedor Alekseev. View of the Promenade des Anglais (fragment). 1810th. State Russian Museum, St. Petersburg

1. For seven years Fyodor Alekseev created scenery for theaters in St. Petersburg. None of his theatrical works have survived. The scenery in Russia XVIII centuries were in great demand: they were repeatedly altered and transported from theater to theater, and the dilapidated ones were written off or destroyed. Only a small sketch of the interior of the fantastic temple has survived - the painting "In the Temple" with the signature "1820". The researchers believe that the date for the job was set much later than it was created. "In the Temple" is too different from the rest of the artistic heritage of Fyodor Alekseev and by all indications refers to his early works.

2. At the beginning of the 20th century, Russian collectors had a postcard depicting the St. Petersburg flood of 1824. It bore the signature "Alekseev". Until 1907, it was believed that it was painted by the artist Alexander Alekseev, a student of Aleksey Venetsianov. Art critic Igor Grabar denied this. He noticed that Alexander Alekseev in 1824 was only 13 years old, and the picture was painted by a mature author. “It is difficult to admit that it was he [Alexander Alekseev] who was the author of the picture; meanwhile in the lists works of art Tsarskoye Selo Palace, where the picture came from, it was indicated that its author was Alekseev. The flood, as you know, was on November 7, [Fedor] Alekseev died on November 11. A picture painted, in appearance, in one or two sessions, thus could be the last work of a tireless artist, made by an already numb hand ", - wrote Grabar in an essay about Fedor Alekseev.

F.Ya. Alekseev famous artist - the discoverer of the genre of the Russian urban landscape.

It is known from the history of biography that F.Ya. Alekseev was born around 1753-1755 in St. Petersburg. The artist's father worked as a watchman at the Academy of Sciences. The Russian artist, who showed the ability to draw in his youth, studied with Antropov, after which he was enrolled in the Academy of Arts in 1764. At the beginning of his studies, F.Ya. Alekseev comprehended ornamental drawing, painted fruits, birds, landscapes.

In 1773, the artist received a gold medal for an examination landscape work. Having identified him as a theatrical decorator, the Academy of Arts directs him to perfect this type of painting in Italy, in Venice. However, in Italy F.Ya. Alekseev, in addition to theatrical scenery, studies the painting of famous Italian landscape painters: F. Guardi, A. Canale. And also engravings by D. B. Piranesi.

From 1779 to 1786, returning from Italy, F.Ya. Alekseev holds the position of a painter at the theater school, will fulfill orders for painting theatrical scenery. Writes copies from famous works paintings of European artists: Canaletto, Belotto, G. Rober. Love for the landscape forces the Russian artist to seek permission to perform such paintings from the Council of the Academy of Arts.

So the people called the artist "Russian Canaletto".

In 1794 F. Ya. Alekseev was awarded the title of academician for his painting "View of St. Petersburg along the Neva River".

Carried away by the landscape, the Russian artist departs from the principles of "perspective" inherent in engravings, the artist displays a holistic pictorial image of nature. This can be seen in the most famous paintings F.Ya. Alekseeva: "View of the Palace Embankment from the Peter and Paul Fortress" (1794), "View Winter Palace from the Peter and Paul Fortress "(1799).

In order to paint a series of paintings, to the places where Catherine II traveled, from 1795 to 1797 Alekseev went to the south of Russia. So he performed works of high skill: "View of Nikolaev", "View of Bakhchisarai", "Square in Kherson"

In 1800-1801 F.Ya. Alekseev painted landscapes of Moscow by order. Among them: "Cathedral Square in the Moscow Kremlin", "View of Moscow from the side of the Stone Bridge" - these paintings brought fame to the Russian artist.

In 1803 F. Ya. Alekseev is teaching at the Academy of Arts, he graduated the students who became famous: S. Shchedrin and M. Vorobyov. Right there in St. Petersburg, he performs city landscapes: "View of the Barge and the Admiralty from the Peter and Paul Fortress" (1808), "View of the Kazan Cathedral", "View of the Admiralty and Palace Embankment from the First Cadet Corps" (1810s).

IN last years life health F.Ya. Alekseev was greatly shaken, and there was no longer any interest on the part of his contemporaries in his paintings. So F.Ya. Alekseev was forgotten by everyone, he died on October 11 (23), 1824 in St. Petersburg, in poverty. And yet this famous artist left a bright mark in the history of painting, valuable historical monuments depicted in the works of Fyodor Yakovlevich Alekseev have survived to this day.