Three Worlds in the Roman M. Bulgakov "Master and Margarita"
2. Three-dimension as a form of being
Troublery Divine Trinity
3. Three-world novel structure
Ancient "Yerschalaimsky" world
Sinking Moscow world
Eternal otherworld world
The relationship of three worlds
4. Parallel rows of characters that emphasize world compounds
Triad characters on the principle of external similarity and their actions
Moving characters from one world to another
Characters not included in the triads
Yeshua Ga-Nochri and Master
Margarita
5. The effect of three worlds on genre peculiarity Roman ..... 00
Conclusion ............................................................... ..... 00
References ............................................. 00
Introduction
M. A. Bulgakov is one of the wonderful writers of the post-revolutionary era. The fate of Bulgakov went hard, there were many conflicts, victories and defeats. Roman "Master and Margarita" became the revelation of the Great Writer.
Until now, no one has been able to determine what is satirical, philosophical, psychological, and in the Yerschalahim chapters - the Roman-parable "Master and Margarita". He was considered as a result of world literary development, and as a historical response to the specific events of the life of the 20th and 30s., And as the concentration of ideas of previous works of the writer. The author himself rated him as his main message to mankind, his willow to descendants.
The novel this complex and multifaceted, many topics affected the writer in it.
In the image of the master we learn Bulgakov himself, and the prototype of Margarita was a favorite woman writer - his wife Elena Sergeyevna. It is not by chance that the topic of love is one of the main, the main topics of the novel. Bulgakov writes about the highest and beautiful human feeling - about love, about meaninglessness to resist her. In the novel, he proves that of real love No obstacles can interfere.
Another of the many problems affected in the novel is the problem of human cowardice. The author considers the cowardice to the biggest sin in life. This is shown through the image of Pilate Pilate. After all, he perfectly understood that Yeshua did not accomplish nothing, for which it must be executed. However, Pilate did not listen to his "inner" voice, the voices of conscience, and went on the crowd and executed Ishua Ga-Nochri. Pontius Pilate Pilate and for it was punished by immortality.
The infinite chain of associations, not always explained, not always traceable, but really existing; their hundreds. Consider three of them: the ancient "Yerschalaimsky" world, the modern Moscow world and the eternal exterior world.
In the outlined work, a comparison of these three worlds and characters, inhabiting them, characters and actions of the heroes of the book.
The three-dimensional structure of the novel is visible in the construction of characters that are collected on the principle of the impact of similarity and their actions: Pondi Pilate - Woland - Professor Stravinsky; Afranny - Fagot Koroviev - doctor Fyodor Vasilyevich, Assistant Stravinsky; other.
Three-dimensionality as a form of being.
"Trochka is the most general characteristics Genesis. "
P. Florensky
The space is the form of existence of matter, expressing the length of the components of its objects, their structure from elements and parts.
The space has three dimensions and is called three-dimensional. It is a necessary condition for the existence of sustainable systems. The space is a temporary slice of our being, characterized by formula 3 + 1. It is the tripod of time and all changes that reveals another feature in time, namely the unity of the changing being.
Genesis is one of the most common categories carrying a triple nature.
At the level of everyday being, the fact of the flow of time is striking: from the past to the present, from the present to the future.
In confirmation of this, there are metaphors: "Kill time", "time is money," "everything flows - everything changes." The main manifestation of time is its change. Change is the unity of the past, present and future.
The trinity of the Divine Trinity.
The word "Trinity" of non-biblical origin, in the Christian lexicon was introduced in the second half of the II century by St. Fofil Antioch. The doctrine of the Blessed Trinity is given in Christian Revelation. It says: God is one of the merits, but three in the faces: Father, Son and the Holy Spirit, the Trinity is unique and inseparable.
Vera in Trinity is distinguished by Christianity from all other monotheistic religions: Judaism, Islam. The doctrine of Trinity is the basis of the entire Christian loor and moralization, for example, the doctrine of God the Savior, about God consecrated, etc. V.N.Lossky said that the doctrine of the Trinity "not only the basis, but also the highest goal of theology, for ... To know the mystery of the Most Holy Trinity in her fullness -
it means to enter the Divine Life, in the very life of the Blessed
The doctrine of the TRIMINA of God is reduced to the three provisions:
God is Troic and Trochnaya is that there are three persons in God (Ipostasi): Father, Son, Holy Spirit.
Each face of the Blessed Trinity is God, but they are not the first of God, but the essence of a single divine creature.
All three persons differ in personal, or hypostasic properties.
Three-dimensional structure of the novel
In his novel, Bulgakov shows us that life is not two-dimensional, that it does not closes the plane of earthly existence that every event of this plane of earthly life only seems to us flat, two-dimensional. And in fact, it undoubtedly has, let the invisible, not distinguish with our eye, but quite real and unconditional "third dimension."
Ancient "Yerschalaimsky" world.
This world appears before us in the novel, written by one of the leading heroes of the novel, he is the basis of the entire Bulgakov novel. The question of Erschalaymin scenes in the "Master and Margarita" has long attracted the attention of researchers.
E.Renan's book "The Life of Jesus" occupies an important place in the work of Bulgakov over these scenes. Extracts from it are preserved in the writer's archive. In addition to chronological dates, Bulgakov emphasized from there and some historical details.
Also, when working on the novel about Pontius, Pilate Bulgakov turned to another composition of the Renan - "Antichrist", where he describes the history of Christianity during Nero.
But none of these books can compare in value of information with the difficulty of the British researcher, Bishop Frederick William Ferrara "The Life of Jesus Christ".
Another of the most important sources in the creation of Yerschalaim scenes is the encyclopedic dictionary of Brockhaus and Ephron. It was from there that Bulgakov took information on the equipment, structure and armament of the Roman troops.
The novel is cleared of many inaccurate gospel events, as well as from some of the details of the Gospel Fabul unnecessary for the novel. The writer focused on his novel around two characters - Yeshua and Pilate. In the Yerschalaim scenes, "Master and Margarita" are much less than those acting, although the genre elected by the Bulgakov was to lead to the opposite.
In the finals of the novel, we see the procurator "on the rocky blasting flat top", lonely sitting in a heavy chair in this desert highlands. The last refuge of Pilate in the novel is a kind of analogue surrounded by the mountains of a deep well from the apocryphal legend.
Erschalaim scenes are the brightest part of the novel. From a variety of details, the author created a panorama of the life and life of people of the era, far from our days, giving her historical accuracy. The images described in these chapters are understandable to us to this day. These scenes enclose the philosophical line of the novel, its highest aesthetic point.
Modern Moscow world.
On the pages of Roman Moscow residents and their life, everyday life And care is satirically depicted. Woland flies in order to see what the inhabitants of Moscow are. To do this, he suits a session of black magic. And literally throws people with money, puts on expensive clothes. But not only greed
And the greed is inherent in them inhabiting the capital. In them alone and mercy. It is enough to remember the episode that happened on the unusual session when the leading program by Bengali hippo breaks his head off his shoulders. Seeing the lead without a head, Muscovites immediately ask Woland to return the head by Bengal. Here, as the words of Voland, you can characterize Moscow residents of the time.
"Well, that - the one thought thoughtfully - they are people like people, they love money; But it was always ... Humanity loves money, from anything they were made, from Lee Leather, from Paper, from bronze or gold. Well, frivolous ... Well, that ... and mercy sometimes knocks on their hearts ... Ordinary people ... in general, remind the same ... housing problem Just spoiled them ... "
Eternal otherworldly world.
"Demonology is something that neither mind, no reason to comprehend. It is alien to my nature, but I'm suspended. "
I.V.Guete
When describing the Sabbath in the "Master and Margarita", Bulgakov used a multitude of literary sources. In the preparatory materials for the first edition, discharge from the book of Orlova "Anthereser was preserved. Shabby playing. Sawdles and bells ", as well as from the article" Shabash Witch "of the encyclopedic dictionary. The author of this article indicates that witches and devils who are on popular beliefs are members of Shabash, originated from the ancient pagan gods and the goddesses traditionally portrayed on Borov. But this is exactly what the servant of Margarita is traveling - Natasha.
But the flight Margarita and Shabash are just a kind of prelude to the most striking scenes associated with the Great Ball and Satan.
According to the memories of E.S. Bulgakova, the initial description of the Bala varied greatly from the one we now know in the final text of the novel. At first it was a small ball in the bedroom of Voland, but during the disease Bulgakov rewrites him and the ball becomes big.
In order to describe such a grand ball, it was necessary to push the space of an ordinary Moscow apartment to supernatural sizes. And, as Koroviev explains, "those who are familiar with the fifth dimension," nothing should push the room to the desired limits.
Some details of the ballast scene are a certain extent focused on the articles of Brockhaus and Efron, and a number of other sources. So, abundantly deciding ballrooms by roses, Bulgakov, no doubt, took into account the complex and multifaceted symbolism associated with this flower. In the article of the encyclopedic dictionary on roses in ethnography, literature and art, it is noted that roses protruded both as a symbol of mourning, and as a symbol of love and purity.
Taking into account this, Bulgakov roses can be considered both as symbols of love Margarita to the master and as the foresight of their early death. The abundance of roses - a flower, an alien Russian tradition - emphasizes the foreign origin of the deviliads played in Moscow and its heroes, and if we recall the widespread use of roses to decorate Catholic worship services, roses give the ball to the Extra element - parody of church service.
When describing the ball, Satan - Bulgakov took into account the tradition of Russian symbolism. So, the Bal of Voland is called the "spring full moon, or a ball of a hundred kings," and Margarita performs on him as a queen. Bulgakov Margarita takes guests to Bala, standing on one knee. Guests are men in the trees, and naked women in hats with feathers kiss her and knee, and Margarita is forced to smile. During the ceremony, it is located on the marble staircase towering above.
The fact that Margarita is going through a string of villains, murderers, poisoners, libertines not by chance. The Bulgakov heroine suffers because of his betrayal to her husband and, let it be subconsciously, this misconduct puts in one row with the greatest crimes of the past and present. Woland, acquaintance of Margarita with famous villains and the libertines, as if he was experiencing her love for the master, strengthens the flour of her conscience.
A special position in the Bala scene occupies the image of Frida. Name itself causes many associations. It is close and to english word Freedom, meaning "freedom". She kills her child in infancy and with a nasal handker. Bulgakov in the episode with Frieda was important that the innocent baby was like the last measure of good and evil. The handkerchief, which Frida sees every evening on his table, is not only a symbol of the agony of the MUK conscience, but also the ghost of its existence of an intrusive idea.
Freds are given mercy. Her story is in something echoes with the history of Göthev Margarita from the "Faust" and is opposed to the fate of Bulgakovskaya Margarita, genetically ascending to this heroine tragedy Goethe.
The transformation of the head of the Berliosis in the bowl is a skull, from which wine and blood drinks, occurs in accurately according to the laws of the Shabash. Even in the preparatory materials for the first edition of the novel, there is an extract from the article "Shabash Witch": "Horsep skull, from which they drink." In the original source this place sounds like this: what the participants in the Shabash "eat horsepower meat, and drink drinks from cow's hoofs and horsepower." On the Ball of the Dead Woland, a specialist in "black magic", Satan, refers to the sliced \u200b\u200bhead of the Berlioz, on which "live, full thoughts and suffering eyes" are preserved: "... everyone will be given by his faith. Yes, it will come true! You go into non-existence, and I will be happy to be happy from the bowl into which you turn, drink for being. "
What kind of "faith" confesses the chairman of the massolist? In this context, it boils down to simple thoughts: "The life in man is stopped by the head of the head ... and he goes into oblivion." Woland raises the toast "For Genesis", toast for life.
However, "Life" is only a superficial, far from comprehensive content, vainted by the author to the concept of "Genesis". In a conversation, Voland with the Moscow writer on the Patriarch ponds we are talking about the evidence of the existence of God and, accordingly, the devil. Woland "begings" of his interlocutors: "Believe me at least that the devil exists." God and the devil - creatures spiritual world, spiritual value. Genesis - in a broad sense - the reality of the spiritual world rejected by Berlioz. The essence of his "faith" wave forms in ironic centance: "... what no longer have nothing." Such is the "faith" of Berlioz. Woland The point behind the point refutes the views of Berlioz, he proves that they contradict "facts", the most stubborn things in the world. "Full thoughts and suffering" eyes on a sliced \u200b\u200bhead show that the truth of the fact reached the restless consciousness of Berlioz.
Parallel rows of characters, emphasizing the compounds of worlds.
Parallel rows of characters, emphasizing the compounds of worlds.
There are no secondary heroes in the novel; But all characters Conditionally belong to three groups:
1) A priori - Yeshua, Pilate and Woland taken by us, as well as a Master with Margarita, which existed long to Bulgakov, and only included in the tissue of narration. Personality, of course, historical; About which it is written infinitely much and infinitely interesting. Regarding the origin of the last two heroes, the disputes are not afraid until now, and I believe that almost all researchers of this problem are equal to the right.
2) parody characters taken directly from life, and we do not have questions; Just funny to hell. Both Stepa Lyarkheev, and the Fondar Rimsky, and the poet-loser Ryukhin, and the brilliant Archibald Archibaldovich, and the entire charological world of the Griboedovsky house, discharged with her thorough care, but as mercilessly. Yes, there are few more, marked on the street or in line, struck at the meeting; For the book is the essence of the accumulation of the facts of the writer itself, with which no one argues, trying to find the correspondence of the fact of biography with the episode of the novel. But such direct dependence does not happen almost never, but they happen, as all we have strange associations, when two unfamiliar thoughts in a hurry and bustle are suddenly faced and generated by the third - brilliant and amazing. So they appear:
3) Mysterious heroes having their own history lying outside the measurement of the book.
Bibliography:
Brief reference book of schoolchildren 5-11 class, "Drop", Moscow 1997
B.V.Sokolov Roman M.Bulgakova "Master and Margarita". Essays creative history, "Nauka", Moscow 1991
V.P. Maslov The hidden leitmotif Roman M.A. Bullhakova "Master and Margarita". Izvestia Academy of Sciences, Series of Literature and Language, Volume No. 54, No. 6, 1995
www.rg.ru..
M. Hudakov Mikhail Bulgakov. The era and the fate of the artist. "Enlightenment", Moscow 1991
B.M. Sarnov to each of his faith. About the novel M. Bulgakov "Master and Margarita". MSU Moscow 1998
V.V. Pethelin Life Bulgakov. Finish earlier than die. CJSC "Centropoligraph", Moscow 2005
The priest Oleg Davydenko's teaching of the Orthodox Church of the Blessed Trinity. From lectures on dogmatic theology in the Orthodox Holy Tikhonovsky theological institute. 05/29/2004 G.
Three Worlds in the Roman Bulgakov "Master and Margarita" and their interaction
The novel consists of three worlds: our usual world, the Yerschalaim world ("light"), and the other world. All three worlds of the novel exist in constant and inseparable communication, are subjected to a constant assessment by the highest strength. Roman "Master and Margarita" is the most ingenious and most ambiguous work about love and moral debt, about the inhumanity of evil, about true creativity, which always seeks to light and good.
First World - Moscow Moscow is shown Bulgakov with love, but also with pain. This is a beautiful city, a little fussy, intricate, full of life.
But how many sophisticated humor, how much frank rejection in the image of people inhabiting the capital!
In the literary environment, talent was successfully replaced by breaking abilities, trick, lies, meanness. From now on, the price of success is not recognized by the people, but the cottage in Peredelkin!
Brilliant shown crooks, careerists, aircraft. All them overtakes the deserved retribution. But the punishment is not terrible, they laugh at him, putting into ridiculous situations, bringing their own features and shortcomings to the absurdity.
Greedy to the gift machine get in the theater things that disappear as a cinderella ball gown, money that turn into a paper.
Woland is in the center of the "Eternal Sustworn" World. The author gives this hero with quite broad powers, throughout the novel he judges, pecks fate, gives everyone by faith. World of Satan
Woland belongs to a lot of the most intelligent and instructive statements carrying deep meaning.
People live, fuss, fit out, ridiculous die. He will say about them like this: "People like people. They love money, but it was always ... and mercy sometimes knocks on their hearts ... Ordinary people ... in general, remind the same ... the apartment question only spoiled them ... "
In a conversation with Margapita Woland, it utters stunning words: "Never ask for nothing! Never anything, and especially those who are stronger than you. Assay will offer everything "
Woland expresses the favorite thought of Bulgakov: "Everyone will be given on his faith"
Woland, "Sweet" and all "dark power" reveal, expose, seduce. The only ones who take the test is the master and margarita, and the master, it turns out, still deserves peace. Margarita is the only person who caused admiration for Voland and his suits to his honesty, morality, pride, the ability to love so selflessly. For a difficult work, he thanked her, she once again amazed by the fact that she did not require anything ...
Biblical world in the "Yerschalay" chapters the most acute sound acquire the main topics of the work: the topic of moral choices, the responsibility of a person for their actions, punishment of conscience.
M. Bulgakov concentrated the effect of the novel around the two character - Yeshua and Pilate. Yeshua is in the center of the "Ershalaim" world. He is a philosopher, a wanderer, a preacher of good, love and mercy, is the embodiment of a clean idea in the novel entering the unequal battle with legal right.
In Pontius, we see the Grozny Lord. He is Hmur, lonely, the burden of life is it. Almighty Pilate recognized Yeshua equal to himself. And he became interested in his teaching. But he is not able to overcome the fear of the debt of Caifa
Despite the fact that the plot seems completed - Yeshua Kaznen, the impression arises that Yeshua did not die. It seems that the word "died" is not in the episodes of the novel.
Pilate - the carrier and personification of the "the most terrible vice" - the cowardice of the repentance and sufferings of the pilate will take up his guilt and receives forgiveness ...
Conclusion in the "Master and Margarita" modernity is tested by eternal truths. All occurring events are inextricably linked among themselves, they emphasize and help to understand the immutability of the nature of man, the concepts of good and evil, eternal human values \u200b\u200b...
Objectives lesson:
- Show genre I. composite peculiarity Roman M. Bulgakov "Master and Margarita".
- Philosophical understanding The numbers "three" in the novel M. Bulgakov "Master and Margarita".
- Understand the features of the interpenetration of the three worlds in the novel.
- Render moral lessons, The main values \u200b\u200bthat the writer speaks about.
- Promote the development of interest in the personality and creativity of the writer.
Equipment lesson: Multimedia installation, CD with an electronic lesson record, exhibition of books-works of writer, stand "Life and creativity M.A. Bulgakova", Newspaper "Satira in Roman M. Bulgakov" Master and Margarita ", installation on the topic.
Lesson plan.
Teacher's introductory word.
Hello, dear guys, dear guests! 11B Class School No. 78 of the Volga district of Kazan welcomes you at the lesson on the topic: "Three Worlds in the Roman M. Bulgakov" Master and Margarita ".
Today we will continue to study the novel created by M. Bulgakov. So, the goals of our lesson are as follows:
1. Show genre and composite peculiarity of the novel M. Bulgakov "Master and Margarita".
2. Pay attention to the symbolism of the number "Three" in the novel M. Bulgakov "Master and Margarita".
3. To comprehend the interpenetration of the three worlds.
4. Take the moral lessons, the main values \u200b\u200bthat the writer speaks about.
We have three groups that will present the three world of the novel:
Yerschalaim world;
Moscow reality;
Fantasy world.
1) Messages of prepared disciples (philosophy of P.Florensky, Krasovgorodiy about the Trochnyy of Genesis)
2) group work
So, the first group works.
Ancient Yerschalaimsky Mir
Teacher:
How does the character of Pilate reveals his portrait?
How does Pilate behave at the beginning of the meeting with Yeshua and at the end of their meeting?
What is the main conviction of Yeshua?
The idea of \u200b\u200bthe work: all power is violent over people, "the time will come, when there is no Caesar, no other power."
Who is the personification of power?
The personification of power, the central figure is Pontius Pilate, the procurator of the Jews.
What depicts Bulgakov Pilate?
Pilate cruel, he is called a fierce monster. With this nickname, he only boasts, because the law of force rules the world. Behind the shoulders of Pilate a great life of a warrior, a complete struggle, deprivation, deadly danger. It only wins a strong, not knowing fear and doubts, pity and compassion. Pilate knows that the winner is always alone, he can't have friends, only enemies and envious. He despises in black. He indifferently sends someone's execution and lighters others. There is no equal, there is no person with whom he would just like to talk. Pilate sure: the world is based on violence and power.
Compilation of cluster.
Find the interrogation scene (Chapter 2) Pilate asks a question that does not need to be asked to interrogate. What is this question?
"What is the truth?"
The life of Pilate has long been in a dead end. Power and greatness did not make it happy. He is dead soul. And the man came to the new meaning of life. The hero gets up with a choice: to save in anything of the wrong stray philosopher and lose power, and perhaps life - or to preserve their position, executing the innocent and adopting against conscience. In essence, this is the choice between physical and spiritual death. Being not able to make a choice, he pushes Yeshua to compromise. But a compromise for Yeshua is impossible. The truth is more expensive for him. Pilate decides to save Yeshua from execution. But Caifa is adamant: Synedrene does not change the solutions.
Why does Pilate assert the death sentence?
What is the Pilate Put?
"Cowardice-the most gravity vice," - repeats Woland (chapter 32, night flight scene). Pilate says that "most of all in the world hates their immortality and unheard of glory" and here the master is entering: "Free! Free! He is waiting for you!" Pilate is forgiven.
Modern Moscow world
Never talk to unknown.
PRESENTATION.
What does the master say about Berlioz? Why?
Pupils:
The master responds about him as well-read and very cunning man. Berlioza is given a lot, and it consciously finds the level of the well-despised poet workers. For him there is no God nor the devil, nothing at all. In addition to ordinary reality. Where he knows everything in advance and always not be limitless, but quite real power. None of the subordinates are engaged in literature: they are only interested in the delegation of material goods and privileges.
Why is Berlioz so scary?
For what he is an atheist? For what he adapts to the new power? For being seduced by the unbelief of the Ivanoshek homeless?
Wanda annoyed: "What is it, what you have, nothing!" Berlioz and gets "nothing", non-existence. Gets in its faith.
Everyone will be given according to his faith (ch.23) insisting that Jesus Christ did not exist, Berlioz, thereby denies his preaching of good and mercy, truth and justice, the idea of \u200b\u200bgoodwill. Chairman of the massolist, editor of thick journals, living in the authorities, based on rationality, feasibility, devoid of moral bases, denying faith in the existence of metaphysical principles, he imposes these dogmas in human minds, which is especially dangerous for young rapid consciousness, so the "murder" of Berlioz Komsomolskaya acquires a deep symbolic meaning. Without faithful in the mother, he goes into oblivion.
What are the objects and techniques of the Bulgakovskaya satire?
- Stepa Lyarkheev (GL.7)
- Varenuha (Ch.10.14)
- Nikanor Ivanovich Bosoya (GL.9)
- Buffetcher (ch.18)
- Annushka (Ch.24.27)
- Alisia Mogarych (Ch.24)
Punishment in the people themselves.
Critics Latvian and Lavrovich also people clothed with power, but deprived of morality. They are indifferent to everything, except for their career. They are endowed with intelligence and knowledge and erudition. And all this is consciously delivered to the service of vicious power. History such people are sent to non-existence.
Citizens have changed very much externally ... A much more important question: did these citizens changed internally?
Responding to this question, unclean force enters into a case, conducts one experiment after another, arranges mass hypnosis, purely scientific experience. And people show their true face. The session of exposure was a success.
Miracles demonstrated by the wave retirement, there is satisfaction of the hidden desires of people. The decency flies with people, and the eternal human vices are manifested: greed, cruelty, korestolyvy, falsehood, and a chanting ...
Weld sums up: "Well, they are people like people ... love money, but it has always been ... Ordinary people .. in general, remind the same, the apartment question only spoiled them ...
What fun is happily, mocks unclean power? What means by the author depicts inres?
The image of the Moscow Meshism serve cartoon, grotesque. Fantasy will be a satire tool.
Master and Margarita
Who told you that not in the light of the real, faithful, eternal love?
Yes, it will be cut off his vile language!
Margarita - earthly, sinful woman.
What did Margarita deserve a special mercy of the highest forces, managing the universe?
Margarita is likely to be one of those hundred and twenty-two margaries that Korovyev told, knows what love is.
Love-second way to ultrafreality, just like creativity - this is what can withstand the ever-existing evil. The concepts of good, forgiveness, responsibility, truth, harmony are connected with love and creativity. In the name of love, Margarita makes a feat, overcoming fear and weakness, defeating circumstances, without requiring anything. Margarita-carrier of huge poetic and inspirational love. It is capable of not only the limitless completeness of feelings, but also for devotion (like Levy Matvey) and on the feat of loyalty. Margarita is able to fight for his master. She knows how to fight, defending her love and faith. Not a master, but Margarita itself is associated with the devil and enters the world of black magic. At this risk and feat of the heroine Bulgakov goes in the name of the Great Love.
Find confirmation in the text.
Scene of the Bala in Voland (Chapter 23), the scene of the forgiveness of Frida (Chapter 24).
Margarita values \u200b\u200bnovel more than the master. Master saves the power of his love, he acquires peace. The true values \u200b\u200bapproved by the author of the Roman: Freedom of Personality, Mercy, Honesty, True, Faith, Love, are associated with the theme of creativity and the theme of Love Margarita.
Compilation of cluster.
So, what is the leading problem rises in real narration plan?
The relationship of the creator-artist and society.
What is the master look like Yeshua?
They are related to the truthfulness, integrity, devotion to their faith, independence, the ability to empathize someone else's grief. But the master did not show the necessary resistance, did not defend his dignity. Did not fulfill his debt and turned out to be broken. That is why he burns his novel.
Otherworld world
PRESENTATION.
Who did Wolve come to Earth?
Woland came to the ground not alone. He was accompanied by creatures, which in the novel to play the role of jesters in the novel, organize all sorts of shows, disgusting and hated indulgent Moscow people (they simply turned the human flavors and weaknesses inside out).
For what purpose of Woland and his retinue found themselves in Moscow?
Their task was to make all the black work for Voland, to serve him, prepare Margarita to the Grand Ball and to the journey of her and the masters in peace of rest.
Who was the Woland's Speed?
The Woland's Speed \u200b\u200bwas three "Main Shutters: Behemotus Cat, Koroviev-Fagot, Azazello and a Vampire Gella girl.
The problem is the meaning of life.
Woland's gang, creating murder, abuse, deception, reality and monstrous. Woland does not betray, does not lie, does not sow evil. He detects, manifests, reveals a vast thing in life, so that it all shout. On the chest the sign of the scarab. He has a powerful magical force, a scholar, a gift of prophecy.
Compilation of cluster.
What reality in Moscow?
Real, catastrophically developing reality. It is clear that the world is surrounded by ribs, bribes, podhalima, sweatshirts, fitlights, korestolyubtsy. And it ripens, grows and falls on their heads Bulgakovskaya satire, whose conductors become aliens from the world of darkness.
Punishment gets different formsBut it is always fair, committed in the name of good and deeply instructive.
What is similar to Herschalaim and Moscow?
Similar to Ershalaim and Moscow and the scenery, and the hierarchy of life, and the nravami. The generals are tyranny, an unfair court, denunciations, executions, enmity.
3) Analysis of individual works:
Compilation of clusters (images of Yeshua, Pilate Pilate, Master, Margarita, Voland, etc.);
Presentation of student work.
4) The results of the lesson, conclusions.
- all book plans are combined by the problem of good and evil;
- topics: Truth search, creativity theme
- all these layers and space-time spheres at the end of the book merge.
Genre Synthetic:
And satirical novel
And comic epic
And utopia with fiction elements
And historical narration.
Installation and answer to the main issue of the lesson
So in the name of what you can climb on Calvary? In the name of which Jesus Christ, Yeshua, contemporaries of the writer, M.A. Bulgakov himself went to flour?
The main conclusion:
You can go on Calvary in the name of truth, creativity, love - the author believes.
5) Homework: Essay on the topic: "Human Mercy" (Fragment of the Art Film V.Bortko "Master and Margarita" - Master forgives P. Pyola).
LITERATURE
1. Andreyevskaya M. About "Master and Margarita". Review, 1991. №5.
2. Belozerskaya - Bulgakov L. Memories. M. Hood. Literature, 1989. P. 183 - 184.
3. Bulgakov M. Master and Margarita. M. Young Guard. 1989. 269 p.
4. Galinskaya I. Riddles of famous books. M. Science, 1986. P. 65 - 125.
5. Goethe and - V. Faust. Readings on foreign literature. M. Enlightenment, 1969. P. 261
6. Gudkova V. Mikhail Bulgakov: Expansion of the Circle. Friendship of Peoples, 1991. №5. Pp. 262 - 270.
7. Gospel from Matthew. "Collection on the night of 14 Nisana" Ekaterinburg Mesh.-Ural. KN.Isd-in 1991 p. 36 - 93.
8. Zolotonosov M. Satan in unbearable brilliance. Lithing. Education. 1991. Number 5.
9. Karsalova E. Conscience, Truth, Humanity. Roman Bulgakova "Master and Margarita" in graduation class. Literature at school. 1994. No. 1. S.72 - 78.
10. Kryvelev I. What a story about Jesus Christ knows. M. owl. Russia. 1969.
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14..Sight internet:
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- 5 ka.at.ua.
- referatik.ru.
- svetotatyana.narod.ru.
"... Trochka is the most common nature of being of Genesis."
P. A. Florensky
"Master and Margarita" - Roman Satirical, Roman Fantastic, Roman Philosophical. Roman about love and work ... about death and immortality ... about strength and impotence ... What is wine and retribution? What is power? What are fearlessness, fear, cowardice? What is the current time? And what is a man in time? What is the truth or the path to the truth?
Three-dimensional structures of the Roman expresses the philosophy of Bulgakov. The writer argued that the trocheus corresponds to the truth. There are also pro-black-temporal, and the ethical concept of the novel.
Three Master and Margarita Worlds correspond to three groups of characters, and representatives of different worlds Forming peculiar triads. They are volumes of their role and similar interaction with other heroes, as well as portrait researchers. Eight triads are represented in the novel: Pontius Pilate, the procurator of Judea - Woland, "Prince of Darkness" - Professor Stravinsky, Director of the Psychiatric Clinic; Afranny, First Assistant Pilate - Fagot-Koroviev, First Assistant Voland - Doctor Fyodor Vasilyevich, First Assistant Stravinsky; Kenturion Mark Rat - Azazello, a demon of anhydrous desert - Archibald Archibaldovich, director of the restaurant "Griboedo-Va"; Pins Banchan - Hippopot Cat - Militia Dog Tuzbuben; Niza, Agent Agens - Gella, Fagota-Korovyeva's maid - Natasha, Margarita maid; Chairman of the Sedrin Caifa - Chairman of the Massolite Berlioz - Es-Vestly in Torgsin; Judas from Kiriafa - Baron Maigel - Journalist Aloiezia Mogarych; Levie Matthew, follower of Yeshua - Poet Ivan Homeless, student Masters - Poet Alexander Rühin.
Let us turn to one of the significant triads of the novel: Pontius Pilate - Woland - Stravinsky. "In the White Cloak with a bloody approach" appears in the Yerschalaim world of Pondi Pilate. In the Moscow world, the action is due to Woland, who, like the procurator of Judea, has its own retinue. Stravinsky government is a clinic, determines the fate of those who have fallen into him as a result of communicating with Satan and his servants. It seems that the course of events in the clinic is sent by the actions of the Stravinsky, "small" similarity of Voland. Woland - "Ma Linskoye" like Pilate, for "Prince of Darkness" almost thoroughly deprived of any experiences that are so richly endowed with the tormented of the cowner of the Jews (courage on the battlefield and civilian labor - as often watched Such Bulgakov has its own contemporaries). Pilate Pilate to save Yeshua, but, in the end, send him to death, involuntarily becomes immortal. And in modern Moscow, Eternal Woland Spa Sayet Masters and gives him a reward. But the Creator must die, and with him Margarita. Retreat they get in the past world. Immortality gives the master written by a brilliant novel, and Margarita is its true sincere love. Stravinsky also "saves" a master who has become a victim of unclean strength; Only "salvation" is parody, because the professor can offer the master absolute inaccessible peace of psychorechenetic.
The power of each of the powerful characters of this triad is imagined. Pilate is unable to change the course of events and save Yeshua. Woland, in turn, only predicts the future. So, Berlioosis dies under the tram wheels. Not because Satan "presented" to him the tram and Annushka, but because slipped on the oil. Power of Straviansky is generally ghostly: he is not able to deprive Ivan the homeless memories of Pilate and about the death of Yeshua, about the master and his beloved, not able to prevent the Master's earthly death and transfer it to the other world. Material from site.
There is also a portrait similarity between these heroes: Woland "In the form of the Soro-Ka-ka years" and "will shake smooth". Stravinsky - "Carefully, an in-acts of a man of years of forty-five". Satan "the right eye is black, left for some reason", and "right with the gold spark on the bottom, drilling anyone to the bottom of the soul ...", a professor of the eye "Pleasant but piercing". The external similarity of Stravinsky with the Pilate notes Ivan Homeless (Stravinsky, as well as the tartor, also speaks Latin). Pilate and wave are also similar. During the interrogation of Yeshua, the face of a pilaw from yellow becomes brown, and "the skin on the face of Voland as if forever burned the tan."
Almost times and forever, this strict hierarchy reigns in the past world, reflecting the hierarchy of the ancient Yerschalaim world and modern Moscow.
Modern Bulgakov The world is also hierarchical: theater variety, the clinic of Stravinsky, massol. And only the master, Yeshua and Margarita rules love. Master and Yeshua have no place in such a world where the hierarchy reigns. Nevertheless, the author is convinced that above all social, political, household problems. Sensitive: love, joy.
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On this page, material on the themes:
- characteristic Triad in the Roman Master and Margarita
- master and Margarita Animal Triads
- it is known that in the novel master and margarita allocated three worlds
- as presented 3 worlds in the Master and Margarita novel
- characteristic of the Jew. In the novel Master and Margarita
Roman "Master and Margarita" - a mystery. Each person who read it opens his meaning in it. The text of the work is so saturated with the problems that the main thing is very difficult to find, I would even say, it is impossible.
The main difficulty is that several reality is intertwined in the novel: on the one hand, the Soviet life of Moscow 20-30s, on the other, the city of Yershalaim, and finally, is the reality of all-powerful Voland.
First World - Moscow 20-30s.
Satan came to Moscow to commit justice, rescue the master, his masterpiece and margarita. He sees that Moscow has become a similarity of the Great Bala: it is inhabited by traitors, jams, podkhales, bribery, currency. Bulgakov represented them as in the form of individual characters and in the form of employees of the following institutions: massolite, theater Varity and the spectacular commission. Each person has vices that the wave exposes. More serious sin assumed workers in Melzlit, calling themselves to writers and scientists. These people know a lot and at the same time consciously lead people from the search for truth, make an unfortunate ingenious master. For this Kara overtakes Griboedov's house, where Massolo is located. The Moscow population does not want to believe without evidence, nor in God or the devil. In my opinion, Bulgakov hoped that someday people realize that horror that was absorbed by Russia for many years, as I was realized by the homeless thing that the poems were terrible. But during the life of Bulgakov this did not happen.
The second world is Yershalaim.
A lot of characteristic, inherent in him and at the same time uniting parts with Moscow are connected with Ersshalaim. This is a grooming sun, narrow tangled streets, terrain relief. Especially surprising the similarity of some elevations: Pashkov's house in Moscow and Palace of Pilate, located above the roofs of urban homes; Bald Mountain and Vorobyev Mountains. It is also possible to pay attention to the fact that if the hill with crucified Yeshua is surrounded in Ershalaim, then in Moscow with its leaving her wave. Just three days is described from the life of the city. Fighting good with evil does not stop and cannot stop. The main character The ancient world of Yeshua is very similar to Jesus. He is also a simple mortal who remained incomprehensible. Yershalaim, invented by the master, - fantasy. But it is he who looks in the novel the most realistic.
The third world is mystical, fantastic wave and his retinue.
Mysticism in the novel plays a completely realistic role and can serve as an example of the contradictions of reality. Heads the exterior world of Woland. He is the devil, Satan, "Prince of Darkness", "Spirit of Evil and the Lord of Shadows." The unclean power in the "Master and Margarita" exposes people's defects before us. Here and the features of Koroviev - Spinning Zabuldig. Here and the beat of the hippopotamus, very similar to humans and at times, turning into a person, very similar to the cat. Here and hooligan azazello with ugly fang. Woland personifies eternity. He is eternally existing evil, which is necessary for the existence of good. In the novel, the traditional image of Satan was changed: this is no longer immoral, evil, treacherous devout. Unclean power appears in Moscow with revisions. She is interested in whether the townspeople changed internally. Watching the public in Varieta, "Professor of Black Magic" leans to the thought, that in fact nothing has changed. The unclean force appears before us as an evil human will, being an instrument of punishment, the top of the goat with the filing of people. I seemed fair, objective to me, and his justice was manifested not only in the punishment of some heroes. Thanks to him, the Master and Margarita are reunited.
All the heroes of the novel are closely related to each other, without the existence of some, there would be an impossible existence of others, as can not be light without darkness. Roman "Master and Margarita" tells about the responsibility of a person for their actions. Actions are combined with one idea - the search for truth and the struggle for it. Enough, distrust, envy reign in the world at all times. This novel belongs to those works that need to be reread to understand the subtext deeper, see new items, which could not pay attention to the first time. This happens not only because the novel affects many philosophical problems, but also due to the complex "three-dimensional" structure of the work.