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Olga Ilinskaya meaning name and surname. Material for essay. Ilyinskaya Olga Sergeevna - characteristic of the literary hero (character). Working characteristics and image of Olga Ilinskaya

Characteristic Olga Ilinskaya in the godman of Goncharov "Oblomov" allows you to better learn and understand this character. This is the main female image that plays a material role.

Roman Goncharov

Characteristic Olga Ilinskaya is needed to better understand the essence of this work.

It should be noted that Ivan Goncharov worked over the novel for 12 years - from 1847 to 1859. He entered his famous trilogy, along with the "breakdown" and "ordinary history".

In many ways, Goncharov wrote "Oblomov" for so long due to the fact that the work was constantly interrupted. Including because of the world journey, in which the writer went on this trip, he dedicated way essays, only posing them, he returned to writing "Oblomov". An essential breakthrough happened in the summer of 1857 at the Marienbad resort. There, in a few weeks, Goncharov finished most of the work.

Plot Romana

Roman tells about the fate of the Russian landowner Ilya Ilyich Oblomov. He lives in St. Petersburg with his servant named Zakhar. Many days spend lying on the sofa, sometimes without getting up at all. He does not do anything, is not published, but only dreams of a cozy life in his estate. It seems that no troubles are capable of moving it off. No decline in which his farm comes, neither the threat of eviction from the St. Petersburg apartment.

Share Oblomov is trying his childhood friend named Andrei Stolz. He is a representative of the divorce Germans, is the exact opposite of the bug. Always very active and energetic. He makes Oblomov for some time to go into the light, there the landowner meets Olga Ilinskaya, whose characteristic is in this article. This is a modern and progressively thinking woman. After many random bugs are solved and makes it a proposal.

Moving Oblomov

Ilyinskaya is not indifferent to Oblomov, but he himself spoils everything when it is amenable to Tarantyev's intrigue and moves to the Vyborg side. At that time, this is actually rural outflow of the city.

Oblomov turns out to be in the house of Agafa Wsten, who over time takes to the hands of all his economy. Ilya Ilyich himself gradually fade in complete inseparable and bravery. Meanwhile, there are already rumors about the upcoming wedding of heroes. But when Ilinskaya comes to him into the house, it is convinced that nothing can ever be able to awaken. Their relationship then stop.

In addition, the bugs are influenced by the brother of Wentycian Ivan Mukhoyarov, who confuses the main character in his frauds. Upset Ilya Ilyich is seriously ill, only Stolz saves it from full ruin.

Wife Oblomov

After breaking with Ilinskaya, the bugs in a year marries wheat. They are born a son, which in honor of the gallery is called Andrey.

Disappointed in his first love, Ilyinskaya eventually marries gallery. At the very end of the novel, he comes to visit Oblomov and cares to a friend with patients and finally broken. Because of the low-voluminous at an early age he had a stroke, Ilya Ilyich, hesitates his ambulance death, asks for the gallery not to quit his son.

Two years later the main character Dies in a dream. His son takes to upbringing gallery and Ilinskaya. The faithful servant of Oblomov Zakhar, who survived his master, although it was much older than him, begins to drink and ask for alms.

Image of Ilinskaya

Characteristic Olga Ilinskaya must begin with the fact that it is a bright and complex image. At the very beginning, the reader meets with her as with a young girl who only begins to develop. Throughout the novel, we can observe how it matures, reveals as a woman and mother, becomes an independent person.

In childhood, Ilyinskaya receives high-quality education. She reads a lot, disassembled into it is constantly in development, seeks to achieve all new goals. In it, everything speaks of its own dignity, beauty and inner strength.

Relationships with broom

In the novel "Olga Ilyinskaya, the characteristic of which is given in this article, appears before us a very young girl. She will know the world around, tries to figure out how everything is arranged around.

The key point is becoming love for broom. Olga Ilinskaya, characteristic of the character you read now, covers a strong and inspiring feeling. But it was doomed, because young people did not want to take each other as they were in reality. Instead, they created some ephemeral semi-deed images in which they fell in love.

Why can't they decide on indigenous changes in their probable joint relationships to become a reality? For Olga itself, love for breakdown becomes a debt, she believes that it is obliged to change inner world His beloved, to re-educate him, turning into an absolutely other person.

It is worth recognizing that, first of all, her love was based on egoism and personal ambitions. More than feelings To the breakdown for her was the opportunity to be made by its achievements. She was interested in this relationship the opportunity to change a person, help him to rise above himself, turn into an active and energetic husband. It was about such fate dreamed Ilyinskaya.

In the novel "Oblomov" comparative characteristics in the Table of Olga Ilinskaya and wheat immediately makes it possible to understand how much these heroines do not care.

Married by Stolz

As we know, nothing came out of relationships with broom. Ilyinskaya married gallery. Their novel developed slowly, began with sincere friendship. Originally, Olga herself perceived the gallery more as a mentor who was an inspiring figure for her in its own inaccessible.

In the characteristic of Olga Ilinskaya quotation, you can lead to better understand its relationship with Andrey. "He was too far ahead of her, too higher her, so that his pride sometimes suffered from this misfortune, from the distance in their minds and the years" - so Goncharov writes about her attitude to the gallery.

This marriage helped her to recover after breaking with the broom. Their joint relationship looked logical, as the heroes were similar in nature - both active and purposeful, it can be seen in the novel "Oblomov". The comparative characteristic of Olga Ilinskaya and Agafa Wheat is given in this article below. It helps better understand the actions of these characters.

Over time, everything has changed. Stolz no longer helped to keep up with a constantly seeking Olga. And Ilyinskaya began to be disappointed in family life, in the fate itself, which was intended for her initially. At the same time, she finds himself as a mother for the son of Oblomov, whom she with the gallery takes on the upbringing after the death of Ilya Ilyich.

Comparison with AGAFIE PSHATICS

With a characteristic of Olga Ilinskaya and Agafia wheat, it should be noted that the second woman who loved Oblomov became a widow of a small official. She is an ideal hostess who can not sit without a business, constantly cares about purity and order in the house.

At the same time, the comparative characteristic of the Agafa Wentycian and Olga Ilinskaya will be in favor of the latter. After all, Agafia is a poorly educated non-cultural person. When the bugs ask her about what she reads, she only stupidly looking at him, not answering anything. But she still attracted Oblomov. Most likely, the fact that it fully corresponded to his familiar lifestyle. It provided the conditions as comfortable for him - silence, tasty and abundant food and peace. She becomes a gentle and caring nanny. At the same time, she finally killed the human feelings woken up in it, which so tried to wake Olga Ilinskaya. The characteristic in the table of these two heroin makes it possible to better understand them.

Comparison with Tatiana Larina

Interestingly, many researchers give comparative characteristic Olga Ilinskaya and Tatyana Larina. Indeed, if you do not go into details, at first glance, these heroines are very similar to each other. The reader bribes their simplicity, naturalness, indifference to secular life.

It was in Olga Ilinskaya that the features that traditionally attracted Russian writers in any woman are manifested. This is the lack of artificiality, live beauty. Ilyinskaya differs from the modern women to her the fact that she lacks ordinary female happiness.

It feels a hidden strength of character, she always has its own opinion, which she is ready to defend in any situation. Ilinskaya continues the gallery of the beautiful female images In Russian literature, which Pushkinskaya Tatiana Larina opened. These are morally immaculate women who are correct to debt, agree only to compassionate life.

Ilyinskaya Olga Sergeevna

Oblomov
Roman (1849-1857, publ. 1859)

Ilinskaya Olga Sergeevna is one of the main characters of Roman, a bright and strong character. Possible prototype I. - Elizabeth Tolstaya, the only love of Goncharov, although some researchers reject this hypothesis. "Olga in a strict sense was not a beauty, that is, there was no whiteness in her, no bright flavor of the cheeks and lips, and the eyes did not burn the rays of the inner fire; Neither corals on the lips nor pearls in the mouth were nor minimature hands, like a five-year-old child, with fingers in the form of grapes. But if it would turn it into a statue, she would be a statue of grace and harmony. "

Since orphaned, I. lives in the house of his aunt Maryia Mikhailovna. Goncharov emphasizes the rapid spiritual ripening of the heroine: she "as if he listened to the course of life not by day, but by the hour. And every hour of the slightest, barely noticeable experience, the case, which flashes, like a bird past the nose of a man, grasps inexplicably quickly girl. "

I. And Oblomov introduces Andrei Ivanovich Stolz. How, when and where galleries and I., it is unknown, but the relationship connecting these characters is distinguished by sincere mutual burden and confidence. "... In a rare girl, you will meet such simplicity and natural freedom of view, words, actions ... Neither the chewing, nor flirts, no lies, no tinsel or intent! But she appreciated it almost one galley, but it was not one Mazurka. She sat alone, without hiding boredoms ... Some considered her simple, not enough, shallow, because they did not reveal from her tongue neither wise years of life, about love, nor fast, Unexpected and bold replicas, nor consistent or illuminated judgments about music and literature ... "

Stolz leads Oblomov to the house I. Not by chance: knowing that it possesses an inquisitive mind and deep feelings, he hopes that his spiritual requests will be able to awaken Oblomov - make him more and choose to read, watch, learn. Oblomov in one of the first meetings was captured by her amazing voice - I. Sings Aria from the Opera Bellini "Norma", the famous "Casta Diva", and "It destroyed Oblomov: He is exhausted," is more and more immersing in a new feeling.

Literary predecessor I. - Tatyana Larina (Evgeny Onegin). But as a heroine of a different historical time, I. more confident in herself, her mind requires constant work. This was noted by N. A. Dobrolyubov in the article "What is a breakdown?": "Olga in its development represents the highest ideal, which can now be a Russian artist call out of the present Russian life ... in it, more than in the gallery, You can see a hint of new Russian life; From it you can expect a word that burns and dispels the breakdown ... "

But this is I. in the novel. It is not given that the phenomena of a different order similar to her Heroine of Goncharov's faith from the "cliff" dispelled. Olga's character, fused at the same time from strength and weakness, knowledge about life and inability to inform others with this knowledge, will be developed in Russian literature - in the heroons of Dramaturgia A. P. Chekhov - in particular, in Elena Andreevna and Sona Varnitsy from "Uncle Vani".

The main property I., inherent in many female characters Russian literature of the last century, is not just a love for a particular person, and the indispensable desire to change it, raise up to his ideal, to re-educate, putting it new concepts, new tastes. Oblomov turns out to be the most suitable object: "She dreamed like" orders him to read the books, "who left the gallery, then read the newspaper every day and tell her the news, write letters to the village, add a device plan to get ready to go abroad, - In a word, he is not a coast of her; She will indicate him a goal, makes love again everything that he sobbed, and the gallery does not recognize him, turning around. And all this miracle will make it, such a timid, silent, who has so far has not listened to, which has not yet started living! .. She even shuddered from proud, joyful trepidation; I considered it a lesson appointed over. "

Here you can compare its character with the character of Lisa Kalitina from Roman I. S. Turgenev " Noble Nest", With Elena from his own" on the eve. " The re-education becomes the goal, the goal is so much so moved to the side everything else, and the sense of love gradually obeys the teaching. The school in some sense consolidates and enriches love. It is from this that happens "Show. That serious change that I struck the gallery when I was meeting with her abroad, where she, together with aunt, came after a break with the broom.

I. Immediately understands that in relations with the broomstone it owns the main role, "she migrated his power over him, and she liked this role of a guide star, the beam of the light that she will pop out over the standing lake and will affect it." Life seems to wake up "Shv. Together with the life of Oblomov. But in it this process is much more intense than in Ilya Ilyce. I. Like the woman and teacher simultaneously checks on it at the same time. Its outstanding mind and soul require more and more "complex" food. It is not by chance that at some point, the bugs sees in it Cordelia: all the feelings I. permeates simple, natural, like the Shakespiest heroine, pride, prompted to realize the treasures of his soul as a happy and well-deserved dality: "What happened to his own, that's no longer I will give back, unless they ... "- she says a broom.

»Welight I. To Oblomovoy is solo and harmonious: she just loves, while the bugs are constantly trying to figure out the depth of this love, because it suffers, believing that I." Loves now, how embroiders on Canva: quietly, lazily comes out the pattern, she is still Lenive deployed him, admires, then put and forget. " When Ilya Ilyich says heroine that she is smarter than him, I. replies: "No, easier and bolder", thereby expressing it almost defining the line of their relationship.

I. It is unlikely that herself knows that the feeling experienced more reminiscent of a complex experiment than the first love. She does not say to the Oblomovo that all the cases were settled on her estate, with one goal - "... to make it up to the end, as in his lazy soul, love will make a coup, as he finally falls away from him, he does not defend him in front of Happiness ... ". But, as any experiment on a living soul, this experience cannot be successful. I. It is necessary to see his chosen one on the pedestal, above himself, and this, according to the author's concept, is impossible. Even Stolz, for whom, after an unsuccessful novel with Oblombov, I. gets married, only temporarily standing higher than she, and the potters emphasizes it. It becomes clear to the final that I. will turn his husband and on the power of feelings, and in the depths of reflection about life.

Realizing how far its ideals dismiss with the ideals of Oblomov, who dreams of living according to the old estate of his native crushing, I. is forced to abandon further experiments. "I loved the future Oblomov! - She says Ilya Ilyich. - You are meek, honest, Ilya; You are gentle ... as a pigeon; You hide your head under the wing - and do not want anything more; You are ready to proclaim all my life under the roof ... Yes, I'm not like this: I don't have something else, I need something else, but I don't know! " It "something" will not leave

And.: Even having survived the gap with the broom and happily getting married by Stolz, she will not calm down. The moment will come when the gallery will come before the need to explain to his wife, the mother of two children, the mysterious "something", who does not give peace of her rolling soul. "Deep the abyss of her soul" does not scare, but disturbing the gallery. In I., which he knew almost a girl, to which friendship was experiencing first, and then love, he gradually discovers all new and unexpected depths. It is difficult to get used to the gallery to them, because his happiness with I. seems largely problematic.

"Shears that I. extracts fear:" She was afraid to fall into something similar to Oblomovskaya Apath. But how neither she tried to sell these moments of periodic stupor, sleep soul, there is no happiness to her first, he will first sole happiness, surroundings her blue night and envelops with a dormary, then again the thoughtful stop, like a rest of life, and then embarrassment, fear , Tomorrow, some kind of deaf sadness, hear some vague, foggy questions in a restless head. "


Olga Ilinskaya - the secular young lady, she, like Nadya Liecomy, knows life with her light side; It is provided and not interested in particularly, where her means are taken from. Her life, however, is much more substantially more than the life of Nadya or the wife of Aduuyev-Sr.; She is engaged in music and does it not in fashion, but because it is capable of enjoying the beauty of art; She reads a lot, follows the literature, for science. Her mind constantly works; In it, one after another arise questions and bewilderment, and the gallery with broken barely managed to read everything you need to explain the questions of interest.

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In general, the head is dominated above the heart, and in this respect it is very suitable for galley; In her love for Oblomov, the main role is played and a sense of pride. The last feeling is generally one of its main engines. In many cases, she expresses this feeling of pride: she would "cry and did not fall asleep the night if the brooms did not praise her singing"; Self-love prevents her to ask directly Oblomov about the subjects, she is not quite understandable; When the bugs after raving involuntarily recognition in love tells her that it was not true, he strongly affects her pride; She is afraid to seem the gallets "shallow, insignificant," telling him about former love to broom. She meets with broom and is accepted for his revival; She likes the role of a savory, so favorite in general women. She is interested in his role and is fond of, at the same time, broken. This hobby continues until the latter shows signs of activity and life, as if it really was going to donate from his laziness, stagnation; Soon, however, Olga is convinced that the bugs are hopeless that all of her efforts cannot be crowned with success, and with bitterness should admit that it turned out to be insolvent, not strong enough in the case of his revival. Here she herself sees that her love was not direct cardiac attachment, but rather reasonable, head love; She loved her creation in Oblomov, the future Oblomov. That's what she says to him per minute of parting: "I hurt so hurts, it hurts ... but I do not repent. I am punished for pride. I remembered my strength too much. I thought I would come to know you that you could still live for me, and you have long died. I did not foresee this error. I've been waiting for everything, I was hoping ... I learned recently only that I loved in you what I wanted ... What I pointed to me gallery that we were invented with him ... I loved the future Oblom. "

After breaking with the broom, she becomes his galler's wife. The latter is accepted for her "rental", which consists in suppressing young gusts and upbringing in it "strict understanding of life." It will finally succeed, and they seem to be happy; But Olga is still not quite calm, she lacks something, she strives for something uncertain. This feeling she can not drown in themselves or entertainment or pleasures; The husband explains it by nerves, world ailment, common for all mankind, splashing one drops on her. In this desire for something uncertain, the peculiarity of Olga Nature, its inability to remain at one stage, the desire for further activities, improvement.

The image of Olga is one of the original images in our literature; This is a woman seeking activities unable to remain a passive member of society.

N. Dunkin, A. Novikov

Sources:

  • We write works by Roman I. A. Goncharov "Oblomov". - M.: Dimensions, 2005.

    Updated: 2012-02-09

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Roman I.A. Goncharov "Oblomov" reveals the problem of social society of those times. In this work, the main characters could not sort out their own feelings, having deprived themselves the right to happiness. About one of these heroines with unfortunate destiny and will be discussed.

The image and characteristic of Olga Ilinskaya with quotes in the "Oblomov" novel will help fully disclose its difficult character and it is better to understand this woman.

Out of Olga

To call the young creature, the beauty is difficult. The appearance of the girl is far from ideals and generally accepted standards.

"Olga in a strict sense was not beautiful. ... But if it would turn it into a statue, she would be a statue of grace and harmony."

Being a little growth, she managed to walk like the queen, with proudly raised head. The girl felt the breed, become. She did not pretend, trying to seem better. Not a flirtary, did not entertain. It was most natural in the manifestation of emotions and feelings. Everything in it was real, without a drop of false and lies.

"In a rare maiden, you will meet such simplicity and natural freedom of view, words, actions ... No lies, no tinsel, nor intent!".

A family

Not parents, aunt, replaced father and mother, were engaged in education Olga. Mother remembered on a portrait hanging in the living room. About the Father, since he took her from the estate at a five-year-old age, she did not have information. Having become an orphan, the child was granted himself. The baby lacked support, care, warm words. The aunt was not to her. She was too immersed in a secular life, and she had nothing to do with the suffering of the niece.

Education

Despite the eternal employment, Tetushka was able to allocate time on the formation of the growing niece. Olga was not from those whom the whip is forced to sit down for the lessons. She always sought to receive new knowledge, constantly developing and moving forward in this direction. The books were invented, and the music served as a source of inspiration. In addition to the game on the piano, she sang perfectly. Her voice, despite the softness of the sound, was strong.

"From this clean, strong virgin voice, the heart beat, was trembling nerves, the eyes sparkled and swim in tears ..."

Character

Oddly enough, she loved solitude. Noisy companies, merry gatherings with friends are not about Olga. She did not seek to figure out new acquaintances, revealing the soul in front of others. Someone considered it too smart, others on the contrary are not far away.

"Some considered it near, because they did not break the wise centance from her language ..."

Not distinguished between talkativeness, she preferred to live in his shell. In that invented Mirka, where it was good and calm. External tranquility was strikingly distinguished from the inner state of the soul. The girl always knew clearly what he wanted from life and tried to implement the planned plans.

"If any intention appears, so it will boil .."

First love or acquaintance with broom

First love came in 20 years. Acquaintance was planned. Stolz led the Oblomov in the house of alder aunt. Hearing the angelic voice of the bug, realized that he was gone. The feeling turned out to be mutual. From this point on, the meeting became permanent. Young people were fascinated by each other and began to think about living together.

How love changes man

Love is capable of changing any person. Olga did not exception. She like wings behind his back grown out of the feelings. Everyone in her bulled and boiled from the desire to turn the world, changing it, making it better, cleaner. Olga's chosen was another berry field. Understand the emotions and ambitions of the beloved too complicated task. He was difficult for him to resist this volcano passion, sweeping everything in his path. He wanted to see in her a quiet, calm woman who had completely devoted himself to home, family. Olga, on the contrary, wanted to shake Ilya, change his inner world and the usual way of life.

"She dreamed of reading the books", who left the gallery, then read the newspaper every day and tell her news, write in the village of the letter, add a plan of the device of the estate, get ready to go abroad - in a word, he did not hit her; She will tell him the goal, makes love again everything that he sobble. "

First disappointment

Time went, nothing changed. Everything remained in their places. Olga knew perfectly on what was going on, allowing relations to go too far. It was not to retreat in its rules. She continued to hope, sincerely believing that he could remake Oblomov, adjusting the man's ideal model in all respects in all respects, but sooner or later, an end comes to any patience.

Break

She is tired of fighting. The girl nibble doubts, did she make a mistake, deciding to tie life with a chanceless weak man Not capable of acts. To sacrifice all my life for the sake of love, why? She and so much time trampled on the spot, which was naught to her. It's time to go further, but apparently one.

"I thought I would come to know you that you could still live for me," and you have died for a very long time. "

This phrase has become decisive before Olga put the point in his so early-ending relationships with his beloved, as it seemed to her.

Gallery: saving vest or attempt number two

He was always for her, primarily a close friend, a mentor. She shared everyone that was happening in the shower. Stolz always found the time to support, lay the shoulder, giving understanding that he was always there, and she could rely on him in any situation. They had common interests. Similar life positions. They could well become one of the whole, which was calculated by Andrei. Slip spiritual wounds after parting with broom, Olga decided in Paris. In the city of Love, where there is a place of hope, faith in the best. It was here that her meeting with galley occurred.

Marriage. An attempt to become happy.

Andrei surrounded the attention, care. She was pleasant to courtship.

"Continuous, performed mind and passion worship of such a person as gallery"

Restore the victim, offended by pride. She was grateful to him. Gradually, the heart began to waste. The woman felt that was ready for a new relationship that was ripe for a family.

"She experienced happiness and could not determine where the boundaries that it was."

Becoming wife, she first could understand what it means to be beloved and love.

A few years later

For several years, the spouses lived in a happy marriage. Olga seemed that it was in the gallery:

"Not blindly, but with consciousness, and her ideal of male perfection was embodied in it."

But life drove. Woman bored. The uniform rhythm of the gray everyday life stifled without giving the exit of accumulated energy. Olga lacked the rapid activity she led with Ilya. She tried to write off the mental state for fatigue, depression, but the situation did not improve, increasing more and more. Andrei intuitively felt change in the mood, not understanding true reason Depressed state of the spouse. Are they mistaken, and an attempt to become happy failed, but why?

Conclusion

Who is to blame for what happens to us on a thom or another stage of life. Mostly we ourselves. IN modern world Olga would not miss and did not focus on problems. At that time, women with men's character were units. They were not understood and not accepted in society. She could not change anything to change anything, but herself was not ready to change, being an egoist in the soul. Family life It turned out to be not for her. She remained to take a situation, or let go.

Oblomov

(Roman. 1859)

Ilyinskaya Olga Sergeevna - One of the main characters of Roman, a bright and strong character. Possible prototype I. - Elizabeth Tolstaya, the only love of Goncharov, although some researchers reject this hypothesis. "Olga in a strict sense was not a beauty, that is, there was no whiteness in her, no bright flavor of the cheeks and lips, and the eyes did not burn the rays of the inner fire; Neither corals on the lips nor pearls in the mouth were nor minimature hands, like a five-year-old child, with fingers in the form of grapes. But if it would turn it into a statue, she would be a statue of grace and harmony. "

Since orphaned, I. lives in the house of his aunt Maryia Mikhailovna. Goncharov emphasizes the rapid spiritual ripening of the heroine: she "as if he listened to the course of life not by day, but by the hour. And every hour of the slightest, barely noticeable experience, the case, which flashes, like a bird, past the nose of a man, grasps inexperienced a quick girl. "

I. And Oblomov introduces Andrei Ivanovich Stolz. How, when and where galleries and I., it is unknown, but the relationship connecting these characters is distinguished by sincere mutual burden and confidence. "... In a rare girl, you will meet such simplicity and natural freedom of view, words, actions ... Neither the chewing, nor flirts, no lies, no tinsel or intent! But she appreciated it almost one galley, but it was not one Mazurka. She sat alone, without hiding boredoms ... Some considered her simple, not enough, shallow, because they did not reveal from her tongue neither wise years of life, about love, nor fast, Unexpected and bold replicas, nor consistent or illuminated judgments about music and literature ... "

Stolz leads Oblomov to the house I. Not by chance: knowing that it possesses an inquisitive mind and deep feelings, he hopes that his spiritual requests will be able to awaken Oblomov - make him more and choose to read, watch, learn.

Oblomov in one of the first meetings was captured by her amazing voice - I. Sings Aria from the Opera Bellini "Norma", the famous "Casta Diva", and "It destroyed Oblomov: He is exhausted," is more and more immersing in a new feeling.

Literary predecessor I. - Tatyana Larina (Evgeny Onegin). But as a heroine of a different historical time, I. more confident in herself, her mind requires constant work. This was noted by N. A. Dobrolyubov in the article "What is a breakdown?": "Olga in its development represents the highest ideal, which can now be a Russian artist call out of the present Russian life ... in it, more than in the gallery, You can see a hint of new Russian life; From it you can expect a word that burns and dispels the breakdown ... "

But this I. in the novel is not given, as it is not given the phenomena of a different order similar to her heroin Goncharov faith from the "cliff". Olga's character, fused at the same time from strength and weakness, knowledge about life and inability to inform others with this knowledge, will be developed in Russian literature - in the heroons of Dramaturgia A. P. Chekhov - in particular, in Elena Andreevna and Sona Varnitsy from "Uncle Vani".

The main property of I., inherent in many female characters of Russian literature of the last century, is not just a love for a particular person, and the indispensable desire to change it, raise before his ideal, to re-educate, instilling new concepts, new tastes. Oblomov turns out to be the most suitable object: "She dreamed like" orders him to read the books, "who left the gallery, then read the newspaper every day and tell her the news, write letters to the village, add a device plan to get ready to go abroad, - In a word, he is not a coast of her; She will indicate him a goal, makes love again everything that he sobbed, and the gallery does not recognize him, turning around. And all this miracle will make it, such a timid, silent, who has so far has not listened to, which has not yet started living! .. She even shuddered from proud, joyful trepidation; I considered it a lesson appointed over. "

Here we can compare its character with the character of Lisa Cali-Tina from the Roman I. S. Turgenev "Noble Nest", with Elena from its "on the eve". The re-education becomes the goal, the goal is so much so moved to the side everything else, and the sense of love gradually obeys the teaching. The school in some sense consolidates and enriches love. It is from this that happens in I. that serious change that I struck the gallery when I was meeting with her abroad, where she together with aunt came after a break with the broom.

I. Immediately understands that in relations with the broomstone it owns the main role, "she migrated his power over him, and she liked this role of a guide star, the beam of the light that she will pop out over the standing lake and will affect it." Life as if wakes up in I. Together with the life of Oblomov. But in it this process is much more intense than in Ilya Ilyce. I. Like the woman and teacher simultaneously checks on it at the same time. Its outstanding mind and soul require more and more "complex" food.

It is not by chance that at some point she sees the obligations in it: all the feelings I. permeates the simple, natural, like the Shakespiest heroine, pride, prompted to realize the treasures of his soul as a happy and well-deserved dality: "What happened to my own, that's no longer I will give back, unless they ... "- she says a broom.

The feeling of I. To Oblomovo is solo and harmonious: she just loves, while the bugs are constantly trying to figure out the depth of this love, because it suffers, believing that I. "Loves now, how embroiders on Canva: quietly, lazily comes out the pattern, she is still lazy It deploats it, admires, then put and forget. " When Ilya Ilyich says heroine that she is smarter than him, I. replies: "No, easier and bolder", thereby expressing it almost defining the line of their relationship.

I. It is unlikely that herself knows that the feeling experienced more reminiscent of a complex experiment than the first love. She does not say to the Oblomovo that all the cases were settled on her estate, with one goal - "... to make it up to the end, as in his lazy soul, love will make a coup, as he finally falls away from him, he does not stand in front of loved ones Happiness ... ". But, as any experiment on a living soul, this experience cannot be successful.

I. It is necessary to see his chosen one on the pedestal, above himself, and this, according to the author's concept, is impossible. Even Stolz, for which, after an unsuccessful novel with a breakdown, I. comes out, only temporarily standing higher than she, and the gonchars emphasize it. It becomes clear to the final that I. will turn his husband and on the power of feelings, and in the depths of reflection about life.

Realizing how far its ideals dismiss with the ideals of Oblomov, who dreams of living according to the old estate of his native crushing, I. is forced to abandon further experiments. "I loved the future Oblomov! - She says Ilya Ilyich. - You are meek, honest, Ilya; You are gentle ... as a pigeon; You hide your head under the wing - and do not want anything more; You are ready to proclaim all my life under the roof ... Yes, I'm not like this: I don't have something else, I need something else, but I don't know! " This "something" will not leave and.: Even after having survived the break with the broom and happily getting married by Stolz, she will not calm down. The moment will come when the gallery will come before the need to explain to his wife, the mother of two children, the mysterious "something", who does not give peace of her rolling soul. "Deep the abyss of her soul" does not scare, but disturbing the gallery. In I., which he knew almost a girl, to which friendship was experiencing first, and then love, he gradually discovers all new and unexpected depths. It is difficult to get used to the gallery to them, because his happiness with I. seems largely problematic.

It happens that I. extracts fear: "She was afraid to fall into something similar to Oblomovskaya Apathy. But how neither she tried to sell these moments of periodic stupor, sleep soul, there is no happiness to her first, he will first sole happiness, surroundings her blue night and envelops with a dormary, then again the thoughtful stop, like a rest of life, and then embarrassment, fear , Tomorrow, some kind of deaf sadness, hear some vague, foggy questions in a restless head. "

These confusion are completely correlated with the final reflection of the author, forcing it to think about the future of the heroine: "Olga did not know ... the logic of humility blind fate and did not understand women's passions and hobbies. Having recognized the dignity and the right to ourselves in the chosen person, she believed in him and therefore loved, but he stopped believing - she stopped and loved, as happened to the broom ... But now she believed in Andrei not blindly, and with consciousness, and in it It was embodied by her ideal of male perfection ... because she would not demolish a decrease in either hair recognized by her merits; Every false note in his character or mind would produce a stunning dissonance. The destroyed building of happiness would be buried it under the ruins, or, if they still survived her strength, she would have been looking for ... "