Lonely, "seemed like a stranger girl", did not like children's games and silently could sit all day at the window, immersed in dreams. But outwardly motionless and cold, Tatyana lived a strong inner life. "Scary stories of the nanny" made her a dreamer, a child "not of this world."
Avoiding naive village entertainment, round dances and games, Tatyana, on the other hand, gave herself up to folk mysticism with all her heart, her inclination to fantasize directly attracted to this:
Tatyana believed the legends
Folk antiquity:
And dreams, and card fortune-telling,
And the predictions of the moon.
The omens worried her.
Mysteriously to her all objects
proclaimed something.
Premonitions pressed against my chest.
Suddenly seeing
Young two-horned face of the moon
In the sky on the left side
She trembled and turned pale.
Well? beauty found the secret
And in the most horror she:
This is how nature made you
Inclined to contradiction.
From fairy tales of the nanny Tatiana moved early to novels.
They replaced everything
She fell in love with novels
Both Richardson and Rousseau...
From a fantasy girl, Tatyana Larina became a "dreamy girl" who lived in her own special world: she surrounded herself with the heroes of her favorite novels and was alien to rural reality.
For a long time her imagination
Burning with grief and longing,
Alkalo fatal food.
Long hearted languor
Constricted her young breasts.
The soul was waiting for someone.
Tatyana Larina. Artist M. Klodt, 1886
An ardent monologue by Tatyana Larina about feelings for a young rake is part of the obligatory school curriculum. Memorizing lines about first love and impulses of the soul, it is easy to catch the courage and openness, which is so uncharacteristic for young ladies of the century before last. This is what distinguishes Tatyana from most literary images- naturalness and fidelity to ideals.
History of creation
The poetic novel, which he considered a feat, was first published in 1833. But readers have been following the life and love affairs of the young reveler since 1825. Initially, "Eugene Onegin" was published in literary almanacs one chapter at a time - a sort of serial of the 19th century.
In addition to the main character, Tatyana Larina, a rejected lover, attracted attention to herself. The writer did not hide the fact that female character The novel was written from a real woman, but the name of the prototype is not mentioned anywhere.
Researchers put forward several theories about the alleged muse of Alexander Sergeevich. First of all, Anna Petrovna Kern is mentioned. But the writer had a carnal interest in the woman, which differs from the author's attitude towards the dear Tatyana Larina. Pushkin considered the girl from the novel to be a beautiful and gentle creature, but not an object of passionate desires.
The heroine of the novel has common features with Elizaveta Vorontsova. Historians believe that the portrait of Onegin was painted from an admirer of Countess Raevsky. Therefore, the role of a literary lover went to Elizabeth. Another weighty argument is that Vorontsova's mother, like Larina's mother, married an unloved man and suffered from such injustice for a long time.
Twice the wife of the Decembrist Natalya Fonvizina claimed that she was the prototype of Tatyana. Pushkin was friends with Natalya's husband and often talked with the woman, but there is no other evidence to support this theory. The poet's school friend believed that the writer had invested in Tatyana a particle of his own hidden traits and feelings.
Unfriendly reviews and criticism of the novel did not affect the image main character. On the contrary, most literary critics and researchers note the integrity of the character. calls Larina "the apotheosis of a Russian woman", speaks of Tatiana as "a brilliant nature, unaware of her genius."
Of course, in "Eugene Onegin" Pushkin's female ideal is shown. Before us is an image that does not leave indifferent, delights inner beauty and illuminates the bright feelings of a young innocent young lady.
Biography
Tatyana Dmitrievna was born into a military family, a nobleman who, after the service, moved to the countryside. The girl's father died a few years before the events described. Tatyana remained in the care of her mother and the old nanny.
The exact height and weight of the girl is not mentioned in the novel, but the author hints that Tatyana was not attractive:
“So, she was called Tatyana.
Nor the beauty of his sister,
Nor the freshness of her ruddy
She would not attract eyes.
Pushkin does not mention the age of the heroine, but, according to literary critics, Tanya recently turned 17 years old. This is confirmed by the poet's letter to a close friend, in which Alexander Sergeevich shares his thoughts about the girl's spiritual impulse:
“... if, however, the meaning is not entirely accurate, then all the more truth in the letter; a letter from a woman, a 17-year-old woman, who is also in love!”
Tatyana spends her free time talking with the nanny and reading books. Due to her age, the girl takes to heart everything that the authors of romance novels write about. The heroine lives expecting a pure and strong feeling.
Tatyana is far from the girlish games of her younger sister, she does not like the chatter and noise of frivolous girlfriends. general characteristics the main character is a balanced, dreamy, extraordinary girl. Relatives and acquaintances have the impression that Tanya is a cold and overly reasonable young lady:
“She is in her own family
Seemed like a stranger girl.
She couldn't caress
To my father, not to my mother."
Everything changes when Eugene Onegin arrives at the neighboring estate. The new resident of the village is not at all like Tatyana's former few acquaintances. The girl loses her head and after the first meeting she writes a letter to Onegin, where she confesses her feelings.
But instead of a stormy showdown, for which the girl's favorite novels are so famous, Larina listens to Onegin's sermon. Say, such behavior will lead the young lady in the wrong direction. In addition, Eugene is not at all created for family life. Tatyana is confused and confused.
The next meeting between the heroine in love and the selfish rich man takes place in winter. Although Tatyana knows that Onegin does not return her feelings, the girl cannot cope with the excitement of the meeting. Own name day for Tanya turns into torture. Eugene, who noticed Tatyana's languor, devotes time exclusively to the younger Larina.
This behavior has consequences. The younger sister's fiancé was shot dead in a duel, she quickly married another, Onegin left the village, and Tatyana was again left alone with her dreams. The girl's mother is worried - it's time for her daughter to marry, but dear Tanya refuses all applicants for her hand and heart.
Two and a half years have passed since the last meeting of Tatyana and Evgeny. Larina's life has changed markedly. The girl is no longer sure if she really loved the young rake so much. Perhaps it was an illusion?
At the insistence of her mother, Tatyana married General N, left the village where she had lived all her life, and settled with her husband in St. Petersburg. An unplanned date at the ball awakens forgotten feelings in old acquaintances.
And if Onegin is seized with love for a once unnecessary girl, then Tatyana remains cold. The charming general's wife does not show affection for Yevgeny and ignores the man's attempts to get closer.
Only for a brief moment does the heroine, who withstands the onslaught of the enamored Onegin, remove the mask of indifference. Tatyana still loves Eugene, but she will never betray her husband and discredit her own honor:
“I love you (why lie?),
But I am given to another;
I will be faithful to him forever.
Screen adaptations
The love drama from the novel "Eugene Onegin" is a popular plot for musical works and screencaps. The premiere of the first film of the same name took place on March 1, 1911. The black and white silent film touches on the main points of the story. The role of Tatyana was played by actress Lyubov Varyagina.
In 1958, the film-opera told the Soviet audience about the feelings of Onegin and Larina. She embodied the image of the girl, and performed the vocal part behind the scenes.
A British-American version of the novel appeared in 1999. The director of the picture was Martha Fiennes, she played the main role. The actress was awarded the "Golden Aries" for the image of Tatyana.
- Pushkin chose an original name for the heroine, which at that time was considered simple and tasteless. In the drafts, Larina is referred to as Natasha. By the way, the meaning of the name Tatyana is the organizer, founder.
- According to scientists, the year of birth of Larina is 1803 according to the old style.
- The girl speaks and writes poorly in Russian. Tatyana prefers to express her thoughts in French.
Quotes
And happiness was so possible, so close!..
But my fate is already sealed.
I am writing to you - what more?
What else can I say?
Can't sleep, nanny: it's so stuffy in here!
Open the window and sit next to me.
He is not here. They don't know me...
I'll look at the house, at this garden.
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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of the unknown life quest and aspirations. The image of Tatyana Larina is perfect for this role.
Family and childhood memories
Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of a vast secular society - she always lived in the countryside and never aspired to an active city life.
Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."
The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.
Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.
important person for the formation of Tatyana as a person, her nanny Filipyevna played. This woman is a peasant by birth and, perhaps, this is her main charm - she knows a lot of folk jokes and stories that so lure the inquisitive Tatyana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.
Naming and prototypes
Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.
Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.
Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.
Opinions on this issue are divided. It is possible that several prototypes were used for this image.
One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.
The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.
The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.
Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.
An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”
Question about the age of the heroine
In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.
Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.
However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such thoughts are prompted by the nanny's story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.
V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.
The appearance of Tatyana Larina
Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author takes more inner world heroines. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.
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Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.
Leisure and attitude to needlework
It was generally accepted that the female half of society spent their free time doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).
Tatiana does not like to do any of these activities. She loves to listen to the nanny's scary stories and sit by the window for hours.
Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry certain meaning.
Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.
However, Tatyana Larina's favorite book was not love story, and the dream book “Martyn Zadeka later became / Tanya’s Favorite”. Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: “consolations / In all sorrows she gives / And sleeps with her incessantly.”
Personality characteristic
Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. "Dika, sad, silent" - this is Tatiana's classic behavior, especially in society.
Tatyana loves to indulge in dreams - she can fantasize for hours. The girl has difficulty understanding her native language, but is in no hurry to study it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.
In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.
Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.
Tatyana and Onegin
New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.
Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.
However, "early the feelings in him cooled down", Onegin "has completely cooled off to life", he was already bored beautiful girls and their attention, but Larina does not know about it.
Onegin instantly becomes the hero of Tatiana's novel. She idealizes young man, he seems to her descended from the pages of her books about love:
Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.
Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatyana is writing a letter.
The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:
Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.
On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:
That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.
However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.
Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.
This is where her unfulfilled romance with Onegin ends.
Tatyana's dream
Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.
Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes prophetic.
At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.
The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.
A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:
… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!
The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.
Tatyana's marriage
A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.
Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.
Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."
The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.
Tatyana, on the other hand, does not feel a shadow of love towards this person, but nevertheless agrees to marriage.
The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.
Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.
Meeting with Onegin
Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:
"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"
Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”
Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:
The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.
Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.
Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.
Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.
Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until their meeting.
But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.
I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.
Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my fate.
However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but
Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "favored by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events contradicts life principles girls.
Tatyana Larina in the assessment of critics
Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific-critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.
- Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from the texts of French literature."
- V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
The writing style is a little childish, romantic - this is touching, because Tatyana had not known the feelings of love even before that “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her.” - D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
- F. Dostoevsky believes that Pushkin should have named his novel not by the name of Yevgeny, but by the name of Tatyana. Since it is this heroine who is the main acting character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
- V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning October revolution Tatyana Larina has lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.
Pushkin is a poet whose work is extremely accessible to human understanding. The clarity of images and the harmony of his works have an educational value. His lyre awakens in people good feelings. No matter what he describes, no matter what he talks about, in his lines one can feel love for people and life.
"Eugene Onegin" is one of the poet's iconic works. The form of this work is unusual and complex. This is a novel in verse, there were no earlier creations of this kind in Russian literature.
"Eugene Onegin" is a source of ideas about the Russian life of the Pushkin period. One of the central figures of the novel is Tatyana, the daughter of the landowners Larins.
Showing the image of Tatyana, the only whole nature in the novel, Pushkin demonstrates a real phenomenon in Russian life.
“…Reverie, her friend
From the most lullaby days
Rural Leisure Current
Decorated her with dreams ... "
Tatyana lives among ordinary people who are unfamiliar with the noise and bustle of the big world. They are naive and sweet in their own way.
Tatyana is drawn to someone whom she has not yet met, but who would be smarter, better, kinder than those around her. She takes her neighbor, the landowner Eugene Onegin, for such a person. Over time, sweet Tatyana falls in love with him.
He is indeed smarter than her surroundings, more knowledgeable and reasonable. He is capable of good deeds (he eased the plight of his serfs):
“At first our Evgeny conceived
Establish a new order.
Old yoke from corvee
I replaced the quitrent with a light one, -
And the slave blessed fate ... "
But Onegin is far from ideal. Tatiana hasn't recognized it yet. He is an idle gentleman, lazy, spoiled by life, half-educated, not knowing what to do, because he has no spiritual strength for a fruitful life, and longing gnaws at him from an empty life.
Tatyana writes a letter to him, in which she declares her love. But Onegin cannot cope with his egoism, he does not accept her spiritual impulses.
After Onegin's departure from the village, Tatyana has a habit of being at his house, reading books. She learned a lot and understood a lot. Onegin is not what she imagined him to be. He is a selfish, selfish person, not at all the hero to whom her tender soul was eager.
After the expiration of time, Onegin meets Tatyana again in St. Petersburg. She is the wife of an old general. And then Onegin looked at her in a new way. In wealth and nobility, she seems completely different. Love flared up in his soul. This time she herself rejected him, knowing his selfishness, knowing the emptiness of his soul and not wanting to break the word she had given her husband.
This soul, good Tatyana, knew how to love deeply. Having parted with Onegin and realizing that he was not the hero of her novel, she nevertheless continued to love him and suffered from this. Tatyana did not become the general’s wife of her own free will, her mother “begged” for this. She did not part with her love: in her soul she loved Onegin.
The soul of Tatyana is the soul of the best Russian women, no matter how different their fates, thoughts, deeds.
The genius of Pushkin lies in the fact that he offered the society to take a fresh look at the fate of the Russian woman. He prescribed a character hitherto unfamiliar to Russian literature. The firmness of nature, strength, simplicity, naturalness, loyalty to one's word, decency - these traits determined the integrity and strength of the character of the heroine. Tatyana's firm principles were unshakable throughout the story. She was disgusted by hypocrisy, insincerity, idle talk, everything that she called "rags of a masquerade."
From childhood, Tatyana was close to the people, to folk poetry. Her soul mate is the nanny to whom she confided her secrets. Throughout the story, Tatyana's inner world does not change. No external circumstances will force her to deviate from the true path, they will not "break her spiritual warehouse." The admiration and love of the poet in the novel is given to Tatyana in full.
Conclusion
Pushkin combined two epochs in himself: he had certain features of the present and some echoes of the past, in the midst of which his own upbringing passed; on the other hand, it began with him completely new period, the period of modern literature.
With his novel Eugene Onegin, Pushkin taught everyone who wrote after him how simply and sincerely to portray the strength and suffering of a Russian woman. Pushkin raised the importance of the Russian woman in our minds. He created the ground for those high ideals of a woman that we see in subsequent works by other authors.