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Slide 1.

Great Russian artist - Maristan * Ivan Konstantinovich Aivazovsky was born in the poor Armenian family in the city of Feodosia, located on the Black Sea. Aivazovsky was a very talented boy. At the age of 10, he independently learned the game on the violin. Artistic abilities manifested him still in early childhood. Most of all Vanya Aivazovsky loved to portray ships and the sea. * Maristra - artist writing sea landscapes
Ivan Konstantinovich Aivazovsky (1817 ~ 1900)

Slide 2.

At first, Aivazovsky did not have paper and pencils, so he painted coal on the white walls of the Crimean homes. These drawings noted the Feodosia Grador Khodaschaev. With his help, the boy was sent to study at the St. Petersburg Academy of Arts.

Slide 3.

After graduating from the Academy of Arts, Aivazovsky decided to settle forever in Feodosia forever. He built on the seashore house in which he lived and wrote pictures. For his long life, Ivan Konstantinovich Aivazovsky wrote many paintings and made a lot of good deeds for his hometown. There was no railway and seaports in Feodosia. They were built thanks to the efforts of Aivazovsky. The city did not have enough drinking water, and Aivazovsky gave the townspeople water from the source of his country estate.

Slide 4.

The artist deserves respect and love of fellow citizens. He built a gymnasium and library in Feodosia, the Archaeological Museum and the art gallery. In 1881, Ivan Konstantinovich Aivazovsky was elected the first honorary citizen of the city of Feodosia.

Slide 5.

Ivan Konstantinovich Aivazovsky was in the service of the state and was the artist of the Main Maritime Staff. Then, when there was no television and cameras, the painters were the only might convey the picture of what is happening. Therefore, the main sea headquarters sent Ivan Konstantinovich "On Tasks": By order of management, the artist painted battle scenes from battleships.

Slide 6.

Aivazovsky was a real patriot, loved his homeland. He wrote: "Every victory of our troops on land or the sea pleases me as Russian in the soul, and gives a thought, as an artist portray her on the canvas ..."
Taking Sevastopol I.K. Aivazovsky
Chesmensky battle I.K. Aivazovsky

Slide 7.

Ivan Konstantinovich Aivazovsky possessed the ability to pass the movement and breathing of the sea. "The sea is my life," the artist said. Quiet, calm and smooth as glass, raging, terrible. It is very difficult to draw such a variable sea. But but very interesting. Many artists tried to pass the beauty of marine elements in their paintings, and best of all it was possible to Ivan Konstantinovich Aivazovsky.
Storm at the ice bearing I.K. Aivazovsky

Slide 8.

The picture, which glorified Aivazovsky on the whole world is in our city in the Russian Museum. This picture is "ninth shaft". This picture shows the sea after the night storm. For the fragments of the mast ship cling to the surviving exhaustive navigators. The sky illuminated by the Dawn Sun as if she promises them victory.

Description of the presentation on individual slides:

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Ivan Konstantinovich Aivazovsky (1817-1900) The work performed the student 7th grade MKOU SOSH with. Vadim Dudiyev Vadim

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Ovanes Konstantinovich Gaivazovsky (Ivan Aivazovsky) was born on July 17, 1817 in Feodosia in the family of an Armenian poor merchant, later ruined. Already at ten years, the need made him go to work in a coffee shop. In the coffee shop, he met a man who keptly changed his life - the architect Koch who looked at the young artist of the future master. He took him from the coffee shop and began to learn drawing. With it, Ivan, so began to call the artist, moved to Simferopol, where he received the first lessons of painting. In 1833 he entered the St. Petersburg Academy of Arts, where from 1833 to 1839 he studied at M. N. Vorobyva in the landscape class. Subsequently, the painter has repeatedly said that the day was happily for him when he was informed about the admission to the Academy on the Kazynaya Pension. "Sunrise in Feodosia" .1855 "Type of Feodosia". 1845 "Feodosia. Moonlight night" 1880 Life and creativity I. K. Aivazovsky

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The first picture of the Aivazovsky "Etude over the Sea" appeared at the academic exhibition in 1835, the critics reviews immediately received. In 1837, the painter for three of his work with maritime species awarded a large gold medal. Soon, Aivazovsky goes to the Crimea, having received the task to write a number of landscapes with the Crimean cities. There he met Cornilov, Lazarev, Nakhimov. The artist's Crimean work was also successfully presented at the exhibition at the Academy of Arts. In 1840, Aivazovsky heads on the task of the Academy to Italy. There he works a lot and fruitfully, studies classic art. In Rome and other European cities, successful exhibitions of his works are held. His canvas put in the Roman exhibition attracted general attention. Pope Gregory XVI acquires a picture of the chaos picture for the picture gallery. Gogol joked about this: "You came, a little man from the banks of the Neva in Rome and immediately raised the chaos in the Vatican." "Chaos". 1841 First steps in the work of the artist "View of Constantinople during lunar lighting." 1846 "Venice". 1842 "Vesuvius". 1841 "Moonlight on Capri". 1835 "Etude air over the sea." 1835.

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Comes to the master european recognition. The artist enthusiastically take in European capitals. He was the first of the Russian painters to put his paintings at exhibitions in the Louvre and was awarded the Golden Medal. Amsterdam Academy of Arts elects him with his member. Paris Academy Council awards his gold medal. Upon returning to Russia, Aivazovsky receives the title of academician, he is sent to the chief sea headquarters, where the artist entrusts to draw a number of Baltic species. Being the painter of the Chief Maritime Staff Iivazovsky takes part in a number of military operations, creates paintings with battle scenes. One of the most famous works, written in 1848, became the "Chesmen battle". The sea appears from Aivazovsky as if the basis of nature, in his image the artist managed to show all the life beauty of the mighty element. One of the most famous pictures Aivazovsky became the "ninth shaft", written in 1850. "Ninth Val". 1850 "Chesme battle." 1848 Brig "Mercury", attacked by two Turkish ships. 1892 "View of the seaside in the vicinity of St. Petersburg." 1835.

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Special place in the work of Aivazovsky was taken by the defense of Sevastopol in 1854-1855. The artist has repeatedly came to the departed city, straight at the positions wrote etudes, asked the participants in battle. In the pictures "Sinop Fight", "the death of the Turkish fleet at Balaklava", "Malakhov Kurgan" he sought to capture the most dramatic and bright pages of the heroic epic. "Sinop Fight." 1853 "Malakhov Kurgan." 1883 Meeting Brig "Mercury" with a Russian squadron after the defeat of two Turkish ships. 1848 "Rainbow". 1873 "The death of the Turkish fleet at Balaklava." 1854.

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Speaking about the work of Aivazovsky, it is impossible not to stay on a large graphic heritage left by the master. His drawings are widespread interest both from the artistical execution, and to clarify the creative method of the artist. For graphic works, Aivazovsky enjoyed a variety of materials and technical techniques. For the sixties, there are a number of thinly written watercolors made by one color - sepia. Using usually lightly filling the sky of a strongly diluted paint, barely defending the clouds, a little tonow water, Iivazovsky lasted a dark tone of the foreground, prescribed the mountains of the second plan and painted the boat or a ship on the water in a deep sepia tone. With such simple funds, he sometimes passed the entire charm of a bright sunny day to the sea, a transparent wave on the shore, the radiance of light clouds over the deep sea. At the height of the skill and the subtlety of the transmitted state of nature, such SPIA Aivazovsky goes beyond the usual idea of watercolor sketches. In 1860, Aivazovsky wrote this kind of beautiful sepio "Sea after a storm." This watercolor Aivazovsky was apparently satisfied, since he sent her as a gift P.M. Tretyakov. Ivazovsky jogged paper was widely used, drawing on which he achieved virtuoso skill. This drawing belongs to the "storm", created in 1854. Graphics I. K. Aivazovsky "Sea after a storm." 1860 "Storm". 1854 "Sorrento. Sea view. " 1842.

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Wave and Duma, 1851. Duma for the Duma, wave for the wave - two manifestations of the elements of one: in the heart of Lee Tesne, in the vast, the sea, here - in conclusion, there - on the square, is the same all the eternal surf and hang, the same All ghost is an alarming and empty. Fyodor Ivanovich Tyutchev in 1881 Aivazovsky created one of the most significant works - Picture "Black Sea". In the picture, the sea is depicted on a cloudy day: the waves, arising from the horizon, move to the viewer, creating its alternate the magnificent rhythm and the sublime system of the painting. It is written in a stingy, restrained colorful range that increases its emotional impact. The picture suggests that Aivazovsky knew how to see and feel the beauty of the sea elements close to him not only in external pictorial effects, but also in the hardly by the strict rhythm of her breathing, in a clearly tangible potential relic. And, of course, in this picture, he demonstrates the main gift: the ability to show the penetrated by the light, eternally moving water element. I. Kramskaya about the picture of the Aivazovsky "Black Sea" said: "This is the ocean infinite, not a stormy, but the coaching, stern, endless. This is one of the most grandiose paintings, which I just know." Wave and sky - two elements fill the entire space of the picture, somewhere far away a small silhouette of the ship. As soon as a brush, he already brings the human beginning to the landscape, sets the scale of the work and makes us, viewers, the accomplices of images that are empathizing not only the elements of nature, but also a person inside it. Moreover, the Black Sea itself is not calm. Aivazovsky called the Black Sea picture. "The storm begins on the Black Sea." Some viewers saw in the picture the emerging revolutionary element in the picture, others saw an emotional image that transmits spiritual experiences, showing the inseparable connection of man and nature: the sea is worried, the rhythm of his shafts is so rightfully caught by the artist that the audience begins to feel anxiety, the "broad breath" of nature. Sea waves, like precious stones, absorb the many shades of green and blue, you can no longer call them words. Transparent matter glass in our eyes, she forever froze under the brush of the wizard. Misty in depth, glowing from the inside, it hides the underwater kingdom of mermaids and tritons, mysterious pearls and bizarre plants. "Black Sea" is not the most ambitious size of a canvas in the artist's work, but this is the outcome of the experiences, understanding the favorite image of the elements and the top of the skill of Aivazovsky.

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Ivan Aivazovsky. "Black Sea" (a storm begins on the Black Sea). 1881. Canvas, oil. Tretyakov Gallery, Moscow, Russia.

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My sincere desire to ensure that the building of my art gallery in the city of Feodosia, with all the pictures, statues and other works of art in this gallery, were the full property of the city of Feodosia, and in memory of me, Aivazovsky, I'll show the gallery of the city of Feodosia, my native city. From the testament I. K. Aivazovsky Aivazovsky left a trace in history not only as a talented painter, but also a patron. Copying due to the popularity of their work a considerable capital, Aivazovsky generously engaged in charity. The building of the Archaeological Museum was built on his money in Feodosia, a large number of works on the improvement of the city were held. From his Feodosian workshop came a lot famous artists - Queenji, Lagorio, Bogaevsky. In 1880, to his workshop, Aivazovsky attracted the art gallery, the official opening of which was timed to the artist's birthday and took place on July 17. It was the first peripheral art gallery in Russia, which was greatly famous for the life of the marinist. The collection of paintings in it constantly changed, since the artist's work went to the exhibitions and no longer returned. Their place was occupied by new, just written. Heritage I.K. Aivazovsky

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Here, on specifically, the built stage, many musicians were and among them were the famous Pianist A. Rubinstein and composer A. Spendia, the actors of the Mariinsky and Alexandrian theaters of St. Petersburg M. and N. Figners and K. Varlamov, Armenian artist Tragic Petros Adamyan and the violinist Ovanes Nalbandian. Already at that time, the Aivazovsky Gallery was the center of artistic, musical and theatrical art in the city. These traditions live to this day. For his life, the master wrote more than six thousand pictures. Master-marinist lived beautiful creative life, became the founder of the Russian romantic direction in the sea landscape painting, educated talented students, opened in Feodosia School of Painting, was loved and worship the people. Even death did not land him with the sea. A bronze artist with a palette and a brush in his hands fixed a look into the sea distance. On the pedestal short inscription: "Feodosia Aivazovsky." Ivan Konstantinovich Aivazovsky died on April 19, 1900.

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Pupils of Master Mikhail Pelopidovich Latri (1875, Odessa - 1941, Paris) - painter, schedule, ceramist. The exhibition presents 105 of its best works from the collection of art gallery, indicating a variety creative interests artist. M. P. Lodri - grandson I. K. Ayvazovsky, the first impression of art he received from the Pictures of his grandfather. He graduated from the St. Petersburg Academy of Arts, where he was engaged in 1896-1902, with interruptions, in the landscaped class A. I. Kindji. Studied in Munich in art school Hollosh and Ferry Schmidt. Traveled by Greece, Italy, Turkey, Germany. From 1902 he participated in the spring exhibitions of the St. Petersburg Academy of Arts and the Vienna Sesisçison, from 1912 - in the exhibitions of the Association "World of Art" in St. Petersburg, Moscow, Kiev. It was one of the founders of the new Society of Artists of St. Petersburg. In Crimea settled in the estate of Baran-Eli under the old Crimea, where he equipped the workshop for painting and ceramics. At the beginning of the 1900s he was heading the Feodosian art gallery. In 1920, he went to Greece, worked at the Athenian Plant "Keramikos". Participated in archaeological excavations on the Islands of Delos, Crete, Tazos. Since 1924 he lived in Paris, she was engaged in decorative and applied art and painting. In 1935, he took place in Reims personal exhibition. The earliest work presented at the exhibition "Sunrise at the Sea" is written in the imitation of I. K. Aivazovsky. The impressionistic approach is characteristic of a number of works, in which the instantal state and mood of nature fell. Fascinating the overflows of purple shades of Etudes "Lilac in bloom", "Field of Iris". The awakening of nature is noticeably in the landscape "Thaw", transmitting the state of the raw winter day. In 1906, the picture received a benevolent feedback to critics: "Latri's landscapes are" thaw ". Dark gray dumped trunks of the ditches are very good: they are already breathing in the spring, which is still distant. "

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Being a painter of the Chief Maritime Staff I. K. Aivazovsky wrote wonderful canvases, imprinted all the main victories of Russia at sea.

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History of the Feodosian gallery ... My sincere desire for the building of my art gallery in the city of Feodosia with all the pictures, statues and other works in this gallery, were the full property of the city of Feodosia, and in memory of me, Aivazovsky, Gallery The city of Feodosia, my native city. From the testament I.K. Aivazovsky in 1880, to his workshop, Aivazovsky attracted the art gallery, the official opening of which was timed to the artist's birthday and took place on July 29. It was the first peripheral art gallery in Russia, which was greatly famous for the life of the marinist. The collection of paintings in it constantly changed, since the artist's work went to the exhibitions and no longer returned. Their place was occupied by new, just written. Already at that time, the Aivazovsky Gallery was the center of artistic, musical and theatrical art in the city. These traditions live to this day. After the death of I. K. Aivazovsky, his picture gallery becomes the property of the city. At the main facade of the house of the artist installed bronze monument, on the pedestal of which is a concise inscription: "" Feodosia - Aivazovsky. "

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In row early works The artist is an outstanding place belongs to the film "The Ninth Val", which represents the vertex of the first, romantic period in his work. The picture was written in 1850, when the artist was only 33 years old and he was in the heyday of creative forces.

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Ivan Konstantinovich Aivazovsky was born on July 17, 1817 in Feodosia in the family of the Armenian entrepreneur, later ruined. At first he studied in the gymnasium in Simferopol, then in 1833 he entered the St. Petersburg Academy of Arts, where from 1833 to 1839 he studied at M.N. Vorobyva in the landscape class. The first picture of the Aivazovsky "Etude over the Sea" appeared at the academic exhibition in 1835, the critics reviews immediately received. In 1837, the painter for three of his work with maritime species awarded a large gold medal. Soon, Aivazovsky goes to the Crimea, having received the task to write a number of landscapes with the Crimean cities. There he met Cornilov, Lazarev, Nakhimov. The artist's Crimean work was also successfully presented at the exhibition at the Academy of Arts. In 1840, Aivazovsky heads on the task of the Academy to Italy. There he works a lot and fruitfully, studies classic art. In Rome and other European cities, successful exhibitions of his works are held. Paris Academy Council awards his gold medal. Upon returning to Russia, Aivazovsky receives the title of academician, he is sent to the chief sea headquarters, where the artist entrusts to draw a number of Baltic species. Being the painter of the Chief Maritime Staff Iivazovsky takes part in a number of military operations, creates paintings with battle scenes. One of the most famous works written in 1848 was the "Chesmen battle". The sea appears from Aivazovsky as if the basis of nature, in his image the artist managed to show all the life beauty of the mighty element. One of the most famous paintings by Aivazovsky was his "ninth shaft", written in 1850. But Aivazovsky left a trace in history not only as a talented painter, but also a patron. Copying due to the popularity of their work a considerable capital, Aivazovsky generously engaged in charity. The building of the Archaeological Museum was built on his money in Feodosia, a large number of works on the improvement of the city were held. From his Feodosian workshop, many famous artists - Queenji, Lagorio, Goyaevsky came out. Ivan Konstantinovich Aivazovsky died on April 19, 1900.