About Tatyana Larina, the beloved heroine of A.S. Pushkin, the reader knows much more than about her sister Olga. These images are not antipodes, but they reflect the author's attitude to the role of a woman in a noble society so accurately that they are perceived only in a comparison that is less beneficial for Olga than for Tatyana.

About the characters

Olga Larina – literary character novel in verse "Eugene Onegin", younger sister main character works of Tatyana Larina, a typical representative of the nobility, who inherited her morality and moral values.

Tatyana Larina- the main character of the novel, who became the embodiment of the best human qualities and the moral ideal of the poet, who endowed her with exceptional virtues and integrity of character.

Comparison

They are almost the same age, brought up in the same conditions, surrounded by love and care of loved ones.

But Olga grew up as an ordinary girl, a little spoiled, but cheerful, with liveliness perceiving the world around her in all its manifestations.

Tatiana s early years she was reserved, did not like noisy games and entertainment, listened with pleasure to the nurse's stories about the old days, read the novels of Richardson and Rousseau, dreamed of romantic love and waited for her hero.

The meeting with Eugene Onegin shocked Tatyana and awakened a deep feeling in her inexperienced heart. Love revealed in her an extraordinary strength of character, raised her self-esteem, made her think, analyze, make decisions.

Simplicity and sincerity of Tatyana are not perceived as a weakness. To preserve these qualities in the false splendor of the palace halls, with the same indifference perceiving secular flattery and pompous arrogance of high society, only an outstanding woman could. It was this that Yevgeny Onegin saw her years later, who did not consider the spiritual subtlety and selfless readiness to share any fate with him in young Tatyana.

Olga is also capable of love, but her feeling for Vladimir Lensky is neither deep nor dramatic. She is prone to coquetry and gladly accepts the courtship of Onegin, who decided to annoy his friend for the awkward situation in which he had to explain himself to Tatyana, refusing her naive confession.

The death of Lensky did not overshadow Olga for a long time: a year later she got married and left parental home quite happy.

Tatyana's marriage was a balanced step: having no hope for Onegin's reciprocal feeling, she gave her consent to a man with undoubted merits. Not wealth, not secular brilliance, but the honor of her husband, she learned to value and protect above all, despite emotional drama, whose hero remained Eugene Onegin.

Findings site

1. Tatyana is a deep nature, possessing strength of character and strong will. Olga perceives life superficially, easily endures shocks and appreciates pleasures too much.
2. Tatyana reads a lot, thinks, analyzes. Olga loves entertainment, without a shadow of a doubt accepts male courtship and does not show a tendency to seriously evaluate her actions.
3. For Tatyana, love is a test of spiritual strength. For Olga, this is a romantic feeling that does not leave a truly deep mark on her soul.
4. Tatyana is a bright personality, her virtues are recognized by the exacting secular society. Olga is one of many, nothing but her appearance and easy disposition, not attracting the attention of others.

STATE OF MIND:

Tatyana: she was closed and silent, removed from society and even from her family: "she seemed like a stranger in her own family." She liked the calmness and solitude, in which she found a certain comfort, which also adorned her dreams. At heart, she was still a child. She fell in love with the "deceptions of Richardson and Rousseau" - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

Our experts can check your essay according to the USE criteria

Site experts Kritika24.ru
Teachers of leading schools and current experts of the Ministry of Education of the Russian Federation.

She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered, like the heroine of French novels, on which Tatyana grew up.

Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, "like morning"; simple-hearted, "like the life of a poet", simple. Even her movements and voice were light, and she had a "ruddy freshness" characteristic. However, Onegin believed that "Olga has no life in features." She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish, tragedies. "Like a windy hope, frisky, carefree, cheerful." At one ball, her frivolous attitude, frivolity, quite characteristic of many secular ladies, is especially revealed: "Just a little from a diaper, a coquette, a windy child! She knows cunning, she is already taught to change." Quite simply, Olga reacted to the death of Lensky: "Weeping, she did not cry for long. Alas! The bride, young in her sadness, is unfaithful. Another attracted her attention." And soon she got married.

Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous characterization, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: "Tatyana, dear Tatyana! Now I shed tears with you." And he confesses, apologizing to the reader: "Forgive me, I love my dear Tatyana so much."

Olga: Pushkin in the very first lines of Olga's description gives her a very pleasant characterization. However, he considers her windy, frivolous, in the end he admits that she is very tired of him. Pushkin concluded all her beauty in her appearance, but nothing was left for her soul. She wasn't for a poet a bad person he just saw her empty.

COMMUNICATION, RELATION WITH SOCIETY:

Tatyana: She was alien to the society to which her sister was drawn. Ever since childhood, she "was a child herself, did not want to play and jump in a crowd of children, and often sat silently by the window all day long." Even in the family, she was like not her own, did not consider the interests of society similar to her own. And "from the most lullaby days, thoughtfulness is her friend." She didn't look for other friends.

Olga: She corresponded to secular society, she was sociable, cheerful, in her childhood the nanny gathered a wide circle of all her friends for Olga, they played merrily. She was her own in this society, she loved evenings, balls, she was flirtatious with guys, friendly with her friends.

INDIVIDUALITY:

Tatyana: absolutely not like the others. Even her name is used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she often felt sad, she was "wild" (as the author writes) in the sense that "alien, unknown to people." She was an excellent dreamer.

Olga: Pushkin says that Olga "is sweet like a kiss of love, eyes like the sky, blue, a smile, linen curls, movements, voice, a light camp - everything is in Olga ..." However, you will meet such a person in any novel, there are a lot of them, because She bored Pushkin immeasurably. He met her more than once on the pages of books. Olga is just like everyone else, under the influence public opinion and a desire to integrate into secular society.

INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

Olga: she loved fun, holidays, balls, classes for secular youth of that time, games and fun, entertainment, fashion, friends. Raised by society, adjusted to its laws.

• Compositions
• On literature
• Pushkin

Such relatives, but completely different - this statement is consistent with the characterization of Pushkin's heroines in the novel "Eugene Onegin". The daughters of respected parents, the Larins, who at that time received the best education, were respected among those around them. However, their character, behavior and actions differ.

Pushkin's attitude towards girls

The opinion of Pushkin himself towards young girls is the opposite: Tatyana is for him a sweet ideal of a girl, wife, and Olga's presence and behavior bothers, and she becomes a lived character. Why is that?

Character and position in society

The daydreaming that Tatyana possessed shaped her inner world. She knew about love by reading novels, and firmly believed them. Tatyana, despite her young age, has a poetic, spiritual nature. It is, as it were, above all secular fuss, talk about fashion and signs. Nobility, purity, fidelity were clearly visible in her facial features.

Unlike her sister, Olga was distinguished by a violent and cheerful disposition. Men liked her, she was loved, however, for others she was a momentary episode. talking in simple terms, she was like everyone else: she went to balls, dreamed of a rich betrothed and carried on empty secular conversations. There was a lot of her everywhere, so it is not surprising that she bothered many. In the image of Olga Larina we see frivolity, a beautiful appearance behind which lies emptiness.

relationship to love

Tatyana is the ideal of fidelity in love, she loves selflessly, trying to understand Onegin's thoughts. And even when she was one step away from her dream, Onegin sincerely fell in love with her, remained true to her tradition. A sense of duty, the greatest nobility combined in this woman.

Olga was everything for everyone, she flirted with everyone, but she did not have happiness. After the murder of Lensky, without hesitation for a long time, she married a military general, forgetting about everything. This frivolous act shows that there was no real love either, her feelings are shallow and changeable.

In the image of Olga, Pushkin shows pettiness, commercialism, earthiness and contrasts the truly noble qualities of Tatyana.

Tatyana was special, one might say unearthly, and this made the author, Onegin, and later readers fall in love with herself. In her image, the whole meaning of the Pushkin girl is collected: pure and friendly, a faithful keeper of the hearth and a friend. This is a new type of woman.

Comparative characteristics of Tatiana and Olga Larin with quotes

The main goal of Pushkin in the novel "Eugene Onegin" is the image of advanced personalities and their attitude to Russian reality. With special tenderness, he draws female images. These are Tatyana and Olga Larina, two sisters and two complete opposites.

They differ from each other externally and different internally. Both grew up in a poor noble family, where they keep the "habits of sweet antiquity." That's all they have in common. If Olga is “always as cheerful as morning”, then Tatyana is “wild, sad, silent”. Olga is sociable, plays with her friends, indulges in noisy fun. Tatyana, or retires with books, or admires nature.

Olga is very attractive in appearance, she has blue eyes, a beautiful smile and “linen curls”, but there is “no life” in her features. The author considers the younger sister a beautiful, but empty and stupid girl. This is manifested in her love story with the young poet Lensky. Although she reciprocates, love for Olga is a game. Her flirtation with Onegin led to tragedy. After a short mourning, she finds new love and marries a lancer. “My poor Lensky! Exhausted, she did not cry for long, ... the other attracted her attention, ”the author gives Olga the last characteristic.

Against the background of a soulless and ordinary sister, the rich spiritual world Tatyana. She is no different external beauty, thin, with a pale face, with cold features. She is alien to secular parties. Brought up by a nanny, communicating with serf girls, Tatyana honors folk traditions. She likes Christmas divination, she believes in prophetic dreams and reads romance novels, "they replaced everything for her." This gives it a special originality and sincerity. Pushkin calls Tatyana "dear" and clearly sympathizes with her, because she is endowed with:

rebellious imagination,
Mind and will alive,
And wayward head
And with a fiery and tender heart.

Tatyana wanted to meet a person who would be close to her in terms of inner content. She considered Onegin to be such a person and sincerely fell in love with him. She writes him a letter in which she reveals her feelings. But Eugene prefers "liberty and peace." She accepts Onegin's refusal with dignity and understands that she is doomed to suffering. Having married an elderly general, she becomes a rich princess, but this does not bring her happiness. Tatyana is ready to exchange secular life for books, for "a wild garden and our poor dwelling." She, remaining faithful to her husband, rejects Onegin's advances.

Popular topics today

• Composition Prince Bagration in the novel War and Peace image and characteristics

  The famous Russian commander, one of the participants in the Battle of Borodino - Prince Bagration - is also inscribed in the lines of the novel "War and Peace". Here he plays the role of a minor character.

• Composition reasoning What is Egoism Grade 9 15.3 OGE

  Selfishness is the very worst quality of a person that needs to be fought. And no matter how long it takes, the main thing is to eradicate it from the souls of people.

• Composition based on the painting by Levitan Autumn. Hunter 8th grade

  Isaac Ilyich Levitana is a famous Russian artist who worked in the landscape genre. Levitan had a unique talent - he was able to convey all the beauty of nature on canvas

• Composition The fate of people in the revolution in the novel The White Guard

  The White Guard is one of the most important works in the work of M. Bulgakov. This is a historical novel that tells about the difficult, tragic events associated with the revolution.

• Essay on why i want to be a police officer

  Thoughts about who you want to become in life are formed in childhood. Having matured, one has to make a conscious choice among a large number of professions. I intend to opt for a job in the police.

Pushkin with his work "Eugene Onegin" often uses the technique of antithesis. The ironic Onegin is opposed to the ardent Lensky, the way of life of the capital's high society - the mores of a provincial society. Larina's sisters, Olga and Tatyana, are also opposed to each other. These are two completely different girls.

Olga is modest, cheerful and cheerful, obedient and affectionate daughter. The poet Lensky is passionately in love with this girl. She accepts his courtship, but Olga's love is fickle. When the admirer died, she did not grieve for long and got married pretty soon. Olga's appearance is described in some detail. She has the features of a classic love story heroine: flaxen curls, a chiseled figure, beautiful blue eyes, a lovely smile. But there is some neglect in this description - the girl is beautiful, but at the same time superficial. She is “round, red-faced,” but there is “no life” in her features. I think this image was created by the author specifically to emphasize the spiritual qualities of her sister.

Tatyana has a quiet disposition, she is silent and withdrawn into herself. The girl is different from the girlfriends around her. While everyone else is busy filling out albums or embroidering, she reads novels and is imbued with the beauty of nature. Tatyana does not even fit into the family circle: "she seemed like a stranger in her own family."

In the novel, this heroine is an example of the mysterious Russian soul. Tatyana's appearance is almost not described, only a few times the author indicates that she is not endowed with catchy beauty. There is nothing beautiful in this girl, but at the same time she is almost perfect. All thanks to the fact that the heroine is pure and gentle.

The fate of the Larin sisters develops in different ways. Olga becomes the wife of a brilliant lancer, and Tatyana marries a noble man and becomes an influential lady. For a long time, an unrequited love for Onegin lived in her, and when he finally realized that he also loved her, Larina was already a married woman. And, despite her undiminished feelings, she remained faithful to her husband, embodying best qualities female soul.

• Comparative characteristics Onegin and Lensky (table) Evgeny Onegin Vladimir Lensky The age of the hero More mature, at the beginning of the novel in verse and during the acquaintance and duel with Lensky he is 26 years old. Lensky is young, he is not yet 18 years old. Upbringing and education Received a home education, which was typical for most nobles in Russia. The teachers "did not bother with strict morality", "slightly scolded for pranks", but more simply spoiled the barchonka. He studied at the University of Göttingen in Germany, the birthplace of romanticism. In his intellectual baggage […]
• Why is Onegin doomed to loneliness? (composition) A. S. Pushkin's novel "Eugene Onegin" is an unusual work. There are few events in it, many deviations from the storyline, the story seems to be cut off in half. This is most likely due to the fact that Pushkin in his novel sets fundamentally new tasks for Russian literature - to show the century and people who can be called heroes of their time. Pushkin is a realist, and therefore his heroes are not just people of their time, but, so to speak, people of the society that gave birth to them, that is, they are people of their […]


• Relations between Eugene Onegin and Tatyana Larina (composition) "Eugene Onegin" is a well-known work of A.S. Pushkin. Here the writer realized the main idea and desire - to give the image of a hero of the time, a portrait of his contemporary - a man of the 19th century. Onegin's portrait is an ambiguous and complex combination of many positive qualities and big flaws. The image of Tatyana is the most significant and important female image in the novel. The main romantic storyline of Pushkin's novel in verse is the relationship between Onegin and Tatyana. Tatyana fell in love with Eugene […]
• The image of Onegin in the novel "Eugene Onegin" Pushkin worked on the novel "Eugene Onegin" for over eight years - from the spring of 1823 to the autumn of 1831. We find the first mention of the novel in Pushkin's letter to Vyazemsky from Odessa dated November 4, 1823: "What As for my studies, now I am not writing a novel, but a novel in verse - a diabolical difference. The main character of the novel is Eugene Onegin, a young Petersburg rake. From the very beginning of the novel, it becomes clear that Onegin is a very strange and, of course, a special person. He certainly looked like people in some ways, […]


• Image of the capital and local nobility in the novel "Eugene Onegin" the Great Russian critic V. G. Belinsky did not accidentally call the novel by A. S. Pushkin "Eugene Onegin" "an encyclopedia of Russian life." This is, of course, connected with the fact that not a single work of Russian literature can be compared with the immortal novel in terms of breadth of coverage. modern writer reality. Pushkin describes his time, noting everything that was essential for the life of that generation: the life and customs of people, the state of their souls, popular philosophical, political and economic trends, literary tastes, fashion and […]
• Tatyana Larina - moral ideal Pushkin (composition) I would like to return again and again to Pushkin's word and his wonderful novel in verse "Eugene Onegin", which represents the youth of the 20s of the XIX century. There is a very beautiful legend. One sculptor carved a beautiful girl out of stone. She looked so alive that she seemed to be about to speak. But the sculpture was silent, and its creator fell ill with love for his wonderful creation. Indeed, in it he expressed his innermost idea of ​​\u200b\u200bfemale beauty, put his soul into it and was tormented that this […]
• Genre and composition of the novel in verse "Eugene Onegin" Pushkin's original intention for the novel "Eugene Onegin" was to create a comedy similar to Griboyedov's "Woe from Wit". In the poet's letters one can find sketches for a comedy in which main character portrayed as a satirical character. In the course of work on the novel, which lasted more than seven years, the author's intentions changed significantly, as did his worldview as a whole. By genre nature, the novel is very complex and original. This is a "novel in verse". Works of this genre are found in other […]


• Eugene Onegin as an "encyclopedia of Russian life" (composition) "Eugene Onegin" is a realistic novel in verse, since. in it truly living images of Russian people of the early 19th century appeared before the reader. The novel gives a broad artistic generalization of the main trends in Russian social development. One can say about the novel in the words of the poet himself - this is a work in which "the century and modern man". "Encyclopedia of Russian life" called V. G. Belinsky Pushkin's novel. In this novel, as in an encyclopedia, you can learn everything about the era: about the culture of that time, […]
• Tatyana - the ideal of a Russian woman Creating the image of his time and the man of the era, Pushkin in the novel "Eugene Onegin" conveyed a personal idea of ​​the ideal of a Russian woman. The ideal of the poet is Tatyana. Pushkin says so about her: "Dear ideal." Of course, Tatyana Larina is a dream, a poet's idea of ​​what a woman should be like to be admired and loved. When we first meet the heroine, we see that the poet distinguishes her from other representatives of the nobility. Pushkin emphasizes that Tatyana loves nature, winter, sledding. Exactly […]


• Similarities and differences between Onegin and Lensky Eugene Onegin is the protagonist of the novel of the same name in verse by A. S. Pushkin. He and his best friend Vladimir Lensky appear as typical representatives noble youth, who challenged the reality around them and made friends, as if united in the struggle against it. Gradually, the rejection of the traditional ossified noble foundations resulted in nihilism, which is most clearly seen in the character of another literary hero- Evgenia Bazarova. When you start reading the novel "Eugene Onegin", then […]
• Tatyana Larina and Katerina Kabanova Let's start with Katerina. In the play "Thunderstorm" this lady is the main character. What is the problem this work? The issue is the main question that the author asks in his creation. So the question here is who will win? dark kingdom, which is represented by the bureaucrats of the county town, or the bright beginning, which is represented by our heroine. Katerina is pure in soul, she has a tender, sensitive, loving heart. The heroine herself is deeply hostile to this dark swamp, but is not fully aware of it. Katerina was born […]
• The image of Onegin (composition) Roman A.S. Pushkin introduces readers to the life of the intelligentsia in early XIX century. The noble intelligentsia is represented in the work by the images of Lensky, Tatyana Larina and Onegin. By the title of the novel, the author emphasizes the central position of the protagonist among other characters. Onegin was born into a once wealthy noble family. As a child, he was away from everything national, apart from the people, and as an educator, Eugene had a Frenchman. The upbringing of Eugene Onegin, like education, had a very […]
• An essay-reasoning on the topic “Tatyana is Pushkin’s sweet ideal” Spiritual beauty, sensuality, naturalness, simplicity, the ability to sympathize and love - these qualities of A.S. Pushkin endowed the heroine of his novel "Eugene Onegin", Tatyana Larina. A simple, outwardly unremarkable girl, but with a rich inner world, who grew up in a remote village, reads love stories, loves the scary stories of the nanny and believes in legends. Her beauty is inside, she is deep and bright. The appearance of the heroine is compared to the beauty of her sister, Olga, but the latter, although beautiful on the outside, is not […]
• The spiritual quest of Evgeny Onegin (composition) The famous Pushkin novel in verse not only fascinated lovers of Russian literature with high poetic skill, but also caused controversy about the ideas that the author wanted to express here. These disputes did not bypass the main character - Eugene Onegin. It has long been attached to the definition " extra person". However, even today it is interpreted differently. And this image is so multifaceted that it provides material for a variety of readings. Let's try to answer the question: in what sense can Onegin be considered "extra [...]
• The realism of the novel Eugene Onegin (composition) It has long been recognized that the novel "Eugene Onegin" was the first realistic novel in Russian literature. What exactly is meant when we say "realistic"? Realism presupposes, in my opinion, in addition to the veracity of details, the depiction of typical characters in typical circumstances. From this characteristic of realism, it follows that truthfulness in the depiction of particulars, details is an indispensable condition. realistic work. But this is not enough. More importantly, what is contained in the second part […]
• Comparative characteristics of Troekurov and Dubrovsky (table) Troekurov Dubrovsky Quality of characters Negative hero Main positive hero Character Spoiled, selfish, dissolute. Noble, generous, determined. Has a hot temper. A person who knows how to love not for money, but for the beauty of the soul. Occupation Rich nobleman, spends his time in gluttony, drunkenness, leads a dissolute life. Humiliation of the weak brings him great pleasure. He has a good education, served as a cornet in the guard. After […]
• What does Pushkin's story make you think about? Stationmaster» Alexander Sergeevich Pushkin is a man of broad, liberal, “censored” views. It was hard for him, poor, to be in a secular hypocritical society, in St. Petersburg, with the palace sycophantic aristocracy. Away from the "metropolis" of the 19th century, closer to the people, among open and sincere people, the "descendant of the Arabs" felt much freer and "at ease". Therefore, all his works, from epic-historical, to the smallest two-line epigrams dedicated to the “people”, breathe respect and […]
• The moral beauty of Masha Mironova in the story " Captain's daughter» Masha Mironova - the daughter of the commandant Belogorsk fortress. This is an ordinary Russian girl, "chubby, ruddy, with light blond hair." By nature, she was cowardly: she was afraid even of a rifle shot. Masha lived rather closed, lonely; there were no suitors in their village. Her mother, Vasilisa Yegorovna, said about her: “Masha, a girl of marriageable age, but what kind of dowry does she have? - a frequent comb, and a broom, and an altyn of money, with which to go to the bathhouse. ok if you find it a kind person, otherwise sit yourself in the girls of the age-old […]
• The noble robber Vladimir Dubrovsky (composition) The ambiguous and even somewhat scandalous story "Dubrovsky" was written by A. S. Pushkin in 1833. By that time, the author had already grown up, lived in a secular society, and became disillusioned with it and the existing state order. Many of his works, related to that time, were under censorship. And so Pushkin writes about a certain “Dubrovsky”, a young, but already experienced, disappointed, but not broken by worldly “storms”, a man of 23 years old. There is no point in retelling the plot - I read it and […]
• Composition based on the poem "Ruslan and Lyudmila" At the lesson of literature, we studied the poem by Alexander Sergeevich Pushkin "Ruslan and Lyudmila". This interesting work about the brave knight Ruslan and his beloved Lyudmila. At the beginning of the work, the evil sorcerer Chernomor kidnapped Lyudmila right from the wedding. Lyudmila's father, Prince Vladimir, ordered everyone to find their daughter and promised the savior half the kingdom. And only Ruslan went to look for his bride because he loved her very much. There are many in the poem fairytale heroes: Chernomor, sorceress Naina, magician Finn, talking head. And the poem begins […]

One of the key secondary characters works is the younger sister of the main character Tatyana Olga Larina.

The poet presents Olga as a sweet, obedient girl, embodying femininity and grace, with blue eyes, a light smiling face, a slender figure and light curls.

The girl is distinguished by cheerfulness, coquettishness, without experiencing emotional experiences, captivating the surrounding men with her charm. However, Olga's inner world is not rich in spiritual content, since the girl lives without thinking about life's problems, hiding her lack of spirituality and emptiness.

From the author's point of view, this type of women is widespread and is a reflection of the typical portrait of romantic heroines. romance novels, distinguished by simplicity, immediacy, living by force of habit and not capable of any reasoning and discussion.

Olga, like all such women, repeat, as a rule, the fate of their mothers, based on the continuation of tribal traditions and inheriting the practical experience of the older generation.

The heroine expects the same life as her mother, the criteria for which are housekeeping, raising children, caring for her husband. Olga s early childhood she is ready for the role of a faithful wife and a good mother, having received the education necessary for this life in the form of learning French, playing music, embroidery, housekeeping skills, so the girl does not expect any troubles and difficulties in the future.

The storyline of the novel in verse is based on the creation by the poet love triangle between Olga, Lensky and the main character Onegin.

The young, poetic soul of Lensky is passionately in love with a young beauty, but Olga, being a naive and ingenuous child, involuntarily becomes guilty of the death of her lover, because she allows herself to flirt with Onegin, whom Lensky is forced, being a decent person, to challenge to a duel that has become for the latter fatal.

Feeling no guilt behind herself and not long experiencing the death of her beloved Lensky, Olga meets a military officer at the ball, whom she later marries and repeats the fate of her mother, becoming a portly lady.

Using the image of Olga Larina in the work, the poet makes a vivid accent on the individuality and sensuality of the complex nature of the main character of the novel, Tatyana Larina, who is the exact opposite of her younger sister.

Composition about Olya Larina

The great poet of all eras A.S. Pushkin created several female images in his novel "Eugene Onegin". Olga Larina is considered one of the main images. The image of the girl is closely connected with the poet Lensky. Olga was Tatyana's sister. The unique and cheerful disposition, Olga's good looks set off Tatyana's quiet character and originality.

The heroine had a windy character and spent more time with Lensky. Among society, the poet was considered her fiancé. She spent more time at social events and loved to dance and have fun. Tatyana, on the contrary, was silent and preferred to spend time alone with a book in her hands. Externally, Olga was beautiful girl with blue eyes, shiny and golden curls and a wonderful smile. And her voice was simply mesmerizing.

Despite the beauty and cheerful disposition, main character Onegin finds flaws in the girl. He characterizes her as a girl with a round face and compares her to the moon, showing her stupidity. According to Onegin and the author himself, in addition to appearance, Olga did not have a rich inner world. The poverty of Olga's soul was based on lack of spirituality and complacency.

Among the villagers, Olga was considered a simple, playful, frivolous and carefree girl. She had a great life force and longed for fun and celebrations. Like any young girl, Olga was too impressionable for praise. Therefore, Eugene managed to quickly interest the girl.

At a ball in the Larins' house, the hero began to court Olga. The heroine began to reject the attention and feelings of the poet. After such an attitude towards himself, Lensky burned with strong jealousy. He mistakenly assumed that Olga was peculiar and cunning. In fact, due to the underdevelopment and limitations of the soul, signs of attention were of great importance for Olga. Jealous Lensky challenged Onegin to a duel. Before the duel, looking into Olga's eyes, the poet felt remorse. Despite his true feelings, the heroine did not love the poet. The girl was not capable of deception, as well as deep feelings. The girl perceived love as a hobby and a way of self-affirmation. After a tragic death in a duel, the girl did not mourn for long and fell in love with a military man, whom she later married. In the novel, Olga's hallmark is flirtatiousness.

Option 3

One of the main characters of the most unique work "Eugene Onegin" is Olga, whom we get to know through Lensky, who burned with ardent love for her.

He was delighted with her bright image, completely innocent, and therefore he liked to spend all his free time with her. In secular society, he was considered the bridegroom of the girl. And although the author shows us a portrait of Olga, filled with purity and beauty, he still does not consider her ideal. Even her appearance and character, he describes very briefly and inexpressively. Pushkin shows us the image of a hand-written beauty without a flaw. It is Onegin who helps us understand the reason for this discrepancy. He sees in the features of the girl the absence of life, which is the result of lack of spirituality and conflictlessness. Of course, Onegin's opinion cannot be considered from an objective point of view, because, as we can see, Olga is simple and direct. She is constantly flirtatious, and she likes praise, like any woman, from men. That is why Onegin managed to easily capture her attention at the ball. The girl is not preoccupied with any problems, and therefore she lives for her own pleasure, fluttering like a butterfly from one object she likes to another.

Olga is kind, but spiritually poor. This is what confuses Onegin, and maybe for someone she will be a wonderful wife, but not for him and not for the author. After all, Eugene and the writer himself, above all, appreciated the rich inner world in people, and not ostentatious charm. Due to the fact that she is limited in spirituality, she is simply not capable of high feelings. Lensky, whom she never rejected and even agreed to marry him, simply forgets and dances all evening with Onegin. And this lack of spirituality prevents her from comprehending why her young man left the ball so early. Overwhelmed by zealous thoughts, Lensky decided for the last time before the duel to look at his beloved. However, he sees that Olga is not tormented by conscience about her behavior, and she is just as cheerful and carefree. When Lensky tragically dies in a duel, we see that Olga was not particularly worried. Soon she begins to accept the courtship of one young lancer.

In the image of Olga, the author showed the type of coquette women who, throughout their lives, are cheerful and often acted out. They do not have deep feelings towards them men. life path their carefree and frivolous. However, here Olga's frivolity most likely comes from nature. And if we add to all these qualities a superficial perception of ongoing events and ease of judgment, we get an ordinary and popular female image, seductive enough, but not deep.

Composition based on the work of Evgeny Onegin by Pushkin

The novel "Eugene Onegin" Pushkin wrote for 8 years. Interestingly, the initial chapters were written by a rather young man. The final chapters are literally permeated with a huge sense characteristic of a person.

The history of the creation of the novel War and Peace Tolstoy

Leo Nikolayevich Tolstoy is the greatest world writer who, through his works, could reveal the essence of Rus', the life of her life and fully open his feelings to everything that was happening at that time.

The meaning of the image of the overcoat in the story The Overcoat of Gogol

The story of Nikolai Vasilievich Gogol "The Overcoat" is one of the most famous works author, devoted to the problem of the "little man".

Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that arises in the reader's imagination is like the opposite of Olga's younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described is suddenly replaced by a serious intonation:

Allow me, my reader,
Take care of your big sister.
And she appears on the pages of the novel.
Nor the beauty of his sister,
Nor the freshness of her ruddy,
She would not attract eyes.
Dika, sad, silent,
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl

This is not the heroine to whom the novel is dedicated. There is another, to which "we will arbitrarily dedicate the tender pages of the novel." Olga's beauty is familiar, and Tatyana is different, memorable. But Pushkin nevertheless notes a certain relationship between the sisters. And besides the external similarity (“movement, voice, light camp” is inherent in both), there is a spiritual unity between them:

... a friend of so many years,
Her dove is young
Her confidante is dear ...

Tatyana is not round and not red in the face, she is pale, at the same time there is life in her features. Paleness is Tatyana's constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatyana is still the same “old Tanya, poor Tanya” “sitting untidy, pale.” Pushkin does not give a direct description of Tatyana's appearance, does not resemble a painter with his specific depiction of an object, but "based on a specific force, conveys the impression made by the object." The poet creates the image by a method inherent only in verbal art. The image is transmitted through the impressions, sensations, attitude of the author. 3. The time has come, she fell in love.

The image of the moon in "Eugene Onegin" is inextricably linked with the inner experiences of the main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side
She trembled and turned pale.”
illuminated by the moon,
Tatyana writes a letter to Onegin.
And my heart rushed far
Tatyana looking at the moon...
Suddenly a thought popped into her mind...
... the moon shines on her.
Leaning on, Tatyana writes.

Tatyana writes without a lamp. The state of mind takes her away from the world of reality, which generates daylight. This highest degree abstraction.
Tatyana's letter is in front of me;
I keep it holy
I read with secret anguish
And I can't read.

It should be noted that Tatyana's letter is a translation from French. Writing in French, thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatyana’s heart.” Researchers of Pushkin's creativity, in particular Lotman, argue that "a whole series of phraseological clichés goes back to Rousseau's New Eloise." For example, “That is the will of heaven; I am yours”, “... Souls of inexperienced excitement.

for example, “This is the will of heaven; I am yours”, “... Souls of inexperienced excitement. Reconciled with time (who knows?)”. Pushkin defines such clichés as Gallicisms:
Gallicisms will be nice to me,
Like the sins of past youth
Like Bogdanovich's poetry.

In addition to the influence of "Eloise" Rousseau, Tatiana may have read poetry, a French poetess. Tatyana understands what she is condemning herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century it is a shame to write to a stranger young man confessing love. But Tatyana writes with a firm hand, this is her choice. She always decides her own fate. Subsequently, the decision to marry and move to Moscow depended only on her.

Me with tears of spell
Mother prayed; for poor Tanya
All were equal in lots ... Mother did not order, but prayed. Tatyana is sure that after reading the letter, Eugene will not reject her: “Though keeping a drop of pity, you will not leave me.” So she knew she would be loved. Intuition? Or it's not confidence at all, but hope, a plea. Belinsky will say: “Onegin did not recognize his own soul; Tatyana recognized in him her soul mate, not as in its full manifestation, but as a possibility…”. Tatyana guessed about this possibility. At the beginning of the letter, Tanya's self-evident unity with her loved ones comes through childishly ingenuously. Yes, Tatyana saw Eugene briefly, several times, she listened to him attentively, but is this enough for true high love to arise? Who is this stranger to whom Tanya refers to you, he is much older than the 18-year-old heroine, brought up by the capital. She is right:

In the wilderness, in the village, everything is boring for you.
All that remains for her is “Think everything, think about one thing
And day and night until a new meeting.